Comet France 黑胶唱片和CD

Review: A true lesson in Afrobeat right here as Miguel Toro, Gyver Hypman and Augusto recreate some of Tony Allen's classic rhythms and deliver them as neat, funk-coated instrumentals. Perfect for DJ sets and sampling alike, a huge amount of musicianship and thought has gone into these. From the super mellow rim shot riddim of "Niaja Breaks" to the more thriving frenetic flavours of "Afrobeat Jam" (a beat that's found favour with the likes of Toddla T et al in recent years), this is a fine revisitation and a genuine education.

Review: Since its release in 1999, Tony Allen's Black Voices album has earned a reputation as an overlooked modern classic. While a scaled-down reissue appeared on Kindred Spirits in 2014, this edition marks the first "full repress" of the original double-album version. The Doctor L-produced set remains hugely alluring, thanks largely to the warm and attractive mixture of Allen's loose and languid Afrobeat rhythms, fluid jazz and jazz-funk instrumentation and vocals that recall the legendary drummer's work with Fela Kuti. Like the original set, you'll find a number of tasty dancefloor reworks nestled on the second disc, with the fuzzy and disco-fied PsychojujuMix of "Ariya" - complete with rubbery bass and sweaty drum solos - standing out.

Review: On its' original release in 2002, Tony Allen's HomeCookin album was arguably a little overlooked. Like its' predecessor, 1999's Black Voices, the set updated the legendary drummer's Afrobeat sound for a new millennium. As this timely reissue proves, it was a particularly successful exercise. The album's genius lies in the Nigerian sticks-man's combination of traditional elements - most notably his loose, skittish polyrhythms, guitars and punchy horns - with elements of future-jazz, modern soul (see the brilliant Eska collaboration, "What's Your Fashion") and hip-hop. British rapper Ty excels himself on a number of killer cuts, though it's a more traditional Allen style dancefloor workout - the sublime "Crazy Afrobeat" - that really stands out.

Review: For the second volume in the Tony Allen and Africa 70 Disco Afro Re-Edit series, Africaine 808 and Mexican Sound Institute have been given the tricky task of reworking some suitably epic classics. The 12-minute original version of "Afro-Disco Beat", long considered one of the greatest Afrobeat workouts of all time, proudly stretches out across the A-side, allowing listeners to revel in Allen's extended drum breaks and Africa 70's rousing, horn-heavy instrumentation. Africaine 808 give the track a deliciously spacey, Moog-heavy makeover, combining Allen's playing and Africa 70's horns with vintage drum machine hits and outer-space effects. A brilliant package is completed by Mexican Sound Institute's similarly spacey, intergalactic interpretation of 1979 cut "African Message".

Review: Heroic Nigerian drummer Tony Allen put out this landmark album in 1984, but the sounds bare all the hallmarks of his best 70s material. The grooves are super chunky and many say the title track here is one of Allen's best ever tunes. It has a punchy hook and political sentiment that really resonates while the rest of the tunes are not too shabby either. There wired up with electronics next to the trumpets, drums and percussion and have a super cool Celluloid Electric Africa vibe as a result. A regal and dub version is included of that title track meaning this reissue won't hang around for long.

Review: Comet Records continue their Afrika 70 reissue series with more from the pioneering and visionary Tony Allen and The Afro Messengers. It focuses on his best material from the late 70s, remasters it all and presses it nice and loud. The No Discrimination LP is as relevant now as ever in terms of its messaging, and musically it also holds up. The lyrics are socio-politically charged. The drumming is tight as hell and though this marks Allen's first solo album away from Fela's band, it finds him in fine form as he takes afrobeat into the future.

Review: Ayizan's lone album, 'Dilijans' originally came in 1984. Since then, it has been seen as something of a slept-on, hard-to-find classic. Musically it joined the dots between "compas" (a style popular in Dominica and the Antilles) with folk, jazz, funk and soul. This is the latest reissue and a great chance to cop a record that is the epitome of breezy, soulful, sun-kissed tropical goodness. Top tunes range from the chant-along, carnival-ready flex of the title track and marimba-fired, beat-free brilliance of 'Tem'.

Review: Full Moon Ensemble's Crowded With Loneliness is one of the French free jazz scene's early classics. It is now the first reissue from Comets new series and it comes on lovely gatefold vinyl. Produced by Claude Delcloo, it has echoes of Pharaoh Sanders and politically-engaged French poetry (most of which was inspired by US poet Bob Kaufman) over next-level drumming. The band saw very little commercial success but was much loved on the live scene. They all went their separate ways as a result and left behind this holy grail which is now available to all once more.

Review: Ebo Taylor And The Pelikans were Afro-funk masters of the seventies. Their self-titled 1976 record is one of the most well-regarded and highly sought-after Ghanaian funk offerings and now it gets a high-quality reissue by Comet Records. This album contains the legendary 'Come Along' and is the first time revered artist, arranger, musician and producer Ebo sang the seminal Ghana funk tune. He is joined throughout by the 12-piece Cape Coast collective The Pelikans led by Bessa Simmona with rhythm guitarist Fifi Orleans Lindsay.