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Back catalogue: All genres
Juno's full catalogue of All genres
单曲
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Review: Richard Norris loves a series. The former Grid man and noted psychedelic music afficionado has umpteen on the go at present, including ones dedicated to meditative ambient sounds ('Music For Healing') and modular experiments ('Abstractions'). Then there's his dub-wise and 'outernational' music series, Oracle Sound, which here reaches its fourth - and possibly strongest - instalment. Highlights are plentiful, from the languid and woozy head-nod of opener 'Connected Dub' and the intoxicating, flute-sporting musical mystery of 'Earthsea Dub', to the up-beat dancefloor dub of 'Maximum Dub', and the sub-heavy, near dub techno pulse of John Carter hook-up 'Ceefax'. That one also comes accompanied by alternative takes by both Norris and Carter.
… Read more in stock $10.13
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Review: Fresh from delivering killer dancefloor jazz covers of classics cuts by Galaxy 2 Galaxy and Avicii (really), Japanese trio Polyplus deliver a fine sequel to last year's Good Luck Sound Tracks EP. They go for the dancefloor jugular from the off, wrapping snaking sax solos, fuzzy guitar licks and elongated solos around a breathlessly rapid punk-funk groove on 'Massive', before fusing Brit-Funk and sweat-soaked jazz-rock on 'Speedy Gold'. This hybrid jazz-funk/rock sound continues on 'Ranki 2025' (whose heavy beats and memorable piano riffs nods to classic house). Elsewhere, 'Ocean Breeze' re-frames wide-eyed city-pop as jaunty jazz-funk and 'Natural Born' is a drum solo-sporting slab of jazz-rock/jazz-fusion insanity straight from the top drawer.
… Read more in stock $18.59
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Review: First released on streaming platforms last summer, Wilco's 'Hot Sun Cool Shroud' EP was uniformly praised by critics. Much more than a stop gap between albums (it arrived roughly 12 months after the outfit's lauded 13th studio full-length, Cousin), the six-track set bristles with inventiveness while flitting between styles and tempos. So, opener 'Hot Sun', a sticky slab of Americana-tinged jangly indie brilliance, is followed by the reverb and solo-laden alt-rock squall of 'Livid' and the gentle, string-laden swoon of 'Ice Cream'. And so it continues, with the fuzzy positivity and weary vocals of 'Annihilation' being joined by the pleasant, impossible-to-pigeonhole experimentalism of 'Inside The Bell Bones' and the twinkling, heartfelt melancholia of 'Say You Love Me'.
… Read more in stock $12.11
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Review: After Robert Grey's 1990 exit, Wire morphed into WIR, a project designed to wrap up their Mute Records contract with a stripped-down, sequencer-led approach. Graham Lewis took lead vocals while the band reworked their own back catalogue. A chance to reflect on what had been, as opposed to what was yet to be, WIR's lifespan was brief, with only a handful of shows and two conceptual events dubbed I Saw You In Clapham (April 1992) and Vienna (February 1993) rolled into the ensuing campaign. On the Vienna trip, they recorded a sprawling 25-minute session for Austria's ORF, curated by Peter Rehberg of MEGO fame, released by Touch in 1996. This 2025 remaster adds a fresh take on their darkest pop moment, 'So & Slow', reimagined in a live-inspired arrangement with a nod to Taylor Swift's re-recording style.
… Read more in stock $12.95
专辑
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Review: Gracie Abrams's The Secret of Us gets served up as a special edition here and it marks her most expansive album yet. This ambitious project shows her growth as both a songwriter and vocalist and adds in already assured fan favourites like 'That's So True' and 'I Love You, I'm Sorry (Live From Vevo).' The record finds Abrams collaborating once again with Aaron Dessner and she also worked with her best friend Audrey Hobert on several tracks. Together they reflect the urgency of recounting a meaningful night to a close friend with live experiences over the past year shaping its narrative and sound. A nuanced pop album with plenty to explore.
… Read more in stock $15.50
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Cat: RH 003CD. Rel: 29 May 25
Psych/Garage Rock
Review: Pioneering Japanese psychedelic rock Acid Mothers Temple & the Melting Paraiso U.F.O. (AMT) were formed in 1995. Their relentless output has spawned various offshoots over the years, such as Acid Mothers Temple & the Cosmic Inferno and Acid Mothers Temple SWR, synthesising and alien cosmo-grammar in sound, one that perhaps only the most acid-casualtied tongues can interpret or speak. Now present through Rolling Heads comes their latest album for 2025: Holy Black Mountain Side comprises three psychedelic pieces, reticulating a series of recording sessions held down between 2021 and 2023, at one point reinterpreting a traditional folk song, and throughout enlisting guest bass from Taigen Kawabe of Bo Ningen. Each record comes wrapped in unique artwork by lead improvisor Kashiwagi Ten, adding an extra layer of veiled mystery to each: no two records are visually alike.
