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Neuzeit Drop Snapshot-Based MIDI Control Center for Live Performance (MIDI controller)
Cat: 1089439 Rel: 22 Aug 25
Snapshot-based MIDI control center for live performance.
Notes: Which live performer doesn't know this situation: You build the tension to immeasurable heights, add another filter here, three more effects there, hands go up in the air, everyone's waiting for the big drop and then you realize: You can't find your way out of the chaos you've created!
The sweat on your forehead drips onto your equipment, and in a firework of spraying sparks, your devices and your fans say goodbye forever.
This doesn't have to happen!
With Drop, you can now map your MIDI equipment across devices and easily store different controller positions as snapshots. During performance, you can jump back to these snapshots at any time (JUMP mode) and trigger them. All of this can be quantized and with variable fade time, allowing you to use a snapshot for slowly building tension and automatically have multiple controllers move simultaneously.
A particularly useful feature, is firing snapshots in DROP mode at exactly the right moment, precisely at the end of a pattern of, for example, 8 bars. For this purpose, Drop features an integrated master clock that counts any number between 1 and 32 bars (= cycle). In DROP mode, you can schedule a snapshot to trigger at the end of a cycle, build tension and go crazy on effects until then, and lean back as the snapshot automatically turns the controllers at exactly the right moment, bringing your live set back to solid ground.
Saving and recalling snapshots is quick and simple even during live situations, allowing you to work spontaneously with new snapshots on-the-fly during your performance. The LED buttons always provide clear visual feedback about what's happening. If you want to plan further ahead, you can prepare sequences of DROP snapshots according to your song arrangement in the studio. Then use CHAIN mode to automatically trigger them sequentially on stage. Multiple chains and banks of snapshots are available, allowing you to configure your live set according to a song-by-song structure.
As with our Warp Synthesizer, Drop has two main operating levels: The PLAY level with direct hands-on access to the most important parameters, and the MENU level for studio configuration. The PLAY level is reduced to the essentials, such as the clear progress display (how many bars until the DROP at the end of the cycle), similar to a countdown clock. The buttons can be used for beat jumps, allowing you to spontaneously extend or shorten a break. Also, the number of bars per cycle and the quantization behavior can be changed on-the-fly. Everything is easily and directly accessible without submenus or hidden button combinations.
Mapping is done in the MENU level, directly on the device. No additional software is required, ensuring Drop isn't dependent on outdated operating systems in the future. Copy/paste/move functions and MIDI-Learn help with quick setup. Furthermore, an integrated MIDI monitor allows recording and analyzing incoming and outgoing messages. All possible MIDI commands are supported, including 14-bit CCs (NRPN), Program Change, Bank Select, Aftertouch, Pitchbend, and of course CCs and Notes.
Each controller enables macro mapping by sending up to eight different MIDI messages simultaneously to any MIDI output port. Individual curves can be assigned to each destination. This allows you to control multiple devices simultaneously with one knob, giving you a manageable number of highly expressive controls for your live set.
MIDI messages can also be assigned to snapshots, so that, for example, device programs and banks can be changed automatically in sync with a snapshot DROP.
On the output side, four MIDI In/Out ports via TRS jacks (types A and B) and two USB-C ports are available. Device and host modes are automatically detected, allowing connection not only to synths and grooveboxes but also to external keyboards, two laptops, or other MIDI controllers via USB.
Thanks to the multiple outputs, each connected device gets its own dedicated MIDI port with full data rate and all 16 MIDI channels, plus its own independent MIDI clock. This can even be adjusted individually for each output down to the millisecond, ensuring all devices run in perfect sync. Additionally, there are two CV outputs that can also be used for clock signals or as freely assignable 0-5V CV voltages. If one of the receiving devices accidentally falls out of sync, e.g., by accidentally pressing the stop/play button, Drop offers a quickly accessible resync button that resynchronizes all devices at the beginning of the next bar. As a master clock generator, there's also a nudge function for manual beat matching (DJ-style), or you can simply synchronize Drop to an incoming MIDI clock or a 0-5V clock from your modular system.
Another function is the reception and forwarding of incoming MIDI signals. Via the MIDI merge function, incoming messages can be filtered by channel and distributed to the connected devices. This allows a master sequencer that outputs sequences for all devices on multiple channels to be connected and appropriately routed through Drop. Drop adds the MIDI messages from its own controllers (MIDI merge), so the receiver gets the sum of both signals. You can go even further and integrate an external MIDI keyboard, allowing you to play some of your own notes in addition to the sequencer. Such routing was previously mainly reserved for software solutions, but now you can save having a laptop on stage, as Drop takes over this hub function.
