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Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.

It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.

Notes: Excellent value as always from Alto, the TX412B is a battery-powered PA speaker offering fully wireless performance, including Bluetooth streaming from devices. Easy to use and reliable, with excellent sound quality and power.

Supplier's Notes:
The Alto TX412B is a dream come true for any busker or performer tasked with bringing audio to any space where power is limited. This battery-powered 600-watt speaker is a cable-free solution to high-quality sound without an outlet in sight. Thanks to an impressive battery life, the TX412B can handle playlists and sets up to 10 hours long. For those looking to use the speaker to project two different sources of audio such as a DJ who might need to make announcements during their set or a Wedding MC introducing the bride and groom over music, look no further-the TX412B can run two different inputs simultaneously with grace and clarity.

Thanks to Bluetooth connectivity, the Alto TX Series ensures users can get their PA system up and running completely cable-free. This feature is perfect for any application that requires two simultaneous sources of audio-a Wedding MC announcing the bride and groom's first dance over music, a fitness instructor leading a spin class while energetic tunes pump in the background, a busker playing along to a backing track, etc. In addition, the Alto TX Series' powerful Bluetooth True Wireless connectivity allows users to run multiple units in conjunction with one another without having to purchase any extraneous equipment or cables.

Thanks to an entirely metal grille and sturdy enclosure, you can be sure that these speakers and subwoofers can handle whatever unexpected twists and turns that may lie ahead. As if that weren't enough, users can expect all of this durability with the added bonus of tremendous portability. Not only are these units equipped with ergonomic handles, but they are conveniently lightweight, making setup and transport easier than ever.

The TX412B provides solid and reliable performance in just about any situation. Whether it is mounted on a pole or used as a floor wedge, this powerhouse of a PA Speaker is optimized to deliver rich and crisp sound in any configuration. In addition, the back panel of the TX412B is outfitted with easy-to-use and pared-down parameters that give users control over EQ without weighing them down with a confusing array of knobs and sliders.

Notes: The third generation of the world's most popular wireless microphone, now with 32-bit float recording, intelligent GainAssist technology, improved built-in mics and a host of professional features and enhancements - the ultimate creative companion.

The World's Most Popular Wireless Microphone

The original Wireless GO was the first of its kind, establishing an entirely new category of compact wireless microphone that soon became the go-to audio tool for content creators around the world. Now, the third-generation Wireless GO builds on this legacy, delivering every feature and convenience a creator could possibly need while maintaining the intuitive grab-and-go operation that the range is known for.

State-of-the-art Wireless Audio

Utilising RODE's state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, the Wireless GO delivers crystal-clear, incredibly stable audio with a range of up to 260m.

Say Goodbye to Clipping

For the ultimate peace of mind, each of the Wireless GO's transmitters feature over 40 hours of 32-bit float on-board recording. This means that your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too quiet or too loud - even audio that clipped!

Flawless Sound with Every Take

The Wireless GO offers a wide range of features to help you capture incredibly clean and intelligible audio for your content. Intelligent GainAssist technology automatically balances levels on-the-fly, granular gain adjustment and tailored camera presets allow for more refined control over your signal, and the built-in microphones feature the same upgraded capsules and preamps as found in the Wireless PRO. Capture flawless sound with every take.

The Wireless Mic for Every Setup and Every Setting

With both digital and analogue outputs, the Wireless GO is just at home connected to a DSLR or mirrorless camera as it is plugged into an iPhone or Android smartphone - you can even use it as a USB microphone with your computer.

Gain the Professional Edge

Monitor your audio in the field with the Wireless GO's high-power headphone output, ensure your lavaliers stay connected on set with 3.5mm locking connectors, and extend your system's battery in the field with plug-in power detect. The Wireless GO has a host of professional features designed to make your creative life a whole lot simpler.
Specifications

Acoustic & Electrical

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dBSPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5mm TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 11 and above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Mechanical

Weight (grams)
TX: 35
RX: 36

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
RX: 46.5 (W) x 44 (L) x 20 (H)

What's in the box

2 x Transmitter
1 x Receiver
1 x SC2
1 x SC21
1 x SC22
1 x SC33
1 x Carry Pouch
3 x Furry

Notes: The third generation of the world's most popular wireless microphone, now with 32-bit float recording, intelligent GainAssist technology, improved built-in mics and a host of professional features and enhancements - the ultimate creative companion.

The World's Most Popular Wireless Microphone

The original Wireless GO was the first of its kind, establishing an entirely new category of compact wireless microphone that soon became the go-to audio tool for content creators around the world. Now, the third-generation Wireless GO builds on this legacy, delivering every feature and convenience a creator could possibly need while maintaining the intuitive grab-and-go operation that the range is known for.

State-of-the-art Wireless Audio

Utilising RODE's state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, the Wireless GO delivers crystal-clear, incredibly stable audio with a range of up to 260m.

Say Goodbye to Clipping

For the ultimate peace of mind, each of the Wireless GO's transmitters feature over 40 hours of 32-bit float on-board recording. This means that your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too quiet or too loud - even audio that clipped!

Flawless Sound with Every Take

The Wireless GO offers a wide range of features to help you capture incredibly clean and intelligible audio for your content. Intelligent GainAssist technology automatically balances levels on-the-fly, granular gain adjustment and tailored camera presets allow for more refined control over your signal, and the built-in microphones feature the same upgraded capsules and preamps as found in the Wireless PRO. Capture flawless sound with every take.

The Wireless Mic for Every Setup and Every Setting

With both digital and analogue outputs, the Wireless GO is just at home connected to a DSLR or mirrorless camera as it is plugged into an iPhone or Android smartphone - you can even use it as a USB microphone with your computer.

Gain the Professional Edge

Monitor your audio in the field with the Wireless GO's high-power headphone output, ensure your lavaliers stay connected on set with 3.5mm locking connectors, and extend your system's battery in the field with plug-in power detect. The Wireless GO has a host of professional features designed to make your creative life a whole lot simpler.
Specifications

Acoustic & Electrical

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dBSPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5mm TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 11 and above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Mechanical

Weight (grams)
TX: 35
RX: 36

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
RX: 46.5 (W) x 44 (L) x 20 (H)

What's in the box

2 x Transmitter
1 x Receiver
1 x SC2
1 x SC21
1 x SC22
1 x SC33
1 x Carry Pouch
3 x Furry

Notes: The third generation of the world's most popular wireless microphone, now with 32-bit float recording, intelligent GainAssist technology, improved built-in mics and a host of professional features and enhancements - the ultimate creative companion.

The World's Most Popular Wireless Microphone

The original Wireless GO was the first of its kind, establishing an entirely new category of compact wireless microphone that soon became the go-to audio tool for content creators around the world. Now, the third-generation Wireless GO builds on this legacy, delivering every feature and convenience a creator could possibly need while maintaining the intuitive grab-and-go operation that the range is known for.

State-of-the-art Wireless Audio

Utilising RODE's state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, the Wireless GO delivers crystal-clear, incredibly stable audio with a range of up to 260m.

Say Goodbye to Clipping

For the ultimate peace of mind, each of the Wireless GO's transmitters feature over 40 hours of 32-bit float on-board recording. This means that your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too quiet or too loud - even audio that clipped!

Flawless Sound with Every Take

The Wireless GO offers a wide range of features to help you capture incredibly clean and intelligible audio for your content. Intelligent GainAssist technology automatically balances levels on-the-fly, granular gain adjustment and tailored camera presets allow for more refined control over your signal, and the built-in microphones feature the same upgraded capsules and preamps as found in the Wireless PRO. Capture flawless sound with every take.

The Wireless Mic for Every Setup and Every Setting

With both digital and analogue outputs, the Wireless GO is just at home connected to a DSLR or mirrorless camera as it is plugged into an iPhone or Android smartphone - you can even use it as a USB microphone with your computer.

Gain the Professional Edge

Monitor your audio in the field with the Wireless GO's high-power headphone output, ensure your lavaliers stay connected on set with 3.5mm locking connectors, and extend your system's battery in the field with plug-in power detect. The Wireless GO has a host of professional features designed to make your creative life a whole lot simpler.
Specifications

Acoustic & Electrical

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dBSPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5mm TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 11 and above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Mechanical

Weight (grams)
TX: 35
RX: 36

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
RX: 46.5 (W) x 44 (L) x 20 (H)

What's in the box

2 x Transmitter
1 x Receiver
1 x SC2
1 x SC21
1 x SC22
1 x SC33
1 x Carry Pouch
3 x Furry

Notes: The third generation of the world's most popular wireless microphone, now with 32-bit float recording, intelligent GainAssist technology, improved built-in mics and a host of professional features and enhancements - the ultimate creative companion.

The World's Most Popular Wireless Microphone

The original Wireless GO was the first of its kind, establishing an entirely new category of compact wireless microphone that soon became the go-to audio tool for content creators around the world. Now, the third-generation Wireless GO builds on this legacy, delivering every feature and convenience a creator could possibly need while maintaining the intuitive grab-and-go operation that the range is known for.

State-of-the-art Wireless Audio

Utilising RODE's state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, the Wireless GO delivers crystal-clear, incredibly stable audio with a range of up to 260m.

Say Goodbye to Clipping

For the ultimate peace of mind, each of the Wireless GO's transmitters feature over 40 hours of 32-bit float on-board recording. This means that your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too quiet or too loud - even audio that clipped!

