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Review: By 1960, Georgia-born tenor saxophonist Mobley was at the height of his powers, crafting a trilogy of hard bop masterpiecesiSoul Station, Roll Call and Workout. Roll Call, the middle entry, finds Mobley leading an inspired quintet featuring the young and fiery Freddie Hubbard on trumpet, alongside the rock-solid Soul Station rhythm section of pianist Wynton Kelly, bassist Paul Chambers and the explosive Art Blakey on drums. The result is a hard bop stunner, bursting with energy, interplay and lyrical phrasing. This reissue opens with the dynamic title track, a minor-key powerhouse that jumps out of the speakers, pushing each musician to deliver their best. Mobley and Hubbard's chemistry is electrifying, their solos crackling with urgency. The swaggering 'My Groove Your Move' follows, built on a confident, swinging groove, while 'A Baptist Beat' channels the deep, soulful call-and-response tradition of the black church. A second take of the latter further showcases the group's enthusiasm and spontaneity. The album's only standard, 'The More I See You', is a sublime moment of restraint, with Hubbard's use of the harmon mute adding a delicate, smoky touch. Mobley's playing here epitomises his gift for melodic improvisationisubtle yet deeply expressive. His warm, bluesy tone and sophisticated phrasing made him one of the most lyrical saxophonists of his era. Even decades later, Roll Call remains a cornerstone of hard bop.
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in stock $30.58
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Kenny BURRELL with ART BLAKEY
On View At The Five Spot Cafe: The Complete Masters (Tone Poet Series) (gatefold 3xLP + booklet)
Cat: 750228 1. Rel: 24 Apr 25
Jazz
Played by: Juno Recommends Jazz
in stock $82.71
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Review: By the time Kenny Burrell took the stage at the Five Spot Cafe in August 1959, he had already 90-degree head-turned his best jazz fellow travellers with a glissando of Blue Note LPs. But this gig, his first live date as a leader, brought a new kind of magic. Contracting Art Blakey, Tina Brooks, Roland Hanna, Bobby Timmons, and Ben Tucker on band duties, Burrell confidently executed a suite of hard bop soaked in sweat, swing, and soul. This 3xLP brings that steamy summer evening back to life in full analogue detail; housed in a tip-on trifold jacket with an accompanying booklet of rare Francis Wolff photos, an essay by Syd Schwartz, and new reflections from Burrell himself, it's a vivid snapshot of a moment when everything clicked.
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in stock $15.58
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Review: Dutch-born American jazz pianist and composer Gerald Clayton is back with a sixth album, his second on Blue Note. Ones & Twos is another exploration of jazz, hip-hop, neo-soul and raw improvisation that is all rooted in a deep conceptual framework. Featuring standout collaborators like Joel Ross, Elena Pinderhughes, Kendrick Scott and Kassa Overall, the album moves effortlessly from groove to abstraction and is inspired by turntablism, which is why Clayton created two sets of tracks that can play individually or simultaneously, blurring the line between harmony and dissonance. As rich as the sonics are, there is also real philosophical intent here, making it both a visceral and cerebral listen with layered commentary on collaboration, coexistence and creativity.
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Review: A refined and understated session, this reissue is a masterful example of West Coast jazz, offering a smooth, mellow and introspective listening experience. Recorded between december 1956 and January 1957 in Hollywood, California, this album showed Pepper's signature melodic alto saxophone over a relaxed and fluid quartet setting. The lineup features Russ Freeman on piano, Ben Tucker on bass and Chuck Flores on drums, each contributing to the album's effortlessly cool and unfailingly swinging atmosphere. Unlike the high-energy performances found on Art Pepper Meets the Rhythm Section, Modern Art unfolds at a more leisurely pace, making it a perfect soundtrack for a laid-back evening. The album's bookends, 'Blues In' and 'Blues Out', frame a collection of beautifully arranged pieces, including exquisite renditions of 'Bewitched', 'Stompin' at the Savoy' and 'What Is This Thing Called Love'. One of the true highlights is 'Summertime', a performance filled with emotional depth and intensity, as though Pepper poured his very soul into each note. This Blue Note Tone Poet reissue, produced by Joe Harley and mastered by Kevin Gray from the original analogue tapes, is an essential edition. Pressed with impeccable sound quality, this release does full justice to Pepper's warm, lyrical tone. Whether you're just beginning your jazz journey or a seasoned listener, Modern Art is the type of album that continues to reveal its brilliance with every spin. If you're new to jazz, this album might just make you a fan of the West Coast sound.
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in stock $46.18
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Review: Lou Donaldson's Say It Loud! is a classic of the late 60s soul-jazz movement, combining infectious grooves with a lineup of skilled musicians. Released in 1969 on Blue Note, this album highlights California-based Donaldson's expertise on the alto saxophone, blending hard-swinging bebop roots with a funkier, dance-driven approach. The title track, inspired by James Brown's anthem, is a cool, laid-back rendition that shows his nuanced playing alongside the solid rhythms of trumpeter Blue Mitchell, guitarist Jimmy Ponder, organist Charles Earland, and drummer Leo Morris. The album shines with its extended tracks like 'Snake Bone' and 'Brother Soul', where the soloists stretch out, creating moments of tension and release. Ponder's blues-infused guitar solos and Earland's dramatic organ builds are standouts. While the bossa nova rendition of 'Summertime' and the swinging 'Caravan' bring a more traditional jazz feel, the album is most vibrant when it grooves hard. Despite being somewhat overshadowed by Donaldson's earlier work, Say It Loud! remains a highly enjoyable and essential part of his legacy. It may not carry the same weight as Midnight Creeper, but its infectious rhythms and tasteful solos ensure its place as a classic in soul-jazz, deserving of a greater appreciation which this reissue celebrates.
