Guarapachanga (A Nicholson Miquifaye remix) (9:14)
Guarapachanga (A Nicholson Miquifaye reprise) (5:56)
Review: The New York-based (U)nity is made up of Michael Valeanu, Axel Tosca Laugart, Chris Smith, Max Cudworth and Amaury Acosta. They formed the band in 2006 as a project to explore Afro-Cuban jazz, funk, soul and contemporary electronica. They say they've been influenced by everyone from Chucho Valdes to Art Blakey to Led Zeppelin to Kendrick Lamar, and you can definitely hear all of that in this jawdropping work. "Guarapachanga" is special in that it was the first song written by the band back in their days as music students at The New School. It's derived from the style known as guarapachangeo - the most advanced form of Cuban rumba, heavily improvisational and based on very complex rhythms and melodies. On this recording, (U)nity is graced with a guest performance by Grammy Award winner Pedrito Martinez, a master rumbero, one of the greatest conga players ever, an innovator who has left a permanent mark on Cuban music. Martinez is also a priest in the Yoruba religion and a historian of Cuban culture.
Over its eight and a half minutes, "Guarapachanga" twists and turns and journeys through a mind bending array of different tempos and modes, from Latin jazz to hip hop, ultimately ending with a trippy ambient soundscape. The whole thing is overlaid with free spirited melody, soul and the Afro-Cuban essence that is the band's lifeblood. The white-hot live playing gives it the feel of the best early-morning jam session, yet it packs a sonic punch that will make it sound incredible on a good sound system in the hands of adventurous DJs in the world-beat or spiritual-house vein. If you didn't know "Guarapachanga" was a contemporary work you might mistake it for a Loft classic; yet it's also as fresh and exciting as anything you'll hear this year.
Review: 1974's Coming Right At You, the sole album from 100% Pure Poison, has long been a sought-after jazz-funk gem. Soul Brother has previously reissued the rare (and increasingly expensive) LP, though this double 7" marks the first time most of these tracks have been available on wax since 2001. Check first opener (and title track) "Windy C", a superb chunk of lolloping, laidback jazz-funk that sits somewhere between Bob James and Cymande, before turning your attention to the slow-burn soulful delights of string-laden torch song "Puppet On A Chain". Over on the second 7", "No More City, No More Country" is a more hard-spun Blaxploitation funk affair, while "Hole In My Shoe" is a horn-fired slab of J.B's style funk-soul fusion.
Review: Here's a nod to late 70s disco, funk and boogie featuring some of the best NYC musicians to grace the scene in the past 20 years, and recorded at Soul Fire Studios featuring over two dozen musicians. Members of El Michels Affair, Lee Fields & The Expressions, The Dap- Kings, Antibalas and more are featured on 10th Street's '(Gonna Get) Hot Tonight' which is a classic and timeless disco funk affair featuring an absolutely sublime string section. Over on the flip, the slower and more emotive 'Hot Tonight' (part II) makes for feelgood vibes on the dancefloor later in the night, featuring sensual vocals to boot.
Review: Masterminded by Jeff Dynamite Silverman, 10th Street is an all-star studio band comprised of some of NYC's best disco, funk and soul musicians of the last two decades (including members of Antibalas, the Dap-Kings, The Expressions and El Michels Affair). The collective's self-titled debut album, which dropped earlier this year, is a genuine must-listen and offers a near perfect distillation of disco, soul and funk flavours of the 1970s. This 7" single sports two of that set's standout cuts: hazy, mid-tempo, laidback disco-funk number 'Livin' In New York City', where Blaxploitation guitar licks, spacey synths, sustained organ chords and eyes-closed female vocals catch the ear, and the weightier, more percussive and undeniably dancefloor-friendly instrumental 'Moodie's Basement'. In a word: essential!
Review: 10th Street is one of those devotional funk projects which sounds like it would wholly pass for the real deal, despite being made in recent times by a crack team of NYC musicians from bands including El Michels Affair, Lee Fields & The Expressions, The Dap-Kings and Antibalas. Following Mighty Eye's release of the group's self-titled debut album in 2022 comes this single, which tasks Tom Noble with whipping up a remix of 'E.A.R.L.'s Theme'. Whether you plump for the juiced up Noble remix or the sizzling groove of the original, you have the chance to cop some genuine dancefloor dynamite right here.
