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Notes: One of the most reliable brands of portable recorders turn out the goods once again. The H5studio records up to six tracks simultaneously, and also functions as a 4-in/2-out USB interface. High quality and versatile.

Supplier's Notes:
The H5studio was made for seamless and professional production. Creators can record flawless audio with stunningly clear microphones, studio-grade preamps, and 32-bit float recording.

The 19.4mm microphones capture audio with incredible frequency response, 140 dB max SPL, and an expansive dynamic range. Their increased size captures recordings with unmatched depth and clarity.

The H5studio features Zooms F-series preamps, giving your audio unmatched clarity (-127 dBu EIN). With dual AD converters and 32-bit float, it delivers an impressive 132dB dynamic range, capturing everything without noise or distortion.

32-bit float and 16/24-bit formats each have their advantages. 32-bit float prevents clipping but requires post-production. 16/24-bit eliminates the need for post-processing but requires gain adjustment to prevent clipping. The H5studio offers the best of both worlds with 32-bit float and dedicated gain knobs - no clipping and no need for post-production.

The H5studio captures up to six tracks (four iso-tracks plus a stereo mix) with sample rates up to 192 kHz.

Carefully engineered RF shielding keeps interference from smartphones and Wi-Fi routers out of your recordings, anywhere you go.

The H5studio features "advanced look-ahead" limiters which anticipate potential overloads and prevent distortion before it reaches your track.

The two locking XLR/TRS inputs support +48V phantom power and +4dBu line level. There is also a 3.5mm stereo jack with plug-in power.

The H5studio's 3.0 capsule system supports 32-bit float and gives creators more options to use the right mic for their recording.

Monitor input levels and real-time waveforms with the full color LCD, making it easy to adjust and monitor audio in real time.

Use the loud 20 mW headphone output to monitor or listen back to your recordings in any environment.

Use the 3.5mm stereo LINE OUT to connect directly to a camera, easily syncing your audio and video.

The built-in speaker has a maximum output of 250mW for previewing recordings on the spot.

The H5studio is a 4-in/2-out USB audio interface for Mac, Windows, iOS, and Android, supporting 32-bit float and 16/24-bit recording. Stream live and simultaneously record a backup to microSD.

Review: Ross Alexander debuts on Yore and brings with him a more tech-leaning sound that you might expect of this traditionally techno-centric outlet. It still calls on plenty of Motor City signifiers, however, such as warm synth soul, machine grooves and a dusty depth. 'Soul Roots' has all that and a cosmic melodic air, 'Cycles' gets more twisted with a pressurised baseline and drums full of rebound while 'All I Need' sets off on freewheeling, psychedelic pads and serene grooves that carry you away in a reverie before 'Reflections' shuts down with twinning cosmic pads and gurgling low ends. A classy and escapist EP of futuristic bliss.

Review: This heavyweight 12" delivers fresh French-produced roots reggae straight out of the unlikely region of Brittany in the North West. It unites the talents of producers William Spring and Arthur Dub Dealer with sought-after Jamaican vocalist Aza Lineage and results in 'Give Thanks For Life,' a spiritually charged anthem carried by Aza's commanding, conscious delivery over a deep, meditative rhythm. William Spring serves up his own riddim, and the B-side offers a delicious dub version from Dub Dealing that strips the rhythm back and recooks it with echo-drenched finesse. Benyah's 'Badman Horns' is tipped with some ska-adjacent brass to make for a meeting of modern roots energy with enduring messages of uplift.

Review: After 20 years of soulful and authentic rock & roll blues, Eli Paperboy Reed definitely had a right to celebrate. Originally recorded in a basement in Allston, Massachusetts, completely live onto and direct to analogue tape in mono, this collection was first released on a limited run of 300 CDs, self-released, and mostly sold by hand on the streets of Cambridge, close to Harvard University. Now redone, pressed-up and polished for 'proper release', you get all 12 original tracks and another 14 that never saw the light of day before. Four of those were recorded at the time of the others, the remainder come from a radio session the following year. All of them are incredible, and prove that it's not only the Deep South that can make these raw and unflinchingly honest sounds.

