What About Never 黑胶唱片和CD

Review: Over Under marks a vital moment in Secondo's artistic evolution as he mixes up the functional with the experimental in-house and techno. Reflecting two decades of exploration, this new album recalls his early production style while incorporating lessons from the years. It opens with the kosmische pulse of 'Occhi Nuovi' and moves through various tempos and moods, from club tracks like 'Unlikely Companions' to deeper, reflective moments such as 'Solar Funk'. The album's progression weaves a carefully crafted narrative, blending alien funk, mid-tempo grooves and jazz-inspired texture that all shine bright.

Review: Secondo is an artist we have long been keen to hear more from so this return to vinyl is welcome indeed. It comes on a hand-stamped white label 12" in the form of 'Unlikely Companions'. This one is a cosmic deep house sound with an alien energy, crispy hits and smeared pads that bring colour and introspection. The drums are well designed to and help make this one as heady as it is cinematic. Marco Passarani's Nature remix on the flip gets a little more warped and dark with unsettling sci-fi ambiance.

Review: You can always count on Capracara to bring something a little spicy to the table, but the results are even more unpredictable when you throw UK house magician Simbad into the mix. If you like your house music extremely grubby, blippy, analogue and slightly unhinged, but still soulful, you're in the right place. 'Roubaix Cube' jerks and bumps along with all kinds of bleeps and rugged beats, and the pads sound delirious but still inject some real heart into the track. 'Prowler Report' heads further off into discordant freakiness, but there's still plenty of punch down low. 'The Ozone' is the smoother offering, with some gorgeous keys, chords and pads interweaving for a still-rugged but oh-so-sweet strain of deep house music.

Review: Five years have now passed since Valerie From The Galerie released their inspired debut, an Italian-dream-house-meets-New-Jersey-deep-house masterpiece called Tape One. The same kind of colourful, loose, lo-fi and sun-soaked aesthetics are at the heart of this similarly inspired follow up. It's the kind of album that has a distinctive feel and dancefloor-centric pulse, but also works as a set to wallow in from start to finish. There are plenty of moments of individual brilliance, too, including the joyous deep house breeze of 'Grapefruit', the tactile synth-wave warmth of 'Lean In', the ambient house squelch of 'Jimi's Haircut', the sun-up house shuffle of 'Black Magic' and the sun-bright gorgeousness of 'Terrible Bad OK Good Great'.