Review: The brilliantly entitled 1619 Bad Ass Band covered myriad different styles from mellow sound to furious funk on their superlative and self-titled debut long player back in 1976. Two of it's standout tunes now get pulled and pressed on this red hot 7" from P-Vine, complete with a flip-back sleeve. That LP is a rare one amongst the famous TSG catalogue and first up from it is the mid-tempo dance gem 'Nothing Can Stop My Loving You' while on the flip there is the more heavy funk sound of 'Step Out' which anyone who has listened to any DJ Shadow will know he sampled.
Review: Little is known about this early 1970s psychedelic soul group from Germantown, Philadelphia. However, their record was recorded in 1969 and released in 1970 as one of two releases on Michael Nise's Round Records (Nise Productions INC). Now, remastered from an original pristine vinyl copy in collaboration with Nise Productions, this marks the first official reissue of the album. The group's music captures the essence of the era's soul and psychedelic influences, making this a long-awaited release for collectors and fans of vintage soul.
Review: As a member of the legendary Flipmode Squad, Rah Digga's rap is bouncing off the walls on this cover of the Marvin Gaye classic "Sexual Healing". It takes the song to a whole new level! The remix is already causing proper dancefloor damage around the globe by all major players on the circuit.
Review: Fryers presents 'I Need You Girl' from The 3 Pieces. In the early 1970s, Detroit-born jazz trumpeter Donald Byrd moved away from his previous hard-bop jazz base and began to experiment with jazz fusion, jazz-funk, soul-jazz, and rhythm and blues. Teaming up with the Mizell Brothers, they produced 'Black Byrd', which was enormously successful and became Blue Note Records' highest-ever selling album. The Mizell Brothers followed up their success with more albums for Byrd: 'Places and Spaces', 'Steppin' Into Tomorrow' and 'Street Lady' were also big sellers, and have subsequently provided a rich source of samples for acid jazz artists such as Us3. Another Donald Byrd production was for The 3 Pieces, a vocal trio signed to Fantasy Records. Until now the their music has been confined to their 1975 album 'Vibes of Truth', so it's about time that someone took the two strongest tracks from their masterpiece and cut them onto a 45. Not only that but Fryers got hold of the master tapes and did a special transfer just for the 45. So now you have two of the most sublime '70s soul dancers on 7", sounding better than ever: rich soulful strings, crispy sharp drums and deep ranging bass. 1975 never sounded so good.
Review: "Set U Free" is a nice nu soul/r&b female stepper, with Bobbi's great vocals and instant DJ appeal. "Rockin You Eternally" is an epic modern, nu soul smash that's gonna cause the quiet storm, with exclusive appearances from Roy Ayers who takes the tune to new levels with his trademark vital vibes and Woody Cunningham singing super soul vocals. "Riff To The Rhodes" is a fat soul instrumental, with catchy horns and electric piano, a pure dancefloor friendly rare groover. "B-line" spills some funky space soul for the feet and the head. Hypnotic cosmic deep soulfulness for all you rekkid lovers out there.
Review: The 4 Jades are a mysterious soul and funk group from Ohio, who first released these two stunning tracks in 1972 under the label Cin-Town Records. Written and produced by label owner Wilbert Longmire, who also features on guitar here, he joins the likes of William L Johnson for a loving stylistic homage to the likes of James Brown and Curtis Mayfield here. Both 'Gee, How I Miss You' and 'Doon-Chang' express the sultrier and waltzier respective ends of the Jades' sound; don't let their name fool you, as they're anything but 'jaded', with the former track flaunting their lithely harmonic acapella abilities and the latter reflecting a more sexually tense atmosphere, one that hardly assumes a thing.
Review: 400 Years Of What dropped this often talked about, but seldom seen, single on Counterpart Records back in the heyday of Black Power but the record barely made it out of Ohio. With original copies nearly impossible to uncover, it has only been through deep-pocketed collectors and DJs that anyone has gotten to hear the amazing A-side. Features a burning instrumental track with extended drum breaks and an irresistible groove. The B-side is just as strong, a funkadelic-esque stoned head-nodder with chanted vocals.
