Review: The Mighty Zaf and Mark GV Taylor are the deep digging pair behind BBE's such loved Americana compilation from 2014. Now they are back unearthing the goods on this tasty 7". Arthur released only one solo album but its was packed with gold. This single is from it and is a pure blue eyed soul with sweet licks from guitarist Dean Devener and whimsical vocals from Maye Cavallaro. Future Force's 'Reincarnation' was originally the B-side of NYC pop and funk outfit Future Force's only ever single. It's a groovy, funk laced and disco tinged roller.
Review: The Cromagnon Band introduces 'Bad Night' as the lead single from their upcoming album Mode, which marks their second LP and debut on BBE Music. The album blends cinematic, psychedelic dark funk with Nordic psych-jazz, classical, boom-bap hip-hop breaks, and riff-heavy rock. Accompanied by the exclusive track 'Quadrant,' not featured on the album, the vinyl 45 release adds a unique gem to collectors' shelves. Both tracks provide a glimpse into the band's forthcoming album, showcasing their eclectic musical influences and distinctive recording style-capturing live jam sessions that evolve from sampled breaks, riffs, and melodies into intricate instrumental compositions.
Review: Jazzanova remains one of the most musically astute and adventurous acts in the electric scene. Their sounds never seem to age and fuse everything from jazz to funk to soul. That makes them perfect for remixing by more dance floor-orientated producers and that is what we get here. Alongside an original tune 'Creative Musicians' Detroit talent Waajeed brings his warm machine soul and deep grooves, Henrick Schwarz's signature melodic majesty and serene sounds are on display and further dubs and instrumentals are also included. This one really packs a punch for fans of broken beat.
Face At My Window (Kyoto Jazz Massive remix) (5:25)
Face At My Window (Yoshi edit) (3:04)
Face At My Window (feat Sean Haefeli) (3:30)
Beyond The Dream (Musclecars Reimagination) (10:26)
Beyond The Dream (feat Sean Haefeli) (3:35)
Review: Next up for BBE is a package of remixes that invites several key artists to add their own spin to Jazzanova's superb reimagining of Sam Sanders's iconic 'Face at my Window'. Kyoto Jazz Massive are first to tackle the single which first appeared on 'Strata Records - The Sound of Detroit - Reimagined by Jazzanova' and bring some intimate jazz clubs vibes. After a Yoshi edit and version with vocalists Sean Haefli, musclecars bring a touch of New York and Chicago house classicism to their version. Both remixers bring new perspective to this timeless classic.
Review: From Kon's forthcoming compilation on BBE entitled Kon & The Gang, this 12? sampler features two cuts taken from the LP and an exclusive remix from Boston producer and mix engineer Caserta, namely "Timeless" (Caserta mix)" a tasty serving of super deep and low slung disco goodness. A more functional edit for DJ use follows on "Timeless" (remix - Caserta mix)". On the flip Truccy (better known as Compost's Rainer Truby and Corrado Bucci) present "Closer", a gorgeous slo-mo house jam with a rolling groove fetauring all the good stuff: swirling Rhodes keys, groovy congas and hypnotic vox.
Joy (Hallelujah) (extended instrumental version) (5:46)
Review: Golden-era hip-hop legend DJ Marley Marl continues his adventures in house music, and this time he's got soulful house royalty - specifically Kenny Bobien and Lady Alma- in tow. 'Joy (Hallelujah)' is as righteous, uplifting and life-affirming as you'd expect: a horn, organ and piano-heavy slab of hands-in-the-air brilliance topped off with some sublime gospel lyrics and vocals from Bobien and Alma. We'd argue the track is best in its full vocal 'Extended Mix' form, though the accompanying instrumental is still superb - and arguably more suitable for those who are uncomfortable with the (admittedly joyous) religious messaging within the lyrics. Testify!
Notice Me (part 1 - Clivilles & Cole club vocal 7" edit) (4:25)
Notice Me (part 2 - Clivilles & Cole club vocal - 7" edit) (3:44)
Review: BBE is the kind of label you can trust with any kind of reissue project, and when they call upon DJ Spinna and Kai Alce to look back over the foundations of house music, you know you're about to get a masterclass. This intermittent series has seen the two US DJ/producers picking through seminal house joints, editing the most crucial mixes to fit on a 7" as a neatly presented series for anyone wanting to point out exactly what house music really is. This time around they've turned to Sandee's 'Notice Me' - a Latin house joint from 1988 which rocked clubs like Tunnel and Palladium in NYC and Riviera in Chicago upon its original release.
