Review: Acid Sessions Vol. 3 is another white-knuckle journey into the world of acid with five top talents in the field all pushing their own limits. Acidulant opens with "Serpentacid' featuring hypnotic 303 grooves and relentless energy, then Sarufaromeo & Papaverhof deliver 'Acid Nihonshu' which blends atmospheric depth with chaotic acid vibes. G303 takes you beyond with 'Live Long and Prosper,' an interstellar anthem filled with cosmic acid and resonant grooves. Paul Renard closes with 'SO36' which is all about the fat rhythms and powerful dancefloor drive. Long live acid is what we say.
Brother Wildman - "Too Many Worries & Problems" (3:42)
General Soria - "Too Many Worries & Problems" (dub) (3:28)
Review: Rain A Fall returns with more of its lovely roots goodness on a new and crucial 45rpm that pairs General Soria with Brother Wildman. The latter kicks off with 'Too Many Worries & Problems' which is a heavy, hard-hitting digital roots tune with tough lyrics that do not pull any punches. It's perfect for all roots and sound system enthusiasts, as is the flipside dub from General Soria which rewires it with extra heavy low ends and cavernous kicks for summer fun.
Chris Coco - "Yawa Ze Asfos" (instrumental) (4:02)
Jake Slazenger - "168B" (3:47)
Global Goon - "Untitled" (4:39)
Ruckus (4:47)
Jodey Kendrik - "Thanx" (5:56)
Gavin Masih - "Unknown Track 1" (6:55)
Monika Subrtova - "Alata" (7:08)
Review: Furthur Electronix's first two Furthur Journeys Into compilations tune plenty of heads and shift plenty of copies. The third one keeps the quality levels high with more explorations around the periphery of underground electronics. Chris Coco opens with a soothing synth sound before Jake Slazenger brings crystalline synths and abstract modulations to the mid-tempo '168B.' There is more pace and twisted acid energy to Global Goon's untitled contribution and then old school jungle comes to the fore on the super stylish and atmospheric Gavin Masih cut. Monika Subrtova's 'Alata' is a serene and widescreen ambient synthscape that brings things to a suitably poignant close.
Review: This evergreen favourite gets another reissue, this time on coloured vinyl. Cool Million's 'Tonight' featuring the legendary Glenn Jones mixes up lush 80s soul and funk with a modern twist. Jones's soulful vocals seamlessly float as he serves up smooth lyrics that perfectly complement the infectious groove crafted by Cool Million. There's a nice balance of nostalgia throughout as retro influences kiss up with modern production which means that the tune carries a timeless appeal and always stands out in any set. This remains a must-cop, especially as we head into summer.
Manuel De Lorenzi & Freddie Wall - "Sun-Rise" (6:15)
Fichs - "Find Yourself" (6:35)
Manuel De Lorenzi - "You Already Know It" (7:08)
Manuel De Lorenzi & Giacomo Silvestri - "The Big Apple Community" (7:09)
Review: Monday Morning is back to roll out some more lush house depths with a second EP, this one featuring founder Manuel De Lorenzi in the company of his pals Giacomo Silvestri, Freddie Wall and Fichs. 'Sun-Rise' is a nice gritty but vibey opener with percussive skip and dry hits. Fichs's solo cut is a loopy workout with nice bulbous synths and a pared-back rhythm that gets ever more inescapable while De Lorenzi then offers up the radiant synth warmth and dubby undercurrents of minimal house shuffler 'You Already Know It.' With Giacomo Silvestri he then closes on the more percussive loops of soft house soother 'The Big Apple Community.'
Review: Obliq Records presents its second release, a sonic journey crafted by four talented Italian artists. Desai's 'Low Noise' sets the tone, its hypnotic groove and subtle textures drawing the listener into a world of understated beauty. Leo Benassi's 'Distorted Reflection' adds a touch of psychedelic flair, its swirling melodies and warped soundscapes creating a sense of otherworldly intrigue. Gbigga's 'Retro Acid' injects a dose of old-school rave energy, its pulsating rhythms and squelchy acid lines guaranteed to get bodies moving. Avenir's 'We Are Holder Humans' closes the EP with a contemplative atmosphere, exploring deeper, more introspective soundscapes. Together, these four tracks create a great listening experience that showcases the diverse and vibrant landscape of Italy's electronic music scene.
