Review: EPM20 Ep2 goes off on an electro tangent here. On this one, we have veteran producer Cisco Ferreira aka The Advent teaming up with his son Zein on the ferocious electro dystopia of "Strangeform" and as if that was not enough, another legend, the one and only Carl Finlow appears next with the abstract, cybernetic beats of "Optogenetic". Over on the flip, we have someone by the name of Detroit's Filthiest (quite an accolade!) who is in fact Motor City stalwart Julian Shamou (Motor City Electro Company) known for his work as 313 Bass Mechanics or Digitek, and longstanding hero of the Midwest Freddie Fresh should need no introduction; his contribution here under the Modulator alias is the deep mind IDM journey "Promars".
Review: The legendary Fokuz label outta the Netherlands hits a 110th release and opts for a selection of remixes from various artists. AirK & Cephei open up with 'Desire,' a slick roller with booming bass and epic synths. Break then comes through with tight remix of A2 Soligen & Type 2 's 'Can't Go' complete with expertly design hits. Break then goes it alone on the original 'Coming 4U' with its low end oscillations and closes out the EP back in remix mode. His take on 'What Are You' is a roaming, textural affair with twisted leads and flurries of toms.
Review: The ever vital Boogie Back has another pearler on its hands here. This 7" is an SOS Band influenced double header produced by Ernie McKone, with Cheri Maree on the vocals. Firstly, 'Time Waits' pairs nice analogue drum work and big, pixelated chords straight from the 80s. It's a sugar sweet tune with a buttery smooth vocal that will get those rumps wiggling. Flip it over and you will find 'Is It You', a more slow and sentimental tune with splashy chords and bendy bass. The vibe is steamy and romantic, with the sort of tempting groove that you won't be able to resist.
Review: Jonny Benavidez is the soul star we can't get enough of right now and thankfully he is back with another doozy with Cold Diamond & Mink, whose mesmeric grooves make for another sublime voyage. This new 7" is a double-sider that has tunes taken from the My Echo, Shadow and Me album and 'Do What You Wanna Do,' is a lovely dancer with buttery top lines from Benavidez, rolling grooves, backing vox and big horns embellishing it yet further. On the B-side is 'Your Last Song,' a more bluesy and downtempo sound that is packed with powerful melodies that you wont't be able to stop humming.
Review: It's a sizzling seven up for Moiss Music here as they draw together four different artists to offer up one cut each for this new various artists collection. Boogietraxx goes heavy on the filter vibes on 'S N T' which is French touch disco-house of the highest order. Kellit's 'Pryscoks Sockin Socks' is all about sultry sax lines and loose-limbed disco house beats while C Da Afro gets heads up with the streaming sunshine synths of 'Don't Be Quiet.' Groovemasta shut down with the funky Afro-disco stylings of 'Gonna Make U Rock.'
Review: When Cabaret Voltaire returned to the release schedule in 2020 as the one-man Richard H Kirk show, fans were relieved to find that mind-bending meld of 1970s Kosmische, techno, dub, house and space-age experimental electro was as pure as it ever has been - the results being a typically fresh and forward-thinking record the man in question summed up as "no nostalgia... normal rules do not apply. Something for the 21st Century. No old material."
Less than six months later and the big CV has more next level business to offer us, coming in the form of Shadow of Funk, a new EP that offers something of a counterpoint or extension to last year's full-length, Shadow of Fear. Based on 'Billion Dollar' alone - an acid-driven big, dark room banger that closes this EP -this release looks set to make an equally heavy impact, but as with anything this man touches, the joy is in discovery. So, let's leave it at that.
Review: 'Storia Fantasy' is a second release from Reparto Vinile that again marries Italo influences to a range of different genres. The label is based in Monferrato in Italy (which is a UNESCO World Heritage Site) and it is helmed by influential Italian Luca Bernascone. Here he assumes his new production alias Cabopolonio for a super new single. The vocal version is a nice mood tempo roller with lush pines and cosmic twinkles, vibraphone melodies and a nice retro edge to it. The instrumental version is a little more deep and slow. The dub element means it seduces even more and marks a second fine drop from this label.