Review: Only 230 copies of this hot-to-trot seven-inch exist, so you'll have to move fast to secure a copy. It's certainly well worth picking up, thanks to the quality of the cut-and-paste antics on show from Gimme Some More main men the 45 Brothers. Taking a similar approach to Double Dee and Steinski, "Next Level" sees them stitch together a variety of killer funk grooves and sweaty breakbeats, which are then peppered with all manner of classic hip-hop vocal samples. Flipside "Right On" is an altogether deeper affair with a hazier, more undulating feel and excellent use of deep Rhodes chords, flanged guitar licks and drifting female vocal samples.
Review: looking for a drum and breaks heavy 45 to destroy your dancefloor ? Try this for size picking up props from those big DJ's in the know - Limited to 200 hand -numbered copies . Don't sleep !
Review: The 45 King was given unprecedented access to the rescued master tapes in the archives of the recently relaunched Westbound Records label in order to create the beats for this bumper album. The music of Junie Morrison and Ohio Players features heavily of course as The King pays tribute to the original iconic breakbeats that helped make him such a don in the hip-hop world. This box has seven singles in all, with 13 of these new tunes all appearing across seven differently coloured slices of wax.
Review: 'Mysterious Vibes' is the latest of several new releases by piano trio 45trio for Bloom Music Japan. As always led by pianist and producer Swing-O, 45trio demonstrate here a slow-honed mastery of nighttime, quayside funk, with the titular A-side of this fresh 7" procuring a deft combo of searchlit synth and vivacious vocoder. The B's 'A Little Spice' breaks from this with a strutting walking bass and backbeat combo, harking an Afro-Brazilian piano tinge.
Review: Brit-funk combo 52nd Street are undeniably best-known for their 1983 single on Factory Records, "Look Into My Eyes", which came accompanied by some killer remixes from John "Jellybean" Benitez and sailed closed to the NYC electro sound. The Manchester outfit's roots were in jazz-funk though, as this essential reissue of their 1982 debut single proves. "Look Into My Eyes" is simply superb: a warm, woozy and gently groovy affair full of attractive lead vocals, elastic slap bass, colourful synthesizer lines and dreamy chords. If you're after some more up-tempo dancefloor pressure, check out flipside "Express" - a riotous affair rich in hammered-out Clavinet lines, jaunty lead lines and energetic percussion.
Review: Kay-Dee brings back to life an incredible band from Buffalo, New York, by the name of the 7 Miles Per Hour Band. 'At The Disco' is the lead instalment on this release; with sharp horns, fantastic vocals and not to mention the dancefloor presence this track has, it is no wonder why it has been given brand new life in 2006. 'Playing Your Game' offers more of a message of love, but still keeps a modern soul feel with its guitar back drop and uplifting vocals. Kay-Dee wraps up this release on the B-Side with the bass driven cut by the name of 'Latin Freak'. The drum work and horn arrangement makes 'Latin Freak' a must have for Funk and Soul advocates.
Review: 7th Wonder - "Daisy Lady" is such a special and in-demand tune that no matter how many times it gets reissued it always sells out. This latest pressing on Breaks & Beats is a hand-numbered and limited edition 7" that is backed with Blackbusters's 'Old Man'. It's a cosmic funk workout with some great synth magic drawn out and weaved into funky breaks with all the bells and whistles (literally.) But really that 7th Wonder jam is the one here with its pumping drums and lavish horn sections all making for a colourful and vibrant wedge of irresistible funk.
Review: 9th Creation's Superheros album was a treasure trove of soulful disco tunes that have since become hard to find and ever more desirable. Now the Dynamite Cuts 45s Series has two of the gems from it on this special new 7". It's the first time there a-side has been on its own piece of vinyl and that tune 'Whats Shakin' goes first. It's gloriously glossy and high quality disco with funky horns and big bass, a lush vocal hook and luxuriant sound. 'Much Too Much' is on the reverse and is another floor facing disco tune with a heart swelling vocal and smooth chords that can often fetch L150 on its own.
Review: Dynamite Cuts is one of the most apply named labels of them all. Once again here it brings the serious funk heat on a tidy 7" from The 9th Creation. Both of these super sexy killers are taken from the mega rare Bubble Gum album and it's not hard to see why it has become such a highly sought after record. The title tune is only just over two minute long but has steamy spoken word vocals with Moog funk bass. 'Rule Of Mind' is longer at over five minutes, and the way the keys shimmy into your affections and the lead sax brings the lustre is second to none. What an EP.
