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Notes: The genuine BOSS and Roland Dimension effect is back, and it's now more versatile than ever! Designed in the premium Waza Craft analogue tradition, the DC-2W offers not just a perfect sonic recreation of the original DC-2 Dimension C pedal, but also the legendary SDD-320 Dimension D studio rack effect it was based on. The DC-2W features the same intuitive four-button preset interface as the original '80s-era effects, now evolved with electronic switching that unlocks a multitude of sonic variations not available on the vintage units.

Highly sought-after by musicians and audio engineers, the Dimension's unique spatial processing magically enhances the width and depth of any sound, from electric and acoustic guitars to keyboards, vocals, and other sources. Built from the original circuit designs and updated with modern refinements, the DC-2W is the only pedal available that delivers the classic Dimension experience with complete sonic authenticity.

Enhance Your Sound with Natural Width and Depth

The vintage Dimension effect is famous for its innovative 3D spatial processing that just makes everything sound a little better. It's often mistakenly called a chorus effect, but it's actually not. Though time-based like a chorus, the Dimension's circuit is quite unique and sophisticated, subtly enhancing the width and depth of the source audio without any prominent modulated movement. The resulting sound is more open and natural, gently enriching any instrument or mix without making it sound overly processed.

Four Switches, Expanded Sonic Possibilities

Just like the original Dimension effects, the DC-2W offers a simple and direct interface with four preset switches that provide sonic variations with increasing width and depth. While the originals had mechanical switches, the DC-2W is equipped with modern electronic switches and status LEDs for more solid performance. The new switches also allow you to press two at once to access a variety of additional sounds. Across the DC-2W's two effect modes (S and SDD-320), 20 different Dimension variations are possible with just four switches.

Authentic Tones with Modern Refinements

In the Waza Craft tradition, the DC-2W delivers vintage analogue tones with modern design refinements for enhanced performance and versatility. Along with the new electronic mode switches, the pedal features a newly designed internal bypass circuit that greatly improves on that found in the original DC-2. In addition, versatile I/O enables the pedal to blend in with any mono or stereo rig, from regular guitar setups to audio interfaces and studio mixing consoles. And like all Waza Craft pedal models, the DC-2W includes a premium buffer circuit for ultra-transparent tone when the pedal is switched off.

The Roland SDD-320 Dimension D: A Studio Legend

Very quickly after its debut in 1979, the Roland SDD-320 Dimension D became a go-to secret weapon for audio engineers and music producers around the world. It can be heard on countless classic records in all genres, and is still regularly used today. From guitars, electric pianos, and synths to strings, backing vocals, and more, the Dimension D injects instant spatial mojo and sonic glue without creating an obvious "effect" sound.

The DC-2W's SDD-320 mode fully captures the original Dimension D vibe in every way. Many engineers like to press multiple buttons on the Dimension D rack for new and different sounds. But in truth, only two actual sound variations are technically possible with this undocumented feature. With its modern switching, the DC-2W's SDD-320 mode enables six sound variations when two buttons are pressed, including four "in-between" sounds and two all-new voices.

The BOSS DC-2 Dimension C: 3D Sound in a Compact Pedal

Introduced in 1985, the DC-2 Dimension C pedal brought the Dimension D's distinctive spatial effect to the BOSS compact pedal format. While the Dimension D was designed as a studio effect that supported either mono or stereo input sources, the DC-2 was specifically created for mono sources like guitar, and features a modified circuit that produces a Dimension effect with a slightly different tonal flavour.

Specifications

Modes: S (Standard), SDD-320
Nominal Input Level-20 dBu
Input Impedance: 2.2 M ohms
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance:10 k ohms or greater
Bypass: Buffered bypass
Controls: Pedal switch, S/SDD-320 switch, MODE SELECTOR [1]--[4] buttons
Indicators: CHECK indicator (Serves also as battery check indicator), MODE SELECTOR [1]--[4] indicators
Connectors: INPUT A (MONO) jack: 1/4-inch phone type, INPUT B jack: 1/4-inch phone type, OUTPUT A (MONO) jack: 1/4-inch phone type, OUTPUT B jack: 1/4-inch phone type, DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61), AC adapter (PSA series: sold separately)
Current Draw: 65 mA
Expected battery life under continuous use: Alkaline: Approx. 6 hours *These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (9 V, 6LR61)
Options (sold separately)AC adaptor: PSA series

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb

* 0 dBu = 0.775 Vrms

Notes: Powerful GX-100 tone tools in a compact guitar/bass processor with a color touch display, multi-function footswitches, and a built-in expression pedal.

Players everywhere love the GX-100 for its streamlined design, free-flowing interface, and high-quality tones. Armed with the core GX-100 engine, the compact GX-10 brings you the same inspiring experience in an even more portable footprint.

