Back in stock: Ambient/Drone

Review: Brian Eno and Beatie Wolfe join forces on a dual release infusing two distinct musical visions rooted in shared environmental concern. Their new joint release unfolds across two sides, with Luminal offering a vocal-led collection leaning into alt-pop ambiances and timbres, before Lateral rears itself in counterpart as a seamless ambient composition, making up a study in contrast and connection. Recorded in London, the project reflects Eno's lifelong exploration of mood and atmosphere, alongside Wolfe's ongoing push to blur the lines of digital innovation and tactile experience. The project builds the activist art works of Wolfe, a British-American concept artist based in Los Angeles, named by WIRED as one of "22 people changing the world," and tracks the expression of music beyond language or form.

Review: Rod Modell's Music For Bus Stations, released by Silentes in Italy, is a masterful exploration of ambient and dub techno that immerses listeners in a transcendent soundscape. Known for his Detroit roots and innovative use of old-school recording techniques like tape loops and echo devices, Modell crafts a sonic experience that seamlessly integrates with modern architecture. The album serves as a generative backdrop, enhancing the atmosphere of bus stations with its ethereal and progressive sounds. Designed to complement rather than clash with architectural elements, the composition creates a constantly evolving, organic sound tapestry. By utilising polyrhythmic elements and shifting sonic phenomena, Modell's work induces a state of calm and reflection. Inspired by avant-garde bus station designs, such as those by Domitianus Arquitectura and Bluck & Morgen, Music For Bus Stations transforms everyday spaces into immersive sound environments. The result is a living, unpredictable auditory experience that elevates the mundane to the sublime, perfectly capturing the essence of ambient exploration. Act fast if you want a copy, Rod Modell fans are die-hards!

Review: This collaborative album from Rob Modell (Deepchord) and Taka Noda (Mystica Tribe) presents a brand new and compelling East-West dialogue in the mode of noir ambient dub. It also provides ample opportunity for these two greats of the genre to take a break from the monikers and operate under their own names - reflecting this one's specialness. If the album cover is anything to go by, this is could almost certainly be described as the equivalent of the film Chungking Express condensed into musical form, but musically, Glow World is just that - a glowing world - hauntingly pitting rain patters, chord releases and consonant yet conflicted pads into great overhead swarms of sound.

Review: Hadley Roe is a UK-based artist whose debut album on peerless ambient label Past Inside The Present adds up to a healing sonic journey crafted with electric guitar, synths and software trickery. Themes are drawn from Roe's personal struggles with mental health, trauma and isolation so make for sounds that blend melancholy, bliss and moments of calm and comfort. Take the serene 'The First Day' or the evolving 'No One Ever Touched Me Before You' - both are hugely emotive and absorbing for the way they patiently unfurl. Roe's ability to express herself through intuitive, wordless music is truly standout.