Review: Bernard "Pretty" Purdie and his Playboys were an iconic funk group of the late 70s who had big hits with the likes of Gil Scott Heron on his seminal 'The Revolution Will Not Be Televised' single. A year later on the same label, Flying Dutchman, they served up the 'Heavy Soul Slinger' single which gets reissued here. It's driven by big drum breaks and funky hits, with plenty of lush chords and rolling basslines all taking you on a high class and sophisticated trip. On the a-side is Harold Alexander 's 'Mama Soul' from the same era, but with a much more experimental sound rooted in wordless ad libs and frantic flutes.
Review: REPRESS ALERT!: New York producer P-Sol has hit on a super effective formula for starting the party, stitching together a selection of familiar samples and hooks, adding some beautifully dusty breaks and adding a final sheen of shiny production skills. Both sides of this 7" have a touch of raw 'two turntables' action about them, while remaining impeccably constructed and tight, with the A-side 'This Way' proving to be the slightly speedier and slightly more funk/r&b-flavoured, while 'Breathe & Stop (Abstract Blend)' is the one for the pure hip-hop heads. Both, however, are dynamite in the box, needless to say.
Review: This excellent 7" single from Athens Of The North boasts more desirable deep funk business. This time dusty-fingered digger Euan Fryer has secured the rights to a sought-after seven from Papa Bear & His Cubs, a long-serving combo whose sole "45" has long been a sought-after item amongst serious soul and funk heads. "You're So Fine" may sound like it was recorded in a cement mixer on a cheap portable tape recorder, but musically it's soul bliss - a wonderfully languid, loved-up song blessed with a superb lead vocal and languid instrumentation. "Sweetest Thing On This Side Of Heaven" is, if anything, even more dewy-eyed - a seductive slow jam whose saccharine lyrics are delivered with heartfelt passion.
Review: It would be fair to say that Paris Holley is not one of the best-known purveyors of 1980s funk and soul, though the handful of releases he put out in the decade tend to be cherished by serious diggers and DJs. 1984 jam "I Choose You", which is here reissued for the first time since the '80s, is undoubtedly one of his standout moments. Hazy, super-sweet and laidback, the cut sees Holley adding his soulful, high octave tones to a blissful backing track rich in fluid piano lines, sun-kissed guitars and mazy synth lines. Arguably even better is synth-funk B-side "Punkin' Funkin", a fizzing workout that sounds like a more soulful, talkbox-free take on Zapp man Roger Troutman's trademark sound.
Review: Breakbeat Paradise's Toxic Funk series rolls out a ninth volume here with two more powerful cuts. These come from Paul Sitter and Crash Party who together cook up plenty of horn-lead action on 'Don't Touch Me.' It has old school bars and some retro synth work that all adds up to a full thrill funk banger. 'Wake Up' is another raw and raucous one with big rock guitars and slamming drums. A b-boy hip-hop vocal is paired with yelping female vocal samples and the crispy drums never let up. Two dynamite tracks for sure.
Review: The list of massive hits from the golden trio of Holland-Dozier-Holland is endless, but one of the standouts is this one from Freda Payne. It was recorded din 1969 and features a golden production touch that made it a hugely popular tune for sample-hunting producers in the hip hop world. The killer guitar hook intro is particularly popular and was most notably used by JVC Force in their 'Strong Island', tune. Now for the first time ever, the original gets pressed to 45rpm along with a never before released Tom Moulton remix.
For The Wicked (Professor Shorthair extended mix) (5:15)
Review: A unique smashing of worlds between funk and hip-hop, this fantastic, vibrant, red-and-black splatter 7" brings together a host of collaborating greats, all of whom have contributed in major ways to both sounds over the years. With Dan Ubick on guitar (Breakestra, Big Daddy Kane), Julius Augustus on bass (The Sandollars), Dan Hastie on organ (Orgone, Alicia Keys), Steve McCormick on dobro and Professor Shorthair on the cuts and edits - and mastered by Dave Cooley (J Dilla, Madlib) - this is a mournful yet masterful example of live-recorded battle breaks.
Review: Having come to the fore with a pair of boogie slammers on the Cosmic Chronic label, Mickey De Grand IV's Psychic Mirrors outfit ascend to parent operation People's Potential Unlimited with the excellent Charlene. Allegedly recorded with the help of a ten piece live band, both the title track and "Midnight Mirrors" are evocative of the sort of modern lo-fi funk that PPU corners the market in these days. Bringing the Miami heat, "Charlene" is a veritable dancefloor bomb, with a rugged boogie bassline the sort of flirtatious element that hips can't say no to. B Side cut "Midnight Mirrors" is more of a late night number with some exquisite synth work. Props to PPU!
