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Back catalogue: Post Rock/Experimental
Juno's full catalogue of Post Rock/Experimental
单曲
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Review: Cocteau Twins' musical mastermind Robin Guthrie has produced some terrific solo records over the course of his career, frequently delivering material that joins the dots between ambient, ethereal soundscapes, shoegaze and the more immersive end of the soundtrack spectrum. 'Astoria' is the latest volume in the Scottish multi-instrumentalist and producer's ongoing EP series (its predecessor, 'Mountain', dropped in September). It's another typically gorgeous and enveloping affair in which effects-laden guitar motifs, gaseous ambient chords, gentle rhythms, ghostly aural textures and slowly shifting melodies combine to create instrumental sound worlds of rare beauty (if not sonic clarity - Guthrie's use of reverb and delay is liberal, which adds to its atmospheric nature but adds extra layers of attractively wide-eyed haziness).
… Read morePlayed by: Juno Recommends Ambient/Drone
in stock $10.74
专辑
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Cat: RH 003CD. Rel: 29 May 25
Review: Pioneering Japanese psychedelic rock Acid Mothers Temple & the Melting Paraiso U.F.O. (AMT) were formed in 1995. Their relentless output has spawned various offshoots over the years, such as Acid Mothers Temple & the Cosmic Inferno and Acid Mothers Temple SWR, synthesising and alien cosmo-grammar in sound, one that perhaps only the most acid-casualtied tongues can interpret or speak. Now present through Rolling Heads comes their latest album for 2025: Holy Black Mountain Side comprises three psychedelic pieces, reticulating a series of recording sessions held down between 2021 and 2023, at one point reinterpreting a traditional folk song, and throughout enlisting guest bass from Taigen Kawabe of Bo Ningen. Each record comes wrapped in unique artwork by lead improvisor Kashiwagi Ten, adding an extra layer of veiled mystery to each: no two records are visually alike.
… Read more! low stock $14.69
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Review: The latest offering from serial collaborator and cross-genre tastemaker Stephen O'Malley's Ideologic Organ imprint is a tender filigree bureau of acid folk sketches from Tokyo's Ai Aiso. Across seven tracks, she patiently meanders through broken and phased chord progressions, her simultaneously pure and wavering vocal lines forming elegant arcs over sparse beds of instrumentation and washes of room tone. Some tracks are bookended by applause, and it is this ostensibly 'indoorsy' atmosphere which lends the mini LP a great deal of charm; the delicate atmospherics seem to issue from an intimate and isolated space. Indeed, Bandcamp user Everyvillianislemons317 describes it as "The perfect album for a lonely night in the city." We're more than inclined to agree.
… Read more in stock $12.06
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Kairos (hand-numbered CD limited to 200 copies)
Cat: PITP 52CD. Rel: 12 Sep 24
Review: Berlin trio AUSKLANG are back with Kairos, a second superb album that builds on their last effort, 2020's Chronos, also on Past Inside the Present, 2020. It finds the trio of Fabian Koppri, Benjamin Sohn, and Simon Ansing play with concepts of time and entropy across eight movements that balance melodic post-rock and layered ambient soundscapes. It's a deceptively complex blend of glitching electronics, drums, bass and guitar with classically inspired orchestrations that makes for something as immersive and grand as it is beautiful. As the summer fades and autumn arrives, this richly rewarding album is sure to prove a great companion as we spend more time indoors.
… Read more in stock $12.72
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Review: Bristol trio Beak>, like their co-founder Geoff Barrow, have always had a tendency towards the obtuse, choosing to go where they please musically with an air of disenchanted veterans whose faith in the world is waning all the time. This dystopian streak was evident on their 2009 full-length debut, where they consciously avoided overdubs and studio trickery, and it has returned to the fore on their widely acclaimed fourth studio set - a collection of 'head music' that they insist should only be listened to in its entirety. If you do that - and you should - you'll be treated to a delightfully cosmic, psychedelic and otherworldly journey through organ-heavy dream pop ('Strawberry Line'), wide-eyed krautrock-influenced funkiness ('The Seal'), acid-fried soundtrack weirdness ('Windmill Hill'), gentler and more intergalactic excursions ('Bloody Miles') and much more besides.
… Read more in stock $14.13
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Review: Miami-born contemporary guitarist Bill Orcutt is known for his infatuating blend of blues, punk, trance and noise. With the release of Four Guitars Live on CD, he could've easily convinced us of this being a rare and long-forgotten artefact, of a proto-drone artist from the Deltaic 1960s. In reality, this was first incarnated in 2022 under the recorded name Music For Four Guitars, and Orcutt's establishing brand of doom-blues-trance-minimalism could invite artistic comparisons as far-fetched as Steve Reich or Rachika Nayar. But his sound is more nostalgic, seeming to predict emo and pysch both "before" and after the fact of the genre's establishment. Fittingly Reichean, Orcutt forms one part of a quartet here, performing the record in its entirety live at Le Guess Who? festival in Utrecht, 2023.