You get loads of AIRD amps and effects for covering every style, plus speedy sound building with the intuitive colour touch display and panel knobs. Adding in multi-mode footswitches, an integrated expression pedal, and USB audio connectivity, the GX-10 seamlessly transitions from nightly stage performing to desktop recording, song creation, and daily practice sessions.

Compact amp/effects processor for guitar and bass

The same sound engine and colour touch display as the GX-100 in a portable, travel-ready design
Exceptional audio quality with 24-bit AD and 32-bit DA conversion, 32-bit floating-point processing, and 48 kHz sampling rate
Authentic tube amplifier tone and touch response with AIRD technology
32 amplifier types and 170 BOSS effects
Ultra-flexible amp/effect routing up to 15 assignable blocks
Wide selection of onboard speaker types and support for loading WAV speaker IRs
Streamlined modern design with a rugged metal chassis
Three footswitches with flexible control modes
Onboard expression pedal with toe switch
Connect up to two footswitches or an expression pedal for expanded control
Send/return loop for external pedals
Record and play tracks in music production software on a computer or mobile device* via a USB-C
Edit sounds from your computer with BOSS Tone Studio for macOS and Windows
Download and share Livesets at BOSS Tone Exchange (compatible with GX-100 Livesets)
Optional Bluetooth Audio MIDI Dual Adaptor allows you to edit sounds and stream audio from an iOS or
Android mobile device
*Compatibility with all third-party devices and software is not guaranteed.

Weights & measures
Product
300 (W) x 183 (D) x 74 (H) mm
11-13/16 (W) x 7-3/16 (D) x 2-15/16 (H) inches
2.2kg (4lb 14oz)

In the box
AC adaptor (PSB-1U + AC Cord Set)
Owner's manual
Leaflet "USING THE UNIT SAFELY"

2.2kg (4lb 14oz)

IN THE BOX
AC adaptor (PSB-1U + AC Cord Set)
Owner's manual
Leaflet "USING THE UNIT SAFELY"

Notes: Improves your overall tone

The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This is the perfect pedal for guitarists and bassists who want to sound their best.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: SUSTAIN knob, ATTACK knob, TONE knob, LEVEL knob, Pedal switch
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors: INPUT jack: 1/4-inch phone type, OUTPUT jack: 1/4-inch phone type, DC IN jack
Power Supply: Carbon-zinc battery (9V, 6F22) or Alkaline battery (9V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 20 mA

Expected battery life under continuous use: Carbon: Approx. 10.5 hours, Alkaline: Approx. 26 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery/9 V type (6F22)
Options (sold separately) AC adaptor: PSA series
Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 380 g / 14 oz

Notes: Modern phasing with tap tempo sync

The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new "Rise" and "Fall" modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3's Rate, Filter and Tempo.

"Rise" and "Fall" Effects

In addition to standard up and down cycles, the new PH-3 Infinite Phaser can produce entirely upward or downward moving sounds through its new Rise and Fall effects. There's also 4-, 8-, 10-, and 12-stage phasers, plus a Step effect.

Total Control

Syncing the PH-3's phasing effects can be achieved by simply tapping the pedal to the tempo desired. Or, for maximum control, connect an optional expression pedal to control both rate and filter in real time as you play.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output: Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
STAGE switch
RES(Resonance) knob
DEPTH knob
RATE knob
Pedal switch

Indicator: CHECK indicator (Used for indication of check battery)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
EXP/CTL jack: 1/4-inch stereo phone type
DC IN jack

Power Supply:
Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)

Current Draw: 50 mA
Expected battery life under continuous use: Alkaline: Approx. 6 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)

Options (sold separately):
AC adaptor: PSA series
Expression pedal: EV-30/FV-500L/FV-500H, Roland EV-5
Footswitch(momentary-type): FS-5U/FS-6/FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 415 g / 15 oz

0 dBu = 0.775 Vrms

Notes: Create and Perform in the Moment

Introducing the ME-90B, a free-flowing ME processor filled with pro performance tools for bassists. Extend your creative range with 61 effects optimized for bass. Shape your core tone with 10 bass preamps crafted with our latest AIRD technology. Connect to stage amps, house PA systems, and computers. And with the hands-on interface, expression pedal, and direct-access footswitches, you can create and perform in the moment with nothing to slow you down.

For optimal performance, stay up to date with the current ME-90B system software.

Effortless Creative Control

The ME-90B delivers everything a performing bassist needs, accessed via the classic BOSS ME interface for fast stompbox-style operation. Each effect category features independent parameter knobs, allowing you to tweak tones instantly. Manual mode provides on/off footswitch control of each category, while Memory mode lets you call up 36 custom multi-effect setups. Every footswitch has a different LED colour for easy identification, and it's possible to set all LEDs to light in a fixed colour for each mode if desired.

