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Back catalogue: Minimal House/Tech House
Juno's full catalogue of Minimal House/Tech House
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Review: The unstoppable and always innovative Derek Carr returns with a new outing on Trident that is as potent as thew UK's weapon defensive system of the same name. It kicks off with the bumping beats and vamping chords of 'Ill Met By Moonlight"' then takes in 'Skeksis II' which is a more brain frying and acid laced techno cut. There is a super sweet garage feel and soulful house edge to the liquid grooves of 'Going Thru Life' then 'Nod' shuts down with some Detroit style hi-tek soul to round out Carr's most diverse and effective EP for a while.
… Read morePlayed by: Juno Recommends Minimal Tech
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Review: Carriego reemploys early Detroit techno and 00s minimalism, crafting a piezo powered four-track journey consisting in deeper, supersawed atmosses, and spanning electro to new wave. 'Hazard' sets a tense mood, while 'The Bridge' swells and quells pads and hip breaks voxes. 'Curtain Call' weirdens things, with popcorn string plucks piling on pylons of tension, while 'Seems Like' concludes on a snappier, momentous hush-hush. It's the fourth EP so far from the Frenchman, and an impressive one at that.
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Review: Tom Carruthers returns with a fresh drop on Syncrophone Records, comprising the fresh analogue jams 'From Within', 'Zone', 'No Frequency' and 'Malfunction'. All hitting hard with an old-school, sequencer-happy flavour, one which requires no second-guessing, our faves here have to be the basal FM roller 'Zone' and the brash, trashyard B-fronter 'No Frequency', both of which make deft use of the same bassline, yet each to drastically different effec.
… Read morePlayed by: ROTCIV, Ney Faustini
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Review: Since debuting in 2016 Gaetano Caruan has only put out a handful of releases. While these EPs showed promise, there was always a feeling that the producer may be capable of hitting higher heights musically. Diaframma, Caruan's first outing on the mighty Perlon label, delivers on that early promise, offering up rhythmically interesting, off-kilter workouts that blend minimal techno chops with oddball electronics and plenty of smoky jazz influences. For proof, check 'Steps to Klapa', where wonky but weighty bass, fuzzy electronic stabs and chanted vocal snippets ride a killer rhythm, and the smooth, intergalactic micro-house hustle of 'Spalladium'. Elsewhere, 'Horns' is a sumptuous chunk of heady, morning-fresh electronic jazz and 'We Got The Swing' is an oddball, bass-heavy club workout full of hazy samples, bossa-influenced beats and creepy keys.
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Binoclorized 2 (12")
Cat: HC 006. Rel: 18 Dec 24
Review: This new collection offers up a quartet of tracks that are all tailored for slightly different moments on the dance floor. On side A, Dani Casarano kicks off with deep, hypnotic grooves that make for an immersive atmosphere before transitioning to punchy, bass-driven energy with other cuts. Side B introduces a new alter ego from Felian and Bruno Schmidt and the pair explore a robotic, looping groove with incidental breaks and nostalgic synths in the euphoric third track. Closing the release in style, Omar Akrhif & Lucretio present a minimalist masterpiece that is aimed at heady after-hours sessions.
… Read morePlayed by: Mimi
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Splitted (grey marbled vinyl 12")
Cat: TAR 027. Rel: 19 Dec 22
Review: Armed with analogue and modular synthesisers, Southern Italian producers Marco Cassanelli and Deckard take you on an emotive journey inspired by geometry and symmetry for T.A. Rock Records - a small indie label out of sunny Trani, Puglia established 2010. The Splitted EP starts out with the desolate dub techno textures of 'Abandoned Town' while the spaced-out cut 'Triangle' and the hypnotising 'Rectangle' (part 1) make for more experimentally minded tracks.
… Read morePlayed by: Marcelo Tavares(Deep Space Podcast)
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Review: It's five up for the CCCP Edits label which deals in serving up nicely reworked jams from house and disco's past. The eponymous and mysterious production team is in fine form here with four more cuts out of Russia that all have Cyrillic names but have been transliterated for English audiences which means '??? ???? ????' becomes 'Moi Drug Tima'. It's a funky cut with house and disco elements over a punchy break. 'Ektoplazma' is rugged electro that races through the stars and 'BBC' is a heavyweight tech-house stomper. 'Choovak' closes with more rough-edged grooves.