… Read more in stock $18.65
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Review: Every once in a while, you get a band emerge from the vibrant London music scene that you notice aren't like all the other bands. You sense they have something a bit special. BC, NR are like that - they offer something so rich musically that it appears immune to any potential threat that could come from changing trends. This third studio album of theirs comes under what looked like difficult circumstances from the outside. Their lead singer and songwriter Isaac Wood left the band shortly before the release of their second album. But they've withstood the pressure incredibly and are on top form here. There's more emphasis than ever on sharing the role of frontperson so the album is like a smorgasbord where you sample different voices and songwriting styles that exist within the group. Lead single 'Besties' is violinist Georgia Ellery's. It thrives off of its dynamism with explosive Phil Spector-esque wall of sound moments set in alongside elegant indie folk. A truly massive chapter awaits.
… Read more in stock $12.72
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Review: Since they first broke through in 2018, Black Midi has delighted in confounding expectations, with each successive release showcasing a band in continual, high-speed evolution. Cavalcade, the London band's second full-length excursion, continues these trends, expanding on their avant-garde, experimental rock sound via a swathe of wildly imaginative tracks that variously mix, mangle and mutate elements of noise rock, jazz, sun-kissed samba-soul, lo-fi punk-funk, post-rock, neo-classical, Bert Jansch style instrumental folk and blissed-out downtempo waltzes. The results are frequently staggering, always entertaining and restlessly inventive. There's no doubt that it will end up winning more critical acclaim - and most likely a bagful of awards - at the end of 2021.
… Read more in stock $12.72
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Review: Cited by Pitchfork as one of the best shoegaze albums of all time, the self-titled debut LP from Brooklyn's Lawrence Chandler and Martha Schwendener (better known as Bowery Electric) marked a significant turning point in mid-90s indie rock, as several acts began to approach the genre with much more brazen experimentation and a sonic disregard for accessibility. Fusing elements of trip-hop, ambient soundscapes, harsh drone and walls of impenetrable fuzz, into a muted seance of deceptively inviting yet hypnotic post-rock, this long overdue reissue serves to refill a vacant spot on many an avid collector's shelf, whilst hopefully educating newcomers to an outfit as pioneering as Slowdive and overlooked as Codeine. If you're a studious observer of the Numero Group output and you've yet to encounter Bowery Electric, you could run the risk of having your shoegaze card revoked.
… Read more in stock $19.51
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Review: The first ever reissue of Dorothy Carter's 1978 folk/psych/drone masterpiece. A truly unique album in Dorothy's catalog, Waillee Waillee's essence sits in Dorothy's mastery of the dulcimer; its shimmering notes fully enmeshed with the cavernous drones of Bob Rutman's bowed steel cello. The core of this album, Dorothy's only with a full band, lies in the contradiction of traditional psych-folk idioms and the minimal avant-garde, referencing Laraaji and Henry Flynt as much as Karen Dalton.
… Read more in stock $25.12
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Review: .By its very nature, Tenkiller is a very different beast to Chat Pile's other releases. Recorded in the winter of 2020 to be the soundtrack to Tenkiller, an indie movie about the lives of ordinary people in small-town America, it sees the noise-rock/post-hardcore combo focus on mood and tone, rather than form and function. As a result, fuzzy and forthright cuts of the sort you'd expect come supplemented by dystopian, industrial-influenced soundscapes, lo-fi alt-country, guitar-laden mood pieces, low-slung and effects-laden creepiness, intense electronica and the kind of slow-burn ambient-not-ambient that was once the preserve of cult bands such as Labradford.
… Read more in stock $14.69
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Review: Clinic Stars' debut album Only Hinting is a melancholic swirl of downer-pop and shoegaze, crafted by Detroit duo Giovanna Lenski and Christian Molik. Having spent 2022 and 2023 recording at their home studio, they layered each track with dense FX and deep reverbs, creating an emotional undertow that envelops every song. Tracks like 'I Am The Dancer' spiral with strummed guitar swells, while 'Remain' pulses with gated reverb, and the greyscale melancholy of 'Isn't It' drips with dreamy, aching nostalgia. The album is as much about escape as it is about longing. Though the duo cite their industrial surroundings as a key influence, the songs themselves feel as if they're trying to transcend these confines, soaking in the romance of distance and detachment. Previous EPs 10,000 Dreams and April's Past offered a similar slowcore haze, but Only Hinting takes this aesthetic further, blending melody and ambience until they become indistinguishable. There's a delicate balance between lightness and weight, a constant tug-of-war between floating and sinking. The guitars drift, vocals melt into the background, and the production feels both expansive and intimate, stretching across shadowy cityscapes. With this debut, Clinic Stars have created a deeply immersive sonic landscape that lingers long after it fades out. Available to pre-order now, Only Hinting will be released on LP format later this year.