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in stock $31.72
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Our Man In Paris (Classic Vinyl Series) (180 gram audiophile vinyl LP)
Cat: 651496 7. Rel: 20 Feb 25
Jazz
Review: Super cool jazz cat Dexter Gordon's 1963 album Our Man in Paris marked his first release from Europe and is often regarded as the final bebop album. The saxophonist gathered a quartet featuring bebop legends Bud Powell on piano and Kenny Clarke on drums and they played alongside French bassist Pierre Michelot to record this timeless work at CBS Studios in Paris. The album is defined by Gordon's commanding saxophone with the intricate rhythms of bebop that take you right back to a precise moment of musical history which marked a significant transition in jazz. It remained a defining work in Gordon's career.
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Review: Sonny Rollins made his Blue Note debut in 1949 with Bud Powell, but returned as a leader in 1956 with Volume 1. This album showcases classic Rollins so has plenty of hard-swinging originals and a tender ballad that perfectly offer up his powerful sound and boundless improvisational skills. The quintet includes Donald Byrd, Wynton Kelly, Gene Ramey and Max Roach who all support Rollins in creating a dynamic blend of jazz. This record solidified Rollins' reputation as a leading figure in the genre, and that is still true to this day.
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Review: This Tone Poet Vinyl Edition presents Horace Parlan's quintessential hard bop quintet session. Known for his work with Charles Mingus, Parlan shines alongside George Tucker, Al Harewood, Grant Green, and Booker Ervin. The music swings with an effortless groove, showcasing Parlan's bluesy piano stylings and the band's tight interplay. Mastered from the original analogue master tapes by Kevin Gray, this reissue captures the warmth and vibrancy of the original recording. A must-have for any fan of hard bop and classic Blue Note sounds.
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in stock $42.21
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Grass Roots (reissue) (Tone Poet Series) (gatefold 180 gram vinyl LP)
Cat: 551876 9. Rel: 17 Jan 25
Jazz
Review: Andrew Hill's 1968 release merges intricate rhythms with dense, harmonically rich compositions that push the boundaries of jazz. The ensemble, featuring Lee Morgan and Booker Ervin, dives into challenging material that unfolds with every listen. The intricate brass work on tracks like 'Grass Roots' contrasts with the fluidity of Hill's piano, while the rhythm section locks into an effortlessly tight groove. Hill's compositions are complex yet absorbing, blending intellectual depth with emotional resonance, creating a unique sonic landscape that rewards careful listening.
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in stock $43.35
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Review: Forces of Nature: Live at Slugs' is a thrilling, never-before-released live recording of jazz giants McCoy Tyner and Joe Henderson, captured at Slugs' Saloon in 1966. Joining them are bassist Henry Grimes and drummer Jack DeJohnette, forming a powerhouse quartet. The performance, unearthed from DeJohnette's personal archives after nearly six decades, showcases the intense musical chemistry between Tyner and Henderson, who were central figures in the 1960s jazz scene. The recording, originally engineered by Orville O'Brien, brings the energy and creativity of this 1966 set to life. With expert mastering by Matthew Lutthans, the sound is crisp and vibrant, transporting listeners back to the legendary Slugs' Saloon. Forces of Nature is a amazing look into an era of jazz brilliance.
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in stock $40.78
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Review: Duke Pearson's 1964 gem Wahoo! is a shining showcase of his skills as a pianist, composer, and bandleader. Writing for a sextet, Pearson brought together an exceptional lineup featuring Donald Byrd on trumpet, James Spaulding on alto sax, Joe Henderson on tenor, Bob Cranshaw on bass and Mickey Roker on drums. The result is a set of evocative originals, like the tender 'Amanda', the mysterious 'Bedouin', and the hard-hitting 'ESP (Extrasensory Perception)'. This Blue Note Classic Vinyl Edition does justice to Pearson's work, offering an all-analog, stereo mix mastered by Kevin Gray from the original tapes. Pressed on 180g vinyl at Optimal, it's got everything an audiophile could hope for. Whether it's the energetic swing of 'Fly Little Bird Fly' or the deeper hues of 'Farewell Machelle', every track radiates Pearson's unmistakable touch, balancing sophistication with soul.
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Gettin' Around (Classic Vinyl Series) (180 gram audiophile vinyl LP)
Cat: 651036 8. Rel: 14 Nov 24
Jazz
Review: Dexter Gordon's 1965 album Gettin' Around captures the essence of his refined, effortless saxophone playing, coming at a time when he was back in the States after a long stint in Europe. The vibe here is smooth and unhurried, with Gordon's tenor sax at the centre of it all, surrounded by a standout crew: vibraphonist Bobby Hutcherson, pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins. This unique instrumentation really shines, especially with the interplay between Gordon and Hutcherson on tracks like 'Manha De Carnival' and 'Shiny Stockings.' The whole session feels relaxed yet precise, with Gordon letting his sax sing while the band provides subtle yet nuanced backing. Highlights include the gentle swing of 'Everybody's Somebody's Fool' and the more upbeat 'Le Coiffeur,' both showcasing the group's tight but easy-going chemistry. Reissued as part of the Blue Note Classic Vinyl Series, this edition stays true to its analogue roots, mastered by Kevin Gray from the original tapes and pressed on heavyweight 180g vinyl. For fans of Gordon or classic Blue Note, it's a must-have.
