This deck comprises 22 Major Arcana cards, 56 Minor Arcana cards, and a 52-page booklet, all beautifully designed to facilitate easy reading
Notes: Goat has not only announced the release of their new album but also a limited-edition Goat Tarot pack. This unique deck reflects the band's cosmic philosophy, blending playful aesthetics with profound symbolism. Created in collaboration with illustrator Daniel Jarrett, the deck comprises 22 Major Arcana cards, 56 Minor Arcana cards, and a 52-page booklet, all beautifully designed to facilitate easy reading. Limited to 500 packs, each deluxe box will include a special 'Goat Plectrum.' A unique collectors piece that will help conjure up great music memories.
The band say this about the Goat Tarot:
"The visual cosmic language of Tarot is an essential part of the philosophy of Goat. When the opportunity was given to create our own deck, Goat couldn't resist the creative possibilities.
By creating their own deck, Goat and the illustrator Daniel Jarrett try to give the world a playful and beautiful deck that will contain all the important symbolism and still be easy and fun to read. A humble and grand instrument in the service of the cosmos."
The Goat Tarot is limited to only 500 packs - each is packaged in a deluxe box and contains:
- 22 x Major Arcana Cards
- 56 x Minor Arcana Cards
- 52 Page Booklet
The cards and booklet adorned with unique Goat themed Tarot illustrations created by the very talented Daniel Jarrett - all drawn exclusively for this Tarot pack.
"The only true meaning with life is to be a positive force in the constant creation of evolution." Goat
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***
Love Gun is the sixth studio album by American hard rock band Kiss, released on June 30, 1977. Casablanca Record and FilmWorks shipped 1, 000, 000 copies of the album on this date. It was also the last studio album to feature Peter Criss on every song, as he was replaced by session drummer Anton Fig for all but one song on 1979's Dynasty. Love Gun was certified platinum on June 30, 1977. This iconic artwork is now available as a 500 piece jigsaw puzzle printed on high quality board.
The "Original Japanese Paper Diorama" series features the Beatles when they appeared on the Ed Sullivan Show
Notes: The "Original Japanese Paper Diorama" series, in which a single picture is cut out and assembled into a three-dimensional piece, features the Beatles when they appeared on the Ed Sullivan Show!
Review: 3 Men Gone Mad were an independent group formed in Blackburn and Darwen in the UK. They fused electronic sounds with rock and were prolific in the 1990s when they became cult favourites amongst those who know. You Try is a much sought-after collection that has been restored by Utopia Records many years after it made its way onto John Peel's 1991 Festive 50. He heard in it a mix of The Clash, Joy Division and Talking Heads and that still rings true. The main mix has a raw energy that captures the angst of Britain at the time - and still today, frankly. A spaced-out dub brings a fresh feeling of euphoria and an extended B-side mix draws out this record's undeniable pleasures.
Review: The year 1982 can definitely be regarded as a vital one for the working-class Oi-punk movement. One that saw the release of debut full-lengths from the likes of the abrasive Blitz, and the somewhat underappreciated The 4 Skins, who were endlessly plagued by a myriad of line-up shifts. By the time their second full-length, A Fistful of...4-Skins arrived, the group were already onto line-up number four (no pun intended), and this time period is where the 'Five More Years' 7" single rears its skinhead from. Topped with the anthemic opening track from the album, and tailed with the CD reissue bonus cut, 'On The Streets', this sampler/taster/snapshot/teaser/whatever else you'd like to consider it, serves as a perfect piece of oi-punk memorabilia and entry point for those who don't mind doing some of their homework in reverse. These recordings are also notable for being some of the sole studio pieces from The Last Resort vocalist, Roi Pearce, who would serve with the skins for only the one full-length, and subsequent From Chaos To 1984 live album released the following year as swansong.
Review: Let's face facts, the trilogy of releases that ACR:EPR completes have helped win over a new generation of fans for the band while reassuring established followers that A Certain Ratio can still do the business. They've been heartfelt and honest, truly innovative and - when all is said and done, at some point in the near future - destined to be considered collector's items.
The final chapter is certainly winding things up triumphantly. '$ouls In The City' seems to go straight for the mind's eye, an enrapturing track that chugs its way through layers of funk groove, with acid details just about audible on top. 'Night People' is a far more sticky, treacly affair, while 'Big Boy Pants' ushers in a kind of nocturnal seduction, brass and rolling breakbeats setting the scene perfectly for the ska-infused melodies of 'Downtime Vibes' that follow.