You Don't Love Me (No No No) (feat Delroy Williams) (3:38)
You Know How To Make Me Feel So Good (5:01)
Review: Susan Cadogan is an esteemed reggae vocalist who has been since the 1970s. Now she continues her musical journey with this cover single which is taken from her excellent 2020 album Hurt So Good - Storybook Revisited, distributed by Burning Sounds. Side-A features a rendition of the reggae classic by Dawn Penn, while Side-B offers a sweet soul interpretation of Harold Melvin & The Blue Notes' track. Enhanced with Japanese-inspired artwork on the jacket, this release showcases Cadogan's timeless talent and versatility as it bridges the gap between reggae and soul music across generations.
Review: What we would give to go digging in the vast vaults of influential soul label JB's. Well, thankfully, they do it themselves each Record Store Day and as such we have some real treasure here with Richard Caiton's swooning and soul-drenched love song 'Thank You.' It's a super rare one from back in 1978 that is a real piece of New Orleans soul history (it is eye wateringly pricey for an original, too, with the only current one listed at just L2500.) On the flip is another lush modern soul tune 'Where Is The Love' which has been arranged by Wardell Quezerque.
Review: Stone cold New Jersey funk business; Calender's seminal "Hypertension" has been a waymark in dancefloor developments since '75 and its big strings, high energy and nagging vocals still have total resonance to this day as proved by this rolling, conga fuelled twist from Mexican maestro Hotmood. Flip for more relevance as "Ritmo Latino" (from Calender's '76 album "It's A Monster") gets a cheeky breakbeat facelift from Voodoocuts. Now there's no excuse not to get funky every single day of the year.
Review: Although Rhythm & Sound and Basic Channel man Mark Ernestus has worked with or remixed many different artists over the years, we didn't expect him to join forces with D&B scene stalwarts Calbre and DRS. Yet that's exactly what's on offer here, as the Hardwax founder delivers two typically deep, dubbed-out techno outings crafted from portions of the pair's collaborative cut 'Badman', which is due to feature on Calbre's forthcoming sixteenth studio album, Feeling Normal. Both 'Bad' and 'Badder' are typical of Ernestus' ultra-deep and hypnotic style, with snippets of the duo's original instruments, beats and vocals echoing in and out of a warming, all-encompassing, sub-heavy groove. In a word, it's superb.
Review: Call Super delivers a superb telecommunication in the form of 'Swallow Me'. We're not sure why Call Super wants us to ingest him, but we're not going to question it too much. The new track samples Kamala Sankaram's performance at the final Resonant Bodies festival in New York in 2019. "In Ancient Greek, ololyga is the ritual shriek of women, a sound so alarming to men that it could not be uttered within their earshot" - goes the liner text. Sonically, Mr. Super blends the ololyga with Hebden-esque shuffles and glossy dance schlop, building a deeply resonant tune sure to kill egos the world over.
Review: On the latest edition of their excellent Soul Essentials series, Outta Sight has decided to bring together two versions of 'Ordinary Joe', a seemingly perennial favourite written by the late, great Terry Callier. His celebrated 1972 recording - all bold, sing-along choruses, organ stabs, jangling piano and lolloping grooves - breezes its way across side A, while Jerry Butler's earlier version, laid to tape in 1970, sits on side B. His version is much more expansive and musically detailed than Callier's take, with superb production from Gamble & Huff and some brilliant orchestral arrangements courtesy of Donny Hathaway. Both versions are, or course, incredible.
Rickey Calloway & His Tennessee Band - "Do It On The One (Stay In The Pocket)" (3:10)
The Tennessee Band - "Ain't It A Crime" (instrumental) (3:06)
Review: Funk Night cop a couple of fine funk gems here from Rickey Calloway. He is an r&b singer, as well as a rhythm guitar musician and songwriter from Jacksonville, Florida. His Tennessee Band helps him serve up funk that comes direct from the 70s, James Brown style. Both of the singles here are [rimed to fire up the floor, with 'Do It On The One (Stay In The Pocket)' the more direct of the two and the flip side 'Ain't It A Crime' (instrumental) going deeper.