Funkin On The One (feat Funkin' On The One) (4:42)
Review: These are two proper old school dance floor heaters from DJ Friction - yes, the very same - who in 2017 debuted his boogie and modern funk project, Ground Control, with first album Boogie Some More via Sedsoul Records. The glorious tunes feature vocals from David Whitley, Tansy Davis, Adriano Prestel, Ciaan, and Talkboxers Sin2 and CJ and now two tracks from the album come on this exclusive 7". This marks the beginning of a new era for DJ Friction who launches Soulsonic Recordings. Both of these are two more colourful and charming neo-boogie bangers with rich licks, bold basslines and irresistible funk.
Review: Originally released in 2017, 'All Night Long' now gets a well-deserved vinyl release on 7". A tribute to the golden era of funk and disco, this release perfectly captures the electrifying energy of the early 80s while keeping things fresh for modern dancefloors. 'All Night Long' is a shimmering fusion of funk, soul, disco and electro, dripping with nostalgia. The groove is infectious, with crisp drum machines, funky basslines and synth stabs that instantly bring to mind classics from the likes of The Whispers or Shalamar. It's the kind of track that oozes retro charm but remains undeniably timeless. On the flip, 'Funkin On The One' shifts gears into a deep funk workout inspired by legends like Zapp & Roger and The Gap Band. Heavy slap bass, talkbox vocals and tight rhythms make this a certified dancefloor bomb, embracing the spirit of 80s funk with authentic precision.
Review: After a remarkable project launch last year - the red ribbon cutter DJ Friction Presents Ground Control for Sedsoul - the d&b uberlord DJ Friction now lifts the lid on his new and very different label Soulsonic, with the aid of soul companions Soulkitchen, cracking the safe with a vibrant 7" single ahead of his second full-length. 'Step Into The Light' is a vimmy slice of funk-disco, with powerhouse vocals from David Whitley on the A, whose body-power could only manifest in counterpart to a stripped back B on the flip. The track's gospel inflections recall the electrified optimism of early 80s dance music, thought it also grafts on robo handclaps and tight modern production.
Review: FoxBam Inc returns with its fourth EP featuring a powerful mix of floor-shaking productions. The release includes contributions from Gez Varley, best known for his work with LFO and classic tracks like 'Quo Vardis' alongside Italian acid producer Vikkei and label founders Foxtrot and Egebamyasi. This new one opens with the acid-heavy 'Battle Scars' while Vikkei delivers the hard techno 'Hip 'n' Crack.' Egebamyasi explores bass-driven wobbly dubstep with 'Mandubchester' and Varley's 'Saturn One' brings cinematic vibes to his signature techno style. Launched in 2023, FoxBam Inc is already becoming a key player in the underground.
Review: Legendary techno producer & one-time member of LFO Gerrard aka Gez Varley returns using his G-Man alias to present us with four tracks of dub techno magic. Anyone familiar with his classic tracks like 'Quo Vadis' and 'Spartacus' will know what to expect here. Rhythmic basslines, grooved out percussion & dubbed out synth lines on top. On the A-side, 'Catch' kicks us off with typical minimalist groove, the tempo neither too fast nor too slow. 'Dice' is a classic example of dubbed out tech house, perfect for DJs looking for a transition tool. On the B-side, 'Throw' is made for late night car journeys on European highways. Closing out the release is 'Strike', possibly the funkiest track of the four. A release for anyone into modern and classic Detroit influenced dub techno.
Review: The mission-statement-and-artist-name Gabber Dub Project, from Germany, take on a bold undertaking. Doing exactly what is said on the tin, this six track explosion dispatches every possible topological contortion of what could be meant by "gabber dub", traversing transient styles from UK hardcore and hardstyle in the process. LXC, Zimmertime and Hurra Hurra offer terrifyingly shouty, jackhammering remixes checking off moods of militancy and warmongery, with 'Dubbersaet' sounding especially propagandistic, described as a "maximum amen workout", shortly before side B both hastens the pace and buries the vibe in shockingly six-foot-deep soil.
