Elements Of Life - "Are You With Me Love?" (Alex From Utopia remix) (7:04)
Oyvind Morken - "How Bleep Is Your Love?" (5:41)
Eirwud Mudwasser & Romansoff - "Cherrie" (6:36)
N-Gynn - "Es Vedra TB Deluxe" (8:12)
Review: Mysticisms imprint strides purposefully into 2025 via a multi-artist extravaganza that touches on many of the label's regular musical themes. To kick things off, Utopia Records main man Alex Bradley offers up his take on Elements of Life's 1996 jam 'Are You With Me Love', reimagining it as a deep and spacey roller rich in languid trumpet motifs, metronomic synth bass and intergalactic pads, before Norwegian veteran Oyvind Morken asks 'How Bleep Is Your Love' via sprightly analogue synth sounds and jacking, sweat-soaked machine drums. Over on side B, Eirwud Mudwasser and Romansoff join forces on the deep, dubby, steel pan-sampling early morning tribalism of 'Cherrie', while N-Gynn treats us to a spot of deliciously deep acid house ('Es V edra TB Deluxe').
Oscillator Man - "Turning The Mix Up A Bit" (6:29)
Review: Portugal has always had its own thriving scene right back to the days of 90s rave and techno. But in recent times it seems to be having a wider cultural impact with the arrival of plenty of great artists, labels, radio stations and collectives getting proper recognition across the global underground. Just over the Tagus river from Lisbon comes this new label oDYSea from the Caparica coast, and it's headed up by Penelope. GNMR's 'Zen' kicks off with cosmic tech and snappy kicks then Pakzad's 'I Could Never Imagine' is a mid-tempo and warped tech cut with hissing hi hats and psyched out colours. Eversines's 'Randomized Controlled Trial' is taught and trippy techno then Oscillator Man's 'Turning The Mix Up A Bit' is an acid-laced sleaze-fest.
B-STOCK: Sleeve damaged but otherwise in excellent condition
I Believe - "Master Spirit" (5:19)
Girls On Pills - "Vheladei" (Open Spaces Update) (4:44)
Steve Mantovani - "Doctor Of Dreams" (4:39)
Miki - "107" (Melly Melody version) (4:54)
Open Spaces - "A Beginning Of An Idea" (5:14)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Volume One of a label retrospective of pioneering early 90s Prog House label Interactive Test Compiled by Alex from Utopia Records and enigmatic Interactive Test founder Franco Falsini. Falsini, responsible for many of the underground classics on the label he founded in Florence in 1991 was first known for his 70s Italian Prog / Cosmic group Sensations Fix. A trailblazer who continued to push the boundaries of electronic music two decades later with Interactive Test, accompanied by the up-and-coming talents of Trance hero DJ Miki the Dolphin, his brother Riccardo and an host of cult Italian music producers. Here we start with 5 tracks from the archive, all highly collectable, remastered for DJs and psychedelic music enthusiastic alike from the best sources possible. Authentic and original dance sounds still hitting the spot in our times.
Review: The Positive Reaction label is looking to build bridges between North Africa and the rest of the world with the music that it puts out. It has roots in both Tunisia and Berlin and has a healthy respect for 90s electronic takes on electro, breakbeat, techno and trance, which all shine through this new six-track VA. OA gets underway with hard-nosed techno, H0ney serves up lashings of peak time energy and BENKHLIFA drills down into the darkness with a blistering baseline and white-knuckle techno intensity. Elsewhere, MZA's 'Thelea' brings more low-end dirt and DEV's 'Love Affairs' brings lush euphoria.
Review: It's a nearest and dearest thing; Polish craftsman Offish calls up his pals from around Europe for this epic collaborative free-for-all. Taken from the full digital album that comprises 13 bleeding edge slabs of timeless brutalism, this vinyl sampler highlights its extremes with these four powerful cuts. 'Eviscerate' (with Forgiven Soul) nods to the Quarantine sound with strong elements of Digital and Spirit (RIP) while 'Mushrooms' (with Greg Lvov) is an immense and hypnotic weave of percussive elements. Elsewhere the ominous dubbed out minimalism of 'Look For Patterns' (with NonRev) set us up for the disarming depths and cosmic charm of 'Cautionary Tale', making this this is an exceptional trip for DJs, dancefloors and listeners alike.
