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Back catalogue: Coldwave/Synth
Juno's full catalogue of Coldwave/Synth
单曲
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Review: Ever-changing Slovenian collective Laibach seems to have mellowed with age, with the band's inherent desire to court controversy (see their 2015 performances in North Korea for a relatively recently example) currently curtailed. Love Is Still Alive, which marks their first new music since the release of last year's well-received album Wir Sind das Volk, is actually an "extension" of the music they wrote to soundtrack the 2019 film 'Iron Sky -The Coming Race'. It is, they say, a "trip through space music genres of recent decades" (albeit with bonus nods to country, pop and so on) that loosely tells the story of a spaceship full of post-apocalyptic survivors making their way across the solar system. It's a lot of fun, all told, with the band expertly showcasing the breadth of their musical knowledge as well as skip-fulls of imagination.
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专辑
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Review: If it's been a while since Adult's last album, there's a very good explanation. Back in 2014, they successfully applied for an arts grant to turn their studio into a kind of drop-in centre for some of their musical heroes. Since then, a vast roll-call of electronic music talents old and new have spent three weeks living, collaborating and recording with Adult in Detroit. The results are showcased on Detroit House Guests. Combining their usual EBM, industrial, electro and experimental influences with those of their selected guests - Nitzer Ebb's Douglas J. McCarthy, noted experimentalist Robert Aiki Aubrey Lowe and Swans man Michael Gira included - it's an album that feels like a wholehearted celebration of the power of artistic collaboration.
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Review: In 1979, Cabaret Voltaire - then consisting of all three founder members, Richard H. Kirk, Stephen Mallinder and Chris Watson - recorded a soundtrack for an experimental film "for two projectors" by Babeth Mondini. 40 years on, that soundtrack has finally been given a release. It's similar in tone to some of the Sheffield experimentalists' other soundtrack work from the period, offering discordant, unsettling and otherworldly sound collages that fuse heavily modified and processed instrumental parts (guitar, bass, drums, clarinet, saxophone) with tape loops, sampled dialogue and the band's ever-present electronic tones. Whether you're an obsessive Cabs fan or not, it's well worth a listen. This is, after all, a slice of previously hidden musical history.
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Review: Richard H Kirk was rightly praised for 2020's Shadow of Fear, his first album since turning Cabaret Voltaire into a solo project back in 2014, and his recently follow-up EP, Shadow of Funk. Both distilled the essence of the Cabs' club-friendly industrial funk sound, re-formatting it for the 21st century. Dekadrone, though, is a different proposition altogether. Focused not on clubs but on immersive home listening, the four-phase, single track set removes Kirk's clanking, often paranoid beats in favour of dystopian aural textures (think dark, droning tones, abstract electronics, apocalyptic ambience and dirt-encrusted samples). Those who prefer the Cabs' more experimental, ambient-leaning works will love it.
… Read morePlayed by: Juno Recommends Leftfield
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Cat: CDSTUMM 415. Rel: 30 Mar 18
Review: Former Throbbing Gristle mainstay Chris Carter has more than enough projects to keep him busy, which may go some way to explain why it took him the best part of eight years to record CCCL, his first solo album for almost two decades. Created using home-made electronic instruments, hacked effects units and "retro circuit modification", the album's 25 tracks were apparently inspired by a mixture of the Radiophonic Workshop's legendary 1960s electronic experiments and Carter's desire to utilize the kind of "nursery rhyme" melodies found in traditional English music. It's a curious combination, but one that guarantees a near perfect balance between far-sighted electronic experimentation and cheery tunefulness.
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Review: With Christmas fast approaching, Throbbing Gristle founder member Chris Carter has decided to offer up the perfect stocking filler for industrial and experimental electronica enthusiasts: a four-disc retrospective focusing on the early part of his solo career. While it omits his 1980 debut "The Space Between", it does include expanded, re-mastered versions of 1985's surprisingly ambient "Mondo B", 1998's trippy, hypnotic and rhythmical "Disobedient Redux" and 1999's brilliant "Small Moon Redux". Even more excitingly, the box's first disc - the most experimental, out-there and inspired of all - is made up entirely of previously unreleased tracks recorded between 1973 and 77. In truth, this disc is worth the entrance price on its own.
