Eastenderz 黑胶唱片和CD

Review: Following up releases on Kaluki Music and Nothing Else Matters, Peterborough native Alisha joins the Eastenderz family to present the awesome Visions EP. The title track is proper UK flava with its roaring speed garage style sub-bass that's underpinned by a swing-fuelled rhythm, followed by the equally bass-driven and druggy late-night vibe of 'Hallucinate. On the flip, 'Burnen' is a minimal number that takes a wonkier direction yet still very much in-line with the label's style, and ending with the tough rolling main room tackle of 'Offenn'. All killer, no filler on this one - tip!

Review: Dimmish is one of those names making himself ever more a part of the tech house firmament and he deserves the acclaim as this new EP on Easternderz proves. It is high grade tackle with several different stylistic nuances. 'Orbit' is a warm pumper with funky bass rotations and well designed drums under balmy pads. 'Lemon Life' ups thence with more high speed, high power but always funky grooves and lithe synths, and 'Singularity' rides on a wave of subtle melody that takes you ever higher. The closer 'Dissolve' with its more colourful and playful melodies might be the best of a great lot.

Review: London label ENDZ marks its 60th edition with Scottish producer Gaskin at the helm, a man who's been steadily making his mark with a knack for raw, no-nonsense club cuts. This is peak-time energy - the opener 'Inspired Eyes' moves like a coiled spring, tight percussion snapping against a rolling low-end that feels primed for sweaty basements and strobe-lit corners. 'No Limits' ups the ante, all rugged bass pressure and crisp two-step momentum, while 'Across The Globe' takes a wider, more dynamic swing, fusing its punchy grooves with restless movement. ENDZ has always been about stripped-back, high-impact club music, and this latest entry is no exceptionia sharp, unfussy dose of dancefloor damage.

Review: American producer LaRosa makes his first appearance on the esteemed Eastenderz imprint, bringing with him a quartet of killer, club-ready cuts. He sets his stall out with 'How Do You We Do', a chunky, tech-tinged roller piled high with deep, dubby sub-bass, bleeping melodies and intergalactic pads (plus a wonderful, saucer-eyed breakdown), before reaching for gently chiming melodies, bustling beats, smoother bass and trippy noises on 'Chagondoo'. 'The Fifth Story' is a little deeper and more subdued - though the sub-bass is even weightier and the melodies more bleeping - while 'Easier Said Than Done' is a rock-solid tech-house box jam of the sort that Eastenderz has always done so well. Keep an ear out for some very subtle disco vocal samples and acidic squelches.

Review: Eastenderz welcome Louden for a four-track journey of cheekily outta-space proportions, blending the best of tech funk with the more hypnotic ends of acid trance and bass. 'Touche' and 'Ambush' hold little back in the bare establishment of phattened drumbeat swing and flattened tonic funk and both tracks pepper their phrasal end-stops with plenty rewind SFX and chipmunked "ahem, music please" samples for good measure. 'Spaceship' and 'Dizzy Hum' move more furtively, the latter track especially opting for a glottal DX7 organ whose swing is almost too lingual to handle.