… Read more in stock $21.47
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Cat: 4AD 0642CD. Rel: 22 Aug 24
Review: The Moon and the Melodies, a remarkable collaboration between Cocteau Twins and ambient pioneer Harold Budd, remains a standout achievement in both artists' repertoires. First released in 1986, this enchanting album is now receiving a well-deserved vinyl reissue, meticulously remastered by Robin Guthrie from the original tapes. This album is a stunning fusion of the Cocteau Twins' signature dreamlike atmospheres with Budd's elegant, improvisational piano, resulting in a listening experience that is both expansive and deeply personal. The blending of Elizabeth Fraser's ethereal vocals, seamlessly intertwined with Guthrie's luminous guitar work and Raymonde's resonant bass, creates a sound that is both distinct and evocative. The album effortlessly balances vocal tracks with instrumentals, each adding to its rich and diverse sonic palette. This reissue offers a chance to rediscover a defining moment in the evolution of dream pop and ambient music. The Moon and the Melodies continues to stun audiences. This CD edition is the perfect vehicle to an ethereal beauty of the highest order.
… Read more! low stock $12.43
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Review: Recorded in October 1997, but lost and rediscovered two decades later by digital artist Gvoon Arthur Schmidt, GVoon: Brennung 1 is one of countless gems nestling in the sound archives of the late, great Holger Czukay. Described as a "futuristic sound meditation" by remastering engineer Dirk Dresselhaus (better known as experimental electronica producer Scheider TM), the single, expansive piece was created by Czukay at a point in time when he was happily working with German techno and electronica producers (Westbam included) while exploring the potential of digital music-making and production technology. The results are typically immersive, enveloping and off-kilter, sounding as far-sighted and ahead-of-their-time as they no doubt did when the piece was originally recorded in 1997.
… Read more in stock $13.85
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Review: Deepspace's 'Neon Blue Utopia' is the 16th album from the Brisbane-based artist is a heady brew of ambient electronica, spacewave and post-rock, conjuring a dreamlike world like a cyberpunk film score filtered through a kaleidoscope. 'Utopia=Visions' sets the tone with its expansive soundscapes and shimmering textures, evoking a sense of awe and wonder. Tracks like 'Parkour on Lazarus Heights' and 'Rainy... Precinct' paint a vivid picture of this futuristic metropolis, with their pulsating rhythms and otherworldly sounds capturing the city's vibrant energy and neon-lit glow. 'Entering Aquarium Prefecture' and 'Bubble Echolalia District' delve into the surreal, their off-kilter rhythms and disorienting soundscapes suggesting a world where reality is fluid and dreams are tangible. The album's second half continues the exploration, venturing into darker and more experimental territories. 'Floor 426-B' and 'Empty Office Space' hint at the city's hidden depths and the lurking shadows beneath its gleaming facade. A proper journey through a world of sonic imagination, this is an immersive and evocative soundscape-fest.
… Read morePlayed by: Juno Recommends Ambient/Drone
in stock $18.08
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Review: Dirty Three's first full-length since 2012 is a strong trip through six cinematic movements.Love Changes Everything is a windswept trek through arid deserts and moonlit forests, a contemplation of love that blends melancholy jazz, ambient folk, and tender post-rock. The trio, comprising Warren Ellis, Mick Turner and Jim White, has a knack for producing instrumental music that defies categorization. White's drumming is as textural and unfastened as ever, Turner's riffs hum with punk ferocity and raw Americana, while Ellis's strings, piano, and synths provide a widescreen theatricality. The album opens with Turner's disfigured twangs and Ellis's soaring strings, gradually building to a militaristic thump. Tracks like 'II' and 'III' offer slow-motion piano melodies and spectral strings, creating visuals of spectral faces and oily vapors. Love Changes Everything unfolds like a film, with moments of fiery discordance and serene contemplation. Ellis's fiddle on 'V' and the tempestuous conclusion on 'VI' exemplify their dynamic range. This album is a sublime addition to their catalogue because of their matured, exploratory sound.
… Read more in stock $12.72
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Review: This concept album is a sonic odyssey into the depths of an acid trip, capturing a multitude of states of consciousness and profound internal emotions. It's a rich experience, best appreciated in different mind states and with full presence. The album is rooted in psychedelic/space tock and Krautrock, with touches of psych folk and electronic elements. It features acoustic guitar, delicate flute, harp-like instruments, bells, and assorted percussion, creating a lush and textured soundscape. The music is mostly instrumental, peppered with occasional vocals and spoken word, reminiscent of early Pink Floyd, Tangerine Dream and Popol Vuh. The standout track 'Silence' exemplifies the album's excellence, though all tracks are commendable. The album delivers a dark, atmospheric, and hypnotic sound. Percussion, flute, organ, guitars, and early electronics create proto-industrial sound collages that captivate the listener. DOM, consisting of Gabor and Laszlo Baksay, Rainer Puzalowski, and Hans-Georg Stopka, evolved from the beat/psychedelic band Set Mind. Regulars at Dusseldorf's underground clubs like Creamcheese, they shared the stage with early Kraftwerk and Can, cementing their place in the Krautrock pantheon. This mostly looked over album is a great find for those into progressive rock music.