… Read morePlayed by: Juno Recommends Breakbeat
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Review: First released in 2006, 'Ceerial Port' is the ultimate wildcard in the electro profligate Ceephax's towering discography. The seven-or-eight track album does things with the electro form that few of Mr. Jenkinson's contemporaries would dare ever indulge, were it not for this initial fatherly stamp of approval. lead reissue cut 'Acid Whorl' is the foremost case in point, hard-limiting and soft-clipping a cyclonic 'whorlwind' of pitch-whacked acid effluence. Further 8-bit playtimes come in the form of 'Acid Highway' and 'Acid Causeway', recalling the feeling of scouring the outer edges of an Atari Kart game and encountering nothing but rolling, pixelated skies; 'Tough Grugoy Acid' and 'Woodlice Acid' make up the longer wavelengths on the spectrum, stomping and echo-rimshotting to ever-weighty, yet jolly ends.
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Review: Shanti Celeste's 'Ice Cream Boy' was a proper big underground tune last year. Now the Bristol-based selector has commissioned a bunch of tasty remixes of it that all twist the original into different but equally effective new realms. Huerta brings his breezy but banging house style with hints of garage, Saoirse feeds it through her melon-twisting minimal filter and MoMa Ready gets for a chest-puffed and dub-infused big room sound. Peach's Booty Bongo mix is exactly that while our fav is from K-Lone whose Creamix is a bubbly and super catchy rework with a hot vocal and neon chords. Lovely stuff.
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Review: A feature of Shanti Celeste's sets for the best part of a year, 'Ice Cream Dream Boy' is arguably the Peach Discs founder's most accessible, joyous and impactful single to date - a genuine anthem in the making with serious crossover potential. In its original mix form (track one), it's a bouncy, lightly acid-flecked slab of colourful deep house pop topped off with a hybrid sung and spoken vocal delivered by the British-Chilean artist (who, we shouldn't forget, appeared as a vocalist on several records before making her production debut). She provides a trio of alternate takes herself: the rolling, punchy and enjoyable 'Sorbet Dub', the tougher, darker and more percussive 'Functional Gelato Mix', and the self-explanatory 'Soft & Swirly Acapella'.
… Read morePlayed by: Juno Recommends Minimal Tech
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Review: Cesare vs Disorder has long been at the very heart of the minimal scene. His abstract sounds and lush synthesis never fails to seduce us no matter the mood or groove he takes. This EP for the small but well formed Rockets label opens with some peak tripped-out sound design, where dancing chords, detuned keys and wonky pins are layered up over a loopy and skeletal rhythm on 'Amoreteca.' 'Sao Paulo Concrete Jungle' is dubber house all aswarm with pads, hits, percussive clatter, 'Holy Bee' gets unsettling in its eerie melodies and 'Time For Your Eyes' is a lovely deep house gem with a jostling beat and lounge chords.
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Review: Darwin Chamber is an alias of Mark Greenfield, an artist who has very much shaped the Bay Area sound across his career. He has done it all from ambient and trip-hop to breakbeats as far back as the 90s. This EP distils all those many years of sound into some sophisticated cuts that go deep. 'Hush' is a quiet downtempo opener, 'Cat Daddy' (Meow mix) brings some funky beats and 'Subway (M Train mix)' has more unsettling texture and languid percussive drums that lock you into a groove then 'Droptone' closes out with nods to a raw 90s rave sound and psyched out synths.
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Organized Kaoz EP 1 (limited 12")
Cat: KTEP 001V. Rel: 04 Apr 23
Review: 'Organized Kaos' is a new series from Kerri Chandler's Kaoz Theory label that offers first vinyl outings for cuts from the imprint's vaults. For volume one, Chandler has selected missives initially released digitally in the middle of the last decade. First up is the legendary New Jersey producer's own 'Who's Afraid of the Dark', a typical late-night roller in which sci-fi synth stabs, pianos and his own hushed, spoken word snippets rise above detailed drums a dark, infectious analogue bassline. Turn to the flip for Josh Butler's 'Sunday Club', a subtly UK garage-influenced number that pairs crackling, swinging drums and deep sub bass with woozy deep house chords and mind-mangling, low-register analogue riffs.
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Review: Impressively wide and etheric new minimal / prog tech house from Italy's Toto Chiavetta, who returns to Mind Against's HABITAT sub-imprint with 'My Eyes Are Falling'. Rarely do we hear progressive house artists indulging such futuristic sound-palettes, if not for the fact that such sonic and textural detail often naturally spurs artists into more abstracted explorations away from dance music. But Chiavetta reins this impulse in, and keeps firmly rooted in the dance world by way of mega-surrounded breath-voices (courtesy of singer Trenton) and stratospherically catchy synth evaporations. Everything here, too, from the unpredictable, grid-flouting synthwork of 'The Sacred Space' to the ensuing remixes of the title track, sounds just as exo-worldly as the occult lifeform portrayed on the front cover.