Flawless Sound with Every Take

The Wireless GO offers a wide range of features to help you capture incredibly clean and intelligible audio for your content. Intelligent GainAssist technology automatically balances levels on-the-fly, granular gain adjustment and tailored camera presets allow for more refined control over your signal, and the built-in microphones feature the same upgraded capsules and preamps as found in the Wireless PRO. Capture flawless sound with every take.

The Wireless Mic for Every Setup and Every Setting

With both digital and analogue outputs, the Wireless GO is just at home connected to a DSLR or mirrorless camera as it is plugged into an iPhone or Android smartphone - you can even use it as a USB microphone with your computer.

Gain the Professional Edge

Monitor your audio in the field with the Wireless GO's high-power headphone output, ensure your lavaliers stay connected on set with 3.5mm locking connectors, and extend your system's battery in the field with plug-in power detect. The Wireless GO has a host of professional features designed to make your creative life a whole lot simpler.
Specifications

Acoustic & Electrical

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dBSPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5mm TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 11 and above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Mechanical

Weight (grams)
TX: 35
RX: 36

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
RX: 46.5 (W) x 44 (L) x 20 (H)

What's in the box

2 x Transmitter
1 x Receiver
1 x SC2
1 x SC21
1 x SC22
1 x SC33
1 x Carry Pouch
3 x Furry

Notes: Standalone version of Enjoy's DeFeel module. Inspired by 'fill' effects found on old-school drum machines, the DeFeel is a unique approach to manipulating sequences, designed to 'degenerate the monotony' of rhythmic patterns, creating variations in real time.

Supplier's Notes:
With DeFeel Enjoy Electronics have redesigned and applied the Fill concept to make it usable in the world of modular synthesizers.

This device is designed to break the chain between the sequencer and everything that comes after it, allowing you to intervene at the right time and create unique variations.

A modular device that's not going to generate anything, but is created to degenerate the monotony.

DeFeel isn't about complex button presses or cryptic menus. Here, creativity reigns supreme. Design your rhythmic patterns with an intuitive touch. Simple lines and vectors come to life on the multitouch display, allowing you to experiment and craft unique sequences with remarkable ease.

With DeFeel, Enjoy Electronics offer musicians and performers a powerful and versatile tool to enrich their performances and compositions. With its intuitive programming, sleek design, and innovative translucent panel, DeFeel stands out as a unique device poised to revolutionize the way modular synthesizers are used and perceived.

Notes: *** Firmware update (April 2025)- Engine DJ 4.3 ***

Support for Apple Music

Enjoy standalone access to 100 million Apple Music songs and over 30,000 expertly curated playlists. An Apple Music subscription is required
Enabling the Sync Library option in the Apple Music app on your computer enhances your music experience by giving you seamless access to your purchased, uploaded, and personal playlists.
Apple Music will be supported on the following hardware:
Numark Mixstream Pro +
Numark Mixstream Pro Go
Denon DJ SC LIVE 2
Denon DJ SC LIVE 4
Denon DJ PRIME 4+
Denon DJ PRIME GO+

All Engine DJ hardware will receive various other enhancements and improvements with this update.

ENGINE DJ DESKTOP

Various stability enhancements and improvements Engine DJ 4.3 will be available for download on enginedj.com or via Wi-Fi on compatible Engine DJ hardware. Apple Music can be unlocked directly on supported devices.


The Denon DJ PRIME GO+ packs high-end performance features and exceptional music streaming capabilities into an ultra-portable, battery-powered standalone DJ controller. Created for DJs on the move, the PRIME GO+ continues the journey of the legendary PRIME GO while adding access to even more music streaming options for virtually unlimited musical access

Robust streaming capabilities

Boasting a special DRM chip and built-in Wi-Fi, the PRIME GO+ can access over 100 million tracks across numerous streaming partners including Amazon Music Unlimited, TIDAL, Beatport, Beatsource, Soundcloud GO+, and Dropbox. Streaming tracks are buffered into the internal memory for rock-solid stability and flawless performances. DJs can also access saved music libraries and playlists on the PRIME GO+ by utilizing the SD card slot and USB input.

Capable connectivity

Small in size, but not in audio connectivity, the Denon DJ PRIME GO+ boasts a myriad of options for multifaceted DJs, including Bluetooth in and out for 100% wireless performances as well as professional grade wired connections.

Featuring balanced XLR outputs, 1/4" booth outputs, additional RCA Main out, RCA Auxiliary input, and 2 mic combo jack inputs, the PRIME GO+ has the flexibility to handle any gig, anywhere.

Powerful portability

With its compact size and rechargeable battery, the Denon DJ PRIME GO+ is the ultimate grab and go DJ device for any gig or destination mix session. No longer tethered to their desks or studios, this freedom allows DJs to prep, practice, and perform literally anywhere inspiration strikes.

Frequent feature-packed updates

Operating on Engine DJ OS, the PRIME GO+ receives exciting new DJ features with every update. With an ever-expanding suite of features like lighting control, standalone embedded sampler, Bluetooth in/out, Performance Pad Display, Touch FX, custom library Match filters, and more, Engine DJ continues to prove why it is the most powerful and versatile DJ operating system in the world. With easy, over the air updates using Wi-Fi, DJs are automatically notified on the device when and update is available, continually keeping them on the cutting edge of DJ performance technology.

In the box

Prime GO+
Power Cord
USB Cable
Sticker Sheet
Microfiber Dust Cloth
Quickstart Guide
Safety Instructions
SoundSwitch free trial offer card


Weight & dimension (product only)

Weight (lbs): 8.11 lbs
Weight (kg): 3.68 kg
Imperial (in): 16.2" W, 10.8" D, 2.1" H
Metric (mm): 411 W, 274 D, 53 H

Weight & dimensions (product only)
Weight (lbs): 11.27 lbs
Weight (kg): 5.11 kg
Imperial (in): 21.06" W, 15.35" D, 6.65" H
Metric (mm): 535 W, 390 D, 169 H

Notes: OpticShifter is a 20-Stage optical Phaser with flexible feedback and pole selection. Drawing inspiration from classic 70's era phase shifters, it combines vintage charm with modern versatility. Whether you're aiming for subtle movement or dramatic swooshing and whooshing, from phasing to vibing, OpticShifter creates an immersive Phase Shifting experience.

Notes: The OpticTone MK2 is an improved revision of our original module, combining a 12dB multi-mode Vactrol VCF and a Vactrol VCA. This unique circuit is inspired by the distinct characteristics of Vactrols and Lowpass gates, celebrated for their fluid and natural character.

Notes: In the mid-nineties, documentarian Peter Spirer embarked on a three-year odyssey to offer a realistic view of Hip-Hop and the people and culture it encompassed, interviewing over 80 artists involved in the art form. Spirer managed to capture a seminal moment as the culture balanced on the cusp of the mainstream. As Ice-T comments in his foreword to the book, 'Rhyme & Reason is one of the few films that was there to document us before Hip-Hop truly exploded.' While filming, Spirer took accompanying stills using a medium format Rolleiflex camera. It is these photographs that form The Book Of Rhyme & Reason. 'The Rollei allowed me to capture some amazing moments: Puffy getting a trim in his office while doing three tasks at once, Biggie opening record plaques on his couch, Ice-T and Mack 10 hanging with their homies, Heavy D at the barber, playing pool. There was the Jack The Rapper convention with Death Row making a statement, at a Disney World Hotel, that ended in chaos. There were magical moments such as Redman and Erick Sermon freestyling on the mic to amazed onlookers at a block party in Newark and watching Wu-Tang Clan chop it up on the block in Staten Island on a cold winter's day before they exploded.'

This coffee table volume features over 130 of Spirer's photographs from 1994 to 1997. As Hip-Hop commemorates its fiftieth anniversary in 2023, it is particularly fitting that many of these images from this formative period are being seen and published for the first time.

Hardback Book, 224 pages with over 300 illustrations
275mm x 230mm x 25mm
Weight: 1.5kg

Notes: ***B-STOCK: Dinked corners, product otherwise in excellent condition***


The black card high-gloss finish record sleeve has 2 x holes and no spine. It needs no inner sleeve.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The original SSL 2+ interface raised the bar by delivering a level of performance never seen before in its class. SSL 2+ MKII builds upon the success of its predecessor, with a series of significant enhancements and carefully curated feature additions. Designed for musicians, producers and engineers who demand the highest standards in sound quality, SSL 2+ MKII provides unmatched audio performance and a user-friendly design that caters for both those starting their creative journey and seasoned professionals.

The SSL 2+ MKII is equipped with two high-performance SSL-design microphone preamps delivering a massive 64 dB gain range, in conjunction with class-leading 116.5 dB dynamic range and -130.5 dBu EIN. The mic pre's can also operate in LINE mode for connecting synths or INSTRUMENT mode for connecting guitars/basses.

Located on the rear of the SSL 2+ MKII are four balanced outputs for connecting your studio monitors, rackmount kit, FX pedals, and more. With professional-grade outputs, the SSL 2+ MKII delivers 120 dB dynamic range, allowing you to hear every detail in your productions - from the most subtle riff to the deepest bassline. All outputs are DC-coupled, enabling you to send CV (control voltages) to synthesisers.

The SSL 2+ MKII features independent headphone outputs conveniently located on the front panel. These re-engineered outputs (featuring high-current NJM headphone amps) are capable of driving any type of headphones. Now boasting a jaw-dropping 119.5 dB dynamic range (MK I previously 111 dB), you have all the performance and clarity needed for accurate monitoring in any environment. SSL 2+ MKII allows you to create separate mixes for the artist and engineer.