Please Don't Break My Heart (DJ Andy Smith Reach Up Disco Wonderland re-edit)
I Like Funky Music (Skratch Bastid Turntable mix)
Black Water Gold Part 2 (DJ Andy Smith Reach Up Disco Wonderland extended mix)
Disco Hi-Life
Lovin' You (Smoove Disco dub)
Change
Free Yourself (Full Intention extended remix)
Bad Times (Yam Who extended vocal remix)
Body Work
The Big Throwdown
Losers & Fools (DJ Andy Smith Reach Up Disco Wonderland re-edit)
Beyond The Clouds
You're So Far Away (DJ Andy Smith Reach Up Disco Wonderland re-edit)
Five Days (CD2: Unmixed)
Love Don't Pay The Bills
Make It Alright
Please Don't Break My Heart (DJ Andy Smith Reach Up Disco Wonderland re-edit)
I Like Funky Music (Skratch Bastid Turntable mix)
Black Water Gold Part 2 (DJ Andy Smith Reach Up Disco Wonderland extended mix)
Disco Hi-Life
Lovin' You (Smoove Disco dub)
Change
Free Yourself (Full Intention extended remix)
Bad Times (Yam Who extended vocal remix)
Body Work
The Big Throwdown
Losers & Fools (DJ Andy Smith Reach Up Disco Wonderland re-edit)
Beyond The Clouds
You're So Far Away (DJ Andy Smith Reach Up Disco Wonderland re-edit)
Review: Bristolian turntablist and crate digger Andy Smith has long been renowned for the depth of his funk, soul and hip-hop selections, though it's only in recent years that we've discovered the quality and diversity of his disco collection. He continues to flex those credentials on the third instalment in his Reach Up - Disco Wonderland series. While there's plenty of obscurity on show, as you'd expect, Smith has chosen to include contemporary nu-disco cuts and fresh re-edits alongside vintage picks. So, while we cuts from The Sunshine Band, the disco-highlife of Orlando Julius and some late 70s electro-disco courtesy of French outfit Quartz, we're also treated to fresher tracks and edits from BB Soul, Birdee and Nick Reach Up, Yam Who and Full Intention. Throw in a killer DJ mix of the same material by Skratch Bastid and you have a genuinely essential collection.
Gustav Brom Orchestra - "Calling Up The Rain" (5:32)
Frederic Rabold Crew - "Ride On" (3:28)
Stan Kenton & His Orchestra - "Samba De Haps" (3:56)
Larry Rose Band - "The Sand" (5:25)
Review: The concept behind this new collection on BBE is a simple but effective one: sommelier Frederic Beneix has picked out a selection of wines, and beat maker DJ Cam has dug deep to serve up some rare but fitting musical accompaniments that were produced in the same year. Wine4Melomanes, therefore, is a unique collection of sounds from all over Europe that connects the complexity and sensuality of a tipple with the rhythm and melody of a song. Most are lush and sophisticated jazz cuts that sound good whether you're drinking or not. Delicious.
TB Funk - "Free Blow" (the dub version - G&D edit) (5:01)
Kenny Pierce - "Done Been" (5:13)
Those Good Intentions - "We Know How To Boogie" (6:50)
Sherman Hunter - "Dance To Freedom" (8:12)
Gospel Keepers - "Never Gonna Give You Up" (5:38)
Living Color - "Plastic People" (G&D edit) (4:57)
Roller Disco - "Stone Luv" (4:15)
Carol Meriwether - "Love Ain't Just (A Physical Thing)" (9:35)
William Barlak - "Ain't No Doubt About It" (3:42)
Review: The Grasso is greener in Bologna: home to two of the most well-connected collectors in Italy. Suppliers to the likes of Kenny Dope, Phil Asher and Dimitri, Gino and Federico have carved their crate craft to insane levels over the last 30+ years... As shown on this detailed, widescreen boogie, funk and disco collection for BBC. Splattering the vibrant collection with a handful of their own edits (TB Funk's salubrious struts on "Free Blow", fly-by boogie falsettos on Living Color's "Plastic People"), the Grasso bro's have put together a package that's eye-opening, enlightening and damn fine to party to. See you on the other side.