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Dialogue (Tone Poet Series) (gatefold 180 gram audiophile vinyl LP)
Cat: 550597 4. Rel: 31 Oct 24
Jazz
Review: Vibraphonist Bobby Hutcherson's 1965 debut, Dialogue, showcases his adventurous spirit. Already a versatile sideman on albums like Idle Moments and Out To Lunch, Hutcherson steps into the spotlight with a sextet featuring jazz luminaries Freddie Hubbard, Sam Rivers, Andrew Hill, Richard Davis, and Joe Chambers. Dialogue captures Hutcherson's more adventurous leanings, pushing the boundaries of his instrument and the genre. This Tone Poet Vinyl Edition, meticulously mastered by Kevin Gray from the original analogue tapes, offers a pristine listening experience. Pressed on 180g vinyl at RTI and packaged in a deluxe gatefold tip-on jacket, this reissue is a must-have for any serious jazz aficionado. It's a chance to hear a master musician at his most innovative and expressive.
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in stock $43.35
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Royal Flush (Classic Vinyl Series) (reissue) (180 gram audiophile vinyl LP)
Cat: 650076 5. Rel: 17 Oct 24
Jazz
Review: Donald Byrd's Royal Flush, released in 1961 on Blue Note, exemplifies his mastery of hard bop, featuring a stellar lineup that includes a young Herbie Hancock on piano, Pepper Adams on baritone sax, Butch Warren on bass, and Billy Higgins on drums. This album marks Hancock's recording debut, showcasing his burgeoning talent as he steps into the shoes of Duke Pearson. The combination of Byrd's trumpet and Adams' baritone sax creates a unique, textured harmony that is both bold and refined. Tracks like 'Hush' and 'Shangri-La' highlight the band's cohesive interplay, with solos that are both distinct and beautifully integrated into the compositions. 'Requiem,' a standout piece penned by Hancock, offers a mid-tempo, gospel-tinged piano blues that allows Hancock to explore melodic space, supported by Byrd and Adams' plaintive lines and Warren's resonant bowed bass solo. What sets Royal Flush apart is Byrd's understated leadership, allowing each musician to shine while maintaining a unified sound. The result is an album rich in melody, brimming with the synergy of seasoned players and a young, innovative pianist on the rise.
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A Night In Tunisia
Sincerely Diana
So Tired
Yama
Kozo's Waltz
Review: One of the finest line-ups of Art Blakey & The Jazz Messengers came together when saxophonist Wayne Shorter joined trumpeter Lee Morgan, pianist Bobby Timmons and bassist Jymie Merritt, as featured on this now newly reissued 1960 album A Night In Tunisia. The album kicks off with a blazing rendition of Dizzy Gillespie's iconic piece - which lends its name to the LP - while the rest of the set highlights original compositions from the new band members. This Blue Note Classic Vinyl Edition is a stereo, all-analogue release mastered by Kevin Gray from the original master tapes, so sounds superb.
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Booker Little 4 & Max Roach (Tone Poet Series) (180 gram audiophile vinyl LP)
Cat: 488194 8. Rel: 03 Oct 24
Jazz
Review: The reissue of Booker Little 4 & Max Roach as part of the Tone Poet Vinyl Series is an exciting announcement for jazz fans. Booker Little, a brilliant trumpeter whose life was tragically cut short at 23, left an indelible mark on the jazz world. This 1958 album, recorded when Little was just 20, showcases his extraordinary talent both as a musician and composer. The LP features the dynamic interplay between Little and Max Roach, one of jazz's most influential drummers, along with George Coleman on tenor sax, Tommy Flanagan on piano and Art Davis on bass. It opens with a spirited rendition of Miles Davis' 'Milestones', setting the tone for the session, before the standards 'Sweet and Lovely' and 'Moonlight Becomes You' are given fresh interpretations. But the heart of the album lies in Little's original compositions: 'Rounder's Mood,' 'Dungeon Waltz,' and 'Jewel's Tempo.' These tracks highlight his inventive melodic sense and technical strength. The Tone Poet Series ensures an audiophile-quality experience, with meticulous mastering by Kevin Gray and a deluxe presentation that lives up to the highest standards.
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in stock $40.78
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At The Hickory House Vol 1 (remastered) (180 gram audiophile vinyl LP)
Cat: 588078 9. Rel: 19 Sep 24
Jazz
Take Me In Your Arms
Dear Old Stockholm
Billie's Bounce
I'll Remember April
Lady Bird
Mad About The Boy
Ain't Misbehavin'
These Foolish Things
Jeepers Creepers
The Moon Was Yellow
Review: Jutta Hipp's At The Hickory House Vol. 1 is a window into a world where jazz piano can swing without fanfare and charm without overstatement. Recorded live in 1956, it captures a moment in time where Hipp, a little-known German transplant to New York, performed with bassist Peter Ind and drummer Ed Thigpen in a tight, energetic trio format. Hipp's lightly-swinging style moves effortlessly through bebop themes and standards, showing a deftness that feels unforced and natural, with just the right amount of flair. This Blue Note Classic Vinyl Edition is about the purity of soundimono, all-analogue, and mastered from the original tapes by Kevin Gray. The 180g pressing at Optimal guarantees that every note rings out with clarity, allowing listeners to experience Hipp's playing as it was meant to be heard. It's as close to stepping into that intimate club setting as you'll get without a time machine. There's a reason this release still resonates: the understated brilliance of a pianist who never quite got the limelight she deserved, but certainly made a lasting impression on those who tuned in.