The SSL 4000 series consoles (often referred to as '4K') are renowned for imparting a unique 'mojo' to sounds and instruments that pass through them. This mojo comes from multiple stages of harmonic distortion from compressor VCAs, VCA faders, and other crucial components such as the transistor mix amps. Using modern components, SSL has developed a circuit that distils the two essential characteristics of the 4K sound into a single design. Legacy 4K Analogue Enhancement injects a controlled amount of finely-tuned, sweet-sounding harmonic distortion and a 'forward' yet musical high-frequency EQ boost into the signal path, giving your sound the 4K mojo and presence that artists and engineers have loved for decades.

Front-access jack sockets provide convenient access to 2 instrument DI inputs and 2 independent headphone outputs. On the rear, SSL 2+ MKII provides Neutrik XLR Combo sockets for Mic/Line inputs, four balanced outputs, 5 pin DIN MIDI I/O and the USB connector.

Whether it's the professional-grade mic preamps, Neutrik XLR and jack connectors and Alps pots, or the exceptional level of performance delivered from next-gen converters - all SSL products, including SSL 2+ MKII, offer pro studio quality, from the front to the back. The MKII range of interfaces feature updated switches on the front panel with status LEDs so you know exactly how your device is configured when recording.

High-quality audio conversion is essential for artists and engineers alike and the SSL 2+ MKII is built around Next-Gen 32-bit 192 kHz Converters. The result? Clearer, more detailed recordings, preserving every nuance of your performance. Capture stunning acoustic performances, record drum machines and synths with more punch and texture. Make your live streams sound like professional broadcasts and mix quicker and easier as sounds are more defined.

Whether you are recording a podcast, live streaming via social media, or performing karaoke online with friends, SSL 2+ MKII is equipped with all the tools you need to make content with amazing sound. Class-leading mic preamps allow you to capture every nuance of your conversation or voiceover. The built-in Loopback functionality ensures your audience hears virtual guests or system audio with ease.

With dual professional-grade headphone outputs, SSL's next-gen converters and punchy mic/line inputs, you can capture sounds in all their detail and create music which stands out from the crowd. The SSL 2+ MKII interface is your production sidekick in the studio, and when combined with the SSL production Pack gives you everything you need to make professional quality music.

Notes: ***B-STOCK: Box opened, product in perfect working order***


ALM Eurorack cases are available in a range of sizes all including an integrated powered bus boards.

The cases all feature anodised aluminium construction, an on/off switch, rubber feet, and high quality switched powered bus boards with numerous keyed headers and ample power capacity.

These are simple and compact Eurorack cases, perfect for small, focused systems, taking along on travels, or as a tabletop addition to a larger setup.

Cases are available in 4 sizes; 3U 84HP / 6U 84HP / 3U 52HP / 6U 52HP sizes. They all offer 1 Amp on both the -12V and +12V rails per row.

Great modern cases

The ALM powered Eurorack case was originally designed for the System Coupe. Wider interest has seen it evolve into a range of different sized cases being made available by themselves.

A fixed solid bus board provides quality ample power and plentiful keyed power connectors. The shielded DC/DC power converter is low noise and includes overload and short circuit protection. Fixed, quality mounting rails are used over sometimes frustrating sliding nuts. The case has a great looking all anodised aluminium construction that is both strong and light.

The case proportions are designed to look great on a table or desk (not too deep, just enough) and also be easy to fit in a bag and transport.

Decksaver case covers are available currently for the 3U/84HP, 6U/52HP, and 6U/84HP cases.

3U / 52 HP

Provides up to 1 Amp power on each -12V & +12V rails.
Connections for up to 9 modules.
Includes 2 Amp power 'brick'

Notes: ***B-STOCK: Box opened, product in perfect working order***


TH-11 are closed-back, stylish headphones that deliver a sound you have to hear to believe, and at a price you can't ignore. Tascam spent over a year comparing technologies, designs and methods to provide you with an amazing product for less than a third of the usual cost.

The sensitivity and frequency response of the TH-11 lead to a clear balanced sound to fit all of your favorite tunes, regardless of genre or application. These high-powered headphones produce pristine highs, clear mid-range, and rich low end.

However, just as important as the sound of headphones is a clean modern design and comfort. Featuring plush cushioned ear cuffs and a padded headband, TH-11 can be put to work for hours of comfortable use. Both left and right ear cuffs offer full 90- rotation making TH-11 flexible to wear when listening to your favorite albums, tracking for hours or performing all night. Not to mention, you're going to look good wearing them. And the folding design allows the TH-11 to compactly fit wherever they need to go.

The TH-11 headphones can easily be a part of your everyday accessories but also fit into your recording or performing workflow. Truly listen to the details of your music and media while enjoying comfort and flexibility.

Features at a glance

Foldable design for easy compact transport
Tightly-stitched, padded headband and ear pads for stylish comfort
Closed-back dynamic design with clean sound, rich bass response and crisp highs
Snap-on 3.5-mm (1/8") to 6.3-mm (1/4") adapter
Driver diameter: 50 mm
Impedance: 32 Ohms
Sensitivity: 98 dB +/- 3dB
Frequency response: 18 Hz - 22 kHz
Max input power: 600 mW
Cable length: 3 m (when fully extended)

Notes: ***B-STOCK: Box opened, product in perfect working order***


An essential investment for this elite-level rotary mixer.

Precision-moulded for an exact fit while accommodating cables, your Radius Four Valve rotary mixer can sit ready for operation.

Each Decksaver cover is rigorously tested before it bears our name, and it is manufactured from thick, premium polycarbonate for extra protection.

It shields faders and controls from dust, liquid, and accidental impact at home, on the road, and in the booth.

Fits the Mastersounds MK1 & MK2 devices and the Union Audio variant of this mixer.

Key Features
Patented smoked/clear transparency, unique to Decksaver.
Protects against dust, liquid and impact.
Shields vulnerable faders, switches and knobs during transportation.
Fits
Radius Four Valve
Linear Four Valve
Radius Four Valve MK2

Dimensions
Weight: 0.9 kg
Length: 35.5 cm
Width: 28.7 cm
Height: 3.7 cm

Notes: The third generation of the world's most popular wireless microphone, now with 32-bit float recording, intelligent GainAssist technology, improved built-in mics and a host of professional features and enhancements - the ultimate creative companion.

The World's Most Popular Wireless Microphone

The original Wireless GO was the first of its kind, establishing an entirely new category of compact wireless microphone that soon became the go-to audio tool for content creators around the world. Now, the third-generation Wireless GO builds on this legacy, delivering every feature and convenience a creator could possibly need while maintaining the intuitive grab-and-go operation that the range is known for.

State-of-the-art Wireless Audio

Utilising RODE's state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, the Wireless GO delivers crystal-clear, incredibly stable audio with a range of up to 260m.

Say Goodbye to Clipping

For the ultimate peace of mind, each of the Wireless GO's transmitters feature over 40 hours of 32-bit float on-board recording. This means that your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too quiet or too loud - even audio that clipped!

Flawless Sound with Every Take

The Wireless GO offers a wide range of features to help you capture incredibly clean and intelligible audio for your content. Intelligent GainAssist technology automatically balances levels on-the-fly, granular gain adjustment and tailored camera presets allow for more refined control over your signal, and the built-in microphones feature the same upgraded capsules and preamps as found in the Wireless PRO. Capture flawless sound with every take.

The Wireless Mic for Every Setup and Every Setting

With both digital and analogue outputs, the Wireless GO is just at home connected to a DSLR or mirrorless camera as it is plugged into an iPhone or Android smartphone - you can even use it as a USB microphone with your computer.

Gain the Professional Edge

Monitor your audio in the field with the Wireless GO's high-power headphone output, ensure your lavaliers stay connected on set with 3.5mm locking connectors, and extend your system's battery in the field with plug-in power detect. The Wireless GO has a host of professional features designed to make your creative life a whole lot simpler.
Specifications

Acoustic & Electrical

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dBSPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5mm TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 11 and above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Mechanical

Weight (grams)
TX: 35
RX: 36

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
RX: 46.5 (W) x 44 (L) x 20 (H)

What's in the box

2 x Transmitter
1 x Receiver
1 x SC2
1 x SC21
1 x SC22
1 x SC33
1 x Carry Pouch
3 x Furry

Notes: B.B. King spent 65 years on the road, with hardly a break for more than a few weeks' time, totalling some 18,000 performances. To say that there were some more than memorable incidents over all these years would be a massive understatement. Impossible to include all these anecdotes of the numerous dedicated musicians and companions who lived and played with the great BB King in Jon Brewer's highly acclaimed Documentary 'B.B. King : The Life of Riley' featuring Morgan Freeman, this feature documentary organically arose after the passing of King in 2015, when a legion of his past band members, family and companions reached out in an effort to share these stories from the numerous Tours over decades, recounting the journey they shared with 'B.B.' through civil unrest, historical moments in music and in stage, from 'Chitlin' Circuit to Stadiums with The Rolling Stones and U2. A cinematic pictorial feast, featuring the story-telling style that has established Brewer at the pinnacle of Documentary filmmaking.

Region code: 0 (universal)

Notes: ***B-STOCK: Box opened, product in perfect working order***


Black version of this vintage-inspired 12-bit sampler from Sonicware. Inspired by 80s sampling workstations, and including over 2,500 samples to get you started, the Lofi-12 is a creative powerhouse.

