Back catalogue: All genres

Review: Following his powerful Waveforms 13-14, Aural Imbalance returns to ASC and Presha's 90s jungle inspired imprint with 15-16. As always with the label, the tracks are just numbered and as always with Simon Huxtable's AI alias, there's a full focus on the drums and powerful sense of atmospherics. 15 slaps hard with choppy breaks while an ice cold pad whips up early Tango & Ratty or Krome & Time vibes. 16 is a little more driving and looser, more Justice and Modern Urban Jazz in its flavour. Both hit the spot. Make sure you do, too.

Review: We need to go back to 2017 for this one. Dub & Wheel is one of Kid Lib's many aliases and 'The Firmament' was one of many unfinished (but very playable) WIPs that Tim Reaper was spinning heavily at the time. One thing led to another and he completed the WIP with so many ideas and energy, it ended up into two versions. Fast forward to 2024 and they finally see the light of day in all their uncompromised choppy choppy glory. And now comes the obligatory reissue as a record like this was never going to stay in stock. Grab it while you can!

Review: Seemingly unable to rest on any of their laurels for long, and already returning just a year on from 2024's noise-rock indebted sixth full-length Coagulated Bliss, ever-prolific grindcore stalwarts Full Of Hell are back with the ferocious Broken Sword, Rotten Shield EP. Featuring notably cleaner production than ever heard prior, the material pays homage to classic death metal motifs whilst eschewing the Melvins worship of their previous outing, with cataclysmic blasbeats and face-metling guitar solos underpinning vocalist Dylan Waker's inhuman shrieks and bellows. Commenting on the retro-style artwork featuring what can best be described as a "dog knight", Walker elaborates - "The dog knights represent these pure defenders against a world of darkness and the feeling of utter grief and defeat when we lose these companions. Along side that metaphor, the song also explains that in this world, all living things are rendered equal in the end, and for some that's a mighty fall."

Review: 'A Few & Far Between' is an ongoing, multi-part reissue series from the cultured folks at Sushitech as part of the label's 20th birthday celebrations. It features music by pioneering London tech house collective Housey Doingz which has been pulled from their archives and remastered for the occasion. his volume features the much sought-after and timeless 'Without You' which is a perfect example of how this outfit blended the soul of house with the drive of techno into something both physical yet emotive, all driven by 303 basslines. As well as the original, the B-side of this 10" features a nice warm and heady dub version.

Review: The fifth instalment of Sushitech's exclusive 10x10" series showcases archival and newly remastered tracks from the cult Housey Doingz, a London pair who did plenty to shape early UK tech house sounds. This one features their elusive remix of DJ Snug's 'The Predator' a track that has become incredibly rare and commands sky-high prices in the second-hand market. It's minimal tech but with maximal impact. On the reverse of this is a remastered dub version of 'Kitchen Spasm' which is another irresistible club cut and makes for the perfect acid double-header.

Review: Sushitech's celebration of the superb London tech house collective Housey Doingz continues as part of their own 20th anniversary year. This time they again dig into the archives to reissue a remastered version of 'Fonki' which is yet another hard-to-find Housey Doingz original that first came on Surreal. It's a perfectly dubbed-out sound with plump kicks and cavernous sub-bass but does not lack any bite and drive, which is why it is so loved by the heads. Flip it over for an ever more dubby dub version. Another vital pick-up for OG tech house fans.

Review: Sushitech is spending part of its 20th birthday year by shining a light on the superb early work of Housey Doingz. The London duo dropped plenty of tech house heat in the late 90s though plenty of their archives remain unreleased. The sixth instalment of the ten-part series features a freshly remastered version of the iconic house classic 'Lounge' which was originally released on Eukahouse 25 years ago. On the flip, 'DMT', a previously unreleased track from a long-forgotten studio session at Strange Weather, makes its debut. It's another fine addition to their already solid legacy.

Review: You probably already know that Housey Doingz were a pivotal early house outfit from London. As part of its 20th-anniversary celebrations, Sushitech is back with a second instalment of remastered tracks and rare, previously unreleased material from their legendary Strange Weather DAT archives. This one kicks off with 1998's 'Belly Wobbler' which has been a cult classic ever since. Flip it over and you get treated to an unreleased mix of' Chess With Dwarves' which is another archetypal tech house sound with a sweet mix of driving drums and crispy snares but also plenty of machine warmth.

Review: This release, which is part of the label's 20th anniversary celebrations, marks a significant milestone for Sushitech, a long-established label that deals in quality dub, tech and deep house. It offers a special glimpse into Housey Doingz, a highly influential collective from the London scene who pioneered early underground sounds. The exclusive 10x10" series showcases remastered tracks and rare, previously unreleased material from their legendary Strange Weather DAT archives. The first instalment features a remastered version of the iconic 'Flying Saucer,' a tune that has been a staple at Fabric over the years, plus an unreleased dub version that has never been heard before. Crucial.

Review: We're very much into this 10 x 10" series from Berlin-based label Sushitech as part of its celebrations of 20 years in the game. It is serving up carefully dug-out delights from the treasured vaults of vital London tech house outfit Housey Doingz, and next up is a long-lost and unreleased delight recorded with the legendary voice of house music, Robert Owens, originally recorded over two decades ago. They have aged well and 'Put It All Behind Me' is sure to become an instant new/old modern house classic. As well as the original which channels the vibes of New Day, a dub comes on the flip.