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Review: Following releases on Kontent, Enfasi and Midas Touch, Copenhagen's Andrei Crivoi aka Chrivu returns with his intoxicating blend of minimal, dub techno and tech house on the Transfusion EP. It begins with the cavernous and glacial late night groove that is the title track, which receives a rolling and hypnotic makeover by Rominimal stalwart Robert Apetrei (Dubsons) later on the flip. The moody and tripped-out microhouse of 'Questline' heads to the after hours, and the entrancing polyrhythms of 'Pseudonym' call to mind the work of Barac or Vincentiulian.
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Review: Cim Pian is Romanian producer and DJ Cimpian Mark Alexandru and this is another cultured outing from him. Known for his deep ties to Romania's minimal house movement, Cim Pian has contributed multiple tracks to this label but finds a newly refined underground sound here across two original tracks: the title track 'Chronosphere' which is a minimal breakbeat composition with dark, immersive atmospheres, and 'Djinn,' a 4/4 minimal house piece with oriental influences and hypnotic grooves. The release also includes a masterful remix of 'Chronosphere' by Barac who adds signature depth and detail and the artwork, created by Andrei Ardelean and Cim Pian, perfectly encapsulates the music's essence.
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Review: Some would deny that sound could be at all malevolent, or carry an innately evil intent. Greek techno producer Cirkel Square may think differently; his latest red-label EP for Ukrainian imprint Jerelo makes the argument quite clear that since sound does not exist without an ear to receive it, and a subject to perceive it, all sound is thus subjective. Its emotional contents are as contingent on the presence of a human mind as is the capacity to hear the sound itself: if we hear a sound, we cannot avoid ascribing it an intention. Cirkel Square, meanwhile, refrains from bad philosophy of this kind and draws on Ancient Greek mythology to inform his tutelary four track EP, each of which is named after the Greek gods of time, hell, war and hell again. The Greeks believed in four "sinister harmonies", and Cirkel Square has finely tuned each track to conform to each of said grave frequencies, to harrowingly electric effect. It's not all doom and gloom, though: make it to the end for the calmest balm in sound there is here, 'Persefone's Whisper'.
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Cat: UAR 018. Rel: 05 Feb 25
Review: Upstairs Asylum is kicking off the year in some style with a couple of killer new EPs. This one is the first in what is presumably a new series to showcase the talents of the Motor City. Mike Clark & Marcus Harris get things underway with 'Hey' which has a subtly uplifting feel thanks to the bright, sustained chords and cuddly drums. Santonio Echols's 'Piano In The Light' (DJ Emanuell Echols mix) is laidback, playful deep house with magical chord work and Brian Kage brings his classy depths to the smooth grooves of 'This Saturday Night.' Ryan Sadorus brings things to a close with the smoky 'Down Below.'
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Review: Steve Cobby is surely one of Hull's finest musical exports. The musician and producer has mastered many different sounds across the downtempo and electronic spectrum and here he dips his toe into deep house with a new limited 12" on Declasse. 'Hot 4 U' opens up with a gorgeous vocal sample and plenty of reverb on it so it pings around the mix over dubby drums. 'Santa Eularia' is a more jazzy and percussive, stylish sound with a smooth cruising groove for sundown or sun-up magic.
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Review: Pierre Codarin is back on the delicious sounding Spaghetti Club with a much anticipated new EP, High Times. Evolving his sound since his last outing, here the UK producer crafts a cosmic four-track record that explores diverse territories with refined house textures. The A-side kicks off with the punchy 'Herbies Chanz' featuring an elastic groove and squelchy acid beeps. On the flip side, 'Viennese Whirl' serves up funky vibes for the dancefloor and the title track, 'High Times,' radiates feel-good energy with shining chords and driving beats. Closing with 'Ruff Rumble,' this is the sort of EP that switches the dance floor up through the gears.
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Review: New US label Soft Spoken Secret does a fine job of asserting itself from the off with this tasteful drop from Adam Collins. His 'Coming Together' is a busy minimal tech sound with plenty of things to keep your attention beyond the bubbly groove. Deft pads and airy hi-hats, rising bass sequences and hints of acid make it a real gem. Then comes a 100hz DC10 remix with wonky low ends and more stripped back designs for late night sessions. Finally, the 100hz Concorde remix brings more widescreen synths and patient tension building.