The silicone buttons for snapshots can also be used as a 4x4 clip launcher for Ableton Live integration, parallel to snapshot control. Simply load the corresponding script from below into the appropriate folder on your computer. Drop now offers navigation through Ableton clips with RGB LED feedback, play/stop functionality for clips and tracks, scene triggering, and even the ability to start a scene in sync with a snapshot DROP.
Even without Ableton, the button matrix doubles as a convenient mini keyboard, allowing you to trigger notes on your favorite synth without lugging around extra gear. It includes practical features like customizable scales and transpose functions to enhance your playing flexibility.
Drop can be powered via USB-C, allowing it to be elegantly connected to a laptop with just one USB-C cable. However, an external power supply is also included to effectively prevent the notorious ground loops in branched USB setups. The power supply also contains globally compatible power adapters (EU, UK, US, AU), making it ready for global tours. The package also includes a USB-C cable, a USB-C to USB-A adapter, and two MIDI-TRS cables with 3.5mm stereo jacks.
The solid metal housing, metal faders and encoders, and high-quality soft-touch buttons guarantee long-lasting enjoyment and professional touring reliability.
… Read moreThe sweat on your forehead drips onto your equipment, and in a firework of spraying sparks, your devices and your fans say goodbye forever.
This doesn't have to happen!
With Drop, you can now map your MIDI equipment across devices and easily store different controller positions as snapshots. During performance, you can jump back to these snapshots at any time (JUMP mode) and trigger them. All of this can be quantized and with variable fade time, allowing you to use a snapshot for slowly building tension and automatically have multiple controllers move simultaneously.
A particularly useful feature, is firing snapshots in DROP mode at exactly the right moment, precisely at the end of a pattern of, for example, 8 bars. For this purpose, Drop features an integrated master clock that counts any number between 1 and 32 bars (= cycle). In DROP mode, you can schedule a snapshot to trigger at the end of a cycle, build tension and go crazy on effects until then, and lean back as the snapshot automatically turns the controllers at exactly the right moment, bringing your live set back to solid ground.
Saving and recalling snapshots is quick and simple even during live situations, allowing you to work spontaneously with new snapshots on-the-fly during your performance. The LED buttons always provide clear visual feedback about what's happening. If you want to plan further ahead, you can prepare sequences of DROP snapshots according to your song arrangement in the studio. Then use CHAIN mode to automatically trigger them sequentially on stage. Multiple chains and banks of snapshots are available, allowing you to configure your live set according to a song-by-song structure.
As with our Warp Synthesizer, Drop has two main operating levels: The PLAY level with direct hands-on access to the most important parameters, and the MENU level for studio configuration. The PLAY level is reduced to the essentials, such as the clear progress display (how many bars until the DROP at the end of the cycle), similar to a countdown clock. The buttons can be used for beat jumps, allowing you to spontaneously extend or shorten a break. Also, the number of bars per cycle and the quantization behavior can be changed on-the-fly. Everything is easily and directly accessible without submenus or hidden button combinations.
Mapping is done in the MENU level, directly on the device. No additional software is required, ensuring Drop isn't dependent on outdated operating systems in the future. Copy/paste/move functions and MIDI-Learn help with quick setup. Furthermore, an integrated MIDI monitor allows recording and analyzing incoming and outgoing messages. All possible MIDI commands are supported, including 14-bit CCs (NRPN), Program Change, Bank Select, Aftertouch, Pitchbend, and of course CCs and Notes.
Each controller enables macro mapping by sending up to eight different MIDI messages simultaneously to any MIDI output port. Individual curves can be assigned to each destination. This allows you to control multiple devices simultaneously with one knob, giving you a manageable number of highly expressive controls for your live set.
MIDI messages can also be assigned to snapshots, so that, for example, device programs and banks can be changed automatically in sync with a snapshot DROP.
On the output side, four MIDI In/Out ports via TRS jacks (types A and B) and two USB-C ports are available. Device and host modes are automatically detected, allowing connection not only to synths and grooveboxes but also to external keyboards, two laptops, or other MIDI controllers via USB.
Thanks to the multiple outputs, each connected device gets its own dedicated MIDI port with full data rate and all 16 MIDI channels, plus its own independent MIDI clock. This can even be adjusted individually for each output down to the millisecond, ensuring all devices run in perfect sync. Additionally, there are two CV outputs that can also be used for clock signals or as freely assignable 0-5V CV voltages. If one of the receiving devices accidentally falls out of sync, e.g., by accidentally pressing the stop/play button, Drop offers a quickly accessible resync button that resynchronizes all devices at the beginning of the next bar. As a master clock generator, there's also a nudge function for manual beat matching (DJ-style), or you can simply synchronize Drop to an incoming MIDI clock or a 0-5V clock from your modular system.