Pleasure, Joy & Happiness (Musclecars remix) (9:24)
Circles Going Round The Sun (Laroye remix) (8:06)
Review: Yet two more Brownswood bubblers rise to the surface, this time under the well-organised branch of the tree known as Brownswood Remix Editions, which does what it says on the lovey-dovey carving. Here, back-to-back debutants Musclecars and Laroye receive the Olympic torch from London-based acid jazz group Galliano, who've blazed a thick trail of flame since their original formation in 1988, not to mention a recent reformation in 2023. 'Pleasure, Joy & Happiness' hears a house musical chorale from Musclecars, with added vocal mystifications threshed in the stereo field, producing a Balearic effect. Laroye's version of 'Circles Going Round The Sun' brings swelling "Kaytra" grooves and bumper drums to an anticipatory mood, provided by the original's solo siren song and urban monologue.
Review: Gary's Garage arrives as a celebration of all things Gary, aiming to bring the name back into the mainstream by offering up a truly infectious garage EP. With four tracks packed with bass-heavy grooves and cheeky energy, it's impossible to ignore the pure joy of the sound. Kicking things off, 'I've Taken Too Many Garys' serves up a chunky, bass-driven anthem, filled with nostalgic vibes that instantly transport you to the good ol' 2000s UK Garage days. 'Gary's Ballad' takes a more somber turn, with a melancholic homage to Woolworths, capturing Gary's reflective side. Then, 'Gary's Garage (Is A Good Garage)' cranks up the tempo with a bouncy, feel-good anthem that'll get you reminiscing about those wild nights in Streatham. Finally, 'Nigel Garage' cranks up the BPM with a playful nod to old-school hardware, while poking fun at Gary's lack of an Emu SP1200. A fun, tongue-in-cheek reminder of the glory days of UK garage.
Review: London label ENDZ marks its 60th edition with Scottish producer Gaskin at the helm, a man who's been steadily making his mark with a knack for raw, no-nonsense club cuts. This is peak-time energy - the opener 'Inspired Eyes' moves like a coiled spring, tight percussion snapping against a rolling low-end that feels primed for sweaty basements and strobe-lit corners. 'No Limits' ups the ante, all rugged bass pressure and crisp two-step momentum, while 'Across The Globe' takes a wider, more dynamic swing, fusing its punchy grooves with restless movement. ENDZ has always been about stripped-back, high-impact club music, and this latest entry is no exceptionia sharp, unfussy dose of dancefloor damage.
Review: Following the likes of 'A Journey Into Abstract HipHop' and 'Snap Your Neck Back', the Gasoline collective continued their early legacy with 'Fuck You I'm 21' which arrived digitally in 2023, 21 years after the debut EP. It comes now as a 7" with all the original cuts included. The opener is an old-school blend of raw beats, scratching and smart samples, 'Human Sucks' then pairs moody spoke words with eerie late-night boom-bap and 'Zattar' is a short beat interlude that oozes atmosphere. 'Dark In The 46th District' is the final short but pithy beat sketch which is a great example of experimental hip-hop and beat culture from the turn of the millennium.
Marvin Gaye & Tami Terrell - "Tears At The End Of A Love Affair" (3:24)
Marvin Gaye & Kim Weston - "Just Too Much To Hope For" (3:04)
Review: Marvin Gaye, Tammi Terrell and Kim Weston. What an outfit. And what music they made. The Motown soul legends penned several great soul hits between them and now two of them arrive on this 45 rpm courtesy of West Grand. First is Gaye and his lover Terell with 'Tears At The End Of A Love Affair', a tambourine-laced, raw and impactful soul anthem. On the flip is the more tender sound of 'Just Too Much To Hope For' with Kim Weston which is packed with buttery harmonies.
