Back catalogue: Techno (All)

Review: Richard Fearless, London-based DJ and producer, returns with a daring reinvention of his electronic vision, delivering an unpolished, analogue-driven techno masterpiece. Stripping away any semblance of commercial sheen, he dives headfirst into a world of disintegration and overload, where every track feels like it's teetering on the edge of collapse. Drawing on his deep affinity for the rough textures of underground techno, the work channels influences ranging from the industrial growl of Ramleh to the acidic pulse of TM404, with moments that recall the claustrophobic minimalism of Mika Vainio and the haunting drones of Loop. Fearless is unafraid of pushing boundaries, his machinesifed by years of use and a tangled web of circuitryiemitting strange, almost sentient sounds, as if alive in their own right. What emerges is an album that doesn't simply reflect the artist's influences, but speaks with a distinct, personal voice. Tracks like 'While My Machines Gently Weep' and 'Death Mask' bear the hallamrks of live takes and dub-inspired mixing, creating a haunting, almost otherworldly quality, the machine noise blending with echoes of the past. Fearless has long been obsessed with dub and here, he allows its principles to guide him, distilling decades of musical history into something that feels deeply present. A vivid portrait of an artist grappling with his own sonic ghosts and the fractured landscape of modern dance music, it's quite the spectacular.

Review: To mark 15 years since its original release, DJ Hell's landmark Teufelswerk long player returns as a very collectable limited edition triple vinyl set that also includes a poster of the original cover and a special hype sticker. When it was released in 2009, Teufelswerk made an immediate impact and over time has remained a pivotal work thanks to its brash and inventive collision of techno, ambient and experimental sounds. It features collaborations with artists like Bryan Ferry and explores the contrast between Day and Night so looks to, and does, balance euphoric dancefloor highs with immersive, cinematic atmospheres that make a longer-lasting impression. It's proven to be a timeless, genre-defying classic.

Review: J Trystero's Cantor's Paradis on Fergus Jones' FELT label is a 45-minute drift through ambient dub terrain that leaves you mesmerised. It draws on the spacious design of artists like Huerco S. and Civilistjavel!, and unfolds in a dreamlike haze of blurred melodies, submerged textures and subtle, ever-shifting rhythms. Trystero filters the DNA of '90s dub techno into soft, iridescent tones here to craft soundscapes that feel both ancient and futuristic. Tracks like 'Untitled 6' briefly emerge with dubby definition but the album thrives in ambiguity. It's a deeply immersive record that's hypnotic, calming and subtly emotive so perfect for late-night solitude or introspective mental wandering.