Another function is the reception and forwarding of incoming MIDI signals. Via the MIDI merge function, incoming messages can be filtered by channel and distributed to the connected devices. This allows a master sequencer that outputs sequences for all devices on multiple channels to be connected and appropriately routed through Drop. Drop adds the MIDI messages from its own controllers (MIDI merge), so the receiver gets the sum of both signals. You can go even further and integrate an external MIDI keyboard, allowing you to play some of your own notes in addition to the sequencer. Such routing was previously mainly reserved for software solutions, but now you can save having a laptop on stage, as Drop takes over this hub function.
The silicone buttons for snapshots can also be used as a 4x4 clip launcher for Ableton Live integration, parallel to snapshot control. Simply load the corresponding script from below into the appropriate folder on your computer. Drop now offers navigation through Ableton clips with RGB LED feedback, play/stop functionality for clips and tracks, scene triggering, and even the ability to start a scene in sync with a snapshot DROP.
Even without Ableton, the button matrix doubles as a convenient mini keyboard, allowing you to trigger notes on your favorite synth without lugging around extra gear. It includes practical features like customizable scales and transpose functions to enhance your playing flexibility.
Drop can be powered via USB-C, allowing it to be elegantly connected to a laptop with just one USB-C cable. However, an external power supply is also included to effectively prevent the notorious ground loops in branched USB setups. The power supply also contains globally compatible power adapters (EU, UK, US, AU), making it ready for global tours. The package also includes a USB-C cable, a USB-C to USB-A adapter, and two MIDI-TRS cables with 3.5mm stereo jacks.
The solid metal housing, metal faders and encoders, and high-quality soft-touch buttons guarantee long-lasting enjoyment and professional touring reliability.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 22 Aug 25 $768.11
(No payment required now - pay when released)
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Embodme Erae II Polyphonic MIDI Controller & Looper (B-STOCK) (MIDI controller/looper)
Cat: 1096303 Rel: 01 Jan 90
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***
Unlock Limitless Creativity.
Experience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.
Redefined sensitivity.
ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.
The most playable surface yet.
ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.
A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.
Complete musical articulation.
Add polyphonic portamentos, slides and after-touch to your musical creative process.
Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.
Expressive looping.
Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.
Every gesture recorded on the fly is replayed visually, creating a show for the eyes.
Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.
Modular mastermind
Multi-dimensional connectivity.
ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!
Different skins.
ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.
This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.
Expressive Controller Looper
Erae Touch is a polyphonic MIDI Controller & Looper.
Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.
Built with unrivalled sensitivity and offering infinite configurability.
User-friendly configuration
No more back & forth menu diving.
Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.
The ERAE Lab
Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.
ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.
Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.
An open canvas.
This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).
A new kind of arpeggiator.
Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).
Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!
What's in the box:
Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable
… Read moreUnlock Limitless Creativity.
Experience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.
Redefined sensitivity.
ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.
The most playable surface yet.
ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.
A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.
Complete musical articulation.
Add polyphonic portamentos, slides and after-touch to your musical creative process.
Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.
Expressive looping.
Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.
Every gesture recorded on the fly is replayed visually, creating a show for the eyes.
Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.
Modular mastermind
Multi-dimensional connectivity.
ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!
Different skins.
ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.
This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.
Expressive Controller Looper
Erae Touch is a polyphonic MIDI Controller & Looper.
Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.
Built with unrivalled sensitivity and offering infinite configurability.
User-friendly configuration
No more back & forth menu diving.
Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.
The ERAE Lab
Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.
ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.
Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.
An open canvas.
This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).
A new kind of arpeggiator.
Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).
Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!
What's in the box:
Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable
1 in stock $879.12
用户也购买了...
Softube Console 1 Fader MKIII Channel Fader Controller (MIDI controller)
Cat: 1082543 Rel: 01 Apr 25
Console 1 Fader Mk III gives you the control and feel of 100 mm high quality faders, featuring the new Analog Feel fader with capacitive touch to vastly improve your workflow in your DAW and round out the Console 1 Mixing System
Notes: The latest incarnation of Softube's Console 1 Fader controller expands on the original with features including dual USB-C ports with the option to daisy chain multiple units, parameter mode, expanded DAW compatibility, haptic feedback and high-res screens.