… Read more in stock $14.64
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Review: Having celebrated his 50th birthday late last year, Ryan Adams has naturally been in an introspective mood. It makes sense, then, that the long-serving rock/country fusionist should offer up an album made up entirely of covers of songs by other artists that have in some way inspired him over the years. Generally gentle, with string-laden, largely acoustic arrangements, Changes features some genuinely brilliant interpretations - as well as some surprise ones. For proof, check his piano-and-strings wander through 'Panic' by the Smiths, a wonderfully heartfelt rendition of 'Don't You (Forget About Me)' by Simple Minds, a country-folk take on the Rolling Stones 'Sympathy For The Devil' and a lilting, poignant Prince cover ('When Doves Cry', which comes complete with extended harmonica solos and some genuinely lilting strings).
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Review: Aesop Rock has long thrived on twisting the ordinary into the uncanny, and his latest full-length after 2023's irony-packed Integrated Tech Solutions hears him deepen that fascination. Examining the unseen mechanisms that guide daily life - dream logic, half-formed memories, fleeting emotions - he now blurs the lines between perception and reality with densely packed verses and meticulous self-produced beats. A brooding, cinephilic album recalling the atmospheric street wiles of filmmakers like Wong Kar Wai, the playful 'Send Help', contemplative 'Movie Night' and dusky 'Black Plums' chart strange emotional terrain, brought to life through warped sonic forensic architectures and sharp lyrical precision. Joined by Lupe Fiasco, Armand Hammer, Hanni El Khatib, Open Mike Eagle and Homeboy Sandman, the album pivots constantly, driven by intuition but grounded in detail Speaking on the record's emphasis on public bareness, Rock remarks on 'Checkers', a song "about the neighborhood outside your home being the great leveller. You can't show up feeling one way because the world will show you otherwise."
… Read more in stock $13.80
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Review: British-Bahrani composer and trumpeter Yazz Ahmed has long been one of the most unique artists within the UK jazz scene, frequently producing music that draws on the Arabic side of her heritage (she even went as far as commissioning a unique 'quarter-tone' flugelhorn in order to play 'blue notes' not found in Western jazz and classical music). Even so, A Paradise In The Hold - her first studio album for nearly six years - is a startling concoction. Drawing influence from ambient, dub and electronica as well as jazz and Arabic music, it features Ahmed's first compositions for voice. Frequently haunting, immersive, and quietly exotic, the album sits in a unique sonic space that's never less than beguiling and intoxicating. Award nominations await!
… Read more in stock $13.51
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Cat: IARC 90CD. Rel: 06 Mar 25
Jazz
Review: Alabaster DePlume's latest album is a meditation on self-worth and healing, drawing from his poetry book Looking for My Value: Prologue to a Blade, he crafts 11 tracks that feel deeply personal yet universal. His saxophone, sometimes fluid, sometimes jagged, acts as both voice and emphasis on the likes of opener 'Oh My Actual Days' swells with sax and Macie Stewart's ghostly strings, a slow march toward reckoning. 'Thank You My Pain' turns its mantra-like refrain into a rhythmic meditation on discomfort. 'Invincibility' lifts into choral release, a breath after holding under water. The instrumental 'Prayer for My Sovereign Dignity' is an anthem for self-possession, while 'Form a V' channels the discipline of jiu-jitsu, inviting confrontation. Unlike his past, more improvisation-led works, this is tightly composed, arranged and produced by DePlume himself - and the result is direct, unflinching and deeply felt.
… Read more in stock $14.09
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Review: Heartache In Room 14 marks The Altons' highly anticipated full-length debut on Daptone, promising a soulful, cinematic journey. Adriana Flores and Brian Ponce share lead vocals, creating a rich, emotive interplay that's hard to come by in modern soul. With tracks like 'Waiting' and 'Perdoname', the album weaves through melancholic ballads, tejano influences, and a touch of Bond-style psychedelia, making it clear why they're a standout act. Already primed to be a must-have of 2025, Heartache In Room 14 blends classic warmth with undeniable chemistry.
… Read morePlayed by: Juno Recommends Soul
in stock $13.51
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Review: Japanese folk singer-songwriter Ichiko Aoaba has built up quite a catalogue of albums and singles since making her debut 15 years ago, subtly expanding on her sparse acoustic sound via the use of effects, strings and other instrumentation associated with the British folk revival of the 1960s. On Luminescent Creatures, her first studio album for five years, she continues this quiet expansion of her trademark style, underpinning her gorgeously sweet and emotive, intricately arranged lead vocals with a mix of acoustic guitar, strings, piano, field recordings and traditional Japanese instruments. The results are breathtakingly beautiful and deliciously dreamy, with highlights including 'Flag', the inspired 'Luciferine' and the haunting swell of 'SONAR'.
… Read more in stock $14.37
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Cat: AQU 012CD. Rel: 12 Jun 25
Broken Beat/Nu Jazz/Nu Soul
Review: Just three months after its predecessor was released, the second and final part of Joe Armon-Jones' epic All The Quiet album series lands in stores. Entirely written, produced and mixed by the man himself - with a few friends and high-profile guests popping up to add instruments or take to the mic - the set offers atmospheric, immersive and perfectly-pitched musical fusions rooted in his various sonic influences (think jazz, funk, soul, hip-hop and dub). Highlights are plentiful, from the deep and dreamy jazz-soul shuffle of 'Another Place' (featuring significant contributions from vocalists Greentea Peng and Wu-Lu), to the warming, dubbed-out soul of top-tier Yazmin Lacey collaboration 'One Way Traffic'.