Review: Fast Castle opens up its 2025 with a five-tracker from Gent1e $oul that expands his bass-heavy sound into new club terrain. From the swampy overdriven bass of opener '4TC Boom' to the jersey-infused 'Paladin', which is a fine collab with Rolex3k, each track hits with intent. '+390' brings grimy M1 flutes to UK techno rhythms, while 'Steppe Lancer' channels dark, twisted energy for late-night floors. Closer 'Parthian Tactics' dives into introspective dubstep that is heavy yet hypnotic. With rich Bronze Age-inspired artwork by Jonas, Stable Units is both a superb sonic weapon and furtherment of deep dubstep.
Review: Roger Gressen explores the finer end of the dub spectrum, whether crafting deep techno or micro house. He is a master of deft synth designs that always brings his sparse soundscapes to life. Once more here you will be gazing on at wonder as lithe melodic details drift by over serene arps and lithe drums. 'Jubilee' is super seductive with its wispy of melodic light and 'Nikuman' rides on pillowy low ends with eons of open space above for you to get lost in. The exquisite eight minute closer 'My Quiet Place' shuts down with glitchy claps hanging next to widescreen synth smears. Gorgeous.
Gettoblaster & Terry Mullan - "Armando's Ghost" (5:09)
Gettoblaster - "Is's Bangin'" (feat Joe Smooth) (5:03)
Gettoblaster & Chip E - "Time To Jack" (edit) (5:15)
Review: This new 12" on Aliens On Wax declares that Chicago Jack Is Back and we are fine with that. The raw, early, street wise sounds of the Windy City are still some of the best house has ever given rise to and that is encapsulated across four new cuts from Gettoblaster and two collaborators. First it's Baggi on 'Throwin' Down' (feat Chip E) then it's Terry Mullan on 'Armando's Ghost'. The flipside has the solo cuts though both feature house legends Chip E and Joe Smooth making this the most authentic package of jack you will have heard in some time.
Review: Dan Ghenacia's D is a mesmerizing journey into the realms of deep house, showcasing his unparalleled talent in blending various genres seamlessly. Released as the second installment from Aweed, a new exciting French label in the electronic music scene, this album is a true gem for any music enthusiast. The tracklist begins with the futuristic 'Detrance,' a nod to 90s style techno that is impeccably executed. On side 2, 'Dafternoon' captivates listeners with its Detroit-inspired vibe, combining an ominous melody with a playful yet profound undertone. 'Dubapest' blends dubby elements with deep house sensibilities and a touch of electro flair with expert drum programming and a unique sonic landscape, D by Dan Ghenacia is a must-have for fans of deep house, tech house, and electro techno alike.
Review: A double A-side featuring 'RESIST!' and 'I Keep on Making the Same Mistake', Ghost Assembly's latest offering is less a release and more a protest on wax. Abigail Ward, the force behind Ghost Assembly, has crafted two distinct yet complementary tracks that pulse with raw energy and emotional depth. 'RESIST!' (Extended 12" Mix) is a primal scream against the injustices of the world. This 111bpm acid track is a visceral call to arms, primed for ALFOS and Optimo crowds. Think of it as a sonic Molotov cocktail: squelching 303s intertwine with a driving 707 beat, while unexpected bursts of Arabic melody add an intriguing layer of texture. It's like DJ Pierre jamming with Omar Souleyman in a Berlin basement. A fragmented vocal sample adds to the urgency, culminating in an icy string coda. The 'Utter Kunt Mix' of 'RESIST!' takes a detour into dub territory. It's a stripped-down, bass-heavy reimagining that draws inspiration from Sleng Teng rhythms. It's a hypnotic, almost meditative experience, where echoes of the Mission Impossible theme collide with the playful energy of Les Negresses Vertes and the raw sampling aesthetic of 'Duck Rock'. It's unexpected, yet strangely compelling. 'I Keep on Making the Same Mistake' (120bpm), on the other hand, explores the darker recesses of the human heart. It's a cinematic journey through heartbreak and regret. A glacial breakbeat provides the backdrop for a mournful bassline that tugs at the heartstrings. Hazel Grove's haunting vocals are fragmented and distorted, adding to the sense of unease, before being consumed by a wave of melancholic strings. A fleeting French voiceover adds a final touch of poignancy. The release concludes with a stripped-back string-a-pella version, a haunting reminder of the track's emotional core.