Supplier's Notes:
Key Features

1) 12/24kHz Early-Digital Sound Sampling

Experience true 12kHz/24kHz sampling combined with the 12-bit Sampler mode, which transforms any sound into a pleasant Early-Digital sound, much like the legendary 12-bit samplers of yesteryear.

Each sample can be up to 40 seconds in length, and you can store as many samples as your SD card capacity allows. From these, you can load up to 256 samples (64MB) into a single project, seamlessly switching between samples during playback.

Samples can also be played using PAD mode, utilizing all 15 pads as a keyboard for chromatic/scale play. You can also chop samples to create and play individual slices within a single track.

2) Intuitive & Non-stop Beat Making

The powerful 8-track sequencer supports un-quantized recording and non-stop editing, allowing you to create tracks and beats in real-time as you hit the pads.

With parameter locking, dynamic parameter recording is a breeze - simply press the REC button and tweak the knobs. You can also input exact values directly using the step buttons.

Using the D-pad Roll, you can choose between 7 re-trigger divisions from 8th to 64th notes, while controlling velocity by a pad pressure.

A single project consists of 128 patterns and 16 songs. It can be used not only for song production, but also for long live performances by connecting songs with non-stop editing and various MUTE modes.?

3) Powerful Signal Processing & Extensive Sample Libraries

Simultaneously utilize 8 track effects, delay, reverb, and master compressor to craft diverse sounds.

Track effects can be selected from 22 effect types, and the master compressor can be side-chained. (Can be switched to the master filter for performance.)

The included SD card contains 2,500+ samples from legendary drum machines like TR-808/909, LM-1, linndrum, DMX, Drumulator, SP-12, Drumtraks and TOM*, to ready-to-use the Early-Digital Sound samples.

4) Effortless Background Mix-Tape Recording

The Mix-Tape recording feature continuously captures all your performances in the background up to three hours.

Recording quality can be selected from six levels, from the lo-fi recording quality of a micro-cassette tape to high quality recording at 48 kHz-16 bit, the same recording quality as DAT.

Whether you're mixing down tracks, recording live performances in their entirety, or extracting choice beats and phrases from your daily jams, you will have a continually expanding resource of your sounds and music at your fingertips.

5) Versatile Connectivity with Other Devices

Import and export audio files via USB or SD card. The Lofi-12XT's unique file convert feature ensures typical audio files with differing sampling bit/rates are transformed into the signature Lofi-12 Sounds.

Connect a wide variety of audio sources, from dynamic microphones, electric guitars/bass, synthesizers, and even USB audio sources from PC/Mac or Smartphones.

With TRS analogue inputs and outputs, digital outputs via USB, and tempo sync through MIDI or audio sync, the Lofi-12XT seamlessly integrates with DAWs and various other devices.

Specifications

Sampler: 12kHz/24kHz-16bit (mono) with 12bit mode
Recording time per sample: Up to 40 seconds
Max. number of samples: Up to SD card limit (Up to 64MB - 256 samples can be loaded into each project)
Sample editing: Realtime
Sample slicing: User slice markers
Slice choke groups: Yes
Sample file import: Yes (USB and SD card)
Amplitude modulation: ASR/AR envelope
Filter modulation: ASR/AR envelope
Pitch envelope: Sweep envelope
LFOs: 2 per track
Polyphony: 20 voices internal + USB & External audio
Number of tracks: 8
Track types: 1 (various voice modes)
Sequencer: 128 patterns- 16 songs x 256 projects
Note(Step) length: 1/1 to 1/64
Steps per pattern: 128
Non-Quantize recording: Yes (with MicroTiming edit)
Parameter lock recording: Yes
Drum roll/Note repeat: Yes
Effects: 26 types
Simultaneous effects: 11 (1 FX per track + 2 send FX + 1 master FX)
Background mix-tape recording: Yes
Pads/Keys: 15 velocity-sensitive pads with RGB LEDs
Display: 1.5" OLED
Built in mic: Yes
Audio inputs: 6.35mm TRS, USB audio
Audio input types: Line In, Dynamic Mic, Guitar
Audio outputs: 6.35mm
Headphones: 3.5mm
Midi connectivity: DIN MIDI + USB MIDI

Hardware specifications

Pads: 15 velocity-sensitive pads with RGB LEDs

Controllers: Control knob x 5, Directional pad with 2 button controls 1.5 inch OLED display
Mono x 1 (Omni-directional, 94dBSPL)
Display: 1.5 inch OLED display
Built-in Mic: Mono x1 (omnidirectional, 94dBSPL)
Built-in Speaker: Mono x 1 (1.5W 402)

Audio Inputs

INPUT L / Guitar (Switchable 10k and 1MQ impedance)
[LINE Gain] PAD: -20dB
[Hi-Z Gain] LOW: 0dB, NORMAL: +10dB, HI: +20dB
INPUT R / Dynamic Microphone
[LINE Gain] PAD: -20dB
[MIC Gain] LOW: 0dB, NORMAL: +28.8dB, HI: +50dB

Audio Outputs

STEREO LINE OUTPUTS (Max +6.5dBV)
*The above jacks are all balanced 1/4" TRS Jack Connectors
PHONES jack (stereo 3.5mm mini jack type)

USB port: micro USB Type-B

MIDI ports
[USB Audio] USB 2.0 Full Speed, 48kHz-16bit
Input: 2 channels
Output: 2 channels
[USB MIDI]
[Mass Storage Class] USB2.0 High Speed
*For iPhone, Apple Lightning to USB Camera Adapter required separately MIDI IN connector (5-Pin DIN type)

MIDI ports
MIDI IN connector (5-pin DIN type)
MIDI OUT connector (5-Pin DIN type)

Other connectors
SYNC IN jack (mono 3.5mm mini jack type)
SYNC OUT jack (mono 3.5mm mini jack type)
SD card slot (Standard size *Supports SDHC cards up to 32 GB)
DC IN connector

Bottom side hole: 1/4-20UNC screw for tripod mount

Size and weight
Width: 147mm | approx. 5.8 inch
Depth: 175mm | approx. 7.8 inch
Height: 46mm | approx. 1.8 inch
Weight: 550g | approx.1 lbs 3.5 oz

Power supply

DC12V output AC adapter (500mA, Inner Diameter: 2.5mm, Outer Diameter: 5.5mm, Polarity: Center +)
Ni-MH AA SIZE Rechargeable Battery or Alkaline AA SIZE Dry Battery x 6
(Alkaline dry batteries life: approx. 4 hours)
*Batteries sold separately

Accessories
32GB SDHC card incl. 2,500+ samples
Power Supply Unit: Warranty
*USB cable and the other connection cables sold separately

Notes: The Four to One Mixer is the final docking station for all of your diverging sonic journeys! A simple and compact 4 channel mixer with independent level controls and selectable phase for each channel. This was primarily designed to be used with the One to Four Splitter to create 4 parallel signal paths, but it can be used just about anywhere you need to mix four different sources into a single output with your unique sound!

This high headroom device features a high 1 M Ohm input impedance and a low 100 ohm output impedance ensuring all signals maintain their sonic integrity throughout their journey, even on long cable runs. The high headroom input impedance of this device allows it to accept a variety of instruments without distortion or clipping. This was built to handle just about anything, including guitars, basses, synthesizers, drum machines, and more!

Phase selector switches for each channel will make sure to correct any issues you might have from mixing multiple different signals with opposing polarities. Sometimes mixes can sound out-of-phase, leaving the resulting signal sounding thin or tinnier. Adjusting the Phase on the Four to One Mixer will help you avoid these issues. When used in conjunction with the Four to One Splitter or the Flexi Loops, you can create wild parallel signal paths at the flip of a switch! Use it to mix 4 instruments into one amp! Run four synths into a single channel! Put the whole band through your wall of amps! The possibilities are still nearly endless.

Phase: Use this to select the output phase of the channel. Sometimes other pedals and various instruments will invert the phase of the signal which causes major problems when mixing with other non-inverted signals. If you have a signal that is inverted, flip the phase switch to "-" and the polarity will be corrected. In most cases this switch should stay in the "+" position.

Level: Adjusts the output volume of the channel.

Dimensions

4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw

50 mA

Input Impedance

1 MO

Output Impedance

100 O

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. EQD always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Notes: ***B-STOCK: Dinked corners, but product is in excellent condition and in perfect working order***


The story is about Taina, a nine-year-old, Afro Boricua basketball novice growing up in Brooklyn during a pandemic who learns valuable life lessons from family, friends, and the community, both on and off the court. The narrative seamlessly weaves social-emotional learning with math, arts, social justice, identity, culture, and sports education, all in a fun (and at times goofy) manner!

-Written by Bobbito Garcia and illustrated by Estafania Rivera Cortes.
-58 large full colour printed pages (8.5" x 11"). Hardcover w/matte finish.
-Age range: 7+ and beyond.
-A helpful tool for social-emotional learning as well as math, social justice, identity, culture, and sports education.
-For any store that buys the book, Bobbito Garcia offers to do a personalized video drop to post on their socials and he'd repost it in his stories on IG. He would also add the store to the website of where people can go to buy the book locally (aimhighlittlegiant.com).