B-STOCK: Sleeve split on top but otherwise in excellent condition
Dirac Sea (5:38)
Pterodactyl Phaser (6:22)
Spintronics (6:34)
Circuit Model (6:22)
Review: ***B-STOCK: Sleeve split on top but otherwise in excellent condition***
Okain brings the class to this final outing of the year from German tech titans RAND Muzik. It's a full-throttle 12" that wastes no time in getting down to business: 'Dirac Sea' combines funky drum programming with nice squelchy acid, warped synth lines and crisp percussion to soon sweep you off your feet. 'Pterodactyl Phaser' is smoother and has a subtle garage shuffle to its low end, while balmy pads keep things cosmic up top. 'Spintronics' then ups the ante once more with thumping tech kicks and lively synth lines. 'Circuit Model' shuts down with some nice psychedelic clouds and a busy bassline. Quality tackle for sure.
Review: Sometimes it really does seem like Perth-via-UK house mainstays Craigie Knowes, well... know! Emphatic of their own personal, cratebugging expertise, it would seem that their knack for tracking down and contracting brilliant yet not totally refined dance music talent stems from some unshakeable expert quality: perhaps some business-insider access to info about burgeoning underground artists we're not in on? Whatever the case, Berlin's Olsvanger is the next model musician to be called up, his former founding efforts of the likes of Tofistock and Powerpuff Tracks proving credential assets for the furthering of this aural arrester, 'The Core'. With two Kalahari Oyster Cult releases already under his belt so far, you know what you're in for: 'Goldman's Propeller' and 'Lava Luva' provide extra fishy aquamarine breaks and sexy sample-held step sequencings, perfect for lone raving over break-fast. Ptooey!
Review: You might think that Yassin Omidi is a newcomer, but in fact it is the new-coming of an already accomplished and respected head who now delves deep into the world of dub techno on Steve O'Sullivan's Mosaic. The beatless 'Sluder Dub' is coated in heavy fog and static with conscious vocal musings and the roomiest of chords landing with great drama and tons of echo. On the flip is another analogue sound that features buffed metal dub chords, classic effects and a shapeshifting ambient hiss. It's dramatic despite being such a minimal piece.
Review: Back in February, East End Dubz launched a new label, Rhythm Traxx - an imprint which the London producer intends to use as a vehicle for "timeless house music with an emphasis on raw energy and infectious grooves". For release number three, he's turned to newcomer Oncho - a producer with little or no online footprint. Title track 'Paradigm' sets the tone, with fluid synth motifs, sampled vocalisations and glitchy tech-house sounds riding polished beats and a deep, weighty bassline. 'Goes Like This' joins the dots between vintage UK tech-house and the alien, bass-heavy sounds of bleep techno, while 'Get Back'is a dirty, acid-fired slammer and 'Thorough' is a TB-303-powered slab of deep tech-house. Closing cut 'Dreamin', meanwhile, is - unsurprisingly given the title - dreamy, glassy-eyed and hypnotic.
Review: The classic 1982 funk anthem 'Don't Fight The Feeling' by American r&b and funk band One Way gets a fine 12" pressing here, which means it can be played nice and loud. Singer Al Hudson leads the way with his buttery vocal, while a stepping and broken rhythm with lovely dry claps and w sloppy synth squeal make for a pretty unique sound given when this was first recorded. On the flip side, Windjammer's 'I Thought It Was You' offers a more mellow, melodic contrast full of the band's signature blend of r&b and jazz with cooing, heart-melting vocals and a nice stepping rhythm that lovers of UK street soul will surely be drawn to.
Review: Groovin Italy break from their responsibilities in issuing contemporary neon-trailed Italo for a reissue of The Ones' 'Flawless', the standout 1999 debut by the electronica trio. "Just like perfection, flawless, needs no correction, flawless" is its instantly recognisable choral hookline, and the sinker is its sharpened post-Talo synthwork, heard further honed by remixers Phunk Investigation and Low Steppa. Though the original track gained broader traction when George Michael sampled it for his 2004 single 'Flawless (Go to the City)', the pop phylogeny of the song is lent little credence here, as both remixers emphasise the glitzy modern potential of in the track: Phunk's is neo-futural-funk incarnate, while Steppa's is a real treat for DJs: sinister, seedy-casino underworld speed garage, portraying the rather flawed underbelly of apparent flawlessness.