Review: Rio de Janeiro's Grupo Ebano is an all-female gospel vocal collective that dropped their self-titled debut album back in 1997. It only came on CD and in limited runs but is one that has grown and grown in terms of allure for collectors so now BBE have pressed it up to wax. It blends the best of boss nova and MPB across a suite of all-original songs written by band leader Gil Miranda. They are all hugely melodic and stylish with hints of 60s and 70s Brazilian classics that deliver positive, uplifting and soulful messages in the lyrics. It's a sure-fire winner with both tastemakers and dancers alike.
Review: Since launching two years ago, Tony Higgins and Mike Peden's J-Jazz series has become an indispensable guide to Japan's modern jazz scene. The third volume continues in a similar vein to its predecessors, gathering together sought-after, overlooked and little-known cuts from across the jazz spectrum (think spiritual, modal, fusion, post-bop and Latin), all of which were recorded by Japanese artists in the 1960s, '70s and '80s. The standard of music is, somewhat predictably, breathtakingly high throughout, with highlights including the weighty post-modal bop of Koshuke Mine's 'Morning Tide', the sun-kissed Brazil-inspired brilliance of Hideo Shiraki's 'Groovy Samba', and a string of funk-fuelled, dancefloor-friendly workouts from Hiroshi Murakami & Dancing Sphynx, Shigeharu Muka and the Ryojiro Furusawa Quartet.
Roger Ekman - "Motivationen Maste Vara Stor" (2:39)
Heaven & Earth - "Feel The Spirit" (4:44)
Review: Masterful curator Paul Hillery returns with another essential instalment in this wonderful BBE series. Volume 3 continues his tradition of unearthing rare, high-quality tracks so it is a perfect companion to his Children of the Sun trilogy. This one spans funky folk, jazzy AOR, lo-fi dub and DIY folktronica and includes numerous gems like Sheila Chandra's ethereal vocals and Tim Green's euphoric grooves, a playful vibe from Gil De Ray on 'Something About Nothing' and plenty more besides. With extensive sleeve notes, this is a deep sonic journey that also cements the man behind it as an expert archivist.
Review: Dilla's "The Shining" serves as a testament to the fact that legends never die. On February 10th, 2006, the world of hip hop lost J Dilla aka Jay Dee. James "J Dilla" Yancey leaves behind an impression on hip hop that will last the test of time. A bridge between hip hop's underground and mainstream, Dilla's contributions ranged from single handedly defining Detroit hip hop as a founding member of Slum Village to providing his production talents to Common, D'Angelo, Busta Rhymes, Erykah Badu, A Tribe Called Quest, The Pharcyde, The Roots, Janet Jackson and Macy Gray. "The Shining" marked the reunion of J Dilla & BBE, who had released "Welcome 2 Detroit", J Dilla's debut album. "The Shining" serves as showcase of J Dilla's talents which features him not only as a producer, but also as a rapper, singer and musician. Featured guests on this album include Busta Rhymes, Common, Pharoahe Monch, D'Angelo, Madlib, Black Thought, Medaphor aka MED, and Guilty Simpson.
Review: Most people will recognize Brian Jackson as the most important collaborator with Gil Scott-Heron - between them the pair laid down a mesmerising new kind of soul which resonates in its influence and brilliance to this day. Jackson went on to work with scores of legends of Black American music, but this new album is something altogether his own. Working with Daniel Colias from Phenomenal Handclap Band, Jackson revived a long-dormant solo project from the 70s and brought it to fruition in a set of ascendant soul cuts which speak to Jackson's mighty legacy while offering something wholly contemporary. 'All Talk' bursts with jazz funk and boogie flourishes, while 'Path to Macondo / Those Kind of Blues' takes a more introspective trip into Jackson's illustrious musicality. Forget reissue culture for a minute - here's a bonafide legend still doing it in the here and now.
Introduction & Lost My Love (feat Sean Haefeli) (4:35)
Creative Musicians (feat Sean Haefeli) (3:36)
Joy Road (3:53)
Face At My Window (feat Sean Haefeli) (3:28)
Root In 7-4 Plus (feat Sean Haefeli) (10:02)
Inside Ourselves (5:52)
Beyond The Dream (feat Sean Haefeli) (3:31)
Saturday Night Special (6:12)
Orotunds (3:18)
Scorpio's Child (5:53)
Loser (feat Sean Haefeli) (3:27)
Review: Strata Records is one of the most important notches in Detroit's jazz heritage. From Lyman Woodard Organization's Saturday Night Special to Malauwi's self-titled LP, their short catalogue was nonetheless vital. BBE have revisited the label with reissues in the past, and now they've invited nu jazz scene leaders Jazzanova to re-imagine some of the cuts from the Strata archives in their own fusion style. From Woodard classics like 'Joy Road', 'Creative Musicians' and 'Saturday Night Special' to Malauwi's 'Root in 7/4 Plus', these are seminal works approached with care and flair by a band who have undoubtedly proved themselves worthy over the years.