Review: Powers That Be is a heavyweight modern funk outfit which counts some serious talent in its ranks. Antibalas drummer and bassist Miles Francis and Phenomenal Handclap Band's guitarist Luke O'Malley are but two of the gifted players laying down a vintage style of deep funk on this sureshot 7" for Mighty Eye. You'd be forgiven for thinking this was a holy grail cut from the 70s, given how warm and natural the sound on the record is, but there's also a degree of finesse on both sides of the record which speaks to the band's collective endeavours in pushing classic funk forwards in the modern era.
Review: The American Latin-jazz group, formed in 1959 and led by Henry 'Pucho' Brown, Pucho And His Latin Soul Brothers first released these remixes of their 'Sidewinder' and 'Got Myself A Good Man' back in 2014. It's a classic bit of future jazz and electronic fusion that will bring some streamy South American vibes to any party. 'Sidewinder' is the real highlight with its jangling rhythms and big horns, steamy synth sounds general good vibes and sunny sounds. Get this reissue before it disappears fast, as did the original.
Review: Having previously reissued Pasteur Lappe's sought-after 1979 sophomore set, No Man Pass Man, the crew behind the Africa Seven label has turned its attention to the Cameroonian artist's similarly impressive debut, We The People. It's a vibrant and hugely entertaining six-track set, with Lappe offering up a range of dancefloor-ready cuts that variously touch on heavy Afro-disco ("More Sekele Movement (Papa Ni Mama)"), horn-heavy tropical funk ("Dora"), saccharine English language ballads ("Watcha Get Ma Day Dreams"), thrusting disco-funk righteousness (Clav-happy smasher "Sekelimania (Nku Bilam)" and "The Sekele Movement") and laidback, Steely Dan style West Coast jazz-rock ("As Far As I Can Remember").
Tambores De Enrique Bonne - "Como Arrullos De Palma"
Ricardo Eddy Martinez - "Expresso Ritmico"
Los Papines - "Solo De Tumba Y Bongo"
Grupo Sintesis - "Aqui Estamos"
Los Van Van - "Llegada"
Grupo Raices Nuevas - "Baila Mi Guaguanco"
Luis Carbonell - "La Rumba"
Orquesta Riverside - "En Casa Del Trompo No Bailes"
Juan Formel & Los Van Van - "Llegue, Llegue"
Grupo Los Yoyi - "Tu No Me Puedes Conquistar"
Los Papines - "Para Que Niegas?"
Grupo De Experimentacion Sonora Del ICAIC - "Cuba Va!"
Raul Gomez - "Luces En La Pista"
Los Brito - "El 4-5-6"
Leo Brouwer - "Tema De El Rancheador De La Naturaleza"
Ricardo Eddy Martinez - "La 132"
Los Reyes 73 - "Finalizo Un Amor"
Review: Given that Gilles Peterson and Stuart Baker's Cuba: Music and Revolution - Culture Clash in Havana is one of the standout compilations of 2021, hopes are naturally sky-high for this speedy sequel. Like its predecessor, volume 2 focuses on music and made and released on the Caribbean island between 1975 and '85, this time round largely focusing on rare fusions of salsa, Latin jazz, disco, soul and funk, mostly licensed from records that have never been available outside Cuba. It's another stunning selection all told, with highlights including the heady Cuban disco/salsa fusion of Orquesta Los Van Van, the fiery disco-funk of FA 5, the heavily percussive hedonism of Luis Carobonell and the fuzzy psychedelic rock of Grupo De Experimentacion Sonora Del ICAIC. In a word: essential.
Let's Get Together For The Wrong We Have Done (2:54)
Whatcha Gonna Do About It (3:54)
You Are The One For Me (3:05)
Oh Baby Why You Want To Make Me Cry (2:55)
You Talk Too Much (3:59)
It's You Girl (4:00)
Review: It's time for another one of Athens of the North's magnificent reissue albums, this time with Arthur Ponder in the spotlight. The Georgia resident started singing in the 1960s, at first replacing Otis Redding in Johnny Jenkins & The Pinetoppers after Redding left. His first recording came in 1970 after years spent gigging hard and then he carried on well into the 80s making great tunes. It is that decade which is represented here with some solo tunes and some alongside local group Side Show. She are unreleased, some have previously been on 45 pm, all are gold.
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