Review: Mr Bongo's reliable Brazil 45s series reaches its' 85th instalment. This time round the Brighton-based label has chosen to offer up two cuts from Waldir Calmon's 1970 set Waldir Calmon E Seus Multisons. While the album is not all that renowned, the track 'Airport Love Theme' - which resides on the A-side here - most certainly is, thanks to Madlib sampling it on the Madvillain album. It's a laidback and languid fusion of mellow soul breaks, Mexican stand-off trumpets, soaring choral vocals, Mediterranean acoustic guitars and mazy organ solos, all topped off with the sugary polish often associated with classic lounge music. Over on side B there's a chance to savour another killer cut from the same set, Jean-Jacques Perrey-esque lounge funk groover 'Afro Son'.
Review: French label Cairo Xpress debuts with a first-ever vinyl outing and a fine one it is too, with six stylish house outings from an array of fresh talents. Wilt's 'Beoyon' has lovely gloppy drums and bass looping under harmonic chords - it's simple but effective. Hermit gets more full-bodied with his textured 'Who Dunnit' and DOTT strips it back to bumping drum track workouts on 'Twitching Softly.' There is more irresistible bounce to Lucho's 'Mesh', Artphorm layers in some old school pianos to 'Daown' and HATT D shuts down with maybe the best of the lot, 'Contrasts In Life,' which is a broken beat, analogue sound with celestial energy.
Review: Northern Soul heads rejoice - Cam Cameron's delightful 1968 gem 'They Say' is back on 45 rpm thanks to Soul Junction. Cameron is a Black American artist who has a stunning voice, as you can hear here, but is one of many such talents to apparently have only ever recorded one tune before disappearing never to be heard from again. More's the pity. His real name was Alvin Cameron and he wrote this one while the lush strings come from the late John Andrew Cameron, a hugely respected arranger, producer and songwriter who had a big impact in the soul scene in the 60s and 70s in Chicago.
Review: During the 1970s, Cornell Campbell made some fantastic records with producer Bunny Lee. 'My Baby Just Care For Me', a favourite amongst the lovers rock-powered 1970s blues party scene in London, is undoubtedly one of their best joint efforts. The riddim is loose and languid, the added piano solos pleasingly expressive and jangling, and Campbell soulful lead vocal tterly beguiling. Chunkier, more dancefloor-friendly roots reggae vibes are the order of the day on flipside cut 'Jah Jah He Morn Ya', where Campbell's vocal improvisation between verses add even more energy to an already heavyweight jam. In a word: essential.
Review: Brazilian talent Rafael Cancian has grown in stature thanks to solid outings on the tasteful likes of Razor-N-Tape and Hot Pot Records. Now with that profile established, he heads out with a new label of his own in the form of About Disco. He inaugurates it with a quartet of edits that he has already been deploying to great effect on various dancefloors around the world. 'Sounds Chicago' does indeed with raw drums and great keys dancing over the beats. 'Ti Amo' has a more funky undercarriage and disco percussion, 'D'Afrique' again brings a funky bass riff to the fore with some psyched-out sounds for company and 'Opera' shuts down with some late-night and soul-drenched synths over intimate and stripped back house drums.
Review: Sao Paulo artist and About Disco label head Rafael Cancian once played Motor City Wine party in its native Detroit and was thought to hail from the city itself so synonymous was his sound with what the locals expected. As such he now steps up to Hot Pot with a new pair of edits starting with 'Heaven.' It's a fulsome cosmic disco stepper with low sling drums and plenty of shiny synths as well as soothing vocal coos that help take you to ecstasy. Flip it over and you will find 'Nigeriac' which is a syncopated mix of Afro funk and rock to shake your bones loose.