Dollar Brand & Abdullah Ibrahim - "Zimbabwe" (5:28)
Prince Lasha - "Kwadwo Safari" (feat Herbie Hancock) (7:37)
Mal Waldron - "What It Is" (feat Clifford Jordan & Dannie Richmond) (17:58)
Cecil McBee - "First Song In The Day" (feat Chico Freeman) (17:16)
Rabih Abou-Khalil - "Lamentation" (9:02)
John Stubblefield - "Mwe Malad O" (4:17)
Nana Simopoulos - "Pulcie's Dance" (12:58)
Bobby Hutcherson - "The Creators" (18:22)
Marc Levin - "Brothers In War" (11:09)
Jon Hendricks - "No More" (3:32)
Marvin Hannibal Peterson - "Mother's Land" (feat George Adam) (5:10)
Review: Enja Records was founded in Munich in the early 70s by jazz devotees Matthias Winckelmann and Horst Weber. Given a co-sign by the always on-point BBE and IF Music founder Jean-Claude, the label is now enjoying a retrospective compilation which seeks to celebrate the best of their golden years. Featuring performances by John Stubblefield, Bobby Hutcherson, Harold Land, Don Cherry, Cecil McBee and Pharoah Sanders collaborator Marvin Hannibal Peterson to name but a few, this collection provides a great jumping-off point for Enja's rich and diverse back catalogue. It may only be an introduction to a vast pool of music, but it's curated with authority by a dedicated head, so you know you're getting a shortcut to the best the label has to offer.
Emanative & Liz Elensky - "Fall In To Me" (alternate version) (4:39)
Atilla Engin Group - "Turkish Showbiz" (5:08)
Tenderlonious - "Dennison Point" (4:17)
Sylvain Kassap - "Adelie (For Lady D)" (3:55)
Ola Szmidt - "We Are Not Invisible" (4:03)
Greetje Bijma Kwintet - "Big Kalimba" (6:48)
Sarathy Korwar - "At The Speed Of Light" (3:50)
Review: IF Music's name is legendary amongst those in the know and now Jean Claude celebrates that with another superb compilation on BBE. Across this beautiful gatefold vinyl release, there are nine next level jazz tunes from the likes of Emanative & Liz Elensky, Sylvain Kassap, Greetje Bijma Kwintet and Atilla Engin Group. This is the ninth release in the 'You Need This' series and the music on it ranges from 1980 to the present day. It all adds up to a wonderfully coherent release that takes you through four decades of stylish jazz.
Review: Though they've trodden remarkably different paths through music so far, the coming-together of UK singer-producers Allysha Joy, Hidden Spheres and Finn Rees makes for a latent talent condensation of the "of course!" kind. Solina hears them freshwater rock pool their shared ear for groove and space, weaving motifs of Balearic house, jazz, broken beat and 90s street soul through a vivid whole; long after each artist's works across in veins of future beats, chillwave, deep house and UK bass. From the tremulous Rhodes overwash of 'Promised Me Love' to the sophomoric sunstroke 'Trust The Feeling', Joy's vocals usually only appear lately, like a vocal forest spirit peeking its head out on the ecotone between wood and sea. Not a showcase of chops, but a case of layered restraint, unfurling unhurriedly.
Review: For those interested in Japan's modern jazz wave of the 1960s and early '70s, BBE's J Jazz Masterclass series of rare album reissues always deliver the goods. For proof, check the latest volume: a first ever reissue of Kohsuke Mine's 1970 debut album, First. Full of energetic, hard-wired sax solos (provided, of course, by Kohsune himself), rubbery bass (courtesy of Larry Ridley), jazz-funk electric piano (Masabum Kiluchi on keys) and frenetic rhythms (laid down by Lenny McBrowne), the album is undoubtedly a landmark J-Jazz set and just gets better with each successive listen. It also includes a terrific interpretation of Thelonious Monk classic 'Straight No Chaser', which - in our considered opinion -is no bad thing.
