Review: And so Bjork's majestic remix collection continues to trickle onto our shelves and into your eardrums. The legendary leftfield pop singer / producer gives up her "Lionsong" tune for remix action from none other than Juliana Huxtable; the newcomer has only got a couple of cameo appearances to their name, but she's coming through string with this one. In essence, it's a techno tune - driven by fire kick drums and minimal sonics - but her soulful twists of vocals render it to be much more than that in the end. It's a soothing, delicate techno massage with a powerful energy.
Review: Originally released in 2007, Bjork's Volta, and later named Voltaic, is considered to be one of the artist's greatest works, one which incorporates everything from African rhythms, industrial tones and even elements of hip-hop thanks to Timbaland's appearances on the LP. At the time of release, the album was and is still praised by critics, it spent a good 10 week's on Billboard's charts and explored another side to Bjork's many talents. If you haven't heard it yet, you have definitely missed out because it is truly magical.
Sacrifice Reprise (Matthew Herbert Pins & Needles mix)
Mutual Core (These New Puritans remix feat Solomon Is Song)
Hollow (16-Bit remix)
Mutual Core (Matthew Herbert Teutonic Plates mix)
Thunderbolt (Death Grips remix)
Dark Matter (Alva Noto remodel)
Thunderbolt (Omar Souleyman remix)
Solstice (Current Value remix)
Moon (The Slips remix)
Crystalline (Matthew Herbert remix)
Review: When is a remix album not a remix album? When it's creatively driven by Bjork. The wonderfully titled Bastards might be a collection of reversions from her 2011 album Biophilia but it's clear all artists have been specially considered for their job and worked hard to subvert their usual motifs; stretching from the warped techno twists of 16-Bit's take on "Hollow" to the ghostly acapella of These New Puritans remix of "Mutual Core", this is one bastard you want in your life.
Review: Following from the success of this year's Vulnicura LP, Iceland's Bjork has decided to release an acoustic companion made up of string-only reinterpretations; a more abstract and pensive piece, if you will. One Little Indian is the label, of course, but this time there are strictly no beats, and the only concrete sounds within it are the subtle and placid wails of Bjork's own voice. While it isn't truly a pop album, there is enough playfulness and charm to render it playable not only as a solitary piece of music, but also alongside other pieces...in an explorative DJ set, perhaps.
Review: Depending on which reviews you read, Utopia is either Bjork's most impressive album for a long time, or an interesting but flawed one. Co-produced by Mute and XL artist Arca with occasional studio contributions from Rabit, the set was designed to be positive and dream-like in tone, with Bjork delivering some of her most romantic lyrics to date. Musically, it's every bit as bonkers and brilliant as you'd expect, with pastoral and classical instrumentation nestling side by side with 8-bit electronics, bowel-bothering sub-bass, folksy textures and wildlife field recordings. It should perhaps be seen as a partner piece to the notably dystopian Vulcinara (2015), offering a more blissful counterpoint to that album's bleak and intense mood.
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