Forever Living Originals 黑胶唱片和CD

Review: 29-year old Simbiatu Ajikawo aka Little Simz had a breakout year in 2022 that saw her complete a sold out tour and win some big awards (Mercury Music Prize, Mobo, Ivor Novello and Brit) as well as the public's affections. She takes a bold left turn here with 'No Thank Yowl, an album of defiant punk rock that is sleek and dynamic and serves as a "two-fingered salute to conformity and fame". It's a confident record from an artist at the top of her game, all recorded with her go to collaborator Inflo. She says, "emotion is energy in motion. Honour your truth and feelings. Eradicate fear. Boundaries are important."

Review: First released on streaming services back in December, Little Simz fifth album, No Thank You, finally makes it onto CD. Chances are you've already heard it, but if not, we can confirm that it's a genuinely brilliant set that more than lives up to the dizzy heights of its Mercury Prize-winning predecessor, 2021's Sometimes I Might Be Introvert. Constructed in great sonic detail by long-term production partner InFlo - all sultry strings, head-nodding R&BV beats, sampled horns, background and chorus vocals from Cleo Sol and warming bass - the ten-track set contains some of Little Simz's most potent lyrics - all of which are delivered with the kind of seamless, London-accented flow that we've come to expect from her. Another triumph from one of the UK's greatest MCs.

Review: ***B-STOCK: Slight dent on the edge, otherwise in perfect condition***


2021's Sometimes I Might Be Introvert catapulted British rapper Little Simz into the big leagues. It's not an understatement to say that Simz became the artist to watch out of nowhere, instantly becoming a fan and critic favourite, crashing into the top 5 of the albums charts, collecting Mercury Music Prize, Mobo, Ivor Novello and Brit Award wins. NO THANK YOU is yet another delicious left-field turn for 29-year-old Simbiatu Ajikawo, sleek, succinct and utterly propulsive, it's Simz' defiantly punk rock, two-fingered salute to conformity and fame, and all the expectations and restrictions that come with it. Recorded with her regular collaborator Inflo, this is Simz at her most free, daring and spontaneous - a notion that should leave fans lightheaded with joy.

Review: SAULT's body of work is almost untouchable. The mysterious collective has turned out plenty of it in the last couple of years with no fewer than four fantastic albums. This one is a complete left turn, though, which ditches the edgy alt-rock, sou land jazz for an altogether more subbed and symphonic sound. It is a soaring astral soundtrack with plenty of wide open spaces, grand arrangements and plenty of uplifting and celebratory sounds drawn from hugely spiritual choral music and contemporary classical.

Review: The mysterious London-based music collective Sault are in the process of reissuing their first five albums on vinyl, in full, after they were released as a free digital download in late 2022. AIIR is among the lesser-cited of the quintuplet bunch, being a five track EP and sequel to their sixth album AIR. Providing a rapturous counterpoint to that album while building on its choral themes, this LP could consist of anything from outtakes from the making of AIR to true reprises; it's hard to tell. What we do know is that the music here would have been as equally suited to the high-flung parabolae of grandiose mid-century American filmmaking as it now is for the modern music lover. Pieces like 'Still Waters' and 'God's Will' - with their divine harp flourishes, choirs of angels, and complex string and timpani movements - are evocative enough to recall sublime pastoral classics like Watership Down or A Matter Of Life And Death - not just UK music royalty.

Review: Listen up and pay attention all serious soul heads - Cleo Sol is back with an album which confirms her position at the forefront of UK soul. Sol has a career which reaches back to the late 00s guesting for the likes of Tinie Tempah, but it's within the wider Sault orbit she's forged a renewed presence in recent years. Locked into a productive run of albums which kicked off with Rose In The Dark back in 2020, her latest long player might just be her best as she gracefully glides from piano ballads to pastoral funk, low-slung neo soul bump and beyond. Everything is bound together by her flawless voice and a persistently warm, mellow production, making this sound like a future classic in waiting.

Review: Cleo Sol has emerged on Forever Living Originals alongside the avant-gospel sensation of Sault, and in an understated way she's quickly positioned herself as one of the most compelling, original voices in UK soul. Hot on the heels of Heaven comes her third LP Gold, and it's another masterclass in low-key but wholly intentional production framing some of the most arresting singing and songwriting you're likely to hear all the way through 2024. On Gold especially there's a tendency towards a cosy, in-the-room sound from the live kit and warm keys to the subtle undercurrent of soundsystem mixing attitude, and it makes for an album you'll want to live in for days on end.