Review: Alpha & Omega is a legendary dub duo and despite them having many superb sounds to their credit, this one is a real standout. 'One Culture' pens with heavy bass as you would expect, but the alluring Indian vocal up top is even more hypnotic. It has a transcendental feel and is soulful and smoky while warped synths rumble away beneath the dusty drums. It's a real mental trip. On the flip is 'One Prayer' which is paired right back to dubby rhythms and subtle vocals are smudged and smeared throughout. Both of these are perfect for lazy Sunday afternoons in the sun.
Joe Gibbs & The Professionals - "Calico Suit" (3:43)
Review: Althea & Donna combined to beautiful effect on the Joe Gibbs label here with a tune that very much remains an iconic reggae anthem. It was originally released in 1977 and effortlessly captured the spirit of Jamaican music of the day with its irresistible blend of ska, rocksteady and reggae influences. Althea & Donna's stylish vocals are paired with expert production that is full of catchy hooks and neat riffs. The clever lyrics and upbeat rhythm mean it still sounds like a hit as it did back when it did well on the UK charts.
Review: Hope & Faith Records has put together three different 7"s featuring the original 'Standing Tall' riddim, which is a slick production in the early 70s roots reggae style. Acclaimed Spanish singer Payoh Soul Rebel is behind one, the female harmony trio from Basque reggae band Tacumah another, and this one comes from Jamaican legend Horace Andy who brings a fresh take on the classic roots sound. His smoky vocals bring real warmth and depth while a flip-side dub goes deep.
Review: After racking up millions of streams for hits like 'Jump Up Pon It' and 'Heal Them', Brother Culture is now a reggae and dub icon having been a key figure in the UK scene for decades. His powerful voice and conscious lyrics have earned him a deserving global recognition and now he teams up with Swiss reggae masters The 18th Parallel for 'Ghetto Man,' a hard-hitting anthem of resilience and justice. Their deep roots sound, combined with Brother Culture's commanding delivery, makes for an electrifying track and on the flip, Paolo Baldini DubFiles adds his signature dub touch, making this a sound system anthem that speaks to struggles and strength worldwide.
Joe Gibbs & The Professionals - "Peel Head" (2:49)
Review: The sound of dreadlocks, should there ever be such a thing in the abstract, is best put forward by Junior Byles, the Versatiles' lead member, backed up by a shuffling riddim produced by Errol Thompson and Joe Gibbs. 'Dreadlocks Time' hears a relick of their 'Ba Ba Boom' beat, and is a heartwarming song about self-care and respect for one's own hair, with lyrics: "don't try to stop dreading/natty dread time is a-here/don't lose your cool/respect the rules..." The music is just as measured in feel, and the version is just as "natty", so to speak; there's a very well-timed acapella moment thrown in with the version mix.
Review: Periodica sublabel Serie Pegaso launched last year to carry further works from the network of artists related to the Italian groove stable. After a mini album from Rosa and an LP from The Funkin' Machine, the latest drop features a new project called Capinera. If you're into any of the sounds Periodica are known for, you're sure to find a lot to love about this sunny slice of synthy, yacht-ready disco funk. 'Il Volo' is nestled on the A-side in a swirl of smooth sax, mellow chords and a supremely laid back rhythm section. 'Suonno' on the flip has a slightly peppier step, but it's still chilled enough to keep from breaking a sweat. This is sophisticated party music, after all.
Review: The reissue of Annette Clarke's 'Sinner Man,' produced by the legendary Lee Perry, is a gem for reggae enthusiasts and vinyl collectors. Released on Harlem Shuffle Records, this 7" vinyl brings back the sought-after 1973 track that seamlessly blends reggae with a touch of ska, adding an extra layer of allure for fans of the genre. Side-1 features the original 'Sinner Man,' a track from early reggae days while hinting at the infectious energy of ska. Clarke's vocals are compelling, and Perry's production gives the song a timeless quality. On Side-2, the Lee Perry dub version takes the track to another dimension. With heavy echo effects and the rhythm pushed into the background, Perry's dub creates an immersive experience that highlights his genius as a producer.
Review: Johnny Clarke and Earth & Stone cooked up some real magic with 'Babylon'. It's a sumptuous sound that offers a symbolic representation of societal oppression and injustice. With Johnny Clarke's haunting vocals and Earth & Stone's mesmerising rhythms, the tune becomes a poignant commentary on the struggles of the marginalised and the quest for freedom. Through those lyrics and hypnotic melodies, it confronts issues of systemic inequality and political corruption, urging people to rise against oppression. As such it is anther great tune that proves the enduring relevance of reggae as a voice for the oppressed.