… Read more in stock $16.67
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Cat: 525475 2. Rel: 05 Apr 24
Review: Einsturzende Neubauten's description by label Potomoak - as a band that constantly evolves - is accurate enough. Over forty years on from their debut album Kollaps in 1981, Rampen appears as the latest and most unruly incarnation of their sound yet. Here, Blixa Bargeld, N. U. Unruh, Alexander Hacke, Jochen Arbeit, Rudolph Moser and Felix Gebhard present their least predictable and conventional sides: APM is described as alien pop music; the songs therein have been specially crafted not only for our universe but for every adjacent parallel universe to ours, with every slight multiversal variation in humanity's collective tastes held firmly in mind. The album fully lives up to its billing as anti-pop as alien pop, its challenging twists and turns fully sating the difficult whims of society's outcasts and cosmic punks.
… Read more in stock $22.60
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Review: Brian Eno's career has always been about explorationiof sound, technology and the emotional power of music. After pioneering ambient music, Eno has consistently sought out new ways to blend different genres and voices and his latest collaboration with Beatie Wolfe continues this tradition. Wolfe, a British-American artist with an innovative approach to music and activism, complements Eno's atmospheric world with her emotive, alternative vocals. Their work, recorded in London, moves seamlessly from the meditative to the experimental, with tracks like 'Big Empty Country' offering stark contrasts between the brightness of the day and the shadows of the night. This release is not only a nod to Eno's sonic experimentation but also a testament to his lasting influence as an artist who always seeks to connect art with broader societal issues, especially the environment.
… Read more in stock $20.63
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Review: Returning with their first full-length in seven long arduous years, Texan post-rock pioneers Explosions In The Sky rediscover their purpose and poise on eighth full-length End. Following on from 2016's The Wilderness, which toyed with ambient segues and electronic moments of respite to compartmentalise the epic song-structures, this latest batch of material opts to eschew many of these meanderings in order to prioritise their bombastic, emotive, swelling spectacles with little in the way of sonic dressing. Mercurial, thoughtfully paced and potently cathartic, the work serves as a revitalised and transient embracing of classic post-rock motifs, crafted by some of the very hands that initially begat the forms.
… Read more in stock $7.00
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Review: We Have Dozens of Titles by Gastr Del Sol is a treasure trove for fans, offering a glimpse into the experimental post-rock pioneers' journey from their Bastro roots to their groundbreaking work as Gastr Del Sol. This collection, curated from their 1993-1998 recordings, shows their evolution into sonic explorers, pushing the boundaries of post-rock with influences from musique concrete and free improv. The unearthed CBC recording from Festival International de Musique Actuelle de Victoriaville in 1997 is a highlight, featuring ethereal versions of familiar tracks like 'The Seasons Reverse' and 'Blues Subtitled No Sense of Wonder.''The live rendition of "Onion Orange' is a revelation, with Jim O'Rourke's kosmische synth waves intertwining seamlessly with David Grubbs' intricate guitar work. Additionally, the inclusion of rarities like 'The Harp Factory On Lake Street' and tracks from various compilations adds depth to the collection. Each track, whether a live performance or a studio recording, has been meticulously mastered or remastered by O'Rourke, enhancing the listening experience. We Have Dozens of Titles not only fills in gaps in Gastr Del Sol's discography but also exemplifies their innovative approach to music-making.
… Read more in stock $31.38
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Review: Beth Gibbons has never saturated the market with her distinctive approach to singing and songwriting, choosing to leave the power of her contributions to Portishead and solo hanging in the air. That makes Lives Outgrown a truly exciting proposition, some 20 years after her last solo outing and simultaneously unique but naturally leading on from the magical Out of Season. The sonic content is layered differently, less folky and more like art rock embellished with electronics, but the melancholic, wistful melodic makeup feels absolutely rooted in Gibbon's approach throughout the years. This is the CD edition of a very welcome return from a truly unique treasure in British alternative music.
… Read morePlayed by: Juno Recommends Downtempo
in stock $8.48
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Review: The Canadian post-rock instrumentalists return with a demand for revolution, soundtracked by just shy of 45 minutes of orchestral aggression. As with all of their work, GY!BE convey their ideas articulately through evocative wordless music. The opener, 'Undoing a Luciferian Towers' sets a tone for the album with a monolithic and militaristic march. Passages of feedback open out into anthemic expanse on the three parts of 'Bosses Hang'. 'Fam/Famine' balances between harmonic assonance and dissonance, ramping up the tension before the final triptych 'Anthem Of The State' takes a more optimistic tone, with the movement away from noise providing some glimmers of light in the abyss. 'Luciferian Towers' is an impeccable and polished record, and possibly Godspeed You! Black Emperor's finest to date.
… Read more in stock $12.15
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Cat: CST 183CD. Rel: 03 Oct 24
Review: Godspeed You! Black Emperor are set to release their highly anticipated new album, No Title As Of 13 February 2024 28,340 Dead. This marks the Canadian post-rock ensemble's first studio effort since 2021's G_d's Pee At State's End!. The album features six tracks that promise to continue the band's tradition of blending ambient soundscapes with intense, chaotic crescendos. Accompanying the announcement is the track 'Grey Rubble - Green Shoots,' which exemplifies the band's unique approach. The album's title reflects the grim reality of a world marked by conflict and decay, a sentiment which resonates through music which combines field recordings, minimal instrumentation and stark hymns, reflecting their anti-war, anti-capitalist stance. Godspeed You! Black Emperor's music, known for its contrasts and epic, multi-movement compositions, continues to merge influences from post-punk, progressive rock, and the avant-garde. No Title As Of 13 February 2024 28,340 Dead is poised to offer a powerful, thought-provoking experience that stays true to their politically charged, dystopian vision.
