Mobile Fidelity Sound Lab US 黑胶唱片和CD

Review: American singer-songwriter Bruce Springsteen is about as big a music star as there could possible be. It all began in January 1973 when the legendary rocker dropped his debut album, Greetings from Asbury Park, NJ which is now back in print in several different formats as a "hybrid" remastered version that brings together both regular and "super audio" versions. It's a still superb album that laid out The Boss's sonic vision and was noted by Rolling Stone critic Lester Bangs for being dexterous and on point socially. Bluesy rockers, semi-acoustic treats, funky workouts and plenty more all feature on this limited edition 180 gram audiophile vinyl.

Review: Bruce Springsteen's celebrated debut album returns to stores, this time in a "hybrid" remastered form, which features both regular and "super audio" versions. Released way back in January 1973, the set announced the arrival of "the Boss" as a future great, received warm reviews (at the time, Rolling Stone critic Lester Bangs highlighted the dexterity and social commentary of Springsteen's lyrics), and is now considered one of the greatest debut albums of all time. It has certainly held up well, with Springsteen and has band delivering a mixture of bluesy rockers, semi-acoustic treats, surprisingly funky workouts, and songs that still sound as fresh and potent as they did half a century ago.

Review: Stone Temple Pilots' 1996 pivot from grunge scaffolding to something stranger and shinier comes remastered on Mobile Fidelity's hybrid SACD; a hi-res edition cut from the original tapes. Recorded in a sprawling Californian ranch-turned-studio, the band ditched the confines of alt-rock purity for glam-flecked guitar pop, stoned psychedelia, garage crunch and warped lounge. It confused critics at the time, but Tiny Music... Songs From The Vatican Gift Shop has grown into its reputation, helped along by a vocal performance from Scott Weiland that drifts between smeared and swaggering, ragged and weirdly precise. Brendan O'Brien's production brims with odd textures and giddy detours, as 'Big Bang Baby' borrows from 'Jumpin' Jack Flash', while 'Lady Picture Show' veers into brittle melancholy. A record that made fun of the rules while rewriting them.

Review: Van Halen's 1984 remains a seminal record in the history of rock music, marking a significant pivot in both the band's sound and its broader influence on the genre. Released in a year crowded with iconic albums from heavyweights like Judas Priest, Iron Maiden and Bon Jovi, 1984 stood out with its innovative use of synthesisers, a bold move for a band traditionally known for its hard-hitting guitar-driven rock. This sonic shift, spearheaded by Eddie Van Halen's exploration of keyboards, made the album both controversial and groundbreaking, with 'Jump' becoming a defining anthem of the era. The album kicks off with the brief, synth-driven title track that transitions seamlessly into 'Jump,' a song that introduced a new layer of polish to Van Halen's sound without sacrificing the energy or fun that defined their earlier work. Despite initial resistance from die-hard fans, 'Jump' became the band's most commercially successful song, balancing Eddie's keyboard experimentation with David Lee Roth's larger-than-life vocals. Following 'Jump', the album dives back into more familiar territory with tracks like 'Panama' and 'Hot For Teacher', showcasing the signature blistering guitar riffs and infectious rhythms that put Van Halen on the map. 'Panama' is an explosive rocker, with crunching guitars and Roth's unmistakable charisma, while 'Hot For Teacher' opens with one of the most recognizable drum intros in rock history. The band's chemistry is on full display, combining wild guitar solos, booming bass lines, and energetic vocals. Deeper cuts like 'Top Jimmy' and 'Drop Dead Legs'' are often overshadowed by the big singles but still highlight the band's dynamic range. 'I'll Wait', with its atmospheric production and introspective tone, stands as one of the more unique entries in the Van Halen catalog, blending ghostly vocal effects with the band's pop sensibilities. Produced by Ted Templeman, 1984 strikes a delicate balance between the more polished sound of mainstream rock and the band's rough, raw origins. The album's commercial success, aided by MTV and the rise of music videos, cemented Van Halen's place in the pantheon of rock greats. Even 40 years after its release, 1984 sounds fresh, an enduring testament to Van Halen's ability to innovate without losing their core identity. Whether it's the flashy guitar solos, Roth's exuberant vocal performances, or the bold use of synthrs, 1984 captures a band at the peak of their powers, pushing boundaries while staying true to their rock 'n' roll spirit.

Review: Mobile Fidelity's reissue of Van Halen's Van Halen II on hybrid SACD is a great example of rock 'n' roll at its purest. Mastered from the original analog tapes, this edition captures the raw energy and electrifying performances that defined the band's sophomore album. From the infectious hooks of 'Dance the Night Away' to the powerhouse riffing of 'Somebody Get Me a Doctor,' every track pulses with vitality and excitement. Eddie Van Halen's virtuosic guitar work shines throughout, while David Lee Roth's charismatic vocals add an extra layer of swagger. The album's dynamics, airiness, and palpable energy are faithfully reproduced, offering listeners an immersive listening experience. With its vibrant sound and standout musicianship, Van Halen II remains a timeless classic that showcases the band at the height of their powers.

Review: Van Halen's third release, Women & Children First, showcases the band coming into their own after their meteoric rice to fame in the late 70s. Originally released in 1980, the album made the top ten and sold over three million copies with little radio play and not even a top 40 song. The album is also ranked #36 in the top 100 Heavy Metal records of all time. Released on limited numbered 180 gram at 45RPM Audiophile SuperVinyl with the UltraDisc One-Step process spread across two records. Mobile Fidelity Sound Lab US's pressing is perhaps the ultimate copy to have for the discerning audiophile.

Review: Van Halen's sophomore album, Van Halen II, receives the deluxe treatment here with this limited, numbered, 180 gram 45 rpm Audiophile SuperVinyl UltraDisc One-Step 2xLP box set. Originally released in 1979, the album showcases the band's electrifying blend of hard rock and heavy metal, propelled by Eddie Van Halen's revolutionary guitar work and David Lee Roth's charismatic vocals. With classics like 'Dance the Night Away' and 'Beautiful Girls,' the album captures the band at the peak of their powers. Remastered for vinyl with meticulous attention to detail, this deluxe edition offers audiophiles a pristine listening experience, making it a must-have for collectors and fans alike.

Review: Even posthumously, Bill Withers is 'Still Bill'. Because he's still got it; Mobile Fidelity here reissue the album on its 50th Anniversary, doing thorough justice to the soul crooner's original album first released on the landmark Sussex Records in 1972. Following up the familial, sunned and simple subject matter of his debut 'Just As I Am', Still Bill opted more specifically for a sultrier and more romantic lyrical affair, and like its cover, saw Withers express his many-angled take on love.