Supplier's Notes:
Console 1 Fader Mk III gives you the control and feel of 100 mm high quality faders, featuring the new Analog Feel fader with capacitive touch to vastly improve your workflow in your DAW and round out the Console 1 Mixing System.
The Fader III is the perfect complement to Console 1 Channel Mk III. Set levels, automation, adjust pan, select tracks and many other functions with the tactile feel of faders - no mouse required! Daisy chain up to four units.
Fader Mk III offers the feeling of a high-quality analogue console, the recall and control of a modern DAW, and modularity that means the versatility you need.
World-class console sound
Authentic, timeless big studio sounds from the company known for exquisitely modeling big studio gear, from Tube-Tech to Weiss. Console 1 Fader Mk III comes with Softube's Core Mixing Suite software. It delivers the award-winning sounds of Softube Tape, FET Compressor Mk II, and Bus Processor in versatile preamp, shape, equalization, and compression sections, and an innovative drive befitting Softube's stellar saturation reputation. It's Softube's take on the perfect channel strip, but users will appreciate the ability to draw on Softube's one-of-a-kind catalogue to design their unique dream console.
Console 1 Fader Mk III key features:
Premium bead-blasted aluminium in a Nordic Night Sky finish.
Ten high-resolution screens that make track navigation a breeze. You'll always know exactly where you're at with screens that show you customizable information like track name, number, level meters, pan, and colour.
Refined Analog Feel faders with capacitive touch make for the smoothest experience possible.
Haptic feedback that feels amazing and communicates critical information in an uber-intuitive way.
Core Mixing Suite featuring:
Softube Tape/Preamp section
Shape: Transient Shaper plus new utility tools
Two equalizers: passive vintage and precise modern
Three compressors based on FET Compressor Mk II, Bus Processor, and OPTO Compressor
Core Modern Preamp and Core Vintage Preamp
Customize your workflow on the fly. Param mode (or parameter mode) gives you fast control over filters, drive, or even compression thresholds.
FabFilter and UADx control for Console 1 Mixing System
Dual USB-C ports with daisy chain compatibility without a hub. Fader offers single connectivity for as many faders as you want.
Technical Specifications
Included Software: Console 1 Core Mixing Suite
Connectivity: Dual USB-C ports
Daisy Chain Units: yes
Power: Incl. 20W USB-C PSU delivers power to multiple units
Operation Modes:
Console 1
Pro Tools HUI
Generic MCU (Volume, Pan, Sends, Solo, Mute)
UAD Apollo Central
DAW Control
Volume
Pan
Solo/Mute
6 Sends
Track Select
DAW Communication
Direct DAW Integration (Logic, Cubase)
Pro Tools HUI (Pro Tools)
Integrated DAW Control (Ableton Live, Reaper, Nuendo, FL Studio, LUNA, Digital Performer, Harrison Mixbus, Bitwig, Cakewalk, Samplitude)
Haptic Feedback
Notch on Zero (volume at unity or pan at center)
Event Mode (fader "vibrates" to indicate clipping)
Discrete Values Mode (fader "snaps" to nearest value when controlling a product with discrete values e.g. an EQ with set frequencies)
Faders: 10 x 100 mm Analog Feel™ Motorized Faders
High Resolution Screens: 10 high resolution screens showing track name, color, number, and VU meter
Unique Features:
Parameter Mode (maps fader to any Console 1 Channel parameter)
Quickly change modes (C1, Pro Tools HUI, MCU, UA Apollo Central)
Select track on solo
Select track on touch
Favourite and Compact mode
Fader Trim
Track Width
Load Strip/Section
Presets (Load/Save)
Buttons
10 buttons with RGB LEDs for track selection
37 buttons with RGB LEDs for Solo, Mute, Sends, and various other functions
Shift button for access to additional parameters
Knobs: 1 touch sensitive high-resolution Analog Feel™ potentiometer for pan and menu control
Mounting options: 100 mm M4 VESA on the bottom. M4 threads on the side
Construction: Anodized aluminum top, injection moulded smooth sides and back with integrated connectivity points
Included Cables
2m USB C to USB C braided
1m USB A to USB C braided
1m USB C to USB C braided
Included Screws:
4 x screws for VESA mounting option
Expandable: Connect up to four Console 1 Fader Mk III units and one Console 1 Channel Mk III units
Dimensions
Dimensions (mm and in):
435 mm / 17.1" length
219 mm / 8.66" width
45 mm / 1.77" height
Product Weight (kg and lbs): 1.8 kg / 3.96 lbs
… Read moreSupplier's Notes:
Console 1 Fader Mk III gives you the control and feel of 100 mm high quality faders, featuring the new Analog Feel fader with capacitive touch to vastly improve your workflow in your DAW and round out the Console 1 Mixing System.