… Read morePlayed by: Jane Fitz
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Euphonics (12")
Cat: RP 005. Rel: 02 Apr 24
Review: Euphonics, an EP released via Restless Planet, is three artists coming together to create a strong look at minimal music today. Adam Collins' 'Drexel' sets the tone with its quirky, minimal grooves and a captivating blend of the strange and the familiar. Christine Benz's 'GB3' offers a melodic respite, showcasing her prowess in tech house. The final track, 'Effluxion' by Intensive Purposes, emerges as the standout piece for us, transporting listeners to an idyllic island paradise with its tribal house rhythms. Together, these three tracks showcase the diversity and innovation within the electronic music scene.
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Review: Pretty much does what it says on the tin, this one. Classic Tyree Cooper productions in all their glory, plus some remixes of them from fellow US greats. Cooper was, of course, an early pioneer of what was known as hip-house - a raw mix of hip-hop and house that was short-lived, probably because the man himself perfected it and few could ever do much more with the blueprint. 'Hardcore Hip House (Tony Humphries mix re-edit)' is dusty, raw, piano-laced house excellence, 'Acid Over (Mike Dunn edit)' is a more frenzied 303 workout and 'I Fear The Night (feat Chic - vocal mix)' is a jack track for dark and strobe lit floors. 'Video Crash' shuts down with a coarse and textural collision of drums, synths and crashing hits.
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Review: The Mysticisms label welcomes Coral D aka Duncan Stump for a debut outing here that marks the first new music to be part of the ongoing and most excellent Dubplate series. This artist has a long history of crafting "deep dub electronic swing" in his roles in Mock & Toof, FX Mchm and his 6000 Degrees project. This one finds him bringing some dub reggae influences as 'Dissolves' is built on a chugging rhythm with smeared chords. 'DR 55' is then a masterfully laidback digi-dub groove that warps space and time and so leaves you utterly hypnotised.
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Review: Ooof. Sometimes there's nothing better than that in between vibe, beats and noises that speak to genuine rave, one white glove in techno, another rooted in house. 'Sirius D' certainly speaks to that need. Squelchy in the right places, oh-so-hypnotic but fundamentally punchy, it's halfway between sending you off on a blissful cloud and slapping you around the chops in an attempt to revive at 6AM. Nicola Cruz's Debug mix opts to make sure that blow lands, stomping and slamming but not so much of a groove to hold on to. No criticism, though. The roll returns later, though, 'Declination' looking to those sparse but precious dancefloors that make you realise this is still no a mainstream competition - equal parts eerie and warm. Throw in 'Right Ascension', which essentially captures all of the above and then hits 11 on the scale of whatever we're judging this on, and the deal is sealed.
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Review: The mighty Rawax empire has always got just the right record for whatever occasion. It is Bucharest's Costin RP who steps up now with two expertly designed minimal gems for cultured dancefloors. 'Arai' is a nearly nine-minute trip that's built on a fluid, rolling tech groove but is masterfully embellished with watery droplets, echoing vocal whispers and deft little sci-fi motifs. 'Everyday I Am Thinking Of You' goes even longer and is one of those sounds that utterly immerses you in your own thoughts and amongst dreamy synths and wavy grooves that you never want to end.
… Read morePlayed by: Costin RP
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Review: Costin RP may be well entrenched in the Romanian scene, but his sound isn't particularly beholden to the assumed Rominimal sound. On his latest missive for Pleasure Zone he demonstrates this perfectly with the limber synth flex of 'Take Eat', the kind of stand out slice of after hours brain fodder which absolutely deserves its own side of vinyl to stretch out on. The flip side cut is pointedly titled 'Last Moments Of Sunset' and while the balmy, woozy sound may well sink into the horizon comfortably you could just as easily picture it working a warm-up slot in a club or lighting the way through a murky after hours set.
… Read morePlayed by: DJ Mau Mau, Juno Recommends Minimal Tech
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Review: Costin RP is, to us at least, one of the newer names to emerged from the ever fruitful Romanian scene. Of course he makes minimal for the late night hours, but his own take on it has a little sense of fun and playfulness as evidenced by this new EP on BPLR. 'About Us opens up with a drunken sense of off-balance rhythm and shiny synth leads that never stop evolving. Sit then remixes and brings more defined drum funk to his version while 'Bad Waters' shuts down with some raved-up synth stabs and tripped lines that rise up and down through the mix in nice loose fashion.
… Read morePlayed by: Costin RP
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