… Read more in stock $14.13
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Review: Second time around for Cosmic Assault, Californian guitar god and sometime Chrome member Barry Johnson's ninth album as Helios Creed. Something of a hard-to-pigeonhole classic, the album combines his ravaged and acid-fried hard rock and psychedelic metal sound with elements of industrial music, horror soundtrack style synths, and all manner of decidedly cosmic and intergalactic sounds. As a result, the set attractively veers from intense, mind-man gling workouts rich in heavy riffs and elongated guitar solos ('Cosmic Assault', 'Rise'), exotic excursions ('The Master'), and more immersive explorations of the outer reaches of the aural universe.
… Read more in stock $15.82
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Review: The box set Huge, Large and Electric: Hugo Largo 1984-1991 offers a deep dive into the experimental art-rock quartet's full discography, bringing together studio albums, rarities and live recordings. Emerging from New York's 1980s No Wave scene, Hugo Largo stood out with their unorthodox lineup of two bass guitars, violin and powerhouse vocalist Mimi Goese, creating a sound that blended dream pop, ambient and avant-rock. Their debut album, Drum (produced by Michael Stipe), set the tone with eerie, minimalist arrangements and haunting vocals. Tracks like 'Eskimo Song' and 'Second Skin' became standout examples of their melancholic yet intense energy. Goese's theatrical voice, often described as a powerful instrument of its own, added a sense of danger to their art-rock atmosphere. On their second album, Mettle, Hugo Largo took their avant-garde roots and added more pop sensibility without sacrificing originality. Songs like 'Turtle Song' and 'Hot Day' introduced playful tension, showing Goese's vocal range and the band's willingness to experiment. This box set, lovingly curated by Missing Piece, revives a pivotal chapter in American post-punk history.
… Read more in stock $27.12
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Review: Les Rallizes Denudes' live recording from Yaneura, September 1980, brings their raw, avant-garde sound into sharp focus. The CD format captures every detail of the distorted guitars, hypnotic basslines, and feedback-soaked atmospheres that defined their performances. Tracks such as 'Enter the Mirror' stretch into lengthy, chaotic soundscapes, blending haunting vocals with relentless, repetitive rhythms. The balance of noise and melody is uncompromising, creating a listening experience that feels as challenging as it is immersive. A rare opportunity to delve into the intensity of the band's live presence.
… Read more in stock $21.20
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Review: This is a solo album in the true sense of the word. It's comprised solely of Ava Mendoza's raw virtuoso avant rock guitar playing and - on two tracks - her passionate voice. The Brooklyn-via-Oakland musician is also known for being a skilled collaborator, with the her band Unnatural Ways having earned a stellar reputation, but limiting the spotlight to herself alone here serves to elevate the searching, personal themes on the record. Mendoza's is famed for her virtuoso guitar technique, with lightning-quick tapping, use of feedback and tremolo up there with the best in the business. This is a melange of classical, free jazz, blues and noise, to name a few. With technique this strong, it's no wonder she's been setting the New York experimental scene alight over the past few years. And with The Circular Train - merely her second solo album - we can hope there's many more to come.
… Read more in stock $17.81
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Review: Formed in Rome way back in 1966, Musica Elettronica Viva are something of an enigma: an avant-garde collective whose exact line-up is shrouded in mystery (it changed over the years by all accounts but confirming who founded the group has proved difficult) and whose released works tend towards the experimental and undeniably out-there. The Sound Pool was recorded in 1979 and surfaced on vinyl a year later. It's an undeniably odd but defiantly impressive four-part work that blends tape loops, avant-garde noise, distant drumming, discording free-jazz horns and pots-and-pans percussion. It sounds like it was recorded live, in a gigantic, reverb-heavy room, and is as experimental and avant-garde as they come. An under-celebrated classic of its type.
… Read more in stock $16.67
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Review: Australian minimalist-jazz trio The Necks return with a powerful exploration of stillness and decay in the for of their new album, Bleed. The record features one lone 42-minute composition in which the band masterfully delves into the beauty of space and subtle transformation. Through their unique blend of minimalist jazz, The Necks continue to craft a distinct sound that shows subtle evolution and makes for another striking chapter to their extensive body of work. Bleed is all about giving over to the meditative journey where every note and pause evokes the profound complexity of time and impermanence, all while showcasing the trio's remarkable ability to evoke plenty of very real emotion despite the minimal nature of their evocative sounds.
… Read morePlayed by: Juno Recommends Jazz
in stock $16.12
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Review: Some 15 years on from the release of their debut recordings, Public Service Broadcasting hit album number five, The Last Flight, a lightly conceptual affair inspired by the story of pioneering female navigator Amelia Earhart's ill-fated 1937 attempt to become the first woman to circumnavigate the globe by plane. It cannily follows the narrative of Earhart's final flight, moving from the heart-aching orchestral swell of 'I Was Always Dreaming' to the poignant, sample-splattered ambient heartbreak of 'Howland' (a reference to the spot in the Pacific where her plane reportedly went down), via jangly indie-rock ('Towards The Dawn'), jaunty mid-60s beat-pop joy ('The Fun Of It'), folksy laments ('The South Atlantic') and grandiose indie-pop ('Electra').