Review: Greg Surmacz's latest LP finds him joined by a full live band and serving up jazz-inspired instrumentation with electronic styles like footwork, IDM and ambient, all enriched by deep, resonant bass that melds genres. It's a record that elevates both his musicianship and ambition and it flows with dynamic terrain, balancing tension and release while integrating both organic and electronic textures. Lead single 'Loft Music' captures this spirit with scattered percussion, urgent synths and bold horns and the whole thing is inspired by New York's 1970s loft jazz scene. Surmacz channels its freeform energy and builds something raw, direct and powerful where intensity only climbs as the album progresses.

Review: Colombian producer JP Lopez aka Verraco delivers full-throttle techno gritted up with grime influences on his new 'Basic Maneuvers' EP for Tra Tra Trax, the label he co-founded. His offbeat, chrome-plated and heavy style has been heard on Blawan's Voam and Batu's Tiemdance before now and here Verraco blends Latin club energy with signature rhythmic invention. The title track drives with mind-melting techno and ragga-infused bass, while 'Total' fuses gqom and dubstep with holographic vocals inspired by Arca. The grime-tinged 'Sobe Sobe' features Ugandan MC Yallah over Orbital-like pads and gritty, Coki-style midrange. Verraco's genre-blurring mastery knows no bounds.

Review: Dublin's techno master steps out with a release that feels both emotionally charged and technically razor sharp for his own label Xistence. Balancing precision with heart, these tracks echo the roots of Detroit techno while reaching boldly into the future. 'The Fear Of Failing' leads with a crystalline melody that feels like it's been beamed in from another dimension. The production is slick and spacious, but there's warmth in the detail, and the main motif is hard to forget. 'Homecoming' drifts in with a deep rolling groove that's part celestial drift, part afterhours love letter. Everything about it feels smooth and elevated, like watching the sunrise from orbit. Claude Young steps in on remix duties and delivers something raw and gritty. His take on 'The Fear Of Failing' strips things down to a lean acid framework. It's a trip back to techno's skeleton while still sounding sharp in the now. 'Mirror Reaction' rounds things off with pure Detroit class. Built with intent and clarity, it's the kind of track that moves both head and body. A graceful, thoughtfully crafted EP from a producer clearly in control of his sound.

Review: With more than two decades of output behind him, French producer Okain continues to carve his own path through the deeper ends of dance music. On this latest EP, he folds elements of acid, sci-fi and Goa trance into a rich and forward-moving four-tracker. The experience leans much more toward interstellar techno exploration. 'Acid Spin' kicks things off with propulsion. It's not overly fast, but the drive is undeniable. Electric squiggles and sharp synth lines dart across a steady rhythm, giving the track an urgent yet sleek atmosphere. 'EPR Paradox' is just as tightly produced, letting its groove build gradually with layers of texture and restraint. On the 2nd side, 'Wavefunction' drops into a swirling, cosmic descent. It feels like tumbling through a wormhole, where the lines between gravity and sound begin to blur. 'Computing Force' rounds off the journey with a deft hybrid of Goa trance energy and techno structure. The melodies shimmer with a nostalgic rave glow, yet everything remains clean, spacious, and functional. Altogether, the EP is a bold statement from a veteran still pushing boundaries. It's deep, physical, and built for futuristic dancefloors. This EP could change minds when it comes to what psy-trance is...

Review: The Expanded Edition of Alan Howarth's They Live brings new life to the cult classic 1988 film's soundtrack. Howarth is well respected, not least for his collaborations with John Carpenter, and here captures the film's eerie tension and anti-consumerist themes with moody synths, bluesy motifs and minimalist sound design that is always hugely evocative. This expanded edition offers remastered audio and additional cues that heighten the mood and deepen the atmosphere. The music's hypnotic, slow-burning energy perfectly mirrors the paranoia and grit of the movie, so it's a landmark score in sci-fi and horror soundtracks.