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in stock $30.88
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Good Friday Blues (Tone Poet Series) (180 gram audiophile vinyl LP + insert)
Cat: 486504 9. Rel: 05 Sep 24
Jazz
Review: Recorded in the early hours of Good Friday 1960, Good Friday Blues captures the spontaneous brilliance of The Modest Jazz Trio, led by Jim Hall on guitar, Red Mitchell on piano and Red Kelly on bass. Originally intended to record a single track for a blues anthology, the session evolved into a full album as the trio's effortless chemistry and musical inspiration turned the night into a memorable session. The resulting six tracks include Mitchell's originals and interpretations of standards like 'Willow Weep For Me' and 'I Remember You.' The absence of drums highlights Hall's delicate guitar tones and Mitchell's surprising piano talents, with Kelly's bass providing a solid foundation. One of the more underrated jazz albums for the time, this reissue should help catapult it to the level of attention it deserves.
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Let Freedom Ring (Tone Poet Series) (gatefold 180 gram audiophile vinyl LP)
Cat: 486443 4. Rel: 05 Sep 24
Jazz
Review: Jackie McLean's Let Freedom Ring (1962) marks a pivotal moment in his career, where he boldly steps into uncharted territory, blending hard bop with avant-garde elements. The album, recorded at Van Gelder Studio, features McLean on alto sax, supported by Walter Davis Jr. on piano, Herbie Lewis on bass, and Billy Higgins on drums. The track 'Omega' stands out for its innovative approach, blending syncopated bass and piano rhythms with sharp, high-register saxophone lines. The song shifts effortlessly between tempos, showcasing the tight interplay between McLean and his band, particularly Higgins' relentless drumming and Davis' rhythmic accents. While 'Melody for Melonae' often receives attention for its emotive power, 'Omega' exemplifies McLean's forward-thinking vision, offering a spacious and harmonically rich canvas that predates many later "modern" jazz experiments. The album's overarching theme of "freedom" resonates on multiple levelsimusical, expressive, and perhaps even socialireflecting McLean's journey beyond traditional hard bop into a more liberated, dissonant sound. McLean's collaboration with Blue Note during this period produced a series of groundbreaking records, with Let Freedom Ring standing as a testament to his willingness to challenge conventions while staying rooted in the vibrant energy of jazz.
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Review: Celebration, Volume 1 is the inaugural release in a series of archival recordings curated by the legendary saxophonist and composer Wayne Shorter before his passing in 2023. This exhilarating 2014 live recording captures Shorter's acclaimed quartet, featuring pianist Danilo Perez, bassist John Patitucci, and drummer Brian Blade, at the Stockholm Jazz Festival in Sweden. The adventurous set includes favorites such as 'Zero Gravity,' 'Smilin' Through,' 'Orbits,' 'Lotus,' and 'She Moves Through The Fair.' Carolina Shorter, in the album's liner notes, recalls how Wayne immersed himself in unreleased music in late 2022, making detailed notes on each track. His excitement was palpable when he first heard the Stockholm concert, exclaiming, "this is the album!" Initially envisioning the collection as Unidentified Flying Objects due to the innovative notes played, Wayne ultimately decided to name it Celebration to honor life. The album is not just a live recording but a vivid celebration of Shorter's enduring legacy and musical vision.
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in stock $41.36
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No More Water: The Gospel Of James Baldwin (limited gatefold tangerine vinyl 2xLP (indie exclusive))
Cat: 602465 793772. Rel: 15 Aug 24
Jazz
Review: Meshell Ndegeocello's album, No More Water: The Gospel of James Baldwin, is a powerful tribute to the renowned writer and activist, released on his centennial. This visionary work is a blend of musical genres, serving as both a musical experience and a platform for social change. Co-produced by Meshell and guitarist Chris Bruce, the album features collaborations with talented artists like Justin Hicks, Kenita Miller, and Abe Rounds. Additionally, spoken word performances by Staceyann Chin and Hilton Als add depth and meaning to the album. No More Water is a compelling and transformative listening experience that honors Baldwin's legacy and inspires reflection and action. A project that was nearly ten years in the making, all the ingredients are here to make this landmark release that is sure to go down in music history.
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in stock $41.65
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Juju
Deluge
House Of Jade
Mahjong
Yes Or No
Twelve More Bars To Go
Review: Wayne Shorter's Juju, featuring McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums, was recorded at Rudy Van Gelder Studio in August 1964 and released in July 1965, resonating with profound influences from John Coltrane. The album's allure lies not merely in technical strength but in its emotive depth, transcending analytical descriptions. Shorter's tenor saxophone exudes a brooding intensity, marked by sharp tonality and deliberate, weighty phrasing, punctuated by rapid flourishes into higher registers that convey a sense of restrained urgency. His compositions, characterised by hypnotic, repetitive motifs, unfold a richly textured musical adventure. The interplay between Shorter and Tyner on Juju reveals a unique dynamic, distinct from Shorter's collaborations with Herbie Hancock on other Blue Note recordings. The album shows varying ensemble configurations across Shorter's discography, each contributing to its nuanced musical landscape. This Blue Note Classic Series reissue, mastered from the original tapes, preserves the album's timeless appeal.