Review: A cornerstone of early 90s electronic music, Orbital's Lush resurfaces with renewed energy through the Orbital LEDs reissue campaign. Originally released in 1993, the EP is a masterclass in melodic techno, featuring the iconic 'Lush 3-1' and 'Lush 3-2', two seamlessly interwoven tracks that exemplify the Hartnoll brothers' knack for crafting emotionally resonant, rhythmically complex soundscapes. Reissued on 12" with striking new artwork by Intro, this edition includes heavyweight remixes by Underworld and CJ Bolland, whose reworks push the tracks deeper into the club stratosphere. Underworld brings a dense, propulsive momentum, while Bolland injects a sleek, hard-edged urgency. Yet it's Orbital's originals that remain the centerpiece. Those epic gliding arpeggios, layered synths and rolling percussion conjure both introspection and euphoria. A vital part of their Brown Album, Lush helped define the progressive techno movement, influencing generations of producers. Three decades on, the tracks still pulse with a timeless vibrancy.
Review: UK mambo kinds Orchestra Mambo International share their second single for ATA Records, both on digital and vinyl formats once more. After a dazzling debut single for the label back in May 2024, 'Balia Mi Cha Cha' is a funky cha cha number driven forth by the songwriting of bandleader and trombonist Jonny Enright, backed up by vibraphone from John Settle and lead vocals from Venezuelan singer Carlos "Pachanga" PeNa. The B-side, meanwhile, is a mambo instrumental entitled 'Bajo Con Vibes' ('Bass With Vibes'), which riffs on the double metonymy of the word "vibes" and plays up to a fantastically warm bass sound, providing a proper aural rung onto which central part of the track the listener may latch themselves and become thus enthralled.
Review: MoBlack Gold work both as appraisers and minters of quality Afro House. This record, once again, attests to the fact, clocking in as the label and music-making house's "XII-th" release. Jamek Ortega, MoBlack, Armonica, Samna Soundsystem, Peaty and Faros all stop by the dancehall in a confident move of jitting, shimmying surety, extending out from an extended version of Ortega's 'Voices' to a closing, kwaito-deep quaalude by Faros, 'Feeling You'.
Review: Madrid's Oscar L and Sofia's Metodi Hristov come together for a heavyweight two-tracker that stretches the Drumcode sound between two distinct techno poles. 'Gravity' crashes in with brute-force energy: jagged hoovers, a fluttering chopped vocal, and thick industrial textures square up in a storm of distortion, like two machines locked in dissonant conversation. It's cinematic, dark, and demanding. 'Up & Down' keeps the pressure on, bursting forward with piston-fast percussion, cavernous reverbs and a flickering synth motif that teeters between menace and euphoria. A spoken male vocalistark and monotoneigrounds the track with a cold-eyed edge. Techno as terrain: Madrid's pulse meets Sofia's shadow.
Review: Image Recordings continues to establish itself in the techno world, this time with Other serving up some sounds that nod to the 90s but never get too slavish. 'By No Means' is one of those busy, jostling cuts that makes you wiggle ass, head and hips as you get lost in the looseness. 'Full Compliance' is a wonky one for the afters with bubbly bass, 'We Didn't Know' then strides on with loopy pads and cantering drums that exude a cool energy and 'It's Wicked' shuts down with more textured percussion and fractured vocals for a freaky finish.
Review: This new VA from the young Swiss label Covered compiles four forward-thinking artists pushing sonic boundaries in their own way but united by detailed sound design and refined instrumentation. Olivier Romero opens with bold, wave-driven rhythms while Luise brings intricate sequencing and crisp minimal percussion. Maik Yells follows with atmospheric depth built from lush pads and ghostly harmonies, weaving a moody narrative. OneKnock closes with a hypnotic blend of shifting rhythms and sub-heavy foundations. These tracks form a nice listen when played together and are rooted in rich texture, tone and subtle storytelling.