Review: Native Soul Recordings has been around a long old time in dance music terms and now it looks back over some of its finest works with this first in a new series of Best Of comps. Music writer Harold Heath is first up with 'Slipstream,' an effortless smooth late-night house cut with introspective chords and silky pads bringing real depth. The Candy Dealers get more lithe and elastic with the spraying bass and jumbled percussive house of 'Train Of Thought' and last of all, Asad Rizvi remixes Jevne's 'Moderize' with a funky little bassline and chord vamps that keep you on edge. A tasteful package of timeless house grooves.
Captain Gloats vs The Beastie Boys - "Ring My Cheque Up" (4:34)
Captain Gloats - "Chequestrumental" (4:34)
Review: A genius soundclash with a distinct New York flavour, bringing two generations of world beating sounds from the Big Apple together on the same track. The rapping is just as smart mouthed and amusing as you'd expect, but it's their unlikely pairing with these familiar 70s disco grooves and additional beat enhancing that brings this release to life. It all makes for a heady, ludicrous but also ludicrously natural sounding mashup that you can really imagine causing carnage on many a dancefloor. There's an instrumental mix on the flip, too, for those after something a little less audacious to spin, but the A-side is where the true action is.
Review: Captain Planet is a globe trotting DJ and producer who mixes up worldly roots music with his own fresh take on hip-hop and dancehall. For this one he joined up with Zuzuka Poderosa & Raphael Futura for a brilliant Brazilian disco and funk song that harks back to the 70s and 80s with influences like Tim Maia, Sandra Da Sa & Gilberto Gil. 'Moqueca' though also has some nice dance floor weight to it as well as the richly tropical percussion, steamy horns and seductive chords. On the flip is an instrumental and the good news is this is a taster of a full album to come.
Review: Jurgen Paape has a brilliantly characterful sound and wrote one of our favourite silly records in 'Ofterschwang' some 13 years ago (go check it out, it's brilliant.) We're glad to hear some new music from the long time Kompakt legend and co-founder and once again it's not what you would expect. 'Allein' is a downbeat piece with oriental melodies and gently plucked strings over warm bass. It's not for the club, that is for sure, but the flip side version 'Allein In Italien' sure is. This one is a chugging and brit Italo disco number with retro 80s synth sounds and plenty of joyous grooves.
Review: The unequalled Soul Jazz label is serving up some monster funk this month and they don't come much bigger than these two cuts from Chuck Carbo. Opener 'Can I Be Your Squeeze' is a super catchy, break heavy and funk fulled party jam to destroy the floor. Written and produced by the celebrated Eddie Bo, it comes with big drums from New Orleans stick man James Black. On the flip is the ever so slightly more mellow but not less dance 'Take Care Your Homework Friend.' These have long been hard to find and now come pressed nice and loud on fresh wax.
Review: Brazil 45s hit the quarter century in their run and show no sign of stopping. It's an all-girl affair on this one as two hugely popular and prolific singers take a spin under Mr Bongo's spotlight. Elizabeth (often known as Elizete) lays down a steamy samba flavour that gets raunchier as the track develops. Elza, meanwhile, gets busy on a Bossa tip as a carnival of percussion and horns go toe-to-toe with her sharp, sexy staccato vocals. Powerful.
Review: Jahug is a brand new label that kicks off with a heavy rhythm from Carl I aka producer Carl Gayle. 'Deputy Dawg' is the tune and it has a low-slung low end that is couched in plenty of warm reverb. The vocals up top are raw and unaffected and filled with a sense of yearning. Add in some fresh hits and classic reggae guitar riffs and you have a nice fresh roots cut. On the flip, more horns are brought to the fore to give it some subtle warrior energy while extra effects and fleshy reverb all add more weight to the original.
Review: DJs this one is for you, The Makossa Man is back AGAIN after its 18 years of hiatus with more of their covers and remixes of the original 2003 EP. Limited to just 300 copies this is a much-welcomed love letter to DJs and the original EP, giving it a lease of new life and being a much-anticipated sequel to the sold-out original Makossa Man Remix EP that is set to release later this August. Carlos Nilmmns and Simoncino are a welcome return to the roster, serving up another plate of fantastic tribal deep house. The rhythms are infectious and hopefully serve as samples for some incredible DJ sets to come.