… Read more in stock $14.64
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Start
MMS (feat Wizkid)
Mood
My Heart
Worldwide
Active (feat Travis Scott)
Suru (feat Stormzy)
Skating
Wave (feat Central Cee)
Mentally
Uhh Yeahh
I Swear
Ligali
Whine (feat LUDMILLA)
Fuji Vibe (bonus track)
Review: Asake's latest release showcases his signature blend of Afrobeat and contemporary global sounds, delivering a richly layered collection that reflects his artistic growth. Tracks like 'Wave (feat Central Cee)' seamlessly merge Afrobeats with trap influences, while 'Active (feat Travis Scott)' introduces amapiano textures into Asake's distinct soundscape. These collaborations amplify the album's dynamic energy, while Asake's lyrics delve into themes of resilience and ambition. It's a confident step forward, cementing his position as a global force in music.
… Read more in stock $13.24
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Cat: ECLEC 22910. Rel: 29 May 25
Progressive Rock
Review: After a five-year split, Atomic Rooster returned with renewed force on their sixth studio album, Atomic Rooster, pushing into heavier territory sligning au naturel with the emerging new wave of British heavy metal. Released in 1980, the album marked a sharp turn from their earlier, more progressive leanings, favouring a nude, aggressor rock sound. Guitarist and vocalist John Du Cann reworked two tracks, 'She's My Woman' and 'Where's the Show?', from his unreleased 1977 solo work The World's Not Big Enough, breathing into them second life within the Rooster framework. Though the 2005 CD reissue stirred interest with rare demos and extensive sleevenotes, it remains an "unofficial" release due to copyright issues with EMI. 'Do You Know Who's Looking for You?' later found new life via a Finnish-language cover by rock band YUP.
… Read more in stock $15.50
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Review: Following a few years spent focusing on his ambient, drone and instrumental shoegaze focused GLOK project, former Ride man Andy Bell has finally got round to recording a new album of songs. Titled Sonic Cathedral, the album is undeniably nostalgic in tone, not only reacalling the jangly and sonically dense days of shoegaze and jangly indie-pop, but also the funkier and more intoxicated indie-dance records of that period (think Weatherall productions and remixes of the period, the Stone Roses and - whisper it quietly - Candy Flip). It's a bold and hugely enjoyable blend, with Bell sashaying between the tactile, Spiritualized-ish 'The Notes You Never Hear', the krautrock-goes-funky flex of 'Space Station Mantra', the Beck-esque 'Music Concrete' and the Tony Allen/Afrobeat-influenced 'Apple Green UFO'.
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Review: While he's released countless albums as one half of Erasure, Andy Bell solo excursions are something of a rarity - at least under his given name. Setting aside his conceptual 'Torsten' albums, Ten Crowns is his first solo album since 2010. Produced by Dave Auden (who also provides a seamless, DJ mix style version of the set on disc two), it largely delivers a more muscular, EDM-influenced take on the sparkling and energy-packed synth-pop sound he's famed for making with Erasure. There are naturally deviations from the script - see the indie-rock-framed singalong alongside Debbie Harry, 'Heart's A Liar' - but for the most part the highlights are rooted in Bell's love of dance-pop/synth-pop fusion (see 'Don't Cha Know' and 'Breaking Through The Interstellar').
… Read more in stock $19.44
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Review: Matt Berninger, voice and wordsmith behind The National, returns with his sophomore solo effort Get Sunk: for his sharp enough to cut adamantium and melodies that linger like motion ghosts, Berninger digs deep into the questions of identity: who we once were, what happiness really means, and the search that never ends. The album doesn't spell out autobiography but channels a narrator exploring selfhood amid possibilities and pitfalls, balancing on the edge of joy and despair. Collaborating with Hand Habits on 'Breaking Into Acting', and from the reefing 'Inland Ocean' to the reflective 'Times of Difficulty,' Get Sunk is a true personal snorkel dive, tracing both bound ties and yet unwondered roads.
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Review: After five years apart, Italian composer Eraldo Bernochi and Japanese violinist, electronica producer and current Tangerine Dream member Hoshiko Yamana return with a sequel to their much-loved 2020 album Mujo. Described by the pair's label, Denovali, as "a deeply cinematic experience", Sabi cannily combines the slow-burn, trance-inducing synthesizer sequences of Tangerine Dream, the intergalactic electronic expressiveness of ambient techno, the thematic movements of modern classical, Yamana's emotive violin motifs and the spaced-out ambient iciness often associated with Geir Jensson's Biosphere project. It's a genuinely brilliant album all told, with the pair smartly sashaying between hazy melancholia, string-laden creepiness and picturesque aural colour.
… Read more in stock $20.00
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Cat: RM 4238CD. Rel: 12 May 25
Ambient/Drone
Review: With a title inspired by the utterances of The Oracle of Delphi, a cult of female priestesses who reportedly "changed the course of civilisation" by inhaling volcanic vapours, it's clear that Lee Burtucci and Olivia Block's first collaborative album is rooted in paganistic visions and experimental mysticism. It's comprised of two lengthy tracks, each accompanied by edited 'excerpts', and combines Burtucci's experimental synth sounds and tape loops with Block's processed vocalisations and hazy field recordings. Dark and suspenseful, with each extended composition delivering a mixture of mind-mangling electronics, creepy ambience and musical elements doused in trippy effects, it sits somewhere between the charred "illbient" of DJ Spooky and the deep space soundscapes of the late Pete Namlook.