Review: Breakcore don DJ Balli and tropical electro purveyor Sindaco team up on the aptly titled Mutant Goth Italo. True to its name, the Italian duo deliver a batch of oddball, high-energy Euro dance filtered through a nocturnal lens, with affecting vocals from Ossydiana. The twisted pop sensibilities of opener 'Pizzeria Brigada Rossa' set the tone i a feverish pace, shimmering synths, and a searing vocal top-line. The gorgeously sleazy 'Febbre' is a standout, driving yet restrained, while 'Ricatto' impresses with its sinister synths, crisp drums and undulating bass. Closer 'Fedeli Alle Linee' lets it all hang out, pairing singalong melodies with snappy rhythms and snarling bass arps.
Review: The third and final chapter of R3volution Records' 3volution trilogy is a powerful meeting point between past and future. Bridging sci-fi-laced techno with 90s minimalism, it features deep sound design and muscular drum patterns that combine for real club potency. UVALL from Tbilisi offers refined, deep rhythms with his cut, then Operator brings seasoned UK innovation and label co-founder Divide delivers precision and weight with global pedigree. Elsewhere, Belgium's PTTRNRCRRNT tunnels through textures with futuristic, conceptual drive. Each track is a standout weapon but together they make for a cohesive, forward-thinking statement from a label closing its vinyl trilogy on a high.
Review: With a title inspired by the utterances of The Oracle of Delphi, a cult of female priestesses who reportedly "changed the course of civilisation" by inhaling volcanic vapours, it's clear that Lee Burtucci and Olivia Block's first collaborative album is rooted in paganistic visions and experimental mysticism. It's comprised of two lengthy tracks, each accompanied by edited 'excerpts', and combines Burtucci's experimental synth sounds and tape loops with Block's processed vocalisations and hazy field recordings. Dark and suspenseful, with each extended composition delivering a mixture of mind-mangling electronics, creepy ambience and musical elements doused in trippy effects, it sits somewhere between the charred "illbient" of DJ Spooky and the deep space soundscapes of the late Pete Namlook.
Review: Celebrating 25 years of two of the most influential house labels around, this joint double-pack from London's R2 and Osunlade's Yoruba Records is a heavyweight offering that bridges soulful roots and dancefloor depth. Karizma's long-awaited 'Spirit' appears in multiple formsihis original gospel-powered burner, a Josh Milan remix (as Honeycomb), and a dub version featuring Nicholas Ryan Gant, all radiating righteous, late-night warmth. The second R2 cut, 'W!thout !t' is stripped and punchy, full of Karizma's trademark percussive invention. Yoruba's side sees Osunlade light up the system with 'Electricity' and 'Sumpin' Like Dis', both steeped in rhythm and spiritual uplift. Afefe Iku's '823' dives deep into his signature twilight textures, while Karizma's Baltimore remix of Mr. Flip's 'Drippin'' closes the set on a loose and funky high. It's a snapshot of two defining voices in house musicirich in groove, spirit and intention.
Review: London-based New Zealander Arjuna Oakes impresses hugely with this debut album, a contemporary soul and jazz fusion, global folk, electronica and post-rock motifs all woven in. Like any good LP, While I'm Distracted is a deeply personal journey exploring common themes of vulnerability, identity and hope in a world shaped by ever-more existential angst and social media stress. We're told that Arjuna approached this full-length album like a filmmaker crafting a feature and aiming to evoke emotion over concept. Performing vocals, piano, synths and arranging strings himself, he also leads a talented ensemble of collaborators who help him on this emotional odyssey.
Review: Steven Umoh aka London-based Nigerian singer Obongjayar is back with Paradise Now, a sophomore album that is a bold blurring of pop, punk, Afrobeat, funk, dance and folk into a colourful and coherent new sound. Crafted with producers Kwes Darko and Beach Noise, the album was recorded between London and LA so has a global spirit with universal emotional depth. It was designed to play from start to finish on a night out so is both a party record and a Trojan Horse with infectious grooves concealing layers of complexity and introspection. It's Obongjayar at his most adventurous yet and explores what modern, global pop can sound like in 2025.
