Tags: US Garage

Review: Strictly Rhythm's 30th anniversary series of "Best Of" double-packs should be an essential purchase for all those looking to grab some high-grade U.S house from the 1990s and 2000s. As you'd expect, there's some genuine peak-time gold to be found on this second salvo in the series. After beginning with the bumping U.S garage richness of Barbara Tucker's gospel-flecked "Beautiful People", the set variously touches on glitchy deep house goodness (DJ T re-editing the "Full Effect" mix of Essence's "Moments In House"), stomping and muscular deep house (DJ Sneak), jazz-funk inspired house dreaminess (the original version of Wamdue's "King of My Castle") and ambidextrous dancefloor sweatiness (the Kenny Dope style breakbeats, heavy bass and woozy pads of Soul Fusion's "Basstone (Underground Network Mix)".

Review: Tommy Musto dives deeper into his DAT archives to unearth another collection of mid-90s NYC gems for this essential new 12". These four tracks capture the essence of iconic clubs like Red Zone, Club Zanzibar, Twilo and Sound Factory and at the same time echo the sounds that legends like Knuckles, Humphries and Morales spun during that era. Each one blends darker baseline and jacked-up house drums with moody synths that all add up to a fine batch of beats that deal in pure, classic vibes straight from New York's classic underground scene.

Review: Demuir's Visions album gets its first series of remixes here as standout cut 'Home Sweet Home (The Journey)' gets reworked by Baltimore's finest dance music ambassador and bona fide legend DJ Spen. First up he brings some shuffling and deep soul to the groove with an irresistible skip to the drums and a lush vocal. The dub pairs things back a little further with more splash in the percussion and last of all comes the Hump mix. This one has noodling keys working their way up through the mix to bring real enlightenment.

Review: Reagan Grey is a Toronto-based producer who impresses with this cultured new outing on Selections. 'What You Came Here For' is pure vibes - a house cut with old-school organ stabs and hints of US garage drum shuffle, all topped with a nice hooky vocal cry from Kayenne. Kai Alce's NDATL mix layers in some jazzy keys that take things to the next level and 'Undertones' then keeps the soul quotient high with some molten chord work and dusty drum loops that are warm and heartfelt. 'Don't Stop' shuts down with a heavier basement house vibe and more smart synth work.

Review: Plastik People Collections dropped this one back in 2019, and it became an instant classic that soon sold out. It has since rocketed in price on the second-hand markets, so thankfully, the label is reissuing it this summer. Cultured Pearls's 'Mother Earth' is effortlessly cool garage-house with bumpy drums and expressive piano jams perfect for outdoor dancing. Night Society's 'You Turn Me On' has an authentic US edge and hot and humid groove with passionate vocal cries, then JJ Can's 'I Don't Know Why' is a dubby and low-slung deep garage sound with chopped vocals and a timeless appeal. Three vital cuts that will be huge all over again this year.

Review: Herb Rhythm has long been kicking out brilliantly garage and house sounds and now he is back with something a little deeper on GLBDOM Classic. 'True' is a smooth and soulful garage house sound, but it's not overly produced - there are still some nice frayed edges to the drums while the vocal is an r&b gem. It comes in various mixes from bumping for the club to more cut-up and 2-step from Ease Up George. On the flip is the fresh dub garage delight 'So Many' with plenty of nostalgic throwbacks and liquid chords, then 'You Can Do It' closes with a more direct sound but still plenty of warming pads. A mighty useful EP, for sure.