Premium BOSS Effects

The ME-90B comes stocked with premium selections from the BOSS bass effects library, organized into six logical sections that can be used simultaneously. Apply essential tone shapers like compressors, pitch effects, and filters. Explore more aggressive textures with drive and synth effects. Expand your sound with modulation, delays, and reverbs. And dive into a variety of dedicated effects for the onboard expression pedal. There's also a Blend knob to mix in some direct bass sound for clarity, plus a send/return loop to patch in your favourite stompbox effects.

Solid Bass Tone

A strong fundamental sound is the foundation of any great bass rig. The ME-90B's Preamp/EQ section features ten inspiring preamp types backed by advanced AIRD technology, complete with gain and EQ controls for rapid sound adjustment. Express your individual voice with BOSS originals like Natural and Drive Bass. Or call up authentic models of classic bass amplifiers from vintage to modern. There's also an Acoustic type optimized for acoustic-electric and upright bass pickups, plus an EQ-only option for clean DI tones.

Perform, Practice, and Record

With its versatile connectivity and compact, battery-powered design, the ME-90B is ready for every playing scenario. The 1/4-inch outputs support mono or stereo operation, with quick optimization for stage amps or line-level devices via a rear-panel switch. There's also an XLR jack with a ground lift for sending a balanced DI signal to a house PA. The ME-90B's preamps and effects provide studio-quality sound for direct USB recording in music production software. And with the headphones jack, you can quietly hone your chops while jamming with backing tracks from a computer over USB.

Edit, Customize, and Expand

BOSS Tone Studio for Windows and macOS extends your creative range with the ability to edit tones and change out some preamp and effect types with alternate selections. You can also organize memories for different gigs and supplement the onboard speaker IRs with three from your own library. When you're ready for fresh inspiration, log onto BOSS Tone Exchange to swap Livesets with the worldwide ME-90B community. And with the optional Bluetooth Audio MIDI Dual Adaptor, you can stream music from a mobile device and wirelessly shape tones using the BTS editor app for iOS and Android.

Specifications

Sampling Frequency: 48 kHz
AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converters.
DA Conversion: 32 bits
Processing: 32-bit floating point
Effects: 93 Types
Memories: 36 (User) + 36 (Preset)
Phrase Loop: 38 sec. (MONO)
Internal Tuning Detection Accuracy: +/-0.1 cent

Nominal Input Level:
INPUT: -10 dBu
RETURN: -10 dBu

Maximum Input Level:
INPUT: +7 dBu
RETURN: + 7dBu

Input Impedance:
INPUT: 1 M ohm
RETURN: 1 M ohm

Nominal Output Level:
OUTPUT L/MONO R: -10 dBu
PHONES: -10 dBu
SEND: -10 dBu
BALANCED OUTPUT: -10 dBu

Output Impedance:
OUTPUT L/MONO, R: 1 k ohm
PHONES: 44 ohms
SEND: 1 k ohm
BALANCED OUTPUT: 600 ohms

Recommended Load Impedance:
OUTPUT L/MONO, R: 10 k ohms or greater
PHONES: 44 ohms or greater
SEND: 10 k ohms or greater
BALANCED OUTPUT: 600 ohms or greater

Controls: BANK /AMP/EQ switch, BANK /MOD switch, CTL/BLEND switch, MEMORY/MANUAL switch, 1/COMP switch, 2/FILTER switch, 3/DRV/SYN switch, 4/DLY/REV switch, PEDAL FX switch, GND LIFT switch, AMP/LINE switch, POWER switch, EXIT button, WRITE button, CTL button, EDIT button, PREAMP TYPE knob, BASS knob, MIDDLE knob, TREBLE knob, GAIN knob, LEVEL knob, MOD TYPE knob, TYPE knob, RATE/TIME knob, DEPTH/DUTY/FB knob, E.LEV/RESO knob, BLEND knob, COMP/FX1 TYPE knob, SUSTAIN/LOW/-1OCT knob, ATTACK/HIGH/-2OCT knob, LEVEL/DIRECT knob, FILTER/FX2 TYPE knob, SENS/RATE/KEY knob, TONE/DEPTH/HRM knob, PEAK/LEVEL/RESO knob, DRIVE/SYNTH TYPE knob, DRIVE knob, TONE knob, LEVEL knob, DLY/REV TYPE knob, TIME knob, FEEDBACK/TONE knob, E.LEVEL knob, OUTPUT LEVEL knob, PEDAL FX TYPE knob

PEDAL FX pedal

Display: 7 segments, 2 characters (LED)
Tuning guides (LED)

Connectors
INPUT jack, OUTPUT (L/MONO, R) jacks, SEND jack, RETURN jack: 1/4-inch phone type
BALANCED OUTPUT jack: XLR type
PHONES jack: Stereo miniature phone type
USB COMPUTER port: USB Type-C(R)
Bluetooth ADAPTOR connector: Dedicated connector
DC IN jack

Power Supply: Alkaline battery (AA, LR6) x 4 or AC adaptor
Current Draw: 195 mA
Expected battery life under continuous useAlkaline battery: Approximately 6 hours * This can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.