Review: Italian producer Vinz Giaimis crafts an intricate homage to the kosmische traditions of Krautrock, weaving a sonic tapestry that feels as much about exploration as it does about reverence. Across the EP's four tracks, Giaimis deftly balances vintage analogue textures with a modern electronic sensibility. The opener sets the tone with a motorik groove underpinned by shimmering synths, evoking both the vastness of space and the hypnotic rhythms of a train journey. Elsewhere, there's a palpable warmth as swirling pads and layered percussion come together in a way that suggests the meditative qualities of early Tangerine Dream.
Review: GiGi FM's Virgo Space Acid is another mystical techno odyssey. Channelling "2025's energy," she fuses acid textures, reworked 909s and mantra-like vocals across four transformative tracks that range from the hypnotic opener 'Calibration' to the soaring tension of the title track and the emotional dubscape of 'Floresta.' Each cut explores healing, intuition and self-empowerment through sonic minimalism as GiGi refines her craft into a deeply expressive language that merges an urge to move with real moments of introspection. This is not just club music-it's ritual and release from the forefront of experimental techno.
Review: Tenth 45 release from Producer/Song writer/Arranger/Musician/D.J. Andrew Gillespie from Gloucester, UK who has also released three other 45s as The Aries Vibration and La Glosta Nostra
This is Andrew's seventh release for Funk Night Records, Detroit run by D.J./producer Frank Raines
This time we have a driving Gospel flavoured sister funk cover version featuring Gloucester based Church singer Tricia Bailey covering the famous English Anglican hymn All Things Bright And Beautiful written by Cecil Francis Alexander first published in her Hymns For Little Children in 1848
THE LINE UP
Andrew Gillespie - Congas/Flute/Producer/Arranger
Chris Lujan - Hammond Organ/Guitar/BassGuitar /Mixer
Tricia Bailey - Vocal
Sam Fryer - Drums
Manuel Trabucco - Tenor & Baritone saxes
Tim Kersey - Trumpet/Flugelhorn
Review: Brooklyn-born street soul artist Martine Girault was an epitomal artist in the genre, and her extended stopover in the UK would prove instrumental in its development, despite her American origins. She was fittingly also a favourite of many international label staples from Eskimo Recordings to Opaz; while in the UK, she collaborated with producer Ray Hayden of Opaz for her standout single 'Revival'. A significant underground hit, 'Revival' veers on the aspirated side of the downbeat street soul sound. Girault's style is both angelic and hoarse, and riffs on the temporal bubbles of the contemporaneous genre new jack swing, while getting at something much higher than either style alone can peg. This reissue reproduces the song in pristine stereo, and brings out the ghost-noted piano hook to extra pop-out effect.
Girls Of The Internet - "Someone Somewhere" (6:35)
James Alexander Bright & Girls Of The Internet - "Where Is Your Love" (6:54)
Review: Hot since day, Girls Of The Internet have widened the eyes and perked the ears of many a squabbling listener since 2017, deploying many a nu-disco nutcracker through imprints such as Drab Queen and Palm Recs. The duo now stop by Athens Of The North, surveying a wide polar acropolis of deep repetition and strung sampledelia. 'Somewhere Someone' delivers peak energies crafted about a mystery sample, while the flipper, 'Where Is Your Love', hears a roomy linkup with James Alexander Bright, straining the A's comparatively full, gluey mien into a much stringier slice of vocal disco minimalism.
Review: This EP arrives with a confident, polished sound that positions itself at the cutting edge of experimental electronica. Opening with 'Empire Rising,' the track strikes an immediate balance between precision and mood, with tight percussion and shimmering synths that pulse through the mix, pushing the track forward without ever feeling rushed. 'Neon Horizons' adds a darker layer, its brooding atmosphere enhanced by off-kilter rhythms and an almost cinematic scope. The production throughout is intricate and layered, showcasing GNMR's attention to detail. The EP's strength lies in its ability to sound both futuristic and grounded, offering a glimpse of what's to come, while feeling timeless in its composition.