B-STOCK:Scratch on sleeve but otherwise in excellent condition
The Punishment of Luxury (3:27)
Isotype (6:08)
Robot Man (3:00)
What Have We Done (3:44)
Precision & Decay (1:54)
As We Open, So We Close (2:53)
Art Eats Art (3:22)
Kiss Kiss Kiss Bang Bang Bang (2:46)
One More Time (3:06)
La Mitrailleuse (2:04)
Ghost Star (6:06)
The View From Here (2:45)
Review: ***B-STOCK: Scratch on sleeve but otherwise in excellent condition***
Orchestral Manoeuvres in the Dark (OMD) and their 2017 future classic The Punishment of Luxury, is an album that brilliantly merges biting social commentary with the band's signature synth-driven sound. Now available on blue vinyl, this release not only delivers sonically but also visually, with its vibrant cover art reflecting the album's thematic depth. From the opening title track, OMD sets the tone with an unapologetic critique of consumer culture, driven by Andy McCluskey's impassioned vocals and sharp lyrics. The band's ability to craft music that feels timeless yet relevant is on full display, blending modern production with the nostalgic essence of their '80s work. Tracks like 'What Have We Done' capture the disillusionment of the current era while offering a plea for a better future. Despite the absence of original drummer Malcolm Holmes, the album remains powerful, with Stuart Kershaw stepping in seamlessly and the deluxe edition's packaging, with its striking design and included lyrics booklet, further enhances the experience.
Review: Calling the curtain on Field Records' Waterworks trilogy, Yui Onodera turns his ear to confluences of hydrology and history, dedicating his latest record to Japan's Kiso Three Rivers and their transformation by 19th-century Dutch engineering. The Kiso, Nagara and Ibi rivers, once prone to catastrophic flooding, were reshaped under the guidance of Johannes de Rijke, whose work helped protect Nagoya from seasonal deluge by 1912. Onodera, known for his nuanced sound architecture, approaches this subject with a finely honed ear for subtlety, layering quiet field recordings with fuller instrumentation, evoking the widening of a river from brook to strait. The A-side's bell tones provide a sensory-meridian intimacy, processed alongside guitar, and ethereal pads; while the B-side's contradictorily colossal quietude makes itself across two long-form studies, which drift through sampled water and restrained electronics.
Review: Originally released in 1993, seminal UK duo Orbital's Brown Album marked a bold leap forward in emotional depth and sonic ambition for electronic music. Tracks like 'Halcyon + On + On,' 'Impact (The Earth Is Burning)' and 'Lush 3-1/3-2' showcase the duo's masterful blend of driving rhythms and lush melodic textures. It was hailed as an instant classic at the time and made Mixmag's Best Dance Albums of All Time list. It has endured well over the last 30 years and is now reissued on vinyl for the first time in a decade, with a half-speed remaster and new liner notes by Andrew Harrison.
Review: Although their debut single 'Chime' hit the UK top 20, it's the duo's iconic second album in 1993 that marks the moment when the Hartnoll brothers transcended the UK rave underground and became bona fide electronic superstars. This faithful reissue brings back a record that didn't just capture the spirit of the time i it helped shape it. The Brown Album takes Orbital's sound to a new level of sophistication and emotional depth. Tracks like 'Halcyon + On + On' are serene, dreamlike soundscapes that remain some of the most beautiful in electronic music history. Meanwhile, 'Lush 3-1' builds and blossoms with hypnotic layers, a masterclass in dynamic progression, a perfect balance between transcendence and tension. 'Remind' and 'Impact (The Earth Is Burning)' are pulsing techno beasts that dip and drive, blending rave intensity with atmospheric richness. Each track flows into the next with seamless ease, crafting a journey that feels both epic and intimate. The Brown Album isn't just a milestone in Orbital's career i it's a timeless work that continues to influence electronic music today. Essential listening for anyone who wants to understand the genre's evolution.
Lush 3-4 (Warrior Drift Psychick Warriors OV Gaia)
Lush 3-5 (CJ Bolland)
Lush (Euro-Tunnel Disaster '94)
Walk About
Semi Detached
Attached
Impact USA (The Earth Is Burning: Diversion)
The Naked & The Dead (CD4: live At The Limelight New York 1992)
The Naked & The Dub
Sunday
Remind
Halcyon
Walk Now
Kinetic
Choice
Chime
Satan
Review: Last year, the Hartnoll brothers gave their debut album, 1991's 'Green Album' (officially simply titled Orbital) the deluxe reissue treatment, offering an expanded quadruple CD edition backed with a detail-packed hardback book. They've now moved on to its similarly superb sequel (the 'Brown Album') from 1993. It gets a similar treatment, with a freshly remastered version of the original album (CD1) being joined by two discs of single versions, B-sides, remixes and 'Peel Session' cuts (including legendary Underworld and Psychik Warriors Ov Gaia takes on 'Lush 3', and the duo's own originally US-only extension of 'Impact'), and a fourth CD containing a previously unreleased live recording from the Limelight in New York in 1992. Oh, and a fine hardback book telling the story of the album. An early Christmas present for Orbital fans!