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Review: Following the runaway success of 1964's The Sidewinder, Alfred Lion continued to record Lee Morgan in pursuit of another boogaloo hit. While subsequent albums like 1965's The Rumproller, The Gigolo, and Cornbread didn't match the same commercial heights, they showcased Morgan's musical prowess. Recorded over two summer dates, The Gigolo features Morgan leading a quintet with Wayne Shorter, Harold Mabern, Bob Cranshaw, and Billy Higgins. This set of swaggering hard bop includes Morgan's originals like the groovy Yes I Can, No You Can't, up-tempo gems such as 'Speedball,' and the stirring 11-minute title track. The album closes with a lush arrangement of 'You Go To My Head,' adding a sensual sway to the collection. This Blue Note Classic Vinyl Edition presents the album in stereo, all-analogue, mastered by Kevin Gray from the original tapes, and pressed on 180g vinyl at Optimal, preserving Morgan's dynamic performances and the quintet's vibrant interplay for contemporary listeners and ardent vinyl enthusiasts.
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in stock $31.72
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Moanin' (limited 180 gram blue vinyl LP with obi-strip (indie exclusive))
Cat: 585922 8. Rel: 08 Aug 24
Jazz
Review: Art Blakey & The Jazz Messengers' Moanin' is a quintessential hard bop album that effortlessly stands out with its classic, distinctive sound. Released in 1958, this seminal record features a lineup of jazz luminaries, including pianist Bobby Timmons, saxophonist Benny Golson, trumpeter Lee Morgan, and bassist Jymie Merritt. Despite its adherence to traditional hard bop elements, the album shines with an exceptional blend of precision, enthusiasm, and depth. The title track, 'Moanin',' composed by Timmons, sets the tone with its infectious groove, while Golson's contributionsi'Along Came Betty,' 'Blues March,' and 'Are You Real?'iadd a range of emotions and rhythms, from lyrical to powerful. The standout 'The Drum Thunder Suite' shows Blakey's unparalleled drumming strength, combining dynamic rhythms and Latin influences. The album's meticulous craftsmanship ensures that every track maintains the listener's attention, offering a mix of accessible melodies and intricate musicianship. Blakey's leadership and the band's chemistry result in an album that is not only a highlight of hard bop but also a compelling entry point for jazz enthusiasts. Moanin' remains a timeless classic, celebrated for its masterful execution and enduring impact on the jazz genre.
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in stock $42.21
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Speak No Evil (limited 180 gram blue vinyl LP with obi-strip (indie exclusive))
Cat: 587906 7. Rel: 08 Aug 24
Jazz
Review: Wayne Shorter's Speak No Evil, recorded during his tenure with Miles Davis and released on Blue Note, stands as a pinnacle of his solo work. While Shorter's tenure with Art Blakey, Miles Davis, and Weather Report alone would secure his place in jazz history, this album underscores his genius as a bandleader and composer. Blending hard bop with avant-garde influences, Speak No Evil features a potent lineup: Shorter on tenor sax, Freddie Hubbard on trumpet, Herbie Hancock on piano, and Elvin Jones on drums. The album strikes a balance between traditional hard bop and more exploratory sounds. Tracks like the intense, fast-paced title piece 'Speak No Evil' showcase the ensemble's dynamic interplay, while 'Dance Cadaverous' offers a moody, atmospheric contrast with its subtle avant-garde touches. Each composition, penned by Shorter, highlights his exceptional skill as a writer and performer. Speak No Evil is impactful for illustrating Shorter's enduring brilliance in jazz.
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No More Water: The Gospel Of James Baldwin (gatefold heavyweight vinyl 2xLP)
Cat: 652150 5. Rel: 01 Aug 24
Jazz
Review: Meshell Ndegeocello's upcoming album, No More Water: The Gospel of James Baldwin, is a profound tribute to the iconic author on the 100th anniversary of his birth. Following her Grammy-winning debut on Blue Note Records, Ndegeocello co-produced this album with guitarist Chris Bruce, enlisting a talented ensemble including vocalist Justin Hicks, saxophonist Josh Johnson and others. The album's first singles, 'Travel' and 'Raise the Roof,"' offer a glimpse into its powerful blend of music and spoken word. With contributions from poet Staceyann Chin and others, Ndegeocello's work transcends mere tribute, offering a transformative experience that is part music, part sermon, part celebration, and part call to action. No More Wate promises to be a genre-defying, spiritually enriching journey that honors Baldwin's legacy while adding a unique musical perspective. This album is poised to be a standout in Ndegeocello's already illustrious career.