-"A brilliant, beautiful and spiritual basketball revelation disguised as a children's book."-Scoop Jackson, author of The Game Is Not A Game
-"A unique reframing of basketball delivered through New York City's diversity, geometry and spirituality."-Max Resetar, editor of SLAM MAGAZINE
-"Yet another achievement for the brilliant Bobbito Garcia who inspires the youth to championship heights! There is a giant in all of us."-Dan Klores, director of Basketball: A Love Story

"Bobbito Garcia's street-smart text and Estafania Rivera Cortes' starburst illustrations make for a buoyant, fun, and thoroughly modern experience. Call 'I got next' on AIM HIGH!" -Alexander Wolff, author of Big Game, Small World: A Basketball Adventure

"I've been documenting hip hop, sneaker, and basketball history in books, films, and magazines since the '80s, so imagine the thrill for me to finally write fiction, and especially for kids! The experience was liberating and allowed me to flex my experiences as a parent, which I haven't shared much of at all publicly. I truly hope the multiple communities I exist in have the opportunity to see themselves in the words and illustrations" -Bobbito Garcia

Brilliantly illustrated by Estefania Rivera Cortes, an artist based in San Juan, Puerto Rico with a compassion for social causes, Aim High, Little Giant, Aim High! is an unprecedented presentation of NYC's unique outdoor basketball culture, created for children of any background to enjoy. The book is published by We Are Little Giants, an independently Black and Puerto Rican owned business.

Notes: ***B-STOCK: Box opened, product in perfect working order***


A visit to the Hainbach Studio Complex two years ago, led to a collaboration that would result in what is perhaps Joranalogue's finest design yet. United by a common passion for vintage test gear, the Joranalogue team joined forces with artist and YouTube sensation Hainbach.

Collide 4 builds upon on the lock-in amplifier concept, and brings it into the Eurorack world. These atomic age physics research instruments are known for their raw power when used in musical applications. Soon, any synthesist can experience this for themselves, at a fraction of the size and weight of a vintage unit, and with full voltage control.

The result is a wholly new kind of synth voice and audio processor, unlike any other. It's a perfect union of Hainbach's extensive experience in exploring the deepest musical realms contained within vintage test equipment, and profound knowledge of audio design and production.

'Quadrature spectral computer' is how you could describe this new kind of musical generator and processor. The sound? Quite simply: it's smashing!

Specs

Modern, fully analogue re-imagining of the lock-in amplifier concept, expanded to new heights.
Pingable variable bandwidth filter with self-oscillation capability.
Pre- and post-filter gain stages, for a total of up to 130 dB of amplification!
Through-zero sine/cosine quadrature oscillator.
Hilbert transform network for use as a frequency shifter.
Dual ring modulators with output lowpass filters.
Extensive output section, including magnitude and phase analogue computing outputs.
Unique X/Y quadrature topology, ideal for stereo use.
Handsome (and useful) signal level/overload LED indicator.
CV control over everything, with temperature compensation and excellent volt/octave pitch tracking.
20 HP, 30 mm deep. Over 600 components, yet a fraction of the weight and size of a vintage Model 124A lock-in amplifier unit.

Notes: The latest in 1010's innovative range of compact devices, the Bento is a fresh take on sampling and sequencing, offering an alternative to conventional options such as Akai's MPC series. Pure standalone creative flow.

Supplier's notes:
Sample Every Flavour

Bento is a portable, all-in-one sampling production lab that brings together flexible sequencing, expressive performance tools, and pro-level connectivity-perfect as the centrepiece of your desktop or mobile rig. Whether you're looping on the go, launching clips live, or sequencing your entire synth setup, Bento gives you the tools to shape your sound from idea to performance.

With pristine 24-bit sound quality, a bright 7" touchscreen, 16 responsive pads, and deep control over samples, MIDI, and effects, Bento offers a fast, fluid workflow in a compact and portable form. Sequence one-shots, build multi-sample instruments, and chop loops using Bento's flexible tracks, scene-based sequencing, and expansive modulation and FX engine.

Designed to replace laptops, simplify cabling, and integrate seamlessly with your gear, Bento features multiple stereo inputs and outputs, USB-C host and device ports, dual TRS MIDI I/O, and a built-in battery for up to 3 hours of mobile creativity.

Recording Capabilities

Capture loops quickly with the option to synchronize the start and stop times to the clock
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Store recorded samples as WAV files on the micro SD card

What's included

bento - sampling production lab
MicroSD card with over 160 patches and over 200 wav files
USB C power cord
USB C power and data splitter
Type B TRS MIDI To MIDI 5 Pin DIN adapter
QR Code with link to the Quick Start Guide

Technical Specs

8 tracks with multiple patch types-sample banks, multisamples, slicers, granular, loops, and external MIDI
16 pressure- and velocity-sensitive pads
7" diagonal touch screen
8 context-sensitive endless encoders
3 stereo inputs, 3 stereo outputs, 1 stereo headphone out
2 TRS MIDI inputs & 2 TRS MIDI outputs (Type A & B)
USB-C host and device ports
Internal battery with 3 hours in low power mode
Includes 155 Patches and over 5000 sample files
Expandable via microSD card
24-bit ADC/DAC
MIDI sequencing, modulation, and CC control support
Compatible with 100 x 100 VESA mounts
Product dimensions: 8" x 8.5" x 2", 2 lb (20.4 x 21.8 x 5.1 cm, 936 grams)
Package dimensions: 10.25" x 8.5" x 2.75", 2.7 lb. ( 26 x 21.6 x 7 cm, 1.2 kg)

Notes: Affordable entry-level handheld recorder from one of the most reliable brands in the game. Simple, straightforward two-channel design with built-in microphones for stereo recording and USB audio interface.

Supplier's notes:
DR-07XP

2-Channel 32-Bit Float Handheld Recorder With USB-C Interface and Adjustable Mics

Pro-Quality Portable Recording, Simplified

The TASCAM DR-07XP portable handheld recorder makes it easy to capture pro-quality recordings for music, audio-for-video, meetings, dictation, and more. With 32-bit float recording mode, you'll never need to worry about setting audio levels, and adjustable stereo condenser microphones give you full control over your sound. With easy one-handed operation, the DR-07XP makes it simple to start recording with minimal setup time.

Capture Pro-Level Recordings Every Time

With its 32-bit float recording mode, the DR-07XP ensures your audio recordings will always be clear, distinct, and free of distortion that could ruin your recording - and you'll never need to worry about setting input levels.

Adjustable Stereo Condenser Microphones

The DR-07XP features unidirectional stereo condenser microphones with adjustable A/B or X/Y configurations, allowing you to capture incredibly vivid stereo recordings in any setting.

Simplicity in Your Palm

With the DR-07XP, the complexities of audio recording are a thing of the past. Easily access every feature from the palm of your hand. Plus, the backlit LCD screen means no squinting; just clear and concise navigation any time of day, in any environment.

Your Portable Recording Studio

The DR-07XP isn't only a powerful portable recorder - it's also a 2-in/2-out USB-C audio interface you can use to record anywhere, directly to audio recording software on your Mac or PC.

Ideal for Musicians

The DR-07XP is a fantastic portable recording solution for musicians with its high-quality microphones, 32-bit float recording, built-in tuner, reverb, overdubbing and more.

On Location

With its compact size, the DR-07XP can travel anywhere for exceptional field recording. Choose from three different low cut filter options for getting rid of unwanted noises. As a companion for video, the DR-07XP can attach easily to tripods and the Auto Tone output for cameras makes post-production a simple task.

Record Anything, Anywhere

From dialogue to vlogs, whether you're in an alley or a recording booth, the DR-07XP captures clear, crisp audio with ease. In addition to the built-in mics, use the stereo mini jack to add microphones with plug-in power or external line inputs to capture audio from any source in mono or stereo. Connect the unit to a computer via USB-C for use as a USB microphone.

Features

2-channel portable handheld audio recorder with microSDXC card storage
32-bit float recording mode ensures low-noise, distortion-free recordings
Stereo AB/XY condenser microphones handle loud environments and sources (up to 125dB SPL)
2-in/2-out USB-C audio interface for recording directly to your computer
Up to 17.5 hours operation with 2 x AA alkaline batteries
Recording modes include 32-bit float/24-bit/16-bit, 96kHz/48kHz/44.1kHz
microSDXC (up to 512GB) cards can be used as recording media
USB Type-C port
Stereo mini jack for external stereo microphones (provides plug-in power) / External line input
Support multiple menu languages (ENG/FRA/DEU/ITA/ESP/RUS/PRT/JPN/CHI/KOR)
Long recordings as MP3 files possible
Various recording function (Auto rec, Self timer, Pre rec)
Overdubbing function
Limiter and Peak reduction
Three low-cut filter levels (40/80/120Hz)
Auto Tone output for use with DSLR camera
Reverb effect for vocal and instrument resonance
Mark function
128×64 pixel graphic LCD with backlight
Tripod mounting point attaches to any standard tripod
Stereo mini line output and headphone output
Speed change (VSA) function for adjusting the speed from 0.5 to 2.0 times (in 0.1 increments)
Playlist function
Built-in monaural speaker makes it easy to check your recordings
Chromatic tuner for tuning musical instruments before recording

* WS-11 Windscreen sold separately
* SD card not included



Recorder specifications

Recording media/file systems: microSD cards, microSDHC cards, microSDXC cards (up to 512 GB)
Recording/playback formats

WAV (BWF)
Sampling frequency: 44.1 kHz, 48 kHz, 96 kHz
Quantization bit depth: 16-bit / 24-bit / 32-bit float

MP3
Sampling frequency: 32 / 64 / 96 / 128 / 192 / 256 / 320 kbps
Quantization bit depth: 24-bit / 32-bit float
Maximum number of input channels: 2
Maximum number of recordable tracks: 2

Analogue audio input/output ratings
MIC/EXT IN jack (can provide plug-in power)

