Back catalogue: All genres

Review: The mighty Defeated has got a fun package on its hands here with some fat disco and house anthems primed and ready for big room summer fun. A'Studio's 'SOS' (feat Polina - Skylark remix - Nic Fanciulli edit) is chunky house with a hooky vocal and rolling groove designed to sweep you up and away. Chloe Caillet then remixes Tensnake's classic 'Coma Cat' into a hands-in-the-air house stomper with epic strings. Harry Romero's sweaty 'Revolution' gets its drums buffed up and well swung by a House Master's Edit and Prunk & Rona Ray steal the EP at the last with their lush vocal house cut 'Keep It Simple.'

Review: There's a fair chance you'll already have heard "Cola", experienced production duo Camelphat's collaboration with vocalist Elderbrook. The original version, with its rumbling bass, atmospheric builds, subtle bassline house influence and "she sips the Coca-Cola" refrain, has become something of an anthem since first appearing on digital download earlier in the year. For this first vinyl release, Defected has packaged the now-familiar original mix with a trio of reworks. The most impressive of these comes from German veteran Mousse T. He brilliantly re-casts the track as a bumpin' chunk of celebratory disco-house complete with thrilling piano riffs and an elastic bassline.

Review: Get ready for a rush-inducing dose of proper soulful vocal house from the mighty Dames Brown. On this record for Defected, Detroit's foremost trio of Athena Johnson, Lisa Cunningham and Teresa Marbury linked up with the mighty Amp Fiddler and Andres for a rip through house music as real as it gets. The original 12" mix of 'What Would You Do?' is hard to beat for raw, heavy-hitting groove and production, but there are some choice remixes included here for those who have different needs, whether it's the bouncy jazz funk of Two Soul Fusion's version or the smoother sound of Folamour creating a sleek disco house variation for the peak time crowd.

Review: Given that Defected's multi-arist EP series was designed as a way for vinyl DJs to get hold of some of the imrpint's biggest digital download hits, you'll be unsurprised to learn that volume nine contains some seriously sizable material. Riva Starr kicks things off with a remix of Dennis Ferrer classic "Hey! Hey!" that turns the track into a Moroder style electro-disco throb-job, before Ferreck Dawn delivers some big room vocal house pleasure. Over on the flip, John Summit's "Deep End" is another beefy big room workout built around sweet female vocals and a thickset bassline, while Offiah's "Play It By Ear" is a 21st century update of the muscular, mid-90s MK sound.

Review: Though mostly known for their colourful and soul-drenched house, Defected can also do more physical and tech-leaning sounds as exemplified on this new EP. It features a mix of new school tastemakers with Jansons opening up with the old school breaks and bars of 'Hypnotic' (feat Dope Earth Alien) then American star LP Giobbi layers up the freewheeling melodies and punchy drum loops on 'Giodisco.' Sam Divine gets for a deep and driving house sound on 'Take My Hand' (feat Josh Barry) and Oden & Fatzo X Camden Cox close things out with a more light and airy vocal sound on 'Lady Love.' Some useful variation here.

Review: Defected needs no introduction, simply a reiteration that its no secret its one of the most influential house labels around today. Jamie Jones made a huge splash at Ibiza's 2022 season with this track, receiving support across the board from underground tastemakers to daytime radio. Bolstered by the remixes of Brazilian icon Vintage Culture and the alchemist himself, longtime Ibiza master Damian Lazarus on this rolling feel-good house groove. It's easy to see the mass appeal of such a sunny track.

While Jamie explored disco influences with his signature high-energy groove on the original, Vintage Culture's clear-cut trademark sound gives a distinctly tougher feel, a chugging bassline and rolling synths giving it that dark club side. Lazarus, the soundshifter that he is, reshapes the track in his image. Culminating in a more abstract, chopped-up house entry, undeniably funky with some synths and keys that sound like they shouldn't work - but by God do they.

Review: Over the last three years, DJ/producer Mimmo "MoBlack" Falcone has turned MoBlack Records into arguably the World's leading label for African house music. Defected clearly thinks so, because the label has decided to put out this EP featuring tracks from remixes from Falcone and some of his regular collaborators. On side A Falcone joins forces with Armonica to deliver two sparkling, rubbery, positive and heavily electronic reworks of Fela Kuti classic 'International Thief Thief'. Both hit the spot, though it's the Dub, with its extended vocal breakdown and trippy effects, that floats our boat. Over on the flip we're treated to two versions of MoBlack, Emmanuel Jal and Henrick Schwarz hook-up 'Chagu': a bouncy Afro-tech take from Schwarz and a warmer, deep Afro-house interpretation by Falcone.

Review: You can't fault Defected for being always there and always on point. It truly embodies house music spirit and has done for decades on many different fonts. 'Spotlight' leans on an r&b jam familiar to many and it comes here with some fresh remixes. The original is rolling, soulful house with lush production, US garage drum shuffles and great vocals. Sam Divine adds plenty of weight bass and makes it a more tribal tech cut then two Mousse T remixes offer first a big, raw and piano-laced version as well as a slamming disco mix for the peak time.

Review: Sophie Ellis Bextor got her self back in the headlines during lockdown having hosted a series of live streams from her own home. They reminded people of her happy go lucky and dance floor friendly sound, not least her epic naughties hit 'Groovejet' (If This Ain't Love).' Defected capitalise on this with a massive double pack of remixes from contemporaries like Purple Disco Machine and Riva Starr. The original sits pretty in the middle of them all and frankly still takes some beating but Harvey Sutherland does a fine job of updating it with some cool jazz-funk bass and chords.

Review: Defected gather together some big hitters for this VA release which will appeal to all those who like their house music pitched for the biggest rooms possible. John Summit takes us to the top with 'La Danza' and Dennis Ferrer & Disciples get some epic remix treatment courtesy of Summit once again. Ferreck Dawn and Izzy Bizu face off on the B side with 'Life', which brings some powerful pop hooks into the mix atop a catchy as hell house beat. That leaves it to Dawn to tackle Jem Cooke for a version of 'Back Tomorrow' that's just as anthemic, giving you everything you need to move a massive crowd.

Review: It's a case of old school meets new school on this fresh new slice of house from Defected. Representing the vets is the one and only Louie Vega, while in the contemporary corner are New York's finest, the Martinez Brothers. Marc E Bassy also pops up on vocals for this feel good deep house gem. His part sung, part rapped delivery comes over soul drenched beats and nice singing leads, which have long been a hallmark of the great Masters at Work man, Vega. A TMBLV mix is more pumping, Honey Dijon cuts loose on elastic bass and rugged rhythms and Dom Dolla offers a more energetic and main room version.

Review: Since the 1970s Danny Krivit has been a prolific re-editor. We're used to him cutting up classic cuts - think disco and soul, in particular - but he's never been afraid to turn his talents to contemporary cuts. That's what you get on this surprise Defected release. On the A-side he turns his attention to "Heaven", the killer gospel-inspired modern disco single from The Vision and Andreya Triana, turning in a version with plenty of drops, instrument solos and more emphasis on the righteous, life-affirming vocals. He's in a smoother mode on side B, extended and rearranging the rich and soulful dancefloor treat that is Kai Alce's Original NDATL vocal mix of The Dangerfeel Newbies' "What Am I Here For?" - a gem from 2016 that has previously been criminally overlooked.