Back catalogue: All genres

Review: Jack White's sixth solo album, No Name, arrives as a delightful surprise, offering a raw and invigorating return to his roots. Released with minimal fanfare and initially devoid of track titles, this album shows off White's playful and enigmatic nature. Fans of all stripes will find something to love here: diehard collectors get a rare gem for their collections, while those simply drawn to White's music can dive into 13 new tracks, now officially titled and available on vinyl. Produced at Third Man Records Studios in Nashville, No Name strips away the grandiosity of White's recent experiments, embracing a raw, unpolished sound that harks back to his White Stripes days. The album's blues-infused rock, with its razor-sharp riffs and primal drumming, feels more alive and immediate than his recent work. Songs like 'Bless Yourself' channel the heavy, bruising power of early Shellac and Led Zeppelin, while 'Terminal Archenemy Endling' blends heavy rock with spiritual uplift. White's lyrics are sharp and biting, delivering both humor and intensity. Tracks like 'Archbishop Harold Holmes' and 'What's the Rumpus?' showcase his ability to balance the sublime and the ridiculous, with catchy hooks and incisive commentary. Leaner and more focused than he's been in years, No Name is a thrilling reminder of White's genius and overall, an enjoyable rock album to listen to.