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Review: Cliff Craft is a standout gem in Blue Note's 1500 series and one of the rarest treasures. This superb album features Clifford Jordan on tenor sax, alongside Art Farmer (trumpet), Sonny Clark (piano), George Tucker (bass), and Louis Hayes (drums). It's a smooth, soulful journey that captivates from the first note. The album opens with Jordan's composition 'Laconia,' setting the tone with a relaxing, immersive sound. Jordan's craftsmanship shines throughout, especially on 'Soul-Lo Blues,' a bluesy, enjoyable tune that highlights his exceptional talent. The title track, Cliff Craft, is a fast-tempo, hard-bop piece that showcases Jordan's rich tenor sound and the superb rhythm section. Side-2 kicks off with 'Confirmation,' a medium-tempo Bird tune that features laid-back solos from Jordan and Farmer. Clark's smooth, flowing solo adds to the track's charm. 'Sophisticated Lady,' a beautiful ballad by Duke Ellington, stands out as a favorite slow tune. The album concludes with the driving energy of Parker and Gillespie's 'Anthropology,' leaving you wanting more. Cliff Craft is one of the finest Blue Note records ever made.
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Review: Thad Jones' The Magnificent Thad Jones is a stunning album that beautifully showcases the beauty of hard bop. Released in 1956, it reflects the era's evolving jazz landscape, influenced by modern jazz pioneers like Horace Silver and Miles Davis. The album's tracks, including original compositions like 'Billy-Boo' and 'Thedia,' exude a relaxed yet lively vibe, typical of hard bop. Jones' trumpet work shines throughout, displaying a remarkable blend of relaxation and intensity in his solos. The ensemble's chemistry, especially between Detroit-raised musicians like pianist Barry Harris and Jones, is palpable, supported by the solid foundation laid by Percy Heath and Max Roach. Rudy Van Gelder's recording in Hackensack, New Jersey, harnasses the warmth and depth of Jones' trumpet sound, adding to the album's allure. The Magnificent Thad Jones is a timeless gem that continues to enchant jazz enthusiasts with its impeccable execution and rich musicality.
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in stock $32.29
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Byrd Blows On Beacon Hill (Tone Poet Series) (180 gram audiophile vinyl LP + insert)
Cat: TRLP 17. Rel: 04 Jul 24
Jazz
Review: Recorded in 1956 for producer Tom Wilson's Transition Records, Byrd Blows on Beacon Hill presents trumpeter Donald Byrd in a relaxed quartet setting. Joined by Doug Watkins on bass, Boston-area musicians Ray Santisi on piano and Jim Zitano on drums, Byrd delivers a standards-heavy set recorded on a rainy spring afternoon in the Beacon Hill home of engineer Steve Fassett. This casual atmosphere contributes to the album's easygoing charm and intimate feel. Highlights include Byrd's lyrical rendition of Joe Sullivan's 'Little Rock Getaway' and beautiful interpretations of 'Polka Dots and Moonbeams,' 'If I Love Again,' and 'Stella by Starlight.' The trumpeter steps back on tracks like 'People Will Say We're in Love' and 'What's New,' allowing the trio to really shine.
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Invisible Cinema (Classic Vinyl Series) (gatefold 180 gram vinyl LP)
Cat: 583203 8. Rel: 20 Jun 24
Broken Beat/Nu Jazz/Nu Soul
Review: Pianist and composer Aaron Parks made his first Blue Note appearance as a member of Terence Blanchard's band; an outfit akin to The Jazz Messengers in its cultivation of future jazz greats. After appearing on the trumpeter's albums Bounce, Flow, and A Tale of God's Will through the early 2000s, Parks made his own Blue Note debut in 2008 with Invisible Cinema, a striking album that has only grown in its influence across the modern jazz landscape since its release. The band - a quartet featuring the pianist with Mike Moreno on guitar, Matt Penman on bass, and Eric Harland on drums - travelled across new sonic and rhythmic frontiers on this set of Parks' evocative original compositions which were imbued with a cinematic drama and drew inspiration from the likes of Wayne Shorter, Radiohead, Bjork, Meshell Ndegeocello, and more. This first-time vinyl release includes two bonus tracks previously only available in Japan.
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in stock $40.78
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Watkins At Large (Tone Poet Series) (180 gram audiophile vinyl LP + insert)
Cat: 483217 9. Rel: 06 Jun 24
Jazz
Review: The reissue of Doug Watkins' seminal album Watkins at Large provides an essential restoration of a jazz classic, originally recorded in 1956. This Tone Poet Vinyl Edition, meticulously produced by Joe Harley and mastered from the original analog tapes by Kevin Gray, offers aficionados a pristine auditory experience. This version is presented in a deluxe tip-on jacket with an included booklet. At just 22 years old, Watkins led a remarkable ensemble featuring jazz icons such as Donald Byrd on trumpet, Hank Mobley on tenor sax, Kenny Burrell on guitar, Duke Jordan on piano, and Art Taylor on drums. This album features Watkins' masterful bass play, as he navigates through blues, ballads, and more with his band. Tracks like 'Return to Paradise' and 'Phil T. McNasty's Blues' highlight Watkins' ability to blend seamlessly with and support his stellar lineup, making Watkins at Large a must-have. This reissue is not only a tribute to Watkins' legacy but also a necessary addition for collectors and new fans alike, given the rarity and high cost of original pressings.
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in stock $43.90
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Review: Kenny Dorham and Jackie McLean's Inta Somethin' is a vibrant snapshot of their performance at San Francisco's Jazz Workshop in late 1961. Jackie Mac's prowess shines brightly as he delivers a compelling rendition of 'Una Mas' a year prior to its Blue Note release. Backed by Leroy Vinnegar, Walter Bishop and Art Taylor, the ensemble crafts a dynamic and exhilarating atmosphere as McLean's virtuosity is on full display, captivating listeners with his electrifying playing style. Inta Somethin' is proof of the skills of these jazz giants and is a great window into their live repertoire and sense of musical innovation.