Review: Argentine electro-cumbia innovator Chancha Via Circuito (Pedro Canale) has a truly strong sense of give and take. His debut movements saw to Bienaventuranza (2018), a critically acclaimed album deep-setting his role in a gauzy downtempo reshape of the global music idiom. A full remix EP of the record followed, spewing forth fresh interpretations by echelonic music masters, including Euro-techno titan Nicola Cruz on 'Alegria', and Spanish producer Baiuca. Now, finally, comes the third in a three-step movement of remixes, this time hearing Chancha Via Circuito himself offer his own remixing hand to several of said very same artists, the works of El Buho, Nickodemus, and Lagartijeando also in tow. Deep, earthy tunes, full of natural oud harmonics blended with chanting, understated downbeats.

Review: El Buho's (Robin Perkins') influential 2017 debut album returns with its first repress, aiding our reflections on an album that helped define the digital folklorica and "natural cumbia" movements emergent in electronic music in the latter half of the 2010s. Balance weaves a complex darn of naturalism, Latin American rhythms, and modern synthetic percussion design, smudging the lines cordoning off organics and synthesis. Hailed in the press as "the ultimate fusion of nature and music" and for evidencing Mexico's indigenous roots in sound, El Buho helped bridge organic and digital worlds of cumbia Andina and chicha with electronic textures here, presaging and perhaps causing the clamour over cumbia that has since ensued.

Review: "Bloody hell" inducing house swing from DJ Spinna (Vincent Williams) and Roland Clark, two absolute historic units of house music hailing from Brooklyn and Newark respectively. Though it's a fresh collaboration, 'When We Dance (Move Your Feet)' has the airs of a classic, informed by joint decades in the game. An unusually high dose of swing parlays a profound propulsion on the matinee special 'Galactic Soul Mix' by Spinna, laden throughout by a rousing narration by Clark himself. The track's electric piano is EQed to flashing, premium glossy heaven; this is the kind of effort we look out for in our house music: no sound cliched, all sounds clinched.

Notes: Upgraded version of WMD's excellent performance mixer module, the PM MKII features four stereo or dual mono channels, CV control of levels, panning and aux sends, plus soft mutes per channel.

Supplier's Notes:
Need More Inputs?

Add four channels at a time to your Performance Mixer MKII setup, or you can use the Channels MKII as a standalone four channel mixer.

The expansion is simple -- identical channels, just more of them. Four at a time, up to four Channels units, for 24 total stereo channels.

A simple 16 pin 2mm pitch expansion cable is provided and is the only connection necessary. Units can be daisy-chained easily resulting in a clean setup.

Additionally, the outputs on Channels MKII still work when connected to the PM MKII. So you get a submix of AUX1, AUX2, and MIX available for whatever you may want to do, drum submixing, FX routing, etc.

Not Just an Expansion -- Standalone Operation
As a standalone unit, you get three stereo outputs, MIX, AUX1, AUX2. The buttons are soft mutes. It's a robust four channel setup.

FYI -- You can not connect CHANNELS MKIIs together without a PM MKII. The summing, buttons, and control brain is in the master section of the PM MKII.

Recording Outputs:

Pre and Post fade headers are available on the rear for connection to the DB25 MKII. Each Chanels MKII will fill 1/2 of a DB25 with the Pre or Post connections.

Specifications:

24HP
36mm Depth behind Panel Including Cables
Board Height Between Rails 111.5mm
Channel Input Gain: -12dB to +20dB
Fader Gain: -100dB to +5dB (Applies to Aux1, Aux2 also)
Pan Curve: -100dB at Hard L/R, -3dB at Center
All Inputs and Outputs (Including Sends, Inserts, Headers, etc) are IN PHASE
HPF: -1.3dB at 20Hz

Notes: Protect the faders on your favorite modules while making them more comfortable to use at the same time!

