Review: Dynamite Cuts brings the heat once more with a second volume of their Sound Music 45s series. Siegfried Schwab takes care of the A-side with 'Getting High', a scorching funk workout with hard-worked guitar chords and precise percussion over lots of wah-wah effects. 'Feel It; flip the script with a superbly stripped-down jazz-funk lounge sound. Klaus Weiss then steps up on 'Time For Rhythm' with some loose, percussive funk beats that are raw and organic, then Peter Thomas closes down with 'Documentation', a more richly instrumental and multi-layered jazz-funk sound that conveys real grandeur.
Review: Dynamite Cuts lives up to its name once more by unearthing a deep funk treasure here, and they do the right thing and serve it up for the first time ever on its own 7". Sound Investment's 'Funky Skunk' is a raw and rhythm-heavy rarity previously confined to album-only status. It's bursting with tight grooves, gritty breaks and irresistible energy and is a dream for DJs, collectors and crate-diggers. On the B-side, 'Dirty Man' keeps the heat alive by delivering more deep-fried funk goodness. Both cuts showcase the band's raw musicianship and groove-driven spirit. Authentic funk vibes don't come much better than this.
Review: Initially released in 1976, New York jazz artist Frank Strazzeri's LP 'After the Rain' saw the saxophonist-turned-pianist string together immaculate Rhode grooves, flute passages and intimate, funky bass lines in this jazz-funk spectacular. Almost 50 years on, this numbered, extremely limited collector's piece on 2 stunning blue 7"s housed in a gatefold selects 3 of the greatest tracks from the album. From the Rhode-fuelled relaxing sounds of 'After the Rain', to the brassy 'Blue Dawn' and finally, a disc dedicated to the progressive masterpiece 'Cloudburst'. This gatefold is a much-needed reintroduction of Strazzeri's work back into the jazz conversation, backed up by the talents of the legendary flutist Sam Most and jazz trumpet player Bobby Shew. Jazz collectors, especially fans of the New York piano and lounge scenes, this is for you.
Review: Sweet Linda Divine has a big old set of lungs on her. She proves that here with this 7" on Dynamite Cuts which comes on both ball vinyl and limited edition white wax. Both sides offer very different sounds. 'I'll Say It Again' is a raw cut with fat funk bass riffs and lively drums, expressive yelps and wails that cannot fail to bring the steaminess. On the flip, 'Same Time, Same Place' slows it right down to a more sentimental and heartbroken soul sound but still with plenty of power.
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