Review: Carmy Love brings a stylish hint of gospel to the beautiful vocal on this new single on Big A C. 'Rebel' was actually written many years ago yet the lyrics have huge repugnance today. The song has regularly been performed in that time with New Street Adventure but now the live version becomes all the more glorious as a full studio production. On the back is a tune inspired by the fertile soul crossover sounds of the late 60s and early 70s, with funky bass and body brass. These are tunes to warm your heart and uplift you as you leave the bad times behind.
Review: Carmy Love is mainstay of the Big AC Records label by now with the likes of 'Rebel', 'Together Again' and 'Thinkin Bout You' all establishing her sound. Here she embodies a love of, or certainly respect for, Southern Soul here with a bog and bold stomper that has brassy horns and loose tambourines backing a lung busting vocal that is powerful and emotive. It's a track that has an authentic old school sound but with modern production heft. Flip it over and you'll find the equally magical 'Together Again' which is a slower sound that sinks in deeper and with more pain.
Last Night (feat Harriet Brown - MAD vocal mix) (7:11)
Last Night (6:27)
Phone Sexting (5:23)
New Life (5:19)
Review: One-man dance music production line Tom Carruthers - a regular contributor to L.I.E.S and the man behind the admirable Nonstop Rhythm label - makes his bow on Make a Dance's M.A.D imprint. Fittingly, the fast-rising duo kick things off with their take on title track 'Last Night', delivering a vintage-sounding house cut featuring sublime lead vocals from Harriet Brown that sits somewhere between Frankie Knuckles' turn-of-the-90s productions and Larry Heard's late 80s deep house jams. Carruthers' gorgeous instrumental original mix follows. Over on side B, 'Phone Sexting' sees Carruthers blur the boundaries between proto-house and early Chicago jack tracks, while 'New Life' is a picturesque slab of deep techno loveliness.
Review: Tom Carruthers takes the baton for Clone Jack For Daze here and in doing so offers up more of his irresistibly jacked-up jams. Each one distils plenty of classic tropes next to a keen eye for futurism with no-nonsense sound designs and hints of bleep techno all colouring the airwaves. 'Analysis' opens with a blend of bristling analogue beats and smooth chords, 'Confidential' has warped synth bass adding a dark edge and 'Lurk' is another menacing sound with eerie pads. 'Optic 2X' is a thumping closer with mystic atmospheres encouraging deep thought.
Review: Data Sync is a sub-label of Non Stop Rhythm and now label head Tom Carruthers is back on it with more of his fierce techno explorations. 'Intel' opens proceedings with some taught synth twangs and stomping drum work that will bring physicality to the floor. 'Force Field' is a similarly stomping sound with bright bells looping up top and 'Syntax' is a raw percussive frother with acid run right through it. 'GS5' (re-edit) is another one with some fresh synth sounds bringing light to the physical low ends and 'Metropolis' gets snappy and jacked up while 'Recon' closes down with some tribal energy and bleeping 90s references.
Review: Oh yes, we love it when Theo represses some of his most sought after tracks and this one is particularly well-timed. Leron Carson is still an unknown figure, a kid who used to make viciously raw and futuristic techno tracks in the late 1980's! "China Trax", alongside the rest of his tracks on a different Sound Signature double 12", is totally ahead of its time and if it was truly made in 1987 then it is nothing short of amazing. Of course, it's not just the year it was made in that's interesting but also the fact that it's music without an age, able to be appreciated by any generation of techno freaks. Theo's own "Insane Asylum" on the flipside is also pretty monumental; rigged beats, off-kilter grooves and that familiar spontaneity so heavily associated to the label.
Review: 'I'm Here' is the glorious second single from Cornell CC Carter's album, Next Life. It is a superbly seductive and go-slow stepper with neat bass riffs spaciously drawn out beneath acoustic guitar motifs and lumpy drums. The vocal is butter sweet and as the track rolls on the chords grow ever more lush. After that memorising a-side comes a modern take on Curtis Mayfield style soul complete with the steamy spoken vocals, screen string sweeps and pillowy chords. Finishing it off in style is a bassline to die for.