… Read morePlayed by: Juno Recommends Ambient/Drone
in stock $15.21
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Cat: ANT 800562. Rel: 23 Apr 25
Indie/Alternative
Review: In honour of Record Store Day 2025, Canadian-American alt-rockers Big Wreck have decided to reissue one of their most popular albums, 2012's The Albatross. Available in limited numbers (only 1,000 of this CD version was pressed), it not only includes the freshly remastered original album in full, but also three alternate versions, rare bonus cut 'Fade Away', and a raucous live recording of title track 'Albatross'. The original album remains a timeless alt-rock classic where raw guitar riffs, bluesy solos and Ian Thurnley's distinctive lead vocals wrap around thickset bass and punchy drums. For proof, check standouts 'Wolves', 'Glass Room' and the rowdy 'The Rest of the World'.
… Read morePlayed by: Juno Recommends Rock/Indie
in stock $16.89
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Review: Miami-born contemporary guitarist Bill Orcutt is known for his infatuating blend of blues, punk, trance and noise. With the release of Four Guitars Live on CD, he could've easily convinced us of this being a rare and long-forgotten artefact, of a proto-drone artist from the Deltaic 1960s. In reality, this was first incarnated in 2022 under the recorded name Music For Four Guitars, and Orcutt's establishing brand of doom-blues-trance-minimalism could invite artistic comparisons as far-fetched as Steve Reich or Rachika Nayar. But his sound is more nostalgic, seeming to predict emo and pysch both "before" and after the fact of the genre's establishment. Fittingly Reichean, Orcutt forms one part of a quartet here, performing the record in its entirety live at Le Guess Who? festival in Utrecht, 2023.
… Read more in stock $18.88
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Review: Geir Jenssen (Biosphere) marks his AD93 debut with The Way Of Time, wrapping elucted echo and looping synth drift around spoken fragments of Elizabeth Madox Roberts' great 1926 novel The Time Of Man. A Midwestern gothic literary staple, Roberts' novel is about the daughter of a Kentucky tenant farmer, and Jenssen's haunting use of Joan Lorring's voice from the 1951 radio play adaptation readapts his usual icy predilections for suitably huger desert horizons. Rather than treating the vocal as ornament, he folds it deep into the mix, letting it dissolve into the melodic architecture.
… Read more in stock $15.50
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Review: Every once in a while, you get a band emerge from the vibrant London music scene that you notice aren't like all the other bands. You sense they have something a bit special. BC, NR are like that - they offer something so rich musically that it appears immune to any potential threat that could come from changing trends. This third studio album of theirs comes under what looked like difficult circumstances from the outside. Their lead singer and songwriter Isaac Wood left the band shortly before the release of their second album. But they've withstood the pressure incredibly and are on top form here. There's more emphasis than ever on sharing the role of frontperson so the album is like a smorgasbord where you sample different voices and songwriting styles that exist within the group. Lead single 'Besties' is violinist Georgia Ellery's. It thrives off of its dynamism with explosive Phil Spector-esque wall of sound moments set in alongside elegant indie folk. A truly massive chapter awaits.
… Read more in stock $12.68
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Review: A case of 'Paranoid' by name - and paranoid by nature. At least by the time the Brummie founding fathers of metal had reached 1975 and their sixth album Sabotage, the foursome felt attacked from all sides, blighted by wrangles with both management and record company alike. Those troubles have been 'blamed' for the particularly searing, angry musical form that the band hit at the time, something that's subsequently endeared the period to fans of all things heavy ever since. This radio broadcast would certainly seem to back that theory up, from a devastating opening salvo of 'Supertzar' from that sixth LP to trademark anthems like 'War Pigs', 'Paranoid' and a lurchingly fantastic 'Iron Man'. The stress and ahem, other lifesyle factors, would lead to this classic line up finally splitting in 1979 - leading to Ronnie James Dio's replacement of Ozzy - but this rich mid-70s purple patch captures them between mania and ultimate collapse.
… Read more in stock $16.06
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Review: One of the most important bands to come out of the punk era, Blondie changed pop music forever and this live performance at the Paradise Ballroom in Boston on May 27, 1978, sees the band just before mainstream success hit. Broadcast live on WBCN-FM, the show highlights their raw energy and the tight synergy between the band members. Debbie Harry, with her unique blend of punk swagger and glam allure, commands the stage as Blondie delivers a high-energy set that mixes their punk roots with emerging new wave influences. Songs like 'X Offender', 'Denis' and 'Rip Her to Shreds' are packed with punchy rhythms and catchy hooks, while deeper tracks like 'Youth Nabbed As Sniper' and 'Man Overboard' hint at the band's growing sonic complexity. This live recording not only demonstrates Blondie's ability to command a crowd but also marks the beginning of their ascent to global stardom with Parallel Lines. A perfect snapshot of Blondie during a transformative period with an energetic performance, when their influence on the evolution of punk and new wave music was just beginning.
