Keinemusik Germany 黑胶唱片和CD

Review: Adam Port, &ME and Rampa at team up with Little Dragon are quite the collaboration here on 'Saving My Love', a one track 12' where the deep house sound of Berlin collides with Swedish pop sensibilities. Proper mood music for late night basement parties, the Keinemusik trio's idiosyncratic style of bold, emotive and futuristic groove is the perfect backdrop to Yukumi Nagano's breathtaking vocals. Tip!

Review: Keinemusik have made a shocking wave on the international minimal house and techno scene. Two of its core members and executive officers, Adam Port and Alan Dixon, here present a brand new collab single: 'Forms Of Love' is so emotive that its piano, drums, strings and synth flourishes register deep in the gut, the sonic equivalent of a deep bacteria detox. Recalling the slow mournful builds of Rising Sun blended with the of live drumwork Harvey Sutherland or Mim Suleiman, the track is surely our next set-closer go-to.

Review: Following up a great release on Gerd Janson's Running Back last year, Keinemusik's Andreas Richter (Reznik) pairs up with longtime friend and kindred spirit Michael Schiedt aka Good Guy Mikesh for the One More EP. The Berlin-based duo have gone down a fabulous dark disco route on this one, featuring Mikesh's brilliant vocals on the title track, plus there's the late night noir antics of B-side offering 'Read The Room'.

Review: &Me and Black Coffee make for something of an Afro house dream team here. The latter has long been this sound's pin-up and has gone from playing in South African townships to producing with Beyonce and winning Grammy Awards over the last decade. Now deep in his latest Ibiza season, he unveils collaborative track 'The Rapture' (Pt III), a deep rolling cut with spine-tingling chords and a rich atmosphere. &ME then goes solo for 'LIFE', a shuffling percussive groove with spoken words and enchanting chords to make for a classy two-tracker.

Review: Keinemuzik return for a fresh split 12", co-starring production peers Alan Dixon and Arabic Piano on the long-burner that is 'Thandaza'. A brooding progressive cut that glides through sun-upped vocal chants and shuffling percussive elements, the track is a veritable exciter, with Piano's vocals coming off especially charming. Dixon's signature piano line abounds in the breakdown, giving images of cocktail-glassed refractions of beachside fires backclothed by a deep blue ocean.