Review: Late 70s funk fusion from Tunisia: capturing the moment leading Tunis bands Dalton and Marhaba Band joined forces for some legendary disco fusion. "Alech" ignites with a Doobie Brothers style shiny guitar, big slap bass and soaring synth work while "Hanen" is a little more introspective and soulful with its honeyed harmonies and cascading chord sequence. Complete with instrumentals.
Review: The Carver Area High School Seniors' 'Get Live '83 (The Senior Rap)' is a stone cold party hip hop classic. It has been out of print for some four decades, however, and so has become a rather hard to find and expensive record. Thankfully, Soul Jazz Records have got the rights to this full reissue which was first pressed in 1982 on the private press label Challenger. The cut featured as the standout on Soul Jazz Records' recent 'Yo! Boombox' collection and now standalone as a seven minute stunner. It's an old school party disco delight with great rap and killer beats, all presented with the original artwork.
Review: The Off The Radar label very much got itself on the radar with its first offering of timeless edits. After that Brazilian focussed 12" comes a hand-stamped slab of wax with an Afro and funk twist. It is again by label heads Biga and Mirko Casalini 'Freaky' gets things underway with a strident groove and big bass licks topped with some sumptuous strings. 'Uptown' brings dazzling disco grooves and big synth energy under a lush vocal while 'Afrikasem' takes you to the Southern hemisphere in an instant with its Afro percussion and big beat brilliance. 'Stop' is another fine fusion of worldwide disco sounds.
Review: This new collection offers up a quartet of tracks that are all tailored for slightly different moments on the dance floor. On side A, Dani Casarano kicks off with deep, hypnotic grooves that make for an immersive atmosphere before transitioning to punchy, bass-driven energy with other cuts. Side B introduces a new alter ego from Felian and Bruno Schmidt and the pair explore a robotic, looping groove with incidental breaks and nostalgic synths in the euphoric third track. Closing the release in style, Omar Akrhif & Lucretio present a minimalist masterpiece that is aimed at heady after-hours sessions.
Let's Invade The Amazon (Yoruba Soul remix) (6:19)
Let's Invade The Amazon (JKriv remix) (6:33)
Review: Legend of the Madrid scene Casbah 73 is back with a new one for Kraak & Smaak's Boogie Angst here, featuring four new sweltering tracks. The message of environmental politics on 'Let's Invade The Amazon' sung by Hawaii by-way-of Texas' Tonya Wilcox is backed by a low slung disco arrangement, followed by the late night boogie-down instrumental 'Pale Splash Of Blue'. Over on the flip, remixes come from some right legends of the scene; Yoruba Soul takes the track deeper as expected, while Razor N Tape main man JKriv goes for a tropical vibe.
Review: Italo-disco classic alert! Recorded and released in 1983, 'Cybernetic Love' was the first of a string of Italo-era club hits from the late Salvatore Cusano AKA Casco - an undeniably the most impactful and timeless. On the A-side you'll find the original mixes: a sweet vocal version featuring lyrics seemingly about falling in love with a robot, and an instrumental tale in which Cusano and his collaborators' dreamy chords, sparkling synthesizer melodies, funky electro bass and unfussy machine drums come to the fore. Over on the flip you'll find a new remix from Danilo Braca. He wisely retains the feel of the original, adding a few clonking electronic bleeps and a more chugging groove, whilst retaining the sparkling melodies and immersive chords.
Review: Bridge Boots main man Caserta has previously proved to be one of the most talented re-editors around, up there with higher profile artists such as the Reflex and Joey Negro. His latest offering, a red seven-inch single featuring new rearrangements of Diana Ross hit "I'm Coming Out", is another beauty. On the A-side he offers up a "Long Way Mix" that gives more prominence to Nile Rodgers and Bernard Edwards' killer backing track (partly via stripping it back to the groove at key points) while retaining most of Ross' vocals. On the flip you'll find a "Sing-A-Long Dub" that strips it back further during key instrumental passages to allow the Motown legend's vocals to shine.