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Review: Last year, regular collaborators Ian Boddy (a Sunderland-based electronics wizard who founded the ambient-focused DiN imprint years ago) and Erik Wallo (a long-serving Norwegian guitarist primiarly known for his experimental and ambient releases) performed their first joint concert for a decade. It's that performance, where they jammed out extended and much-changed versions of tracks featured on some of their prior studio sets, which forms the basis of their latest full-length, Transmissions. As you'd expect, it's a wonderfully atmospheric and evocative affair that gets the most out of both artists, with highlights including the wonderfully creepy 'Uncharted', the krautrock-style hypnotism of 'Aboena', the icy and ethereal 'Ice Station' and the slow-burn bliss of 'Salvage'.
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Review: Since founding DiN in 1999, Ian Boddy has been driven by a passion for collaboration, particularly with artists connected to the pioneering German electronic scene of the 1970s. When a chance meeting with Harald Grosskopf at a Dutch music festival presented the opportunity to work together, Boddy eagerly embraced Grosskopf's ear; the latter's tutelage at the Berlin school spans decades, and he is most notably for his fellowship as a drummer with Klaus Schulze, whose influence looms large over Boddy's own work. But beyond percussion, Grosskopf's Synthesist album revealed his distinct melodic sensibilities, making him an ideal creative partner for Doppelganger. Blending Berlin-schooled sequencing with evocative grooves. Boddy's modular synth textures shine on tracks like 'Boulevard Horizon', while Grosskopf's rhythmic playfulness is evident in 'Livewire'.
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Review: It has been some five-plus years since the last full Bon Iver album but the wait has been well worth it. This one follows the introspective SABLE, a sparse, vulnerable EP born from isolation and inner turmoil. Where that was shadow, this is light-a lush, radiant celebration of love, connection and emotional rebirth. Written at April Base in Wisconsin with collaborators like Jim-E Stack and Danielle Haim, the album leans into clarity and intimacy and gets rid of the signature dense abstraction for more honest and heartfelt pop. The vocals are delivered with openness and purpose as they explore desire, hope and devotion. While still acknowledging lingering shadows, this full-length is a story of growth that isn't about fairytale endings, but about the lessons love teaches.
… Read more in stock $14.37
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Review: A pivotal moment in Bon Jovi's career, propelling them into international stardom. The album features a dynamic blend of hard rock and melodic hooks, with tracks like 'You Give Love a Bad Name' and 'Livin' on a Prayer' becoming anthems of the era. The 2xCD edition offers remastered versions, providing enhanced audio quality that brings out the energy and craftsmanship of the original recordings. This release is a must-have for both long-time fans and new listeners seeking to experience the band's classic sound.
… Read more in stock $16.62
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Dennis BOVELL / VARIOUS
Different: The Singles Collection 1977-1981 (unmixed 2xCD)
Cat: DB2CD 155. Rel: 13 Mar 25
Roots/Lovers Rock
Review: This 2xCD set celebrates Dennis Bovell's exceptional talent during the golden years of reggae, from 1977 to 1981, a time when he was also playing a pivotal role linking punk and post-punk to reggae via collaborating with Orange Juice and producing key records such as The Slits' debut Cut. Featuring a mix of major hits and rare tracks, this collection highlights his brilliance as a producer, arranger and pioneer of roots, dub and lovers rock. Not only was he one of the first to blend disco with reggae but he was also important for fusing the disco standard 12" and using for Lovers Rock artists. His use of the format to create dynamic dub edits is a standout element, cementing his legacy in reggae production. Disc 1 includes Errol Dunkley's title track, Marie Pierre's soulful gems and Janet Kay's classic 'Silly Games', which brought lovers rock to mainstream audiences. Tracks like Errol Campbell's 'African Queen', Angelique's 'Cry' and Africa Stone's 'Choose Me' capture the era's emotional depth and Bovell's masterful touch. Disc 2 delves into 12" extended mixes, showing Bovell's innovative fusion of reggae and disco. A lifetime of great music within just two discs.
… Read more in stock $14.93
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Cat: 253118 6. Rel: 23 Apr 25
Rock
Review: While not one of David Bowie's best-known achievements, masterminding the world's biggest-ever 'non-TV' satellite broadcast is undoubtedly an impressive one. It took place at London's Riverside Studios in 2003, with the Thin White Duke - accompanied by his regular backing band - performing then new album Reality in its entirety, live to 86 cinemas in 26 countries. This Record Store Day release presents the concert in its entirety (the encore was not broadcast at the time), delivering a superb document of a unique event. Of course, Bowie was in fine form, with the immersive sound mix by regular collaborator Tony Visconti capturing the legendary artist at the peak of his powers.