Review: Jessica Lauren is a cornerstone of the UK jazz scene who has spent decades enhancing recordings and performances for legends like Jean Carne, Dexter Wansel and The Heliocentrics. As a core member of Emanative, her talents are well-known and her latest release, Film, affirms her status as a forward-thinking artist. Originally recorded in 1997 and released on CD in 1999, Film has been remastered and is now reissued on gatefold vinyl. The album's fusion of modal jazz, electronica, library music and field recordings feels remarkably current and blends acoustic and electric pianos, harpsichord and synths in a beguiling fashion. As such, Film cements Jessica's place as an innovative musical visionary.
Review: BBE comes through with another on-point reissue. This one is a towering giant in the world of J jazz that Masao Nakajima Quartet recorded back in 1979, originally for Yupiteru Records. It is a record that manages to strike a perfect balance between delicate and refined playing with real power and vigour that makes you take note. It features bassist Osamu Kawakami leading the way with sax from Toshiyuki Honda and American drummer Donald Bailey who has worked on countless Blue Note sessions. It is a fusion record with real spirit and a proudly acoustic sound. The album is part of the BBE J Jazz Masterclass Series which is all about reissuing the very best in Japanese jazz.
Original Nairobi Afro Band - "Soul Makossa (No 1)" (7") (4:20)
Sir Victor Uwaifo & His Melody Maestroes - "Jungle Beat (Mutaba)" (3:05)
Review: Jump 'N' Funk started life as a small event in New York, organized by Rich Medina in order to pay tribute to the genius of Fela Kuti. Since then, parties have been held across the world, with Medina and guests showcasing music by, or inspired by, the Nigerian Afrobeat legend. This debut Jump N Funk compilation follows a similar formula, delivering both purist Afrobeat cuts (see Fela's punchy "Stalemate", and "Na Oil" by son Seun and his band, Egypt 80), and tracks in other styles that draw heavily on the style. Highlights in the latter category include the hazy Afro hip-hop of Aquil, a tasty Afro-house dub of River Ocean's cover of Timmy Thomas' classic "Why Can't We Live Together", and the lazy, sun-kissed glory of Kutiman's "Bango Fields".
Review: You might know Airto Moreira and Flora Purim as the King and Queen of Brazilian Jazz and for good reason. They have spent more than the last half decade putting out some of their homeland's finest and most richly rewarding jazz albums as well as playing exhilarating live shows all over the world. They have found favour with jazz lovers everywhere as a result, from Japan's concert halls to the UK's jazz-funk scenes. If You Will was their last album back in 2022 and it got a Grammy, and now A Celebration: 60 Years - Sounds, Dreams & Other Stories brings together some of their best work from over the last 60 odd years. Essential stuff.
I Don't Remember The Last Time I Saw Stars (11:11)
Review: Following their acclaimed debut album Sugar Honey Iced Tea!, NYC duo Musclecars aka Craig Handfield and Brandon Weems are back with a double pack of alternate versions and remixes featuring house legends Louie Vega and Maurice Fulton. Vega reworks 'Tonight' with orchestral flair and festival-ready dub versions including the NV South Jersey Mix and his Bronx Dub. Maurice Fulton's remix of 'Hello?' blends his signature live bass and punchy percussion to add a whimsical touch to the introspective original. The pack also includes stripped-down versions of 'Ha Ya! (Eternal Life)' and 'Water' plus a full side of Musclecars' 'I Don't Remember The Last Time I Saw Stars.'
Review: The Houston Talent Expo '82 is one of those curious releases that has come out of a very special moment in time. Moreover, it's a one-off, a exception that came to be out of chance. The group was an extended collection of African-American in the Houston area throughout the 1980s, and this was their only release as a unit. "Let's Get High" sets the scene in perfect fashion, a funky, slow-motion groove with enough soul to kill the devil himself, but there's even gear for the diggers and samplers to salivate over. The absurdly good "Chocolate Coated People" drops a wonky, gritty slice of percussion over drugged-out melodies and a sea of funkiness. This is a truly special piece of music - don't miss it.
Review: From The Fire is a superb new album from Audrey Powne that is about as accomplished as any debut could be. The young auteur herself has composed all nine cuts, wrote all the lyrics, plays all the piano, organ and Rhodes, does all the singing, arranged all the strings and produced everything herself as she set out to have complete creative control. It is a rich and rewarding listen with some soaring solos and meticulously crafted grooves that have already won her high praise from those in the know such as Gilles Peterson.