Connector: 3.5mm (1/8") stereo mini jack

Input Impedance: 18 kO or more (when plug-in power is turned off)
2 kO or more (when plug-in power is turned on)
Nominal input level: - 20 dBV
Maximum input level : -4 dBV
PHONES/LINE OUT jack

Connector: 3.5mm (1/8") stereo mini jack
Output impedance: 12 O
Nominal output level : - 14 dBV (10kO loaded)
Maximum output level: +2 dBV (10kO loaded)
Maximum output: 20 mW + 20 mW (32 ? load)
Working impedance: 16 - 250O

Built-in Speaker

Output: 0.3W (monaural)

USB
Connector: USB Type-C
Format:USB 2.0 High Speed Mass Storage Class
USB 1.1 Full Speed Audio Class

USB Audio

Sampling rate : 44.1 / 48 kHz
Quantization bit depth: 24-bit
Number of inputs: 2 channels (output from this unit)
Number of outputs: 2 channels (input to this unit)

General

Power 2AA batteries (alkaline or NiMH)
USB bus power (5V/0.5A) from a computer, etc.
TASCAM PS-P520U AC adapter (sold separately)
Power consumption: 1.7 W (maximum)

Weight: 184 g / 0.406 lb (including batteries)
136 g / 0.30 lb (not including batteries)
Operating temperature range: 0 - 40 -C / 32 - 104 -F

Dimensions
Mic closed: 68 x 159.6 x 27.0 mm
2.68 x 6.28 x 1.06 inch
Mic opened: 90.3 x 159.6 x 27.0 mm
3.56 x 6.28 x 1.06 inch

Included items:
DR-07XP x1
Safety guide (including warranty) x1
TASCAM ID registration guide x1
*Note:0 dBV=1 Vrms, 0 dBu=0.775 Vrms

Notes: Control Forge's core functionality is drawn from the E-mu Morpheus's insanely powerful (but hard to program on a two-line display) Function Generators. But now expanded into a supremely flexible modulation source encompassing elaborate one-shot contours, evolving cyclical patterns and sequences of arbitrary length and complexity.

At its most basic, it's an 8-segment function generator with variable time and target voltage level for each segment. Each segment's level can be defined either absolutely or relative to the ending level of the previous stage and can optionally be quantized to the nearest 1/12 volt, additionally, each segment's level may have a user defined range of randomness of either linear or gaussian distribution.

'Tempo Mode' lets you specify each segment's length in musical note values relative to a tempo set in BPM. The time scale may be modulated under CV control or manually via the encoder during runtime.

There are 67 different transition shapes between segments (indicated graphically on the display during selection), from linear and exponential shapes to various flavours of random, chaotic, and many more that don't lend themselves to one-word descriptions, including the ability to pass CVs directly through to the output for individual segments. Also included are 'DC' shapes that allow the module to be used as a sequencer with all of the module's available programmability. When combined with the Preset Sequencer described below, sequences can be hundreds of steps long and modified in real time manually or by CVs.

Each segment may optionally have a conditional jump mode that results in a jump to another selected stage if a particular condition is met. e.g. a CV being above or below the selected conditional value, the presence or lack of a gate or logic high at their respective inputs, rising or falling edges at the inputs, etc. So, in addition to one-shot shapes, extremely elaborate cyclical patterns can be programmed that evolve based on the various conditional inputs.

Control Forge's AutoChain functionality allows the creation of two very specific kinds of multi-preset patterns: A multi-preset retriggerable pattern (like a long syncable LFO), and a multi-preset 'envelope-like' pattern with retriggerability, an optional sustain section, and a 'release' section that's jumped to on gate fall. Two independent triggers can be programmed to fire in response to a variety of events and can be used to affect either CONTROL FORGE itself or external modules.

500 presets can be saved and recalled. a preset sequencer allows stepping through up to 200 user-defined series of presets under trigger, clock or manual control. This allows contours and sequences of almost unlimited length and complexity. All presets and sequences can be transferred to any number of Satellite modules, which can then operate as stand-alone modulation sources, completely independent of the Control Forge.

Notes: Exceptional value here. Cre8's analogue drum machine is based on Pittsburgh Modular audio circuits, offering true old-school-inspired drum synthesis and hands-on control at an excellent price.

Supplier's notes:
Introducing Boom Chick, a revolutionary analogue drum machine built on the warmth and character of Pittsburgh Modular's newly designed analog drum circuits. These powerful, expressive percussion voices are paired with an advanced sequencer designed for intuitive creativity and deep rhythmic exploration. Inspired by the hands-on performability of iconic analog drum machines, Boom Chick redefines analogue percussion with exceptional flexibility and sonic precision, tailored for modern musicians and producers.

Compact yet incredibly powerful, the Boom Chick ensures frustration-free jamming and tweaking through its intuitive knob-per-function layout and straightforward interface conventions. It's hands-on, immediate, and built for musicians who want a drum machine that feels alive. Turn up the dirt, push the limits, and make some serious noise.

Created by the Pittsburgh Modular Synthesizers team, Boom Chick features five meticulously crafted drum voices, each designed for maximum flexibility and expressiveness. The sounds are raw, dynamic, and laser sharp, built to drive and slice through any mix. The electricity creating the analog sounds is directly shaped using the knob-per-function interface. No menus, no hassle, just pure, tactile beat-making analogue magic at your fingertips. By focusing on creative, new analogue designs, Pittsburgh Modular ensured that Boom Chick doesn't just mimic the past, but kick starts a new future of analogue beats.

Every voice has been meticulously engineered for maximum sonic impact, making Boom Chick a true drum synthesizer, not just a drum machine. Starting with a massive bottom end, the Kick drum sculpts a specialized sine-wave oscillator using gritty overdrive, pitch manipulation, and a precise, percussive envelope allowing you to dial in everything from low and long or clean and punchy rhythms to aggressive, overdriven beats. The Snare drum showcases the power of modern analog with powerful snare hits that can mimic a physical snare drum or venture into creative new territories. Drum channels 1 and 2 offer even deeper sound-design possibilities. By utilizing two oscillators, wave shaping, frequency modulation, and noise you can generate everything from subtle nuanced percussion to wild, expressive sonic textures. Toms, claps, snares, kicks, cymbals, rim shots, cowbells, congas, claves, space sounds, and outer space sounds can all be dialed in and reimagined. Hats utilize a custom oscillator noise matrix to create crisp, bright metallic tones ideal for intricate rhythmic patterns.

Boom Chick's sequencer is designed to offer profound depth while maintaining intuitive simplicity. It features two powerful modes: Step Mode, for meticulous programming of each drum step, and Live Mode, allowing real-time rhythm creation and expressive performance. Tools such as Step Shift enable quick and precise timing adjustments for intricate rhythmic patterns, while Step Roll and Chance introduce engaging complexity and variation. Timing functions like Humanize, Swing, and Quantize provide refined control over groove and rhythm, allowing for perfectly locked or naturally loose-feeling sequences. Swing adds groove by shifting even steps slightly behind the beat, while Humanize introduces subtle timing variations to simulate natural playing styles. With up to 64-step sequences and polyrhythm capabilities, Boom Chick encourages experimentation by removing the boundaries to live performance and making beats.

At the heart of Boom Chick is a 6-track sequencer that gives you deep rhythmic control while staying easy to use. With design inspiration taken from Pittsburgh's Voltage Research Lab 2, Boom Chick's sequencer will take you from quick jams to mind-bending polyrhythms. This sequencer is not only designed to keep up with you, but also propel you to new territory.

Boom Chick is modular-friendly, MIDI-capable, and performance-ready. This makes it a perfect addition to any studio or live rig. Individual trigger inputs and individual drum outs allow each drum to be sent to a mixer or DAW separately for external processing or recording. MIDI in and out to send and receive clock, trigger drums, or sequence external percussion. Analog clock in and out allows Boom Chick to easily integrate with Eurorack setups and other gear. Separate Line and Headphone outputs make personal jams, recording, or live performances easy.

Notes: The Nord Wave 2 is a powerful 4-part performance synthesiser combining Virtual Analogue synthesis, Samples, FM and Wavetable with an intuitive layer-focused interface. With 48 voice polyphony, innovative performance features and hands-on controls, the Nord Wave 2 offers outstanding sonic possibilities with advanced layering and tweaking on the fly.

With 4 independent synthesisers in one the Nord Wave 2 offers exceptional possibilities for layering both classic waveforms and samples. Dedicated OLED displays for Program and Oscillator sections provide an excellent overview when shaping your sounds. The wide range of performance features and instantly tweakable hands-on effects makes the Wave 2 Nord's most versatile performance synthesiser ever. The new Monitor mode displays your settings for Amp Envelope and Filters in the Program display for better overview and control.

The Wave 2 features a Program Layer section with faders for easily controlling the volume or pan for all 4 layer parts at once. The Layer section also provides handy features for quick layer focus, pan control, solo and multi-editing. The Split mode offers three split points providing up to 4 zones with optional crossfades. The flexible Hold functionality lets you latch and hold slots independently in the background while playing something else on top. The new Group feature allows you to group 2, 3 or 4 layers and lets them share the same Filter, Envelope, Arpeggiator, LFO and Effect-settings - perfect when creating complex multi-layered sounds that can be edited as one coherent sound.

The Oscillator section for each of the 4 layers offers 4 modes: Analog, Wavetable, FM and Samples and is easily browsed with our new direct category mode. The Oscillator Control features additional control over shape, sync or detune. The Wave 2 features a powerful multi-oscillator Unison effect with true Superwaves simultaneously generating hundreds of waveforms for extremely thick and fat sounds.