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in stock $41.36
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Review: Tenor saxophonist Hank Mobley's peak in the early 1960s produced a series of hard bop classics including Soul Station, Roll Call, Workout, No Room For Squares, and The Turnaround. Recorded in 1961, Workout showcased Mobley's prowess alongside guitarist Grant Green, pianist Wynton Kelly, bassist Paul Chambers and drummer Philly Joe Jones. Featuring four dynamic Mobley originals and one standard, the album inspired vigorous improvisations. This Blue Note Classic Vinyl Edition, mastered by Kevin Gray from the original tapes, presents a stereo, all-analog experience on 180g vinyl for maximum enjoyment.
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in stock $29.18
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Review: The great and hugely prolific Donald Byrd dropped many seminal albums both solo and with his Byrds and 'Byrd's Eye View', arriving now on Blue Note's Tone Poet Series which is renowned for its audiophile-grade vinyl reissues, is one of them that makes for a captivating jazz journey. With Byrd's virtuosity and innovation shining throughout, the album showcases his signature blend of hard bop and soulful melodies. It features six cuts and comes with a nice booklet that provides a wreath of context and background information to soak up while you sink into the sounds.
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in stock $43.90
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Total Eclipse (Tone Poet Series) (gatefold 180 gram audiophile vinyl LP)
Cat: 459532 1. Rel: 02 May 24
Jazz
Review: Bobby Hutcherson's Total Eclipse is a seminal work in the post-bop jazz genre. Released in 1968, the album showcases Hutcherson's masterful vibraphone playing and his innovative approach to composition which creates a sense of mystery and wonder. 'Herzog' is a up-tempo number, with Hutcherson's vibraphone taking a more prominent role. The track features some blistering solos from Hutcherson and his fellow musicians, including pianist Herbie Hancock and bassist Ron Carter. 'Matrix' is a complex and challenging piece that showcases Hutcherson's experimental side. The track features a variety of odd time signatures and dissonant harmonies, but Hutcherson's playing is always melodic and accessible. 'Same Shame' is a more traditional jazz ballad, with Hutcherson's vibraphone playing taking a more subdued role. The track is a showcase for Hutcherson's lyrical and sensitive playing. The album closes with 'Pompeian,' a haunting and atmospheric piece that recalls the title track. Total Eclipse is a masterpiece of post-bop jazz.
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in stock $43.90
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Night At The Village Vanguard: The Complete Masters (Tone Poet Series) (gatefold 180 gram audiophile vinyl 3xLP + booklet)
Cat: 586459 2. Rel: 25 Apr 24
Jazz
Review: Sonny Rollins' Night At The Village Vanguard: The Complete Masters is a jazz treasure trove capturing the great man's legendary performances at the iconic New York venue. This comprehensive collection showcases him at the peak of his improvisational prowess and delivering electrifying saxophone solos backed by a stellar ensemble. From the pulsating rhythms of 'A Night In Tunisia' to the introspective melodies of 'I've Got You Under My Skin,' each track shows just how unique he was when it came to improvisation and jazz innovation. The remastered recordings offer pristine sound quality, allowing listeners to experience the vibrant energy of Rollins' live performances with unparalleled clarity.
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in stock $107.93
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Speak Like A Child (Classic Vinyl Series) (gatefold 180 gram audiophile vinyl LP)
Cat: 583203 2. Rel: 18 Apr 24
Jazz
Review: Speak Like A Child by Herbie Hancock is a groundbreaking album that defies categorization, blending elements of post-bop, modal jazz, and funk into a cohesive and forward-thinking sound only to be slotted into a wide spanning genre like Jazz-Fusion. The title track, 'Speak Like A Child', is a standout composition that highlights Hancock's signature piano playing, characterized by its lyrical melodies and inventive harmonies. The album features intricate arrangements and complex rhythms, with each track offering a unique sonic journey for the listener. Hancock's ability to push the boundaries of traditional jazz while maintaining a deep respect for the genre's roots is clear throughout the album. 'Speak Like A Child' remains a landmark recording in Hancock's discography, cementing his status as one of the most influential figures in modern jazz.
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in stock $31.72
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Review: Sizzling-hot hip-hop duo Blue Lab Beats are on everybody's lips now, thanks at least in part to the announcement of their latest full-length album, Blue Eclipse. Heralding an exciting new era for the duo, these 12 songs reveal the depth and breadth of producer NK-OK, and multi-instrumentalist Mr DM's musical ambition. Throwing back to their debut EP 'Blue Skies', which even pre-dates their involvement with record labels, Blue Eclipse signals a circling back to their origins while also embracing the new; the pair's usual jazztronica remit is lent the utmost contemporary spin, with notes of drill, neoclassical, trap and Jersey bounce - all still prevalent styles - peeking through in these latest productions.
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in stock $22.86
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Review: Blue Note first delivered Horace Silver's Silver Serenade in 1964, adding yet once more to their precious collection of sonorous soul jazz metals. With Blue Mitchell on trumpet, Junior Cook on tenor saxophone, Gene Taylor on bass, and Roy Brooks on drums, the natural scarcity of this serenade is a cultivated one, not spooned; Silver's naturalistic trumpet sounds carpal and easy, dancing brightly against clear, impeccably recorded contrapuntal movements by Brooks and Taylor.
