Back catalogue: All genres

Review: Jack White has firmly established himself as many things-rock renaissance man and paragon of analogue recording amongst them, but strangest of all in the evolution of this mercurial figure is the way he's consistently challenged himself, and essentially only made wayward and compromising records as his twisted path has continued. Case in point is Lazaretto; perhaps his most eclectic and eccentric work to date, yet also his most focused, personal and euphoric in tone. A glorious trawl through a plethora of styles and moods and replacing the riff-worship of The White Stripes with enough freakish ideas to fill five albums this is proof positive that Jack White's muse is at its most potent when at its wildest.

Review: Let's face it, Jack White has never really stood still, with the stream of solo projects put out since The White Stripes days proof of just how relentless his creative spark is. However, as many have pointed out in reviews of Fear of the Dawn, there's not been that much of a stylistic shift since his joint venture with Meg. As such prepare to be blown away with this latest effort. Although we're not going to say whether that's in a good or bad way.

To call the tracks here obscure is nothing short of horribly reductive. A strange, at time obnoxious and jarring fusion of blues, theatrical rock, prog, and plain weird, it's nothing if not consistently unexpected, and wholly unique. Often huge in sound, but then occasionally minimalistic, it's the noise made by a man who has always threatened to throw the kitchen sink at fans, and has finally found the muscle to do it.

Review: Limited to just 2000 copies, Jack White's newest solo album 'Fear Of The Dawn' comes in a distinctive blue and white sleeve, making this move away from the White Stripes' native red and white colouration clear. Prefaced by the buzzing lead single 'Taking Me Back', we're stoked for the promised energy of this LP, which is the first of two albums slated to hit the shelves in 2022. This LP comes in either single black, 'astro' blue, or 'glow' white versions, as well as CD for the digi-heads.

Review: Jack White's sixth solo album, No Name, arrives as a delightful surprise, offering a raw and invigorating return to his roots. Released with minimal fanfare and initially devoid of track titles, this album shows off White's playful and enigmatic nature. Fans of all stripes will find something to love here: diehard collectors get a rare gem for their collections, while those simply drawn to White's music can dive into 13 new tracks, now officially titled and available on vinyl. Produced at Third Man Records Studios in Nashville, No Name strips away the grandiosity of White's recent experiments, embracing a raw, unpolished sound that harks back to his White Stripes days. The album's blues-infused rock, with its razor-sharp riffs and primal drumming, feels more alive and immediate than his recent work. Songs like 'Bless Yourself' channel the heavy, bruising power of early Shellac and Led Zeppelin, while 'Terminal Archenemy Endling' blends heavy rock with spiritual uplift. White's lyrics are sharp and biting, delivering both humor and intensity. Tracks like 'Archbishop Harold Holmes' and 'What's the Rumpus?' showcase his ability to balance the sublime and the ridiculous, with catchy hooks and incisive commentary. Leaner and more focused than he's been in years, No Name is a thrilling reminder of White's genius and overall, an enjoyable rock album to listen to.