Jim LaMarche - "Make Believe" (with Theresa Moylan & music Industry Arts) (4:27)
Mike Baumann & Tom Huntington - "Man Of Misery" (5:03)
David Datunashvili - "Wonders" (3:36)
Pixie Lauer - "Sunday Morning" (3:43)
Ron Drago - "Phase Dance" (7:38)
Guy Schwartz - "Ride That Train" (2:22)
Marla Fant - "Land Of Wonder" (4:43)
Diana Pequeno - "Misterios" (5:41)
Airborne - "Marie" (3:21)
Scott McGregor Moore - "So Good When It Comes" (3:36)
Checkpoint - "I Send You All My Love" (4:24)
Gabriel Gladstar - "Flow" (4:58)
White Feather - "Summer Days Golden Haze" (3:56)
Philip John Lewin - "Fear Of Flying" (6:48)
Monica Rypma - "Let Love Flow" (2:34)
Alex Crispin - "Effert" (6:05)
Michael Welch - "Phone Home" (4:13)
Guy Maxwell - "You Never Sang This Song" (3:29)
Review: British DJ and record crate digger Paul Hillery gets put in a position of serious responsibility - curating and weaving together the latest compilation from BBE Music. Once The Polyphonic Spree's tour DJ, and the man behind the YouTube channel and mix series 'Folk Funk & Trippy Troubadours', if none of that means anything let's just say this album takes psyche seriously. Well, as seriously as anything psychedelic ever is.
With a track list boasting some cult favourites from the scene - Mike Baumann & Tom Huntington, Alex Crispin, Airborne - there's plenty here to pique interest while perusing the back sleeve. Dive in, though, and you find a trove of treasures, from hazy, early-1970s tranquility to innovative digital experiments created during the 2020 lockdowns. A real journey through the ages, genre acting as guiding rod.
MckNasty - "Sundown" (feat The MAC SiStars) (4:44)
Cecilia Stalín - "CPW" (5:21)
The Nabatean - "Hangers On" (6:01)
Jazz Chronicles - "Bologna" (6:29)
Souled - "Dancing On Holiday" (7:02)
One51 - "Bring Me To Your Life" (feat Heidi Vogel) (5:31)
Tommy Rawson - "Illusions" (5:23)
P'taah - "Staring At The Sun" (5:31)
Xantone Blacq - "Search For The Sun" (Platinum remix) (5:24)
Ian O'Brien - "Love Beams" (4:40)
Review: If Music presents: You Need This! An Introduction to the Handson Family from the legends at BBE is a must-have double album that highlights the rich heritage of Black music, not that we really needed reminding of course. Compiled by London DJ duo the Handson Family, this collection features tracks from plenty of key artists such as Emanative, Ty, Cecilia Stalin, and Xantone Blacq and across all 14 songs, the diverse sounds and styles of recent Black music are laid bare and offer an educational experience in Black music genres while also capturing the essence of the duo's influential DJ sets and radio shows.
Review: Waaju & Majid Bekkas's Alouane exemplifies the power of collaboration during challenging times. As bringing overseas artists to the UK grows increasingly difficult, this record bridges cultural and generational gaps while capturing the vibrant energy of live collaboration post-Covid-19. Conceived by Waaju bandleader Ben Brown, the album features his expansive arrangements of traditional Gnawa songs and blends Bekkas' musical prowess with Waaju's signature grooves and trippy delays. Bekkas, a key figure in Moroccan Gnawa music, had never collaborated with a UK band until this project. Alouane, meaning "colours" in Arabic, reflects the seven integral colours of Gnawa music, each invoking different spirits.
Reminicent Suite: Dig It Deep Down Baby/Echoes/Once More With Feeling (23:43)
Black Forest (18:26)
Review: The J Jazz Masterclass Series from BBE Music has already served up some real treasure and now as it lands on its 19th release, it serves up some more. This one, Mal Waldron's Reminicent Suite, is a sizeable collab between two giants of jazz, In coming together they cooked up a sublime album alongside a band made up of the very best Japanese jazz musicians of their time. American pianist Mal Waldron and Japanese trumpeter Terumasa Hino released this album in 1973 on the Victor label and is one of several albums of the time that were Japan-only releases. Now it gets a vinyl pressing in the West for the first time ever so do not sleep.
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