Review: If you are a funk and soul lover, chances are you will already have some Joseph Caserta jams in your bag. He is a 7" don who does a fine job of digging out golden oldies and reworking them for modern dance floors. He is legendary digger Kon's long time engineer and shows many of the skills that got him that job here on two different mixes of 'Curtis.' The first is a lush, soul drenched boogie version with heart-melting chords and a nice squelchy bassline. The Caserta Curious mix on the flip is all icy 808s and body-popping slow beats with smoochy feels.
Review: Caserta is legendary digger Kon's long time engineer, and he sure does have a wealth of tricks up his own sleeve. Here he gets to tackle his own super 7" on the Bridge Boots label and first off he serve sup a lovely take on a Stevie Wonder tune. 'Stevie?' (Caserta Sunday Saint mix) has mid-tempo grooves rolling away nicely beneath exquisite synth work and a well-treated vocal from the man himself. JoDaCe steps up on the flip for a Saturday Sinner mix that is more driving and ready for the club. The bass is rugged, the vocals more looped and freaky, the effect just as brilliant but in different ways.
Review: Casinoboy makes a triumphant return to Duca Bianco with a sparkling EP that once again shows his studio mastery. Previously featuring alongside luminaries like Rune Lindbaek and Khidja on a well-received compilation, Casinoboy's latest kicks off with 'Honesty' which is a blend of Balearic and breaks that brings a shuffle-and-wiggle experience with uplifting samples and an old-school UK rap edge. 'This Feeling' has a catchy Street Soul feel, while 'Searos' mixes up ambient sounds and Spanish Guitar to evoke the essence of the White Isle. Closing with 'Astral Go Go,' really pumps the party in ways only he knows how.
Review: Murky, organic and gravelly techno is the Cassegrain sound that we know and love from. Here Munich based label Prologue snap up the duo for the freshly squeezed Dropa EP. No exception to the techno rule, dark, progressing sounds rife with complexity and eeriness strike again on "Dropa", while "Luban" echoes with gruff metallic edges as it progresses through heavy kicks and bounding samples. "EUD" goes for a heftier tempo and piercing cymbal crashes, while "Lop-Nor" offers more of the same in an intricately crafted tunnel of mysterious kicks, hats and echoes.
You're Leaving But I'll Still Love You (Saine remix) (6:05)
Review: Honey Butter is back with another slab of was as sweet and seductive as the name suggests. Cassettes For Kids takes care of this one with more than one eye on a golden period of mid nineties house and tech. The grooves on the opener are quick but deep, the train-track percussion locking you in while lush, heart melting chords are draped over the top. 'Growing Frustration' is a more peak time cut that never lets up and the first mix of 'You're Leaving But I'll Still Love You' is built on big break beats and a fat, tumbling bassline. Saine remixes with a more playful mood to send you home with a big old smile on your face.
Review: Seven Psalms finds Australia's most imperious musical misfit Nick Cave leaving his Bad Seeds at home and teaming up with frequent collaborator Warren Ellis for a limited 10". The spoken word pieces on this record are the result of a daily song writing practice over a week during lockdown - Cave himself describes them as "small, sacred songs," set to appropriately subtle musical accompaniment. Recorded during the sessions for Cave and Ellis' 2021 album Carnage, it's a rich work in its own right that offers a different perspective on Cave's considerable gifts as a soothsayer.
Review: Lovers of heart aching soul are well attuned to the output of the Izipho Soul label. Each and every 7" they serve up is impossibly emotive and the new one is no different from Cornell CC Carter. It features singles taken from the artist's hugely anticipated new album, Next Life, and suggests it's going to be an absolute cracker. It will feature 13 carefully constructed songs with rich 70s and 80s soul influences throughout. Here the two chosen singles offer mid tempo, deep cut funk backed with a big ballad that will melt anyone's heart.
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