Capitol 黑胶唱片和CD

Review: You and we alike know Kings of Leon have been around forever - but they keep on serving up hit rock albums with plenty of character, soul and just the right amount of grit. This special CD release Can We Please Have Fun (Live In Wrexham Edition) captures the raw energy and dynamic performance of the band in a live setting. Recorded during their electrifying show in, yes, Wrexham, it features everything from their signature anthemic rockers to intimate ballads. Each track draws you into the electrifying atmosphere of the concert with their trademark blend of heartfelt lyrics and powerful instrumentation, meaning this album shows why they're revered as one of the premier rock bands of their generation.

Review: Now 21 years into a hugely successful career, you'd forgive Kings of Leon for resting on their laurels. That they've not done that with Can We Have Fun, their ninth studio album. Instead of dialling in alt-rock-tinged American rock anthems - their stock-in-trade - they've instead delivered a set that's as spiky, unpredictable and infectious as their earliest work, while also making space for moodier, slower and more atmospheric songs. So, on one hand you have recent single 'Mustang', an infectious slab of garage-rock funkiness, and the weighty Foo Fighters riffs and booming bass of 'Nothing To Do'; on the other the slow-motion beats, effects-laden ambient textures, soft-burn guitar solos and dreamy sonics of 'Split Screen' and the country-goes-indie flex of 'Actual Daydream'.

Review: Since appearing on Gorillaz fifth album, Humanz, in 2017, Kali Uchis has been on an upward trajectory. Now a major international star with a quartet of major label backed solo albums to her name, the Colombian American rapper and singer arrives at album number five, Sincerely, at the peak of her powers. Inspired in part by an unexplained "life-altering event", the set's lyrics explore "the complexities of life" and her desire to "find joy in life despite of the world". In truth, it's more joy than pain, with Uchis gravitating towards head-nodding, string-laden grooves, r&b-influenced pop, guitar-laden trip-hop torch songs, and immersive, dream-like soundscapes.