… Read more in stock $17.24
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Review: No-one could accuse the London-based duo Public Service Broadcasting of lacking ambition-after the runaway success of their debut 'Inform - Educate - Entertain', this second album, whilst still utilising their trademark mixture of archive audio recordings, krautrock and post-rock. focuses conceptually on the '60s space race, and summons up a suitably widescreen and emotionally resonant backdrop for these stirring tales of voyages into the unknown. Both playful and respectful, it's a heartfelt record whose experimental elan matches the ground-breaking nature and sense of wonder of the subject matter, with these soundscapes and grooves sounding forceful and engaging even whilst they're figuratively staring at the stars.
… Read morePlayed by: Scratchandsniff
in stock $11.03
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15 Step
Bodysnatchers
Nude
Weird Fishes/Arpeggi
All I Need
Faust Arp
Reckoner
House Of Cards
Jigsaw Falling Into Place
Videotape
Review: "In Rainbows", Radiohead's seventh album, finally gets a physical release! It's one thing downloading this landmark album, but to actually hold this is something special. Not only do you get increased sound quality, but you also get the amazing artwork from Stanley Donwood. This album includes "Nude", a live favourite for many years that was originally written during the "OK Computer" sessions. More minimal that their "Kid A" period, "In Rainbows" does something that very few albums have done - its sound is distinct from previous Radiohead albums, but is still clearly Radiohead. Hail to the kings, they are back on top form.
… Read more in stock $13.00
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Review: Finish dub techno powerhouse Joachim Spieth welcomes UK artist Rhubiqs to his well-regarded Affin label for a debut appearance that sinks you into a widescreen world of ambient lushness. His Aegis of Silence album takes cues from divergent sounds like post-rock and soft ambient as well as drone and even modern classical. It's an ever-shifting soundscape with smeared pads and nostalgia dreams, half-remembered thoughts and a sense of mood that ranges from escapist and blissed out to more ominous and paranoid.
… Read morePlayed by: Joachim Spieth
in stock $17.81
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Cat: RT 0542CD. Rel: 18 Apr 25
That's The Very Reason (CD2: Open vocal Phrases, Where songs Come In & Out - Recorded live At El December 20, 1985)
Tower Of Meaning/Rabbit's Ear/Home Away From Home
Happy Ending
All-Boy All-Girl/Tiger Stripes/You Can't Hold Me Down
Introductions
Hiding Your Present From You/School Bell
Too Early To Tell
Review: These archival recordings of two extraordinary live performances takes you back to when New York City was a bohemian magnet, with low rent and spaces where artists could thrive. Recorded in Downtown in December 1985 and June 1984, the late, great Arthur Russell is captured performing at an intimate loft space known as Experimental Intermedia Foundation, which was run by Phil Niblock. Since the recordings are unedited, it does a really great job of simulating the experience and so if you close your eyes, it's easy to imagine Russell in the room right there in front of you. Of the numbers played, Russell's gifted avant-garde approach to cello is brilliantly done on 'Too Early To Tell'. And the spine-tingling, raw and deeply emotional 'That's The Very Reason' is arthouse folk at its finest. It epitomises the raw, spell-binding talent that Russell had to captivate a room. Hats off to those who have immortalized these very special shows.
… Read more in stock $14.42
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Cat: AU 1029CD. Rel: 02 Apr 25
Review: Those with an intricate knowledge of the sadly cut-short career of the late, great New York experimentalist and leftfield disco specialist Arthur Russell will happily tell you that his most celebrated solo album, World of Echo, was not only developed over several years, but also utilised edited and chopped-up recordings of shows he performed in his home city in 1984 and '85. This release presents both of those performances in full, with Russell - performing songs to his own effects-laden cello motifs and little else - delivering sparse (but effortlessly emotive) early versions and 'sketches'. These are a mix of lesser-known songs and familiar favourites, including a haunting take on 'Let's Go Swimming', a medley of 'Hiding Your Present From You/School Bell', and the inspired 'Sunlit Water'.
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Review: Deep Valley is a new collaborative work by Australian artists Seaworthy aka Cameron Webb and Matt Rosner and they came together for it during a week-long residency at Bundanon Art Museum in New South Wales. The property which was gifted to the Australian public by artists Arthur and Yvonne Boyd in the 1990s offers a unique landscape along the Shoalhaven River and is surrounded by sandstone cliffs and diverse wildlife. Drawing inspiration from Boyd's belief that "you can't own a landscape," Deep Valley combines the inspiration of that setting with environmental recordings, guitars, piano, and electronic processing all of which aim to highlight the transient nature of ecosystems and encourage you to reconnect with the sounds of nature.