Lush 3-4 (Warrior Drift) (Psychick Warriors Ov Gaia)
Review: There's a strong argument to be made that 1993's Orbital II, popularly known as 'The Brown Album', is the Hartnoll brothers' finest single album - a sublime fusion of bustling breakbeats, heady vocal samples (many provided by then unknown vocalist Alison Goldfrapp), twisted acid lines, memorable melodic motifs, and rush-inducing breakdowns. Here reissued in remastered and expanded form, the set - which includes fan favourites 'Lush 3', 'Halcyon' and the superb 'Impact (The Earth is Burning)' the album sounds as fresh and forthright as ever. This time round, it includes a second CD featuring key cuts from the two-part 'Raddicio' EP (including two takes on the Scott Walker-sampling 'The Naked & The Dead') and superb revisions of Lush 3 by Underworld and Psychick Warriors Ov Gaia.
Impact USA (The Earth Is Burning: Diversion) (11:22)
Semi Detached (extended) (9:23)
Review: The iconic UK duo's equally recognisable second self-titled album i better known as the Brown Album i remains a towering achievement of early 90s electronic music. Originally released in 1993, it blurred techno, ambient and rave into a sprawling, richly detailed soundscape. This deluxe reissue, spread across four records, is the most rewarding edition into one of the genre's most enduring masterpieces. The remastered original tracks i from the shimmering melancholia of 'Halcyon + On + On' to the urgent pulse of 'Impact (The Earth Is Burning)' i still sound breathtakingly vital. 'Lush 3-1' and 'Lush 3-2' in particular benefit from the new half-speed vinyl cut, giving extra weight to their cascading synths and intricate rhythms. The real treasure for longtime fans lies in the bonus material including live recordings like the propulsive 'The Naked and the Dead' and the hypnotic 'Sunday'. Meanwhile, the lavish packaging i complete with a hardcover book, vintage flyers, and even a slipmat i reinforces how pivotal this album was in shaping Orbital's legacy. Sprawling yet intimate, futuristic yet deeply human, the Brown Album still feels like a world unto itself i and now, it's more expansive than ever.
Review: BBE, known for its groundbreaking J-Jazz and J-Jazz Masterclass series, now shines a light on an inerasable gem in Japan's national discography: the debut LP Rainbow Love by Orquesta Del Sol, the country's first authentic salsa band. Salsa's roots in Japan trace back to the post-WWII era, with groups like Tokyo Cuban Boys, but it was the 1977 Fania All-Stars tour that initiated wider interest. Percussionist Masahito "Pecker" Hashida, influenced by New York's salsa scene, formed Orquesta Del Sol on his return. Their debut, put out in 1981, blends compositions in Japanese, Spanish, and English, while working in a cover of Noro Morales' 'Rumbambola'. Produced by Shuichi "Ponta" Murakami, the album's bold sound was a product of Japan's studio scene and the band's connection to the Nuyorican salsa style. This reissue includes seven bonus tracks from the band's later years, remastered for a new generation.
Review: The long-lost gem YU Disko Expres, by Igor Savin and Orkestar Stanka Selaka - both Croatian / Yugoslavian studio dons, the latter at one point serving as visiting tutor at Berklee College Of Music, and an electronic music studio founder at the Vatroslav Lisinski Concert Hall - returns with its first official reissue, fully restituted from the original reels. Its 1979 first editors, Jugoton, couldn’t have foreseen its later status as a “highly sought-after” album, one which perhaps resultantly remained nearly impossible to find in good condition since. With an all-star lineup of Yugoslavian musicians, including trumpeter Stanko Selak and bassist Miljenko Prohaska, Yu Disko Expres remains a coal-fired viaduct scaler of impossible speed and panache. Essential for fans of jazz-disco, rare grooves, and, on the off chance, Yugoslavian music history.
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