The Fader III is the perfect complement to Console 1 Channel Mk III. Set levels, automation, adjust pan, select tracks and many other functions with the tactile feel of faders - no mouse required! Daisy chain up to four units.
Fader Mk III offers the feeling of a high-quality analogue console, the recall and control of a modern DAW, and modularity that means the versatility you need.
World-class console sound
Authentic, timeless big studio sounds from the company known for exquisitely modeling big studio gear, from Tube-Tech to Weiss. Console 1 Fader Mk III comes with Softube's Core Mixing Suite software. It delivers the award-winning sounds of Softube Tape, FET Compressor Mk II, and Bus Processor in versatile preamp, shape, equalization, and compression sections, and an innovative drive befitting Softube's stellar saturation reputation. It's Softube's take on the perfect channel strip, but users will appreciate the ability to draw on Softube's one-of-a-kind catalogue to design their unique dream console.
Console 1 Fader Mk III key features:
Premium bead-blasted aluminium in a Nordic Night Sky finish.
Ten high-resolution screens that make track navigation a breeze. You'll always know exactly where you're at with screens that show you customizable information like track name, number, level meters, pan, and colour.
Refined Analog Feel faders with capacitive touch make for the smoothest experience possible.
Haptic feedback that feels amazing and communicates critical information in an uber-intuitive way.
Core Mixing Suite featuring:
Softube Tape/Preamp section
Shape: Transient Shaper plus new utility tools
Two equalizers: passive vintage and precise modern
Three compressors based on FET Compressor Mk II, Bus Processor, and OPTO Compressor
Core Modern Preamp and Core Vintage Preamp
Customize your workflow on the fly. Param mode (or parameter mode) gives you fast control over filters, drive, or even compression thresholds.
FabFilter and UADx control for Console 1 Mixing System
Dual USB-C ports with daisy chain compatibility without a hub. Fader offers single connectivity for as many faders as you want.
Technical Specifications
Included Software: Console 1 Core Mixing Suite
Connectivity: Dual USB-C ports
Daisy Chain Units: yes
Power: Incl. 20W USB-C PSU delivers power to multiple units
Operation Modes:
Console 1
Pro Tools HUI
Generic MCU (Volume, Pan, Sends, Solo, Mute)
UAD Apollo Central
DAW Control
Volume
Pan
Solo/Mute
6 Sends
Track Select
DAW Communication
Direct DAW Integration (Logic, Cubase)
Pro Tools HUI (Pro Tools)
Integrated DAW Control (Ableton Live, Reaper, Nuendo, FL Studio, LUNA, Digital Performer, Harrison Mixbus, Bitwig, Cakewalk, Samplitude)
Haptic Feedback
Notch on Zero (volume at unity or pan at center)
Event Mode (fader "vibrates" to indicate clipping)
Discrete Values Mode (fader "snaps" to nearest value when controlling a product with discrete values e.g. an EQ with set frequencies)
Faders: 10 x 100 mm Analog Feel™ Motorized Faders
High Resolution Screens: 10 high resolution screens showing track name, color, number, and VU meter
Unique Features:
Parameter Mode (maps fader to any Console 1 Channel parameter)
Quickly change modes (C1, Pro Tools HUI, MCU, UA Apollo Central)
Select track on solo
Select track on touch
Favourite and Compact mode
Fader Trim
Track Width
Load Strip/Section
Presets (Load/Save)
Buttons
10 buttons with RGB LEDs for track selection
37 buttons with RGB LEDs for Solo, Mute, Sends, and various other functions
Shift button for access to additional parameters
Knobs: 1 touch sensitive high-resolution Analog Feel™ potentiometer for pan and menu control
Mounting options: 100 mm M4 VESA on the bottom. M4 threads on the side
Construction: Anodized aluminum top, injection moulded smooth sides and back with integrated connectivity points
Included Cables
2m USB C to USB C braided
1m USB A to USB C braided
1m USB C to USB C braided
Included Screws:
4 x screws for VESA mounting option
Expandable: Connect up to four Console 1 Fader Mk III units and one Console 1 Channel Mk III units
Dimensions
Dimensions (mm and in):
435 mm / 17.1" length
219 mm / 8.66" width
45 mm / 1.77" height
Product Weight (kg and lbs): 1.8 kg / 3.96 lbs
1 in stock $1,000.22