… Read morePlayed by: Juno Recommends Ambient/Drone
in stock $14.98
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Review: Seefeel's new album Everything Squared marks their first release since 2011, on which the "first ever shoegaze-electronica band" flex a positively retroactive take on the sound they sired. From the opening 'Sky Hooks' - a track which weaves an oxbow shape through small bankside groves of nymphlike-vocals in the peaks, and determined plods through ambient dub subterrains in the troughs - to the penultimate 'Hooked Paw', a similarly dubby but comparatively gnosis - a sophistic dream-blear for vocals and detuned atmoss at 140bpm, recalling the surreal ambient fort-das of HTRK or Clouds - this is not a record to be listened to lightly, despite its comeback status.
… Read morePlayed by: Juno Recommends Downtempo
in stock $13.85
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Review: Shellac's sixth studio album, To All Trains, is a demonstration to the band's distinctive sound. Recorded over several years and mastered by Bob & Steve at Chicago Mastering Service, the album features Shellac's trademark minimalist sound, characterised by asymmetric time signatures, repetitive rhythms, and angular guitar sound. Albini's and Weston's surreal, bitingly sarcastic lyrics add to the album's unique atmosphere. With its complex and unconventional approach to music, To All Trains showcases Shellac's mastery of their craft and their unwavering commitment to their distinctive sonic vision.
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Review: SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Together they present their debut album Small Medium Large, a collection of long-form improvisations recorded during two separate two-night stands at the beloved Los Angeles venue ETA. Forming the perfect locale in which to boost their initial rise, ETA is perhaps no longer a fitting name - with SML, we're no longer pondering this band's estimated time of arrival. Small Medium Large is a sublime assemblage of circulatory grooves and textural anomalies, at different moments recalling the synth-laced improvisations of Herbie Hancock's Sextant, the jagged dance punk of Essential Logic, the rhythmic revelry of Fela Kuti, the low-end elasticity of Parliament/Funkadelic, or the glitchy dub techno of Pole.
… Read morePlayed by: Juno Recommends Broken Beat Nu Jazz
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Review: There are many ways to deal with upheaval and crises but sometimes the best approach is to answer harsh realities with an antidote. Speaking on their new album, tree-loving masked electro-punks Snapped Ankles say: "We can still hold the line of beauty, form, and beat. No small accomplishment in a world as challenging as this one... hard times require furious dancing. Each of us is proof." And to their credit the album lives up to the manifesto: 'Raoul' is exactly what you'd want to hear at 3am in Glastonbury festival; whilst 'Pay The Rent' sounds like a homage to big beat, spiced with krautrock. Snapped Ankles clearly have the tools and the talent to send people's minds to space. A noble entry deserving of glory.
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Review: There's no 'difficult second album' syndrome evidence on Squid's sophomore full-length. While it lacks the forthright, math rock and post-punk-inspired immediacy of the Brighton band's acclaimed full-length debut, the density, inventiveness and experimentation that marks out O Monolith more than makes up for it. For proof, check recent single 'Swing (In a Dream)', a wall of sound affair that builds through approaching waves of instrumentation (first picturesque 16-bit synths and acoustic guitars, then grooves, trumpet solos and finally grizzled guitars), the laidback post-punk-funk of low-slung treat 'Undergrowth', and the skittish, jazz-flecked, layered soundscape that is 'The Blades', where squally horn solos and dense alt-rock guitars catch the ear.
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Review: Still House Plants' If I Don't Make It, I Love U is a standout production into fractured soundscapes and emotional vulnerability. The London post-rock trio, comprised of vocalist Jess Hickie-Kallenbach, guitarist Finlay Clark, and drummer David Kennedy, eschews conventional song structures in favor of a collective flickering that feels both contained and alive. The album is the band's telepathic interplay, with each track serving as a vessel for abandon and experimentation. Through elongated silences and exquisitely incongruous angles, Still House Plants shine here with their free-spirited approach to punk and free improvisation. Tracks like 'More Boy' and 'M M M' reveal a bold and vivid iteration of their music, blending elements of Midwest emo, 90s slowcore, and no wave minimalism. Hickie-Kallenbach's soulful vocals add depth and intimacy, while Clark's guitar work synthesizes a diverse range of influences. With a mix of mystery and disclosure in the lyrics, If I Don't Make It, I Love is an emotional prism where vulnerability and intimacy intersect. Still House Plants' fractured aesthetic mirrors our fractured selves, offering a contemporary take on post-punk experimentation.
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Review: Epic alert! New York industrial gods Swans' latest single is a 19-minute behemoth that unfurls like an overwhelming emotional landscape. Gira's gravelly voice takes centre stage, enveloped by the steady churn of droning guitars and atmospheric textures that build to a blistering intensity. 'The Healers' and 'I Am A Tower' highlight the band's mastery of long-form tension, each section holding, stretching, and twisting in a way that feels like a momentary release, only to be swallowed by the next wave. It's a slow, deliberate unfolding of sound that's both hypnotic and punishing. This isn't music for the passive listener; it's exhausting yet utterly immersive, teasing out tension and reflection in equal measure. If you didn't know already, consider yoursefl warned.