Review: On the A side you'll find the hard to find live vocal version of "Can't Hide Love", re-edited and re-EQ'd by the A&R crew and extended for maximum listening and dancefloor pleasure. A non stop groove! On the B side, there's a longer version of the classic Sly Stone "Family Affair" and a re-cut of "Right Place Wrong Time" by Dr. John. Enjoy the funk and the versions of these fantastic groovy tunes. Extended pleasure and fatter sounds!
B-STOCK: Sleeve damaged but otherwise in excellent condition
Wonderland (Jam 6)
Keep It Together (Jam 5)
Down & Dirty (Jam 2)
Feel No Fear (Jam 1)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Soon to be followed by two more from the mighty Ratio - ACR:EPC and ACR:EPR - EPA is the opening chapter in a triptych born from nothing. Or at least no fixed plan or specific agenda. A day spent jamming in the studio with close friend of the band and regular vocal collaborator, Denise Johnson, the recordings here and on the pair still to come represent the work they did that day, shortly before the world lost the woman in question forever.
Passing away in July 2020, well before her time, this is ACR paying tribute to another integral part of the Manchester music Factory. From the hypnotic and woozy 'Wonderland', where Donna Summer meets acid jazz, to the more straight-laced disco material - delivered with an edge you'd expect in terms of instrumentation and vocals - EPA is a fitting way to honour her legacy.
Review: Soon to be followed by two more from the mighty Ratio - ACR:EPC and ACR:EPR - EPA is the opening chapter in a triptych born from nothing. Or at least no fixed plan or specific agenda. A day spent jamming in the studio with close friend of the band and regular vocal collaborator, Denise Johnson, the recordings here and on the pair still to come represent the work they did that day, shortly before the world lost the woman in question forever.
Passing away in July 2020, well before her time, this is ACR paying tribute to another integral part of the Manchester music Factory. From the hypnotic and woozy 'Wonderland', where Donna Summer meets acid jazz, to the more straight-laced disco material - delivered with an edge you'd expect in terms of instrumentation and vocals - EPA is a fitting way to honour her legacy.
Review: A Skillz and Krafty Kuts are veteran names by now but at one option they were some of the hottest new DJs and producers in the game. They pioneered a breakbeat, cut-up and paste sounds 20 years ago that was high on energy and with plenty of character. Now they look to the roots of the sounds they used to draw from and serve up a new single on Jam City that is all about disco. 'Lit Up' has loose, jumbled drums and funk basslines with some great vocal flourishes up top from Gizelle Smith. A remix on the flip takes things into deeper new soul territory.
Charles Wright & The Watts 103rd Street Band - "What Can You Bring Me?" (2:45)
Review: You just cannot miss with this superb label which is now up to release number 33 in this series. And the latest is a golden-era classic featuring legendary mic men A Tribe Called Quest and top soul boy Charles Wright & The Watts 103rd Street Band. The A-side features the track taken from A Tribe Called Quest's Love Movement album so is packed with their signature beats and bars. On the B-side, you are treated to the funky original sample source from Charles Wright & The Watts 103rd Street Band which delivers a raw, infectious groove. If you love classic hip hop and funk, and why wouldn't you, this is a great pairing.
Review: Following some great releases for the likes of his own imprint Mellophonia, Omena and Cala Tarida Musica, Mikhail Khvasko aka A Vision Of Panorama returns with a new one this week for Star Creature Universal Vibrations out of The Windy City - Chicago, Illinois. He serves up the late night boogie-down vibes of 'Purple' with its seductive vocal that's the perfect soundtrack for night drive down the coast on a balmy evening, plus there's a handy dub on the flip.
Review: Welcome to Volume 2 A & R re-edit and remix collection . You'll find here Outkasts "Ms Jackson" a special reggae version. A classic reggae tune "This Is Reggae Music". Also a hard to find version of Kool & The Gang's "NT Reggaeversion" and a very special dancefloor version of "Funky Nassau". All re-edited and remastered for maximum listening and dancing pleasure! A& R goes in all directions, as long as its funky!
Review: Re-edits galore with a special "version excursion" for the 3rd A & R release Each side contains two different versions of the same classic funk tune. Classic funk "Make Me Believe In U" rearranged for listening and dancing pleasure, and you can even mix it with other records as it is re-timed! Side B has edits of the classic "Night People" a soul funk boogie shuffler! These are lengthened versions with different arrangements and a re-eqed for a fatter sound.