Perfect size for modules like the WMD Performance Mixer, Malekko Voltage Block, STG Graphic Sequencer, TTSH, Roland JU-06, and more. Custom sized to fit faders snug and clear in color so you can still see the LED indicator. The WMD clear fader cap is a must have for any module with plastic faders.

Review: With Pattern Gardening, London-after-Leeds imprint Wisdom Teeth yank out an extra gnasher we didn't know we had. As has always been the case, label heads Facta and K-Lone could be said to have curated and curetted a new compilation from the joint dentist's chair, exacting a 22-track root canal with periodontal precision, nearly doubling the size of their V/A ambit since 2024's Club Moss. But on this selective six-track sampler for wax, we've only a further sanding down of a much larger minimal, micro and tech house selection; here's gummy textures and maxillary moods by Polygonia, rRoxymore, Lurka, Sub Basics, and newcomer Jichael Mackson. Clarity and sound design are top priorities, as is the ideal of whitened teeth flashed by the poolside. Snappy, Rhodesy, watery.

Notes: Inside the brand new issue:

Haruomi Hosono: The exotica explorer and YMO founder has found his voice in a late career renaissance. By James Hadfield.

Plus: Japanese exotica: A user's guide by David Toop

Bromp Treb: Film maker and musician Neil 'Cloaca' Young has learned from the possibility of failure. By Matt Krefting

Christer Bothen: The Swedish multi-instrumentalist and onetime Don Cherry associate has continued along his own path. By Clive Bell

Crystabel Efemena Riley: The close listening of free improvisation offers vital moments of human connection for the London percussionist. By Abi Bliss

Blackhaine: Stockport's industrial hiphop head is making waves on the world stage with his choreography collaborations. By Hugh Morris

KASAI: Footwork folk. By Daryl Worthington

Use Knife: Rhythms of refuge. By Xenia Benivolski

Nina Garcia: Doppler-like effects. By Milos Hroch

Invisible Jukebox: DJ Scotch Egg: Will the bassist and breakcore pioneer crack The Wire's mystery record collection? Tested by Daniel Neofetou

Global Ear: Experimental music in the Bangladeshi capital thrives under the government's radar. By Simon Coates

Unlimited Editions: Dusty Ballz plugs the Chinese diaspora into the global avant garde. By Daryl Worthington

The Inner Sleeve: Djrum on Svarte Greiner's Knive

Against The Grain: Underground music must urgently defend its trans and queer communities, urges Rosie Esther Solomon

Epiphanies: Joy Guidry finds true freedom in the life lessons of Sun Ra

Soundcheck: Ellen Arkbro, Rashad Becker, Bios Contrast & Nilotpal Das, Elvin Brandhi, Anthony Braxton, Caspar Brotzmann Massaker, Raven Chacon, Chepang, Column258, Content Provider, Melaine Dalibert & David Sylvian, Kevin Drumm, Egg Girl Girl, Brian Eno & Beatie Wolfe, Mark Ernestus' Ndagga Rhythm Force, Escape-Ism, Everything Is Psychedelic, Ben LaMar Gay, Gnaw, Georg Graewe/Brad Jones/Hamid Drake, Georg Graewe & Sonic Fiction Orchestra, Joy Guidry, DJ Haram, Herbert & Momoko, Alan Jenkins, kodiki, Hampus Lindwall, Lippard Arkbro Lindwall, Maurice Louca, Matmos, Rainy Miller, Moin, Mourning [A] BLKstar, Nazar, Stephen O'Malley, Osmium, Daniel O'Sulllivan, paszka, Rufige Kru, Schmitz & Niebuhr, Sensor Ghost, Ursula Sereghy, Mark Stewart, ThisIsDA, MK Velsorf & Aase Nielsen, Zosha Warpeha & Mariel Teran, Larry Wish