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Review: There have been few experimental rock bands who've enjoyed (or perhaps endured) as tumultuous career as Swans. Since forming in 1982, they've broken up, reunited and changed personnel umpteen times, though bandleader Michael Gira has remained the creative force throughput. The Beggar, the band's latest album, is similarly turbulent in tone and approach, with Gira and company offering up sonically detailed, foreboding and off-kilter explorations that offer a more expansive and measured take on their trademark heady and often hallucinatory trademark sound. This is particularly evident on disc two opener 'The Beggar Lover (Three)', a shapeshifting, 45-minute instrumental meditation peppered with found sounds and recycled samples from their Soundtracks For The Blind album.
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Review: Southend's These New Puritans have a rare ability to create goosebump-inducing music. A big part of is is Jack Barnett's voice, which is truly up there with the likes of Thom Yorke and Hayden Thorpe's in terms of being able to tug at the heartstrings and create grandiose spellbinding atmospheres. Plus, the arrangements that accompany it are of elite level and taste. This new album is their fifth studio album since forming in 2006 and offers plenty in the way of diversity. 'A Season In Hell' is a wild mix of industrial, organ music, trip-hop and choir sounds. Elsewhere, 'Bells' is less intense and let's the atmosphere form gradually and luxuriously. If you want a record to properly blow your socks off, let it be this.
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Review: Now I See The Light is the comeback album from often-overlooked Japanese math rock pioneers Toe. As the title suggests, the blissful, meditative soundscapes offer listeners a refreshing perspective, providing the emotional grounding needed to view life through a renewed lens. Toe exemplifies modesty in their artistic expression. Their music, characterised by intricate instrumental subtleties, reflects a reserved demeanour, paralleling their minimalist online presence. Their focus remains solely on creating music, naturally attracting those who truly appreciate their craft. Discovering toe is thus a serendipitous experience. Blending elements of post-rock, pop, jazz, electronic and ambient genres, toe has crafted a sound that feels both seamless and cohesive. The album opens with '????', enveloping the listener in the warm embrace of intricate guitar harmonies, akin to a comforting reunion. The band's chemistry radiates through each hypnotic rhythm, reflecting their strong bond. Though primarily instrumental, tracks like 'Loneliness Will Shine' feature tender vocals from guitarist Yamazaki Hirokazu. His airy voice enhances the beautiful instrumentals, creating a captivating atmosphere reminiscent of Dredg's El Cielo. The placement of these vocal tracks within the album ensures a well-balanced pacing, making it feel neither purely instrumental nor vocal. The pristine audio quality of the album allows every detail to shine. '??????' exemplifies this, with carefully panned elements creating an amazing depth. Despite its clarity, the production maintains a human touch, avoiding sterility and instead feeling authentic. What stands out most about toe is the unwavering authenticity woven into their music. There are no gimmicks or over-the-top embellishments, just pure auditory bliss from beginning to end. After a nine-year hiatus, it's as if they seamlessly continued their musical journey, allowing us to experience the light they bring to the world. The CD includes a poster, adding an extra touch for fans.
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Review: London-based Australian vocalist, producer and multi-instrumentalist Penelope Trappe has always made immersive, enveloping and deeply atmospheric that sidesteps convention. It was that uniquely haunting and emotive approach to ambient and electronica that earned her deals with Optimo Music and Houndstooth, amongst others. Now signed to One Little Independent, Trappes has pushed the boat out further on Requiem, a mournful and bittersweet musical meditation in which her distinctively sweet-but-drowsy vocals rise above manipulated cello textures, hushed field recordings, ambient textures and intriguing electronic sounds aplenty. It's bold, beautiful and at times breathtakingly brilliant, once again marking Trappes out as an artist with a genuinely unique musical vision.
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Review: As he's moved further towards a career in soundtrack composition, Trentemoller's music has become increasingly widescreen and atmospheric, with the Danish artist drawing inspiration from dream-pop, the Cocteau Twins and Durutti Column as much as the ambient, electronica and immersive techno he was once famous for. All of these strands combine beautifully on 'Memoria', a picturesque and enveloping affair whose multitude of highlights include the yearning, string-laden and bittersweet brilliance of 'No More Kissing The Rain', the wall-of-sound dream pop shimmer of 'In The Gloaming', the mid-80s indie-pop haziness of 'Dead or Alive' and the glassy-eyed and tactile 'All Too Soon'.
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Review: By Scott Hansen's previously prolific standards, we've had to wait a fair old while for a new album. Infinite Health, the third Tycho album for Ninja Tune after years signed to Ghostly International, is by design something of a reset: a self-proclaimed meditation on "hope for the future" mixed with a "requiem for the past". Stylistically, that also means a return to his electronic roots, with colourful, melody-rich and sun-splashed synth sounds combined with unfussy beats and breaks, toasty basslines and glistening, AM radio-friendly guitar licks. It is then, regardless of the inspirations behind it, a classic-sounding Tycho album - as highlights 'Phantom', the instrumental deep synth-pop dreaminess of 'Devices' and the lo-fi, trip-hop influenced shuffle of 'Green' emphatically prove.
… Read morePlayed by: Juno Recommends Downtempo
in stock $11.30