Review: Number 5 in the series of great re-edited and reworked versions of classics from the past. Here you get two massive club tunes that will destroy any dancefloor. The A-side holds an afro disco re-edit of the end groove of "California Style" Al's edit is totally different from the original track. Extended for maximum dancefloor pleasure. The B-side is a Ripp complete rework of "Body & Soul" re-timed and re-programmed with a soft kick drum. Originally sampled by UR for "Night Of The Jaguar" this is a killer dancefloor tune for groovy or moody clubs! Also check the Rockit Music cover mix - using the drums from Earth People "Dance" with pads from Bobby Konders "The Poem" and a snippet from Q-Tip to keep the vibe flowing. Strictly for the old school heads!
Review: Following an impressive, low-key cassette release on Kitty Play in 2016, Amsterdam-based artist Aan Zee makes the leap to vinyl with this appearance on Pleasure Wave, a label which has already made some waves with releases from g-Marie, Jonny 5 and Miskotom. The Aan Zee sound is a lot to digest, spanning all kinds of cosmic funk, sky-scraping electronics and outernational influences, often all fired off at the same time. Just sink your teeth into "Persona/Funny Berber" for a taste and you'll understand. "Vacation" is equally adventurous, with all kinds of melodic layering and instrument flexing in pursuit of an exotic new brew that doesn't shirk on the groove.
Review: Supreme Cape-Verdean funk from the 70s, two of Abel Lima's most distinctive cuts are re-energised by Sofrito. "Corre Riba Corre Baxo" translates to what comes up must come down... But there's no come down here; pure positivity oozes from every highlife guitar strum and the overwhelming presence of the walking bassline. "Nos Maos" is a tad more subdued as the French and Portuguese lyrics pin down a tight, horn-led Caribbean groove. Act fast: as with all Super Singles, this one is super-limited!
Review: Neil Anderson's unashamedly revivalist Original Gravity label is back once again - when are they not dropping heat, frankly? - with more funk goodness. This time out it is two more massive slices of tasty Latin funk getting served up. The first is Abram & Nestor's 'Four Minutes Of Funk' which is indeed four minutes of funk that will unite dancefloors from here to eternity with its big organ magic. Nestor Alvarez' 'El Trombonista' is as you might guess denied by its big trombone and also boasts some great horn work. These are two steamy and sizzling cuts that prove irresistible.
Review: Neil Anderson's Original Gravity loves to look back and revive forgotten classics and that is what it does again here with a quick reissue of something it dropped back in March. This time out it is two more massive slices of tasty Latin funk getting served up. The first is Abram & Nestor's 'Four Minutes Of Funk' which is indeed four minutes of funk that will unite dancefloors from here to eternity with its big organ magic. Nestor Alvarez' 'El Trombonista' is as you might guess denied by its big trombone and also boasts some great horn work. Do not sleep.
Curtis Baker & The Bravehearts - "Fried Fish ’n’ Collard Greens" (2:40)
The Native Yinzer - "The Hip Strip" (2:33)
Review: The fourth edition in Original Gravity's Down In The Basement series, which gathers instrumental soul and swing cuts onto worthy 7" slabs, resounding the fervent 1960s decadal gap in which mod reigned supreme. With juleps flowing and kneecaps knocking, Abramo & Nestor bring newfangled electric pianistic swing with 'Dig It!', while a twinned "hit it!" injunction is heard from Floyd James & The GTs on the reissued 'Work That Thang'; James' voice is tubed and speed-delayed to terrific effect, achieving a sprung intonation. Curtis Baker brassifies the bonanza with the lively 'Fried Fish 'n' Collard Greens', while The Native Yinzer's exiting excitation 'The Hip Strip' quilts our ears with a mnemic, down-feathery Hammond-breaks bit.
AC Soul Symphony - "The Philly Avengers" (7" version) (4:56)
Mistura - "If You Ever Need Somebody" (feat Tiffany T'Zelle - 7" version) (4:47)
Review: Z Records are kicking off 2023 in fine style with some seriously potent disco house wares, as if we would expect any less. On the A-side of this 7" we get AC Soul Symphony (Z main man Dave Lee to anyone else) having fun laying down the heat on 'The Philly Avengers' with a dramatic, wah wah toting funk explosion. On the B-side, Tiffany T'Zelle leads on vocals while Mistura handles the production for the swooning, passionate poise of 'If You Ever Need Somebody' - a future classic condensed into a radio-friendly edition for this killer 7".
