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Review: Some 25 years after delivering his debut 12", Richard D James hasn't lost the ability to thrill or inspire. By his obtuse standards, the material that makes up the surprise Cheetah EP is actually rather laidback and melodious. "Cheetah2 (LD Spectrum)", for example, sounds like a slow house jam written by robots, while the even deeper "Cheetah7B" shuffles along in a metronomic fashion, seemingly oblivious to the increasingly aggressive World at large. Of course, those trademark skittish IDM rhythms are present and the Cornishman has thrown in a couple of hazy ambient cuts for good measure.
… Read morePlayed by: Lo Shea
in stock $11.64
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Review: A decade after making her debut, and some six years on from the release of her widely acclaimed 'Tale Me Apart' album, Kelela is back on Warp with what some critics are saying is her strongest work to date. While her early musical missives twisted R&B in dark new directions, with her sweet and emotion-rich voice front and centre, 'Raven' takes her in a variety of thrilling new directions. The album was recorded in two weeks in Berlin, with the lyrics chronicling a love affair in reverse order (so the pain of breakup is explored on the drowsy ambient pop opener 'Washed Away'). Musically, it's far more diverse than many were expecting, with forays into dreamy breakbeat, jungle, IDM and two-step garage complimenting her usual otherworldly R&B grooves.
… Read more in stock $15.34
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Cat: WARPCD 237. Rel: 27 May 13
Experimental/Electronic
Review: Following up the runaway success of Crooks & Lovers was always going to be a daunting task for Mount Kimbie, and they've wisely taken their time to come back with a step forwards from a sound which gave rise to the more folky strains of the dubstep aftermath. Sounding fresh and invigorated on their LP for Warp, Kai Campos and Dominic Maker have built on their love of shoegaze indie and brought their component parts into a clearer vision where they used to hide them behind heavy editing and microsampling. There are plenty of reminders that this is a Kimbie record, not least in the winsome melodies that shape the LP, but the duo have succeeded in shearing away their self-conscious trickery to write full-bodied songs that hit on first listen, rather than ten spins down the line.
… Read more in stock $14.77
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Review: Since first emerging on Hotflush at the tail end of the last decade, Mount Kimbie has navigated the post-dubstep landscape better than almost any other act. It says something about their transformation into hard-to-define electronica heavyweights that Love What Survives, their third full-length and second for Warp manages to be both surprising (there are subtle nods towards titans of post-punk pop and rock, for starters) and exactly what you'd expect. They're masters of fusing disparate styles, sounds, textures and beat patterns into beautiful hybrid shapes, and this kind of 21st century fusion is evident throughout. Naturally, there are a few notable guest appearances dotted throughout, with James Blake's two contributions amongst the album's many highlights.
… Read more in stock $10.79
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Cat: WARPCD 321. Rel: 29 Oct 21
Broken Beat/Nu Jazz/Nu Soul
Review: Over the years, George 'E.A.S.E' Evelyn has made some very good downtempo music as Nightmares on Wax, as well as some killer club cuts. Even so, he's previously made little quite as musically refined as Shout Out To Freedom. Made in cahoots a giant cast-list of guest performers, the album's 15 tracks rarely surprise - we know by now that Evelyn will blend elements of soul, hip-hop, jazz, reggae and smooth grooves - but are still capable of genuinely taking your breath away. Basically, Evelyn is doing what he does best, only better than ever, with more extensive use of live instrumentation and some genuinely stirring orchestration. Highlights include the Balearic ambient jazz brilliance of 'Wonder', the low-slung, flash-friend soul shuffle of 'Own Me' and the sunrise-ready bliss of 'Imagineering'.
… Read morePlayed by: Marco Gallerani
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Review: This year marks three decades since George Evelyn sat down with original Nightmares on Wax production partner Kevin Harper to make music for the first time. In those days, Evelyn was focused just as much on house and techno as reggae, soul, jazz and hip-hop. You'd forgive Evelyn if he got a little misty-eyed on Shape The Future, but bar the appearance of his old Leeds pal LSK (a rapper who rose up at the same time as the Yorkshire veteran), its really business as usual. With an impressive cast list of guest stars swinging by to lend soulful vocals, on-point raps and high quality musicianship, the album is as colourful, laidback and groovy as anything Evelyn has released. Given his longevity, that's remarkable.
… Read morePlayed by: Corbi, JKriv (Razor-N-Tape)
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Review: Caribbean-Belgian composer, producer, and musician Nala Sinephro us now based in London and for her debut album she gets incredibly personal. The long player marks a first release on the mighty Warp label and it is more than worthy of that accolade across a series of stunning ambient and jazz pieces. They are all interconnected and speak of an artist in deep thought and a state of inward reflection. The moods are devastatingly impactful whether melancholic or more hopeful with wistful sax sounds and gentle drums adding up to captivating worlds of sound.
… Read morePlayed by: Stephane Attias
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Review: There's no 'difficult second album' syndrome evidence on Squid's sophomore full-length. While it lacks the forthright, math rock and post-punk-inspired immediacy of the Brighton band's acclaimed full-length debut, the density, inventiveness and experimentation that marks out O Monolith more than makes up for it. For proof, check recent single 'Swing (In a Dream)', a wall of sound affair that builds through approaching waves of instrumentation (first picturesque 16-bit synths and acoustic guitars, then grooves, trumpet solos and finally grizzled guitars), the laidback post-punk-funk of low-slung treat 'Undergrowth', and the skittish, jazz-flecked, layered soundscape that is 'The Blades', where squally horn solos and dense alt-rock guitars catch the ear.
… Read more in stock $13.92
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Review: Earlier in the year, Yves Tumor announced the release of this album by releasing 'Gospel For a New Country', a low-slung chunk of post-punk pop brilliance that mixed weighty grooves and emotive vocals with flash-fried guitar riffs amd sampled big band horns. Fittingly, it's this fine track that kicks off 'Heaven To A Tortured Mind', a notably fuzzy, live-sounding set that continues his evolution from quirky electronica maker to alt-rock artist. While there are some electronic sounds dotted across the set, for the most part it's funk-rock riffs, ESG style basslines, organic drums and his own heartfelt vocals that dominate. It could win him many new fans; certainly, it's a very good album.
… Read morePlayed by: Juno Recommends Experimental
in stock $10.79