… Read morePlayed by: Juno Recommends Rock/Indie
in stock $14.09
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Cat: ROBIN 79T. Rel: 23 Jan 25
Funk/Reissues
Review: This definitive triple-disc collection celebrates the pioneering spirit and musical evolution of Brass Construction, a band that consistently pushed boundaries and redefined the landscape of r&b. Spanning their ten albums, this compilation features 43 essential tracks, from the horn-laden funk of their debut to the synth-pop futurism of their final offering. Along the way, they touched upon disco, Latin jazz, rock and boogie funk, showcasing their restless creativity and mastery of diverse styles. Key tracks include the iconic 'Movin'', 'Changin'', and 'Ha Cha Cha', as well as the soulful 'L-O-V-E-U' and the infectious 'Partyline'. With detailed sleeve notes by Charles Waring, this collection is a must-have for any fan of r&b and a testament to Brass Construction's enduring legacy.
… Read more in stock $23.38
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Disco To Go
Warship Touchante
Nappy
Birdie
Just Like You
When You're Gone
Amorous
Review: Funkadelic superstar George Clinton knew many a side project as a producer; one was the ingenious, part-cyborg duo, The Brides Of Funkenstein. It was Clinton's idea that two other backing singers, Lynn Mabry and Dawn Silva, become the Brides Of Funkenstein, a character he invented for the 1976 Parliament LP, The Clones Of Dr Funkenstein. So popular were the brides that Clinton wasted no time in signing them to Atlantic Records; their debut album here followed the rip-roaring fan feedback that ensued from their debut single 'Disco To Go' / 'When You're Gone' in the US. The decision to break the male-fronted P-funk mould was intentional: simply *that many* Clinton instrumentals could not be credited to the man alone. "He's got thousands of tracks. He's got a whole cupboard full of them. He's got enough tracks to keep him in albums for two years," once chimed Mabry. Enchanting each jam with mecha-augmented femme flair, we're urged to be taken to the limit, across a blistering seven, smackout tracks. Mark 'Warship Touchante', the star tune by far: a wonky hi-NRG nutter, splattered with surreal, performative electronic vocal effects.
… Read morePlayed by: Juno Recommends Funk
in stock $8.73
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Review: By the time Kenny Burrell took the stage at the Five Spot Cafe in August 1959, he had already 90-degree head-turned his best jazz fellow travellers with a glissando of Blue Note LPs. But this gig, his first live date as a leader, brought a new kind of magic. Contracting Art Blakey, Tina Brooks, Roland Hanna, Bobby Timmons, and Ben Tucker on band duties, Burrell confidently executed a suite of hard bop soaked in sweat, swing, and soul. This 3xLP brings that steamy summer evening back to life in full analogue detail; housed in a tip-on trifold jacket with an accompanying booklet of rare Francis Wolff photos, an essay by Syd Schwartz, and new reflections from Burrell himself, it's a vivid snapshot of a moment when everything clicked.
… Read morePlayed by: Juno Recommends Jazz
in stock $15.50
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Review: If any album comes close to the beauty of Crosby, Stills & Nash in 2025 it's this. It's difficult to imagine anyone else nailing melodic, acoustic guitar-oriented music that treads in gospel, blues and pastoral psychedelia better than this supergroup. Could Bernard Butler be on his way to another Mercury Prize nomination with this? They've got a strong case for it. The band itself is something a little different and formed by popular demand. Norman Blake (Teenage Fanclub) Bernard Butler (Suede) and James Grant (Love and Money) originally got together for one occasion, at Saint Luke's in Glasgow in 2022 for Celtic Connections, but the power of them together was so great they've been talked into putting an album out. They've gone about it in quite a pragmatic way, with each member labelling which songs theirs, as opposed to all trying to write the same song at the same time. Makes sense really.
… Read more in stock $14.09
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Cat: BGOCD 1537. Rel: 06 Mar 25
Soul
Review: This collection brings together Jerry Butler's first four studio albums for Mercury Records, which spanned 1967 and 1968. As a former member of The Impressions, Butler's transition to a solo career was marked by a series of standout records, including Soul Artistry, Mr Dream Merchant, The Soul Goes On, and The Ice Man Cometh. Notable tracks from this era include 'Never Give You Up', 'Hey Western Union Man' and 'Only The Strong Survive', each being a beacon of Butler's powerful vocal delivery. The Ice Man Cometh even secured a spot in the US Top 30, highlighting Butler's growing influence in the music scene. With production by the legendary Gamble & Huff on The Soul Goes On and The Ice Man Cometh, these albums capture a unique blend of soul and emotion.
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Cat: CDSBR 7070. Rel: 09 May 25
Indie/Alternative
Review: Kurt Cobain favourites and Texan punk outliers Butthole Surfers don't know when or where exactly this live recording was made. But who cares!? The most important thing to know is the recording is gnarly and the band sound out of this world with their blend of noise, punk and psychedelic rock a truly idiosyncratic affair. Highlights on here include 'The Annoying Song' with singer Gibby Haynes' belligerent use of a toy megaphone. The guitar solos are top notch here, too. While 'Human Cannonball' is a thrilling number that you imagine created raucous circle pits at the actual show. It's great to see technology put to good use and cleaning up old live punk shows and getting them sounding this powerful.