Oscillator Man - "Turning The Mix Up A Bit" (6:29)
Review: Portugal has always had its own thriving scene right back to the days of 90s rave and techno. But in recent times it seems to be having a wider cultural impact with the arrival of plenty of great artists, labels, radio stations and collectives getting proper recognition across the global underground. Just over the Tagus river from Lisbon comes this new label oDYSea from the Caparica coast, and it's headed up by Penelope. GNMR's 'Zen' kicks off with cosmic tech and snappy kicks then Pakzad's 'I Could Never Imagine' is a mid-tempo and warped tech cut with hissing hi hats and psyched out colours. Eversines's 'Randomized Controlled Trial' is taught and trippy techno then Oscillator Man's 'Turning The Mix Up A Bit' is an acid-laced sleaze-fest.
Review: A dynamic fusion of ghetto electro, trance and techno, this record is a fresh spin on familiar sounds. The title track, 'Booty Trance (feat Detroit's Filthiest)', is sure to stand out with crisp production that blends high-energy trance melodies with the raw edge of ghetto electro, creating an electrifying single. 'Another Time' shifts gears, drawing on 90s influences to craft an electro-techno hybrid that feels both nostalgic and forward-thinking. Its futuristic vibe and driving rhythm make it a standout for fans of classic electro with a modern twist. On Side-2, the Rawtakes Refix of 'Booty Trance' strips back the trance elements, leaning deeper into electro with a nod to Cybotron's iconic 'Clear'. The result is a grittier, street-smart version that feels grounded yet innovative. Closing the EP, the remix by Aura T-09 and Wheez-ie transforms the track into a hardcore techno anthem. The stomping beat and reimagined trance melodies elevate the energy, blending celestial tones with raw intensity. This EP is creative within the techno genre with diverse interpretations that will resonate across dancefloors and playlists alike.
Review: Ten EPs in under this name and the German producer uses his background to land an important EP with this highly revered techno label. These four tracks hit with urgency but never feel one-note. There's real movement and contrast throughout, keeping things charged without being too fast. The opener, 'Fast Process', comes out swinging. It's all steam and steel, driven by a stomping kick and razor-sharp percussion. But just above that intensity floats a swirling melodic line, adding a ghostly presence that hangs over the chaos. 'Miami Nights' digs into a different groove. The low-end rolls heavy, while tough chords and tribal elements give it a more grounded, earthy energy. It's relentless but rooted. On Side-B, 'Clap Your Dubby Hands' explodes with percussion. It feels wild and physical, the kind of track that could lift a set straight into overdrive. There's a rawness here that nods to his early schranz days without feeling stuck in the past. 'Ultra Eight' pulls back just slightly, going deeper and more spaced out. It's colder, more introspective, like the soundtrack to some strange, distant city. Together, these cuts hit hard but leave plenty of air to breathe.
Review: After a superb outing on the Ninja Tools compilation, Gogo Gadgeto now steps out with a first ever full solo EP and it comes on the Lumbago label. These sounds are chock full of personality and a little spookiness. 'Gadgeto Theme' has snappy, silvery drums setting the tone under twisted synths and vocals. 'Electric Spliff' gets more warped and wonky with its bold leads and snappy old school tech beats. 'Spooky Adventure' is just that with its rugged drum funk and haunting pads and 'Weird Science (Gadgeto edit)' brings a twisted mix of rock riffs, snappy beats and electronic cool.
Review: Golden Ivy's new transcendent single marks a celebrated return to the label after time spent with other imprints. Rooted in a sample from Sinnenas Dans by Scanian folk legend Ale Moller, the track evolves into a fourth-world masterpiece that layers in flute melodies with synthesised explorations and rather industrial leaning motorik rhythms. With Moller's blessing, the result is both meditative and grand and on the flip, you will find Philipp Otterbach's post-punk dub reinterpretation. it's rich in deep, sculptural and contrasting soundscapes and invites mindful, low-tempo dances that will resonate on all manner of diverse 'floors.
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