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in stock $39.65
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Review: Hot on the heels of Blue Note's 2024 lineup announcement of their esteemed Tone Poet series - which reissues classic jazz albums for a contemporary audience hungry for audiophile quality editions - comes this eagerly-awaited new version of Anthony Williams' Life Time. A five-piece north star of free jazz and debut record by the expansive drummer, the album held a crucial repute throughout Williams' career as the inspirational namesake of his later band with John McLaughlin, the Tony Williams Lifetime Band. This one, however, pre-empts this movement and instead hears contributions from such greats as Richard Davis, Herbie Hancock and Ron Carter, riding high on the wave of divine-genius-by-proxy after already having performed with Miles Davis at the age of 18. Blast back to 1964 with this ideal free jazz intro.
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in stock $43.90
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Review: Bobby Hutcherson's iconic Happenings is a mesmerizing jazz opus that even now all these years later still brims with innovation and emotion. Released originally in 1966, the record showcases Hutcherson's mastery of the vibraphone and how he effortlessly weaves intricate melodies with a vibrant rhythmic pulse. Backed by a stellar ensemble including the one and only Herbie Hancock, Hutcherson crafts a sonic landscape that is both sophisticated and accessible. Tracks never fail to captivate with their dynamic interplay and infectious grooves, while reflective pieces are also included to offer moments of introspection. Happenings then is a standout from an unparalleled talent.
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in stock $32.29
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Review: Jazz trumpet legend Donald Byrd has one of those seemingly endless discography that takes in solo and group albums and is full of treasure that is well worth exploring no matter your particularly stylistic penchant. 1963's A New Perspective is a landmark album that brings gospel and soul elements into his usual jazz sound. It features a stellar lineup including Herbie Hancock and Hank Mobley and the centerpiece is the iconic 'Cristo Redentor,' a soulful composition that showcases Byrd's lyrical trumpet playing. With its fusion of genres, the album broke new ground and paved the way for future jazz explorations that Pitchfork have said is one of the best albums of the 1960s. Byrd's innovative approach and the ensemble's tight chemistry make that so.
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in stock $31.72
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Review: Alto saxophonist Jackie McLean's 1960s output ran the gamut from hard bop to the avant-gard, with his 1964 post-bop dates It's Time! and Action splitting the difference. Now reissued for Blue Note's Tone Poet series, this reissue of the latter LP follows up Rudy Van Gelder's 2004 curator's edition; McLean's playing is lithe and limber here, piquing out from each mix - from the opening fan-outs of 'Plight' to the continual peacockings of 'I Hear A Rhapsody' - as if to suggest that McLean himself knows that his instrument resounds at the exact high frequency that naturally commands human attention. With the Tone Poet series primed for audiophiles, you're in for a treat.
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in stock $45.05
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Review: Blue Note's Tone Poet series is one of the most prolific and driven reissuing motors out there, focusing on faithful, audiophile-quality restorations, remasters and re-presses. Next on their list is Brooker Ervin's sax masterpiece Tex Book Tenor (1968). Contrasting to the revolutionary unease of its year of release, Tex Book Tenor abides by the book, bringing together five steady performances, including two covers (of Kenny Barron 'Gichi' and Woody Shaw's 'In A Capricornian Way'), and three originals, 'Den Tex', 'Lynn's Tune' and '204'. The album is soft-spoken in sound here - contrasting to his reputation for tough playing elsewhere - but this variety only proves Ervin's status as one of the fullest vessels around.
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in stock $43.90
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Search For The Land (Classic Vinyl Series) (180 gram audiophile vinyl LP)
Cat: 583199 4. Rel: 15 Feb 24
Jazz
Review: Lee Morgan's Search For The Land is a soulful exploration of jazz that now gets reissued as part of this classic series son the iconic Blue Note. Released first in 1966, the record showcases Morgan's virtuosity as a trumpeter and composer. With a lineup featuring heavyweights like Wayne Shorter and Herbie Hancock, each track is a journey through intricate melodies and dynamic rhythms. From the exhilarating title track to the introspective 'Melancholee,' Morgan's next level improvisation and emotive phrasing shine throughout. The album's rich textures, buoyant grooves, and evocative solos make it an evergreen gem in the jazz canon and one that captures the essence of Morgan's musical vision with unparalleled depth and allure.
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in stock $31.72
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Review: Released in 1966, Joe Henderson's Mode For Joe is a captivating jazz work that showcases his unparalleled skill and artistry as a saxophonist and composer. It came at a time when Henderson was at the peak of his creative powers and leading a stellar ensemble that included Lee Morgan, Curtis Fuller, and Bobby Hutcherson. From the infectious groove of 'A Shade of Jade' to the haunting beauty of 'Black,' each track offers a mesmerising blend of intricate melodies and vibrant improvisation. Henderson's rich tone and expressive phrasing command attention throughout and it is that which makes Mode For Joe such a well-regarded work that still holds great value today.
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in stock $29.18
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Trio Fascination: Edition One (Tone Poet Series) (gatefold 180 gram audiophile vinyl 2xLP)
Cat: 452622 0. Rel: 01 Feb 24
Jazz
Played by: Juno Recommends Jazz
in stock $49.53