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Always: The Very Best Of Erasure (3xCD in a hardback book + booklet)
Cat: LCDMUTEL 26. Rel: 28 Oct 15
out of stock $24.40
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Review: When it appeared in stores in the summer of 2020, Erasure's latest album, The Neon, was praised for the quality of its analogue-heavy synth sounds, which recalled the time Vince Clarke spent as part of Depeche Mode at the turn of the '80s. Those throbbing, retro-futurist synth sounds - driving arpeggio style basslines, undulating melodies and spacey chords - are naturally at the heart of The Neon Remixed, a fresh set of largely dancefloor-focused interpretations. Highlights are plentiful and include - but are no way limited to -Octa Octa's sublime take on 'Secrets', a throbbing nu-Italo rework of 'Hey Now' by Hifi Sean, Kim-Ann Foxman's superb analogue house-meets-new wave revision of 'Secrets' and the pitch-black sleaziness that is Armageddon Turk's extended mix of 'Diamond Lies'.
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Ideal World
Collapsing New Peopl
Sleep
Stand Up
Speak To Me
One Man's Meat
The Ring
Jump
Ad Nauseum
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Review: In 2015, long-serving Slovenian experimentalists Laibach became the first Western band to perform in North Korea, including a number of songs from "The Sound of Music" - a favourite in the DPRK since the 1960s - alongside their own material. Three years on, and with the assistance of Silence's Boris Benko and vocalist Marina Martensson, they've finally delivered their interpretation of the musical film's familiar soundtrack. Swaying between rock balladry, experimental synth-pop, darker tones and industrial style fuzziness, the band's covers are both revolutionary and revelatory, as staples such as "The Lonely Goatherd", "My Favorite Things" and "Do-Re-Mi" are given radical makeovers. As they did at the concert that inspired the set, they also give their interpretation of some traditional North Korean folk songs.
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Wir Sind Das Volk: Ein Musical Aus Deutschland (limited CD in hard-back book sleeve)
Cat: CDSTUMM 472. Rel: 01 Apr 22
out of stock $9.26
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Transnational (Revisited)
How The West Was Won (Revisited)
The Great Seal (Revisited)
Opus Dei (Revisited)
Opus Dei (remix)
Transnational (remix)
How The West Was Won (remix)
The Great Seal (remix)
Review: Laibach revisits two iconic tracks from their 1987 opus, bringing new intensity to 'Leben heiBt Leben' and 'Geburt einer Nation.' Originally reworked for live performances, these versions merge theatrical drama with sharper sonic edges. The second disc ventures further, with original producer Rico Conning layering remixes that strip back and reimagine the band's audacious sound. This project doesn't just reframe the past; it grapples with it, offering both a homage and a provocative challenge to how we hear Laibach today.
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Review: Laibach's Opus Dei is the band's third LP, originally released in 1987, offering the Slovenian band's unique blend of uplifting yet disturbing melodies. An essential release from one of industrial music's most important bands, amoing its highlights are two German language covers of their breakthrough hit - a cover of Eurotrash one hit wonder 'Live Is Life' by Opus - and a simialrly Teutonic version of 'Birth Of A Nation' by Queen. Terrifying, enthralling, disturbing and exhilarating - Laibach are all these things and this is a slice of them at their very best.
… Read morePlayed by: Juno Recommends Leftfield
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Review: Throbbing Gristle's Industrial Records originally released Thomas Leer and Robert Rental's The Bridge in 1979. It was the Glaswegian duo's only album but was one that had a looming influence over artists such as Art of Noise and John Foxx. At the time of its release it was utterly unique, a completely new starting point of a DIY electro pop sound that was made in a bedroom with synths and reel-to-reel tape machines and full of experimental ideas and fresh takes on punk. The whole record is run through with haunting vibe and a tinny aesthetic thanks to the cheap gear it was made on.
… Read morePlayed by: Juno Recommends Leftfield
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(No 12k Lg 17Mif) New Order & Liam Gillick: So it Goes (2xCD + 24 pages booklet)
Cat: CDSTUMM 450. Rel: 12 Jul 19
Review: In the summer of 2017, New Order returned to Granada Studios in Manchester - the site of their first TV appearance - to perform a special concert. With the accompaniment of a "12-piece synthesizer orchestra" and a stunning, ever-changing stage set designed by Liam Gillick, the legendary Manchester band delivered an extended set featuring radically reworked versions of tracks from their back catalogue. This evocative live album presents the recording of the concert in its entirety, with Bernard Sumner and company mixing bona fide hits ("Shellshock", "Bizarre Love Triangle") with album tracks, lesser-celebrated songs and the odd stunning soundscape (a particularly beautiful version of "Elegia"). As you'd expect, it's superb and a cut above most live albums.
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