Review: After years of silence following the loss of Sonny Knight in 2017, former Lakers members Blair Krivanek and Cy Pierpont return with their new project, Ace Box Shift. The duo have made plenty of standout contributions to the soul revival scene before now and here they debut on Secret Stash Records with another pair of fiery instrumental cuts that work exceptionally well for DJs and dancefloors alike. They find Krivanek's jazz-infused guitar work meeting Pierpont's pounding rhythms with raw, funk-driven results that make for a bold, high-energy comeback that pays tribute to their roots while also moving things onwards.
Review: Emotional Rescue's trilogy of obscure reggae-disco reissues comes to a close with another killer, this time from former Studio One session man Richard Ace. Those with a passion for the genre will no doubt already know Ace's cheery 1979 cover of "Stayin' Alive". "Jones Town Massacre", though, is arguably even more potent; a rolling, floor-friendly cover of a Prince Tony number full of punchy, rum-soaked horns, jangling pianos, rolling beats and a killer bassline. As with the previous titles in the series, the flipside features an extended contemporary re-edit, with in-house crew Apophenia (AKA boss Stuart 'Chuggy' Leath and Soft Rocks' Piers Harrison) emphasizing the killer groove in a tough, dubwise style.
Review: The studio of Harry J's in Jamaica has turned out another pair of belters here. This limited edition and hand-numbered 7" features two killer 1969 tunes. The first is a bittersweet roots tune with a lead trumpet that does all the work. It's in conversation with the organ below and as they to and fro, expressing their pair, the bass rumbles and the percussion jangles. As well as that standout from Richard Ace, the flip-side has a super rare tune 'Candy Lady' by Hugh Black & George Ferris. It's another earthy tune with lovestruck vocals.
Review: On first spin, this 1968 rocksteady classic by Richard Ace, 'Hang 'Em High', instantly catches the ear. The electrifying combo of low-pedalled piano, bass bubble and monoized Hammond organ, all brought together under a dusty recording palette, wafts off a distinctly spaghetti-Western-dub aura. A Trojan Records favourite in its earliest heyday, it did well to launch the career of Ace, a lesser-cited Jamaican pianist whose talents nevertheless cropped up countless times across the catalogues of many of the nation's most esteemed dub imprints, including Studio One, Tiger and Coxsone. Just as it did on the original Trojan release, the song appears alongside the anthem 'Candy Lady' by Hugh Black and George Ferris, also produced by Ace's confidant for 'Hang 'Em High', Harry J.
Review: As the title suggests, there's an undeniably humid, sun-kissed and tropical feel to Act of Sedition's latest double-dose of seven-inch re-edits. Accedo Domingo lives up to his name by adding squelchy TB-303 lines and relaxed house beats to a stirring Cape Verde dancefloor jam on "Corre Riba", before Those Guys From Athens deliver a chunky, house-style revision of a turn-of-the-80s MPB classic ("No Bola"). Over on the second "45", DJ Laurel tools up an undeniably funky disco number (the stellar "Peanut Man") before Monsieur Von Pratt makes an already heavy disco-funk number even weightier ("Lose Your Mind").
Review: A '68 Brunswick classic that's since been covered and sampled by many, Barbara earned her stripes as a backing vocalist on the legendary Chess Records. This, her sophomore single, brought her to the masses and has settled in many a digger's collection ever since. The slightly lesser known "Love Makes A Women" is equally as powerful, and comes with a rather funky swing. Fryers don't churn out represses like their peers... But when they do, they're gold.
Review: A new take on a Jonathan Richman classic from 1977 which has lit up clubs for 45-odd years, especially during the punk era. The track's infectious rhythm has inspired various reggae remixes but now it's getting a fresh cumbia twist. Cumbia and reggae share a common groove, making them a perfect match for DJs to mix and this one was recorded in Lima by Pancho Acosta, founder and guitarist of Company Quinto, who transforms the track into an upbeat cumbia gem. The flip side features Acosta's 'Carnaval de Jujuy' blended with Money Chicha's modern take on Peru's fuzzed-out chicha sound.