The Sample section has 1 GB of memory and comes loaded with a wide selection of quality samples including Strings, Brass, Guitars, Choirs, Chromatic Percussion as well as the exclusively licensed sounds of the legendary Mellotron and Chamberlin. All sounds are easily replaceable using the Nord Sound Manager. Adding your own custom sample instruments has never been easier thanks to the new streamlined Nord Sample Editor 3 for Mac and Windows that lets you map, loop and transfer samples to your Nord Wave 2 in a breeze.

The Filter section has 6 Filter types featuring classic 12 and 24 dB Low Pass, a High Pass, High Pass/Low Pass and a Band Pass filter, together with a stunning emulation of the transistor ladder filter from the legendary Mini. The unique modeling of these filters captures the true character and response of the classic analog instruments, allowing for flexible and precise sound design. The Filter section is equippied with full ADSR envelope.

The Wave 2 features a dedicated LFO for each layer with a choice of waveforms plus AD/AR Modulation Envelope with dedicated velocity setting and Invert mode. The LFO has several morphable parameters and the rate can be synchronized to the Master Clock.

The Amp Section is equipped with a full ADSR envelope featuring a powerful new Transient Attack mode for adding more punch to your sounds.

The Wave 2 features an extensive range of morphable parameters that can be controlled from four different sources: Velocity, Aftertouch, Wheel and Control Pedal. All morph sources can be quickly assigned to control multiple parameters simultaneously and the powerful Impulse Morph feature lets you instantly change any parameter of your sound. Instantly assign LFO, Oscillator Control or Filter to the Modulation Wheel.

The Nord Wave 2 is truly a rhythmical powerhouse with both a classic arpeggiator and a polyphonic mode with directly editable patterns. The Poly mode is a polyphonic Arpeggiator that will retrig all held keys either straight or patterned featuring different inversions for exciting harmonic variations. The brand new Gate mode chops your sound up in a rhythmic pattern with adjustable depth. The Pattern mode contains a wide selection of Rhythmic Patterns allows easy editing for creating your own custom patterns.

The Master Clock of the Wave 2 allows the LFO, Arpeggiator and various effects to be synchronized, either internally or by an external MIDI clock. With Master Clock synchronization you can synchronize 4 layers with individual patterns, all perfectly in sync with Delays and LFO's. A Tap Tempo allows you to easily tap to the tempo of a drummer or to playback tracks.

A separate Effect section for each layer featuring a great selection of instantly tweakable high quality stereo effects modelled after classic stomp boxes. Tremolo, Pan, Ring Modulator, Chorus, Ensemble and Vibe effects with Rate and Amount control. All effects are controllable via Control Pedal (or other Morph sources) and can also be synchronized to the Master Clock for rhythmic effects. EQ with Bass and Treble control - or 1 Band Sweepable EQ. A sparkling Tube Drive emulation is also available. Advanced stereo Delay effect with Ping Pong mode, Analog Mode and Tap Tempo. New features include creative new Feedback options for adding Ensemble, Chorus, Vibe as well as HP/LP and BP filter in the Feedback loop. The Reverb section has five different Reverb sizes (Booth, Room, Stage, Hall and new Cathedral) for adding some ambience to your sounds, and the amount is now morphable. New features include Bright and Dark modes for either extended or reduced treble. The new Chorale effect adds a lush modulation effect.

Features

Performance

Advanced Arpeggiator with Polyphonic Trig mode
Gate feature for rhythmic effects
Advanced Morph features with Impulse Morph
Master Clock control of Arpeggiator, LFO and Effects
Vibrato with 3 Delay modes and Wheel/Aftertouch assign

Oscillators
Analog: Basic, Shape, Multi, Sync and Noise with up to 16 oscillators
Samples
Wavetable
Advanced FM with harmonic and inharmonic algorithms
True Unison mode

Modulation
LFO with five waveforms
Flexible syncing and routing options
AD/AR envelope

Amp
ADSR Amp envelope
Transient Attack Mode

Filter
12/24 dB lowpass, lowpass M, band pass, high pass, and LP+HP
Filter Drive
ADSR envelope

Effects
FX section with Tremolo, Pan, Ring Modulation, Chorus, Ensemble and Vibe.
EQ section with Drive
Advanced Delay section
Reverb section with five sizes + Dark, Bright and Chorale modes

Review: Bob Geldof plays Pink, a burned out rock star holed up in a Los Angeles hotel. He reminisces on his life, from his wartime birth to his present circumstances. The film contains no dialogue; rather the narrative is carried by the Pink Floyd soundtrack and the Gerald Scarfe animation.

Region code: 2

Notes: Patterns is a 4 channe modular sequencer designed for deep flexibility and hands on performance.

Each channel supports up to 64 steps, with essential creative tools like randomisation, probability, gate length control, swing, clock divisions, and more, giving you everything you need to build evolving, dynamic rhythms.

Its 4×4 grid layout makes programming intuitive and performance friendly, letting you quickly visualize your sequences and punch in steps with ease.

But the real power of Patterns lies in its dedicated Pattern button, your instant gateway to 16 different pattern slots. Switch between them on the fly, program your custom pattern chains, or use CV to jump between patterns and create unexpected breaks, fills, and experimental grooves.

Whether you're building complex arrangements or just jamming, Patterns gives you the immediacy and depth to stay in the flow.

Notes: The concept for Diamond Pedals' Boost/EQ began in the early 2000s, with a request for a 'compression-less' version of the famed Diamond Compressor - combining a clean boost circuit with the Compressor's Tilt EQ.

Nearly 20 years after the resulting original pedal's launch, we've re-imagined this idea on the same platform as the Comp/EQ. Introducing the next-generation Diamond Boost/EQ. This versatile, low-noise pedal delivers a punchy, dynamic sound that's ideal for any set-up

Taking the lively, high-fidelity gain stages of the Comp/EQ, the Boost/EQ offers plenty of punch while maintaining clarity and transparency. While the Tilt and Mid controls give you complete freedom to sculpt your tone. Need more sparkle? Dial it in with the Tilt knob. Looking for a midrange boost to cut through your solos? The Mid control has you covered. Want to make your Marshall tone a bit more Fenderesque? It's all possible with Diamond's Boost/EQ.

In addition, the Boost/EQ features a second mode that provides a low-gain overdrive - transparent, yet full of character. This makes the Boost/EQ the ultimate Swiss Army knife for your pedalboard, combining clean boost, tone shaping and overdrive, into one powerful and versatile pedal.

The Boost/EO offers 2 distinct modes of operation. The first is a clean boost mode designed to increase the output of your signal enabling you to beef-up low-output pickups, drive tube amps and dirt pedals for increased sustain and saturation or simply have your solos jump out in the mix.

Set to the OD mode, the gain structure of the pedal is modified and soft clipping diodes are added to the circuit. This provides smooth, transparent, musical distortion that ranges from just a touch of hair and harmonic overtones, to a nice low to mid gain overdrive. Depending on where your Boost/EO is placed in your signal chain, it will either deliver an increase in volume or distortion/saturation. Place it at the end of your pedal chain or in an amp's series FX loop for a volume boost. Put it in front of your drives and fuzzes for more gain and distortion.

Notes: Inside the brand new issue:

Haruomi Hosono: The exotica explorer and YMO founder has found his voice in a late career renaissance. By James Hadfield.

Plus: Japanese exotica: A user's guide by David Toop

Bromp Treb: Film maker and musician Neil 'Cloaca' Young has learned from the possibility of failure. By Matt Krefting

Christer Bothen: The Swedish multi-instrumentalist and onetime Don Cherry associate has continued along his own path. By Clive Bell

Crystabel Efemena Riley: The close listening of free improvisation offers vital moments of human connection for the London percussionist. By Abi Bliss

Blackhaine: Stockport's industrial hiphop head is making waves on the world stage with his choreography collaborations. By Hugh Morris

KASAI: Footwork folk. By Daryl Worthington

Use Knife: Rhythms of refuge. By Xenia Benivolski

Nina Garcia: Doppler-like effects. By Milos Hroch

Invisible Jukebox: DJ Scotch Egg: Will the bassist and breakcore pioneer crack The Wire's mystery record collection? Tested by Daniel Neofetou

Global Ear: Experimental music in the Bangladeshi capital thrives under the government's radar. By Simon Coates

Unlimited Editions: Dusty Ballz plugs the Chinese diaspora into the global avant garde. By Daryl Worthington

The Inner Sleeve: Djrum on Svarte Greiner's Knive

Against The Grain: Underground music must urgently defend its trans and queer communities, urges Rosie Esther Solomon

Epiphanies: Joy Guidry finds true freedom in the life lessons of Sun Ra

Soundcheck: Ellen Arkbro, Rashad Becker, Bios Contrast & Nilotpal Das, Elvin Brandhi, Anthony Braxton, Caspar Brotzmann Massaker, Raven Chacon, Chepang, Column258, Content Provider, Melaine Dalibert & David Sylvian, Kevin Drumm, Egg Girl Girl, Brian Eno & Beatie Wolfe, Mark Ernestus' Ndagga Rhythm Force, Escape-Ism, Everything Is Psychedelic, Ben LaMar Gay, Gnaw, Georg Graewe/Brad Jones/Hamid Drake, Georg Graewe & Sonic Fiction Orchestra, Joy Guidry, DJ Haram, Herbert & Momoko, Alan Jenkins, kodiki, Hampus Lindwall, Lippard Arkbro Lindwall, Maurice Louca, Matmos, Rainy Miller, Moin, Mourning [A] BLKstar, Nazar, Stephen O'Malley, Osmium, Daniel O'Sulllivan, paszka, Rufige Kru, Schmitz & Niebuhr, Sensor Ghost, Ursula Sereghy, Mark Stewart, ThisIsDA, MK Velsorf & Aase Nielsen, Zosha Warpeha & Mariel Teran, Larry Wish