… Read more in stock $21.97
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Review: Melancholy maestro Brock Van Wey aka Bvdub returns with more immersive and beautifully sad sounds on his latest album In Iron Houses. It is an ambient work that is far too evocative to serve simply as aural wallpaper. Opener 'Madness To Their Methods' for example has a vocal swirling about the synthscapes that is utterly arresting and conveys great emotional pain. 'The Broken Fixing The Broken' is another lament of epic proportions and 'Iron Houses At Night - Star Track' has a little sense of hope in the brighter melodies and another vocal, which this time carries love not loss. 'Perpetual Emotion Machine' shuts down with subtle celestial celebration.
… Read morePlayed by: Juno Recommends Ambient/Drone
in stock $14.64
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Review: Cologne-based Belfast boy Dominick Martin has been delivering deliciously good albums as Calibre for the best part of a quarter of a century, frequently departing from his trademark drum & bass sound to showcase his love of other sub-heavy and mind-bending sounds such as dub techno, ambient and dubstep. On Little Foot, his first album in two years and 22nd in total, he leans into this considered eclecticism. For proof, compare and contrast the tactile and dreamy 4/4 dub of 'Blame Dub', the dub-wise junglist bruk-up of 'Special', the mutant two-step delight of 'Ukrained', the angularm, sub-heavy UK techno of 'Threadvare' and the Mark Ernestus style spaced-out dub techno of 'Choosing Beggar'. And that's just CD1. A genuine triumphant from one of bass culture's most distinctive musical voices.
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Joseph CAPRIATI / VARIOUS
Global Underground 47: Montreal (unmixed 2xCD)
Cat: 502173 2388025. Rel: 20 Mar 25
Techno
Review: With a name like Global Underground, we're left starry-eyed at a fanciful idea: a vast, interconnected network of tunnels, reticulating every nightclub in the world. Who wouldn't want that? While the possibility of such a thing is most likely inexistent in our human lifetimes, the eponymous international record label at least aim to make a "global underground" real in spirit with their City Series of mixes. Their latest full-length from Montreal native Joseph Capriati captures this fervent mood: with the initiate DJ repping the jubilant Canadian city, the mix segues between Ame, Len Faki, Deetron and Louie Vega highlights, and is a modern house and techno showstopper.
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Review: Car Seat Headrest's approach to releasing records evokes a bygone era in the late 60s and 70s when it was really common to bash out an album every few months. Despite having only formed in 2010, the Virginia, US indie sorts now have 13 studio albums to their name. The band's singer and songwriter Will Toledo is prolific in releasing solo recordings on top of that, so hats off to them, really. It's not filler either. With the opening number 'CCF (I'm Gonna Stay With You)', they have one of the most anthemic rock tracks of the year so far (it takes a while to warm up but the pay off is huge) it's the sound of a group more confident in their ability than ever. Elsewhere, 'Reality' sees them shift gears into more of a ballad, but with so many twists and turns. That you don't quite know what's coming next is a welcome respite from formulaic rock and pop. Not everyone can pull it off but Toldeo and co. have earned the right to tear up the rulebook because they are operating on another level.
… Read more in stock $12.11
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Don CARLOS / VARIOUS
Echoes Of Italy Early 90s House Vibes Vol 1 & 2 (unmixed 2xCD)
Cat: SEJFCD 0012. Rel: 03 Apr 25
Funky/Club House
Review: Italian house didn't need the glitz of Ibiza or the muscle of Chicago and Detroit. It carved out its own spaceismoky, dreamlike, and effortlessly cool. This collection captures the full spectrum of that golden era, from the hypnotic tribal rhythms of Progetto Tribale's 'The Sweep' to the shimmering, euphoric synths of Onirico's 'Echo'. There's the deep, rolling pulse of Don Carlos' 'Boy', the jazz-infused elegance of Lady Bird's 'Jazzy Doll (Odyssey Dub)', and the raw energy of Green Baize's 'Synthetic Rhythm'. Elsewhere, 'Titanic' by Mato Grosso offers an atmospheric voyage, while 'The True Underground Sound of Rome' delivers deep, sophisticated grooves. These weren't just club tracks; they were portals to another world. Whether it was the funky shuffle of Alex Neri's 'The Wizard', the soulful pianos of Carol Bailey's 'Understand Me (Free Your Mind)', or the after-hours pulse of MCJ's 'Sexitivity', this was music made by studio obsessives who understood that house wasn't just a soundiit was a feeling. Underground, inventive, and deeply emotional, this collection is a snapshot of an era where the Italian touch brought warmth, sensuality and an undeniable groove to dancefloors worldwide.
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Review: Short n' sweet is perhaps the prevalent ideal of pop music today. Sabrina Carpenter's nectarous new record is a delightfully brief pick-me-up, one that nails the style. Described as a "pocket-sized popstar with a larger-than-life artistic presence" by Polydor, Carpenter's depiction as an idol of convenience and portability feels apt for today's always-on, attention-frazzling zeitgeist. Quick songwriterly syrups brightened-to-perfection productions help Carpenter trade in themes of youthful exuberance and glib spirit, as echoes of country music efflux through trap and ratchet pop; a quick rinse-off in an infinity pool of post-Taylor-Swift gloss. Titles like 'Sharpest Tool', 'Espresso', '15 Minutes' and 'Bed Chem' all seem to affirm the record's effective immediacy: and Carpenter owns the stimulant shot, as she taunts a romantic rival: "you'll just have to taste me me when he's kissing you..."