Review: Jonathan Richman's 'Egyptian Reggae' has been setting discerning dancefloors alight since its release in 1977, during the golden era of punk. Known for its infectious rhythm, the track has seen a few reggae remixes over the years. However, it was time for something freshia playful yet respectful cumbia twist. Both genres share a certain groove, making them a perfect match, and it's easy to imagine DJs weaving these sounds together in their sets. This new take on 'Egyptian Reggae' has been recorded in Lima by Pancho Acosta, the founder and guitarist of Company Quinto, and one of Peru's finest cumbia guitarists. Acosta brings his expert touch to the track, transforming it into an upbeat cumbia gem. On the flip side, we're treated to one of Acosta's own originals, 'Carnaval de Jujuy', recorded by Austin-based future cumbia outfit Money Chicha. The song blends Peru's fuzzed-out early chicha sound with Money Chicha's unique, modern interpretation of the genre, delivering a fresh, captivating cumbia vibe.
Ivano Fossati - "Night Of The Wolf (Tema Del Lupo)" (4:00)
Review: Measured Mile records puts two classy soul tracks onto the same 7". Originally released in 1974, Act 1 - 'It's The Same Old Story' is often looked over classic of the era. Act 1 hailed from Detroit and featured Raeford Gerald, Roger Terry, Reggie Ross and George Barker. The band had two minor hits but often people recall 'It's The Same Old Story' as their favorite of their only full album. Ivano Fossati's 'Night Of The Wolf' is found on the B-side. A jam song that verges slightly into Latin music, asks for quite a sum of money for its original copy. Both tracks add up to a real gem of a 7".
The Born Messengers - Let Love Flow (LLorcavaller remix) (4:48)
Coffe & Cocaine (Bruno Belissimo edit) (3:39)
It Ain't Reggae (Lego edit) (4:21)
This Time Baby (Bully Boy dub) (4:43)
Review: Those playful edit and remix maestros at French label Act of Sedition are back with another red hot, super limited 2 x 7" special. It kicks off with a nice languid remix of the classic 'Let Love Be Free' with an extra low slung sleazy bassline beneath the gorgeous vocal. Bruno Belissimo goes for a heavy, scuffed up deep house take on 'Coffee & Cocaine' that has a vast bassline and some jazzy keys all tumbling off grid. Lego edits 'It Aint Reggae' into a high speed boogie gem and Bully Boy offers a chunky disco stomper to round things out.
Act Of Sedition - "LDCE" (MikeandTess edit) (4:30)
Don Ray - "Got To Have Nothing" (Might Mouse dub) (4:28)
The Blackbyrds - "Rock Creek Park" (Lego edit) (4:38)
Michael Jackson - "PYT" (Bully Boy Refix) (4:40)
Review: Another double dose of seven-inch action from the Art of Sedition crew, who once again offer up a quartet of floor-focused re-edits stretched across two dinky slabs of wax. Mighty Mouse's punchy instrumental dub of Don Ray's "Got To Have Nothing" also hits the spot. On the second disc, Lego Edit flexes his muscles with a locked in, house style take of the bass-heavy classic "Rock Creek Park", before Bully Boy does his best Reflex impression on what sounds like a ground-up stems revision of MJ classic "PYT".
Review: Soul fans are in heaven this month, just from the releases of Soul Direction alone. The label has been hard at work serving up plenty of golden nuggets and next in the spotlight is Joe Adams. 'That's Not Half Bad' is his stunning version of the Gene Woodbury classic. This is another lost tune that was found on a DAT tape recording made from material that was laying around in an old basement. It comes steeped in rich Philly soul and with gorgeous vocals that for us outshine the original. On the flip, it is backed with an equally sublime mid-tempo heart-wrencher for those tender moments.
Review: Addmoro were a lesser known Los Angeles-based disco outfit active throughout the late 70s and early 80s, and their sound was unique for its ahead-of-its-time weight and phonk, not to mention a difficult-to-match versatility, both traits evidenced by this Kalita reissue of the obscurity 'Rock & Roll Skate' here, first released on their very own Addmoro Records. The titular A-sider and 'Keep On Tryin' were released originally in 1985, with the former coming as a ploddy but groovy hard-hitter - which could've easily predicted the reams of modern-day producers who would the style on for size decades later (but not quite achieve it so well) - and the latter a surprise-taking curveball in a stumbly-funky, disco-electro mood.
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