Where Are You Coming From (Jane Weaver rework) (4:05)
Out From Under (Emperor Machine extended rework) (8:49)
We All Need (Jezebell Ghost Train mix) (5:47)
Review: Perhaps one of the most important bands to come out of Manchester ever. Up there with Joy Division, their funky post-punk is the very essence of that genre and possibly why a lot of bands like to call themselves post-punk. They're just wishing they sound as good as A Certain Ratio. For this latest release, the follow-up to their album It All Comes Down To This, they've reworked songs from said album - sensationally - and released a Christmas single. 'Now And Laughter' is described as an ode to "the unsung heroes that are on hand when the pressures of the festivities can become too much to bear." It's awash with sumptuous echoing guitar, a somber lead vocal which makes you want to raise your lighter and gently sway. There's a hint of David Bowie in there and the lyrics appear genuinely emotional and appreciative. This is a song of blissful poignance that can help remind us of what really matters in life as it captures a sense of vulnerability and awe in the magic of the moment.
Review: Prepare for a transcendent auditory odyssey with The Sevens, a series of four 7" vinyl records unveiling a treasure trove of previously unreleased tracks from the sessions that bore A Place To Bury Strangers' acclaimed album, See Through You. Known for their visceral sonic assault and immersive live performances, the series offers fans a deeper dive into their sonic universe. 'Don't Turn The Radio'/'This Is All For You', the third release in the series, delivers a raw and personal glimpse into the band's creative process during the See Through You era. APTBS founder Oliver Ackermann explains the decision to return to their roots with this release format, allowing each track to speak for itself without album context. These tracks offer a stark contrast to the band's current sound, providing a snapshot of a moment in time.
Curtis Baker & The Bravehearts - "Fried Fish ’n’ Collard Greens" (2:40)
The Native Yinzer - "The Hip Strip" (2:33)
Review: The fourth edition in Original Gravity's Down In The Basement series, which gathers instrumental soul and swing cuts onto worthy 7" slabs, resounding the fervent 1960s decadal gap in which mod reigned supreme. With juleps flowing and kneecaps knocking, Abramo & Nestor bring newfangled electric pianistic swing with 'Dig It!', while a twinned "hit it!" injunction is heard from Floyd James & The GTs on the reissued 'Work That Thang'; James' voice is tubed and speed-delayed to terrific effect, achieving a sprung intonation. Curtis Baker brassifies the bonanza with the lively 'Fried Fish 'n' Collard Greens', while The Native Yinzer's exiting excitation 'The Hip Strip' quilts our ears with a mnemic, down-feathery Hammond-breaks bit.
Review: Celebrate the 25th anniversary of AFI's All Hallow's E.P. with this limited-edition release on "Spectral Pink" vinyl. This cult-classic EP, originally released in 1999, is reimagined with alternative fluorescent cover art and includes a 10" x 20" black light die-cut coffin poster, evoking the eerie charm of the original Nitro Records promo. The EP, clocking in at a fitting 13 minutes, features AFI's standout tracks: a formidable cover of The Misfits' 'Halloween', the iconic 'The Boy Who Destroyed the World', the infectious 'Totalimmortal', and the fan favorite 'Fall Children'. This limited 10-inch pressing offers a nostalgic nod to the band's punk roots while showing their early foray into melodic and atmospheric sounds. AFI, formed in 1991, evolved from a hardcore act into melodic pioneers with their 1999 album Black Sails in the Sunset and subsequent releases. The All Hallow's E.P. remains a sought-after gem in their discography. With this reissue, fans can relive the magic of AFI's early days, now with a hauntingly collectible twist.
Review: London five-piece Ain’t makes a striking debut with their single 'Oar,' blending post-punk and shoegaze to create a sound that’s both introspective and intense. Comprised of Hanna Baker Darch (vocals), George Ellerby (guitar/vocals), Ed Randall (guitar), Chapman Ho (bass), and Joe Lockstone (drums), the band balances nostalgia with innovation. 'Oar' was originally drafted by George during the pandemic and reinterpreted by Hanna, drawing inspiration from the legend of Llys Helig to explore themes of disaster and resilience. The lead single by the band should definitely make people step up and notice.
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