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Triptych: Resolve/Resist/Reimagine (feat Ayodele Casel, Milena Casado, Devon Gates, Morgan Guerin, Simon Moullier, Matthew Stevens)
Tears For Johannesburg (Julian Preister, Weedie Braimah, Milena Casado, Morgan Guerin & Matthew Stevens)
Freedom Is (Tamia Elliot, Ian Michael, Milena Casado, Morgan Guerin, Simon Moullier, Matthew Stevens & Devon Gates)
Review: Boston-based drummer and producer Terri Lyne Carrington reconvenes Max Roach's 1961 landmark with a sharp eye on both lineage and forward motion. Originally conceived as a civil rights-era protest suite, the project blends jazz, voice, and African-diasporic rhythm to address racial justice with clarity and force. This reinterpretation is not a soft tribute - it's a generational handover. Christie Dashiell takes on Abbey Lincoln's vocal role with arresting precision, while the ensemble (including Morgan Guerin, Matthew Stevens and Milena Casado) brings freshness without losing tension. Julian Priester, the sole surviving member of the original lineup, offers a subtle but weighty cameo. Tracks like 'Driva' Man' and 'Triptych' are stretched into wider shapes, drawing on funk, gospel and Afro-Latin idioms without softening the message. As Carrington puts it, this isn't just homage - it's a new freedom suite for now. The message, more than 60 years later, still burns brightly.
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Review: While not the band's final album, there's a solid argument to be made that 1995's Worry Bomb was Carter USM's last hurrah - a top-ten set that marked the beginning of the end for the distinctive South London duo. This expanded 30th anniversary edition pairs a remastered version of the original album -which boasts typically gritty, soaring and powerful classics such as 'Young Offenders Mum', the punky 'Airplane Food/Airplane Fast Food' medley, the riotous 'Me & Mr Jones' and the introspective 'My Defeatist Attitude' - with a disc of B-sides and rarities and, most excitingly, a previously unreleased live album of their performance at the 1994 Pheonix Festival. Throw in a DVD featuring videos, Top of the Pops appearances and freshly recorded interviews, and you have an essential item for Carter fans.
… Read more in stock $29.02
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Review: Euro disco pioneer Cerrone embarks on a fascinating new project, collaborating with the Symphony Orchestra of Cannes to reinvent 21 of his most celebrated and influential tracks. Cerrone's role in shaping modern dance music is monumental, with countless timeless releases from disco's golden era and beyond. Classics like Supernature, Love in C Minor, and Give Me Love continue to resonate, frequently appearing in the sets of today's top DJs. Here, they're transformed by a 50-plus piece orchestra led by the legendary Randy Kerber, delivering rich strings, sharp brass and dynamic percussion that elevate these iconic tracks to new heights.
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Review: Nearly half a century after The Glow Of Love lit up dancefloors from Bologna to New York, Change return with Embrace: a sleek continuation of their post-hiatus revival, carrying the modern Italo dance group's name after early designs to release it as a Tanya Michelle Smith solo project. Produced by Stefano Colombo with input from founding maestro Mauro Malavasi, who also oversaw the title and artwork, the record builds on 2018's Love 4 Love with a dozen tracks folding disco, soul, and modern boogie into a freshly polished polygon of sprightly designer disco. While just 500 copies of the vinyl edition exist, the CD edition here exists in droves, and is sure to set any missed trick right.
… Read more in stock $19.44
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Cat: LM 001CD. Rel: 29 May 25
Ambient/Drone
Review: While he may well be best-known for his nostalgic, synthesiser-powered Warrington-Runcorn New Town Development Plan project, Gordon Chapman-Fox has also put out some fine music under his given name - not least 2023's ambient opus on Castles In Space's 'Subscription Library' offshoot. On Very Quiet Music To Be Played Very Loudly, Chapman-Fox delivers four expansive ambient soundscapes. He sets the tone with the Vangelis-esque synth suspense and spacey creep of 'Components', before opting for sustained, almost neo-classical sweeps and delay-laden electronic string sounds on 'Fringe'. 'Emphasis' is immersive and quietly picturesque, while closing cut 'Singular' is dark, moody and quietly paganistic - a kind of imaginary soundtrack to a 21st century folk-horror movie.
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Cat: IBOGAINE TD. Rel: 16 Jun 25
Deep House
Review: Brooklyn record distributor Atypical-dopeness offer the next edition in Joaquin Joe Claussell's Unofficial Edits & Overdubs series. Following a four-tracker of largely unnamed tracks released in 2020, Iboga continues the series, this time with an iterative avatar to top up Claussell's ever-moving house continuum. Claussell's output has lately taken on an ancestral turn, influenced by the hallucinations caused by chewing the roots of an iboga plant, a chemico-spiritual fixture of initiation ceremonies found across Central Africa (whether Claussell actually did take ibogaine isn't clear). What we do know is that, in dialogue with his heritage, Claussell found himself inspired by these initiatory rituals and so set about producing this eleven-track heart-rouser, fusing the overdubbed recorded sounds of Gabon, Cameroon and Congo with his own summative, spiritual, salubrious house sound.
… Read morePlayed by: Charlie bucket/ dancing in space
in stock $25.91