Review: Dr. Afrodub by Ghanaian artist Ekowmania, aka Ekow Alabi Savage, is a standout in Afro-centric dub concoctions. He is a drummer, percussionist and singer with over two decades of experience alongside Jimi Tenor & Kabukabu and here he explores classic roots reggae, Afrobeat and dub along with some more modernist African rhythms. The whole record was produced by the great Jimi Tenor and started after a tribute song to Kwame Nkrumah which was recorded at guitarist Lauri Kallio's studio in Finland. The nine tracks bring great intensity of rhythm and include standout songs like 'Twerk Your Mind,' 'Dub Souljah,' and 'Me Know' while also featuring a remix from the one and only DJ Sotofett.
Review: George and Glen Miller are undoubtedly best known for their West End Records released 1982 boogie-soul classic "Touch Your Life". They released plenty of other records that flitted between soca, reggae, disco, and - in the latter stages of their career - electrofunk. "Easing", which appeared at some point at the turn of the '80s on London label Third World, remains one of their most potent releases - and, in its original form at least, formidably hard to find. This Soundway reissue wisely replicates the track list of the original release, beginning with the title track - a deliciously percussive, musically intricate chunk of peak-time disco smothered in sharp, Afro-funk style horns and George and Glen Miller's lilting reggae-soul style vocals. The flipside "Version" strips out the vocals, allowing listeners to hear in greater detail the pair's impeccable arrangements and instrumentations (particularly the fine orchestration and rich groove).
Lift Up Your Head (feat Troy Berkley & OBF) (4:48)
Way To Be Happy (feat Las Ninyas Del Corro) (3:30)
Fi Di Yut (feat Blackout JA & Tippa Irie) (3:20)
Mumbai 808 (feat Manudigital) (3:49)
Saga (feat Killa P, Flowdan & Big Red) (3:58)
Downtown (Befour Steppa) (5:29)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Reggae, dub, hip-hop and dancehall are known for their use of film samples, but that trend has been magnified with this most recent compilation from the infamous L'Entourloop collective. With around 30 tracks split across two sides - one dedicated to dub/reggae and one to hip-hop - there are myriad contributions from Ken Boothe, Bounty Killer, JuJu Rogers, Degihuegi, Dope St. Jude, Killa P, Flowdan, etc., all culminating to tell a filmic epic, gunslinging story.
Review: Way back in 2005, P-Vine enlisted the help of Rita Marley to raid the archives of Bob Marley's Tuff Gong studio and record label in search of rare dubs and one-off dubplate mixes. The results were showcased on Welcome To Dubrock, which here finally gets a sequel. The concept remains the same, and the results are equally as impressive. Our picks include a wonderfully skeletal extended take on 'Rastaman Live Up', a tactile, suitably spaced-out dub of 'So Much Trouble', a Lee Perry-esque dub run-through of 'One Drop', and a sub-aquatic, echo-laden version of 'Ride Natty Ride'. It's Bob Marley and the Wailers at their best, but not how you've heard them before.
Review: Richard Norris loves a series. The former Grid man and noted psychedelic music afficionado has umpteen on the go at present, including ones dedicated to meditative ambient sounds ('Music For Healing') and modular experiments ('Abstractions'). Then there's his dub-wise and 'outernational' music series, Oracle Sound, which here reaches its fourth - and possibly strongest - instalment. Highlights are plentiful, from the languid and woozy head-nod of opener 'Connected Dub' and the intoxicating, flute-sporting musical mystery of 'Earthsea Dub', to the up-beat dancefloor dub of 'Maximum Dub', and the sub-heavy, near dub techno pulse of John Carter hook-up 'Ceefax'. That one also comes accompanied by alternative takes by both Norris and Carter.
Review: Home Hitters churn out edition 15 of their eponymous series, recollecting two noughties mainstays to a fresh white label A-and-B-sider. On the A we've 'Temperature', an experimental Sean Paul dancehall cut from the 2005 album The Trinity, although this is a faster take on dancehall than most would've heard it; the song's melody is infectious enough too, being one of those songs everyone knows as having wafted from car stereos or down-the-block house parties, and on which Paul waxes poetic about keeping the object of his affections warm. Enur's 'Calabria 2007' offered similar vibes, with its whimsical horn lead and carefree lyrical invitations.
Review: The world will never not miss the one and only Lee "Scratch" Perry. His influence on dub will never be matched, his back catalogue will forever turn up some treasure or other you haven't heard. And now we can add to that this, a tribute album from his son Omar. Perry Jr is an accomplished performer in his own right and he shows that on Channeling Lee Scratch Perry, which features Olivier Gangloff who produced Perry Snr's final studio album. It's a blend of the fat, pillowy low ends Perry was so well known for with conscious lyrics, upbeat drums and plenty of whimsical and alluring melodies.
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