The Columns: Avant Rock by Edwin Pouncey; Critical Beats by Misha Farrant; Dub & Reggae by Steve Barker; Electronics by Steph Kretowicz; Global by Francis Gooding; Jazz & Improv by Daniel Spicer; Noise, Industrial & Beyond by Louis Pattison; Size Matters by Byron Coley

The Boomerang: Freddie Hubbard; Iration Steppas; Bennie Maupin; Charles Mingus; Repetition Repetition; Gruff Rhys; Arthur Russell; Pete Shelley; David Van Tieghem; To Live And Shave In LA; Various: All The Young Droids: Junkshop Synth Pop 1978-1985; Various: Disk Musik: A DD Records Compilation

Print Run: TRIP MAGAZEEN: The Complete Collection 1992-1994 by DJ THREE, Grumptronix
& Peter Wohelski; The Uncanny Muse: Music, Art, And Machines From Automata To AI by David Hadju; Philosophy Of Jazz by Daniel Martin Feige (translated by Nathan Ross); Meredith Monk: Calling edited by Anna Schneider, Beatrix Ruf & Peter Sciscioli; Monk In Pieces directed by Billy Shebar & David C Roberts; Relational Improvisation: Music, Dance And Contemporary Art by Simon Rose; Songs In The Key Of MP3 by Liam Inscoe-Jones; Sex Is No Emergency: Adventures In A Post Punk Wonderland by Dorothy Max Prior; Alien Water: Six Decades Paddling In Unpopular Music by Ian A Anderson

On Screen: Isaac Gale & Ryan Olson Swamp Dogg Gets His Pool Painted; Alex Ross Perry Pavements

On Location: Mappa Live, London, UK; Sun Yizhou + Zhao Cong + Zhu Wenbo, London, UK; Mosquito Farm & Zhao Cong + Wenbo/Barker/Betteridge/Mai/Zhu/Shaoyang/Zhuo + Rory Salter & Sun Yizho, London, UK; IZ, Shenzhen, China; AD LIB > 66VOCALISTBODIES,NOT, London, UK; Container, London, UK; Reading Group Residency, London, UK; Apartment House, London, UK; Thawed Out, Chicago, US; Kumio Kurachi, London, UK; Long Play Festival, New York, US; Wolf Eyes + Sly & The Family Drone + Soborgnost, London, UK; Vanessa Rossetto + Matthew Revert + Tom Betteridge, London, UK

On Site: Sound And Silence: An Exhibition Of Contemporary Bells, Bovey Tracey, UK

Notes: Noise Engineering is excited to announce a limited-edition BIA. Same great Basimilus Iteritas Alia (with all the perks of an Alia!), spiffy new outfit.

The panel features black ink overprinted on a black powder-coated aluminum panel. These panels will not be sold separately.

Universal drum synthesizer with roots in the analogue world on a swappable 10HP oscillator platform

Basimilus Iteritas Alia is a parameterized digital drum voice with its roots in the analog world. At its heart, the BIA is a simple six-oscillator additive and FM synthesizer with waveform, harmonic spread, and envelope controls. An adjustable noise oscillator and an extreme take on a wavefolder round out its synthesis abilities. Its straightforward controls make sound design fun and performable: create sub-shaking kicks, snares, hats, and unique drum hits with just a few tweaks.

BIA is a classic percussion module but you'll be blown away by how much more it can do. Use it for leads, basslines, or build a whole drum kit with some external CV. Plus, the envelope output means you can use the BIA for shaping and modulating other parts of your patch.

Basimilus Iteritas Alia is available on our 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Firmware Swap app and check out any other Alia firmware, free of charge, any time. More info can be found on the World of Alia page here. Hotswappable overlays are also available so you can easily panel your module to match your firmware, no assembly required.

Basimilus Iteritas Alia is the successor to the Basimilus Iteritas Alter. It was developed to sound nearly identical, with added features and new firmware-swapping capabilities.

Size and Power
10HP Eurorack
+12v:100mA
-12v: 15mA
Basimilus - small foundation - from Latin basos "foundation" with suffix -lus "small"

Iteritas - repetitiousness - from Latin itero "repeat" with suffix -tas "state of being"

Alia - another, other from Latin alia "other", also marine animals, or salty from Greek "halia"

"more small salty foundation of repetitiousness"

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Like a greatest hits of recent Analogue Solutions synths, the Ample combines sound elements from the Fusebox with jack patch points, a patch pin matrix, plus sequencer and CV touch pads from the Generator, creating something new and unique.

Supplier's Notes:
Ample combines the best elements of several of Analogue Solutions' recent products.

The sound elements of Fusebox
Jack patch points of Concussor Eurorack
Patch pin matrix of Vostok
Echo from Dr Strangelove
Sequencer and CV touch pads of Generator

It shares all this yet still has its own sound!

Ample can be as complex or as simple as you want it to be

This synth has been given a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced synthesist endless possibilities.

This synth presents the controls in a user friendly and familiar synth layout that, together with this manual and other resources, enable even the new guy to get great sounds.

Synth - Percussion - Audio Processor

Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound.

Circuits included

3x Analogue Oscillators

There are three analogue VCOs - each providing a wealth of features and modulation choices. VCO3 can easily be utilised as a LFO.

2x Analogue Low Frequency Oscillator

LFO2(/Sync) has a triangle wave output. VCO3 can be used as an LFO and has Saw, Triangle and Square wave modulation signals.

Analogue Filter

Ample uses a four pole 24bB per octave low pass filter.

Analogue Amplifier

The VCA can be set to THRU so it is always 'open'. This allows Ample to be used as an effects processor.

2x Analogue Envelopes

There are two EGs - each having full control over ATTACK, DECAY, SUSTAIN, and RELEASE.

Modulation

Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and 'modular' sounds further extended by patching with the jack sockets and pin matrix.

MIDI

MIDI is intentionally kept simple - so you can concentrate on making new sounds and making music - not getting tied up with SYSEX programming.

You get the all important control over filter cut-off using MIDI Velocity.

Patchable External CV Control Sockets

Ample has many input and output audio and CV sockets - to allow the synth to be effectively re-wired to make new sounds.

The sockets also enable it to be easily used with Eurorack and other modular systems. They can be patched together.

Sequencer

Ample has a vintage style 16 step sequencer.

Touch Keys

There are 6 touch keys that each output a set voltage. Use this to play the pitch or as modulation signals. A great tool for inspiration!

Pin Matrix

A neat way to patch the synth.

Echo

Nice lo-fi echo / delay.

Notes: A very special live concert film by country rock legends, Poco, captured on digital video with crystal clear audio! Features founding members Richie Furay, Rusty Young and longtime Poco member Paul Cotton performing the band's best works including the hits "Crazy Love", "Heart Of The Night", "Call It Love" and more! As an extra bonus for fans, an interview and photo gallery are included.

Region code: 0 (universal)

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44A 7 is designed to be a replacement for the SHURE M447, while the J44D is designed to be a replacement for the SHURE M44G. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44A 7 and the J44D are the same exact cartridge, just as the original SHURE M447 and M44G cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44-7 stylus that is included with the J44A 7 offers a brighter sound, than the N-44G stylus that is included with the J44D, with a thicker bass sound-the same difference as with the SHURE 44 cartridges. JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs as the same with sticking to a record groove with high jump/skip resistance and low record wear.

The JICO J44A 7 with N44-7 stylus provides a crisp and clear sound in the higher frequencies, with the bass being heavy, bold and pronounced. This gives a lively, vigorous and dynamic sound experience. The J44A 7 produces powerful bass frequencies with a smooth, balanced sound, similar to the specification of the genuine Shure M44-7 cartridge.

Cartridge: J44A 7
Cartridge: Type Moving Magnet
Stylus: N44-7 DJ Improved Nude
Stylus: Type Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 8 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 3.5-4.5 g
Glow in the Dark: False
Use: DJ (scratching)

Notes: ***B-STOCK: Outer packaging damaged, but sleeves are in excellent condition***


The Audio Anatomy Vinyl-Outer Sleeves are the indispensable accessory for any vinyl collector. They provide easy and efficient protection against dust, fingerprints and moisture, resulting in improved sound quality and increased longevity of your vinyl records and vinyl covers. To keep your vinyl records clean, we recommend keeping them in the antistatic Audio Anatomy Inner Sleeves and cleaning your records regularly with Audio Anatomy Cleaning Brushes and Audio Anatomy Cleaning Cloths.

- Made from transparent certified PE (Polyethylene)
- Perfect protection against dust, fingerprints and moisture
- Universal size for 12" vinyl records
- Produced in the EU

Review: Experience Pearl Jam's Binaural like never before. In honour of the 25th anniversary of the album, dive into its world with the spatial audio Blu-ray. Feel every note and lyric of tracks such as "Light Years" and "Nothing As It Seems" wrap around you in a way that's beyond amazing. Whether you're reliving the memories or discovering it anew, it's time to let the music take over.

Single Blu-ray disc contains Spatial and Hi-Res stereo mixes.