The Columns: Avant Rock by Edwin Pouncey; Critical Beats by Misha Farrant; Dub & Reggae by Steve Barker; Electronics by Steph Kretowicz; Global by Francis Gooding; Jazz & Improv by Daniel Spicer; Noise, Industrial & Beyond by Louis Pattison; Size Matters by Byron Coley

The Boomerang: Freddie Hubbard; Iration Steppas; Bennie Maupin; Charles Mingus; Repetition Repetition; Gruff Rhys; Arthur Russell; Pete Shelley; David Van Tieghem; To Live And Shave In LA; Various: All The Young Droids: Junkshop Synth Pop 1978-1985; Various: Disk Musik: A DD Records Compilation

Print Run: TRIP MAGAZEEN: The Complete Collection 1992-1994 by DJ THREE, Grumptronix
& Peter Wohelski; The Uncanny Muse: Music, Art, And Machines From Automata To AI by David Hadju; Philosophy Of Jazz by Daniel Martin Feige (translated by Nathan Ross); Meredith Monk: Calling edited by Anna Schneider, Beatrix Ruf & Peter Sciscioli; Monk In Pieces directed by Billy Shebar & David C Roberts; Relational Improvisation: Music, Dance And Contemporary Art by Simon Rose; Songs In The Key Of MP3 by Liam Inscoe-Jones; Sex Is No Emergency: Adventures In A Post Punk Wonderland by Dorothy Max Prior; Alien Water: Six Decades Paddling In Unpopular Music by Ian A Anderson

On Screen: Isaac Gale & Ryan Olson Swamp Dogg Gets His Pool Painted; Alex Ross Perry Pavements

On Location: Mappa Live, London, UK; Sun Yizhou + Zhao Cong + Zhu Wenbo, London, UK; Mosquito Farm & Zhao Cong + Wenbo/Barker/Betteridge/Mai/Zhu/Shaoyang/Zhuo + Rory Salter & Sun Yizho, London, UK; IZ, Shenzhen, China; AD LIB > 66VOCALISTBODIES,NOT, London, UK; Container, London, UK; Reading Group Residency, London, UK; Apartment House, London, UK; Thawed Out, Chicago, US; Kumio Kurachi, London, UK; Long Play Festival, New York, US; Wolf Eyes + Sly & The Family Drone + Soborgnost, London, UK; Vanessa Rossetto + Matthew Revert + Tom Betteridge, London, UK

On Site: Sound And Silence: An Exhibition Of Contemporary Bells, Bovey Tracey, UK

Review: Released by a Kyiv-based label run by Noizar, this EP serves up a potent mix of minimal and tech house with futuristic flair. On Side-A, 'Ease Your Mind' by Borys offers a mesmerising minimal groove, blending techy, robotic beats with funky, spacey elements. The track's otherworldly vibe creates a hypnotic atmosphere, perfect for both laid-back and deep dancefloor moments. On Side B, 'Los Demeteros"' by Yzer is a heavy stomper, featuring a crunchy bassline that drives the track forward. The eerie, alien melodies lend an unsettling, yet quality to the track, making it feel both futuristic and rooted in the past. The dynamic composition of 'Los Demeteros' draws listeners into its depth, while maintaining a solid, danceable energy throughout. This release is a stunning journey through minimal and electro-techno, showcasing the unique sound of Kyiv's underground scene.

Review: London dubstep producers Hijinx (Kyle Smith) and De-Tu (the trio of C-Side, Christopher Iona and Jevon Ives) team up in an enviably collaborative form, reserving five 12" grooves spread evenly and fairly over two originals each, not to mention these serving to top-cherry one more collaborative number, '3310', which leads the charge on this White Peach juicer. The mood on the record is dynamic and midrange scoopy as ever, with a no-more-no-less production approach squeezing just the right sense of scape from the mix, never saturating its sounds in wetness.