New releases last eight weeks: UK Garage

Review: London's seasoned producer ADMNTi with four tracks that distil years of immersion in tech-house, jungle and grime into sharp, percussive club tools with distinct UK flair. 'Second Hand Sushi' drives the point home with its snapping drums, snarling basslines and wiry synth stabsibig-room energy and definitely no excess fat. 'Lost Fruits' stays steppy, leaning into sub pressure and pirate radio textures, soundbites crackling like a tape pack rewind. On the flip, 'Diptych' shifts tone without dropping paceichopped strings and warped vocals glide over crunchy drum work, locking into a more introspective groove. Closer 'Shrublands' dips further into dubwise atmospherics, pairing wobbly low-end with hazy flute lines and ghosted sax, while snippets of graffiti lore from both London and New York float through the mist. Early support from Ben UFO, Enzo Siragusa and Tristan da Cunha points to the range and functionality of these cutsiwhether heads-down or heads-up, they pull threads from the capital's soundsystem heritage into something that works across times and tempos. A strong first outing for Forms World and a clear step forward from ADMNTi.

Review: Cologne-based Belfast boy Dominick Martin has been delivering deliciously good albums as Calibre for the best part of a quarter of a century, frequently departing from his trademark drum & bass sound to showcase his love of other sub-heavy and mind-bending sounds such as dub techno, ambient and dubstep. On Little Foot, his first album in two years and 22nd in total, he leans into this considered eclecticism. For proof, compare and contrast the tactile and dreamy 4/4 dub of 'Blame Dub', the dub-wise junglist bruk-up of 'Special', the mutant two-step delight of 'Ukrained', the angularm, sub-heavy UK techno of 'Threadvare' and the Mark Ernestus style spaced-out dub techno of 'Choosing Beggar'. And that's just CD1. A genuine triumphant from one of bass culture's most distinctive musical voices.

Review: US house legend Dennis Ferrer's debut album The World As I See It was a masterclass in soulful, emotive house music that really cut rherough when it arrived in 2007. Blending gospel, Afrobeat, and deep NYC roots, Ferrer avoided big-name features in favour of fresh vocal talent while delivering heartfelt tracks like 'Run Free' and 'How Can I Let Go.' The iconic 'Son of Raw' and 'Underground Is My Home' bring dancefloor fire, while 'Change the World' and 'Dem People Go' showcase Ferrer's cultural depth. With rich percussion, fat basslines and sincerity throughout, this isn't just a house albumiit's a powerful work that transcends the club and still bangs today.