Accessories: STARTUP GUIDE, Alkaline battery (AA, LR6) x 4, Leaflet "USING THE UNIT SAFELY"
Options (sold separately): AC adaptor: PSA-S series, Bluetooth(R) Audio MIDI Dual Adaptor: BT-DUAL, Carry Bag: CB-ME80,CB-BU10

Size & weight

Width: 443 mm / 17-1/2 inches
Depth: 220 mm / 8-11/16 inches
Height: 67 mm / 2-11/16 inches
Maximum Height: 93 mm / 3-11/16 inches
Weight(including battery): 2.9 kg / 6 lb 7 oz*

0 dBu = 0.775 Vrms

Notes: The Nectar "Tone Sweetener" strikes aperfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs wonderfully with any guitar, pedal or amp.

Use the mode toggle to switch between the DRIVE and FUZZZ modes, while the LEDS indicate the selected mode, even when the effect is bypassed. Fine-tune your sound with the TASTE control to set the perfect eq for each guitar or amp.

The Nectar's responsiveness is truly unparalleled, like a delicate bee collecting pollen. Every nuance of your playing is enhanced and sweetened in the best way possible, with plenty of headroom.

True Bypass Design
Power requirement: 9V, 30mA
Made in California, USA

Notes: The Larva is a 6-stage analog phaser with a built-in preamp and morphing capabilities. It offers two phaser settings, letting you easily switch between different sounds or morph between them for unique transitions. Whether used as a classic phaser, a vibe pedal, or just a preamp, the Larva delivers versatility and creative possibilities, always with the Beetronics unique signature.

The interface is intuitive and simple, yet the pedal can produce a huge amount of sounds and movements unique to this phaser. A bar of LEDs tracks the ramp movement, showing if you're in phase one or two, while the bypass LED doubles as a meter to monitor preamp distortion.

As our first phaser, the Larva brings together a large swathe of creative options with a streamlined, user-friendly design-modulation sweetness with a touch of gain.

Notes: Ozymandias - Dual overdrive pedal for guitar with exceptional distortion sounds

Ozymandias is a stacked dual-overdrive/distortion pedal that offers a plethora of usage options, choices fit for the King of Kings. From a near-clean boost with unparalleled headroom to full bore bourbon-swilling crunch, this one rules them all.

Features and Controls
Ozymandias contains two independent overdrive circuits, with identical controls but marked differences in tone and voicing:

The CROOK channel (left side, blue LED) boasts a full, fat thick sound and amp-like voicing. This channel is more articulate, grainy and has a huge low end.

The FLAIL channel (right side, red LED) is voiced in the midrange, with more drive and compression. This high-mid voicing will cut through a mix on pretty much any instrument.

Both channels have GAIN, TONE and VOLUME controls. For more textural control, each channel has three-way switches for hard (GRIND) and soft (GRIT) clipping, as well range (FULL/MID).

Each channel of the Ozymandias has its own set of input and output jacks. This allows you to split the output from each channel into separate amplifiers or even process two different instruments independently.

The mysterious square in the middle switches between two modes:

Series (Light off): FLAIL channel -> CROOK channel -> Output 2
Parallel (Light on): FLAIL channel -> Output 1; CROOK channel -> Output 2
Thanks to internal 22V operation, Ozymandias offers far greater headroom than most overdrive pedals from a regular 9V pedal power supply. Even with the gain dimed, this pedal is extremely reactive to playing dynamics and pick attack.

Notes: Suitable for guitar, synths, drum machines and more, the updated Godeater refines the boutique saturation/distortion pedal, offering more precise control over low frequencies. New filter-keyed sidechain, advanced routing and MIDI integration add major flexibility.

Supplier's Notes:
The new Godeater+ is the successor to the successful Godeater pedal from Indian manufacturer Animal Factory.

The Godeater was primarily designed for electric basses and saturates the sound in the lower frequencies. However, it is not limited to bass guitars. The pedal can also be used with synthesizers or guitars. The pedal can also be interesting in combination with drum computers. The main aim of the Godeater+ is to create a pedal that allows you to create a distorted sound without losing the low frequencies.

Notes: ALM's versatile MFX effects module translates to a compact pedal format, suitable for guitar, synth or any other instrument. Understated looks conceal a super versatile combo of 18 stereo programs with assignable parameters and MIDI control.

Supplier's Notes:
Standalone stereo multi effects processor

The 'MFX Pedal' brings all the effects and functionality of ALM's popular Eurorack MFX module to both guitars and synths in standalone form with 18 different fully featured effects programs and additional MIDI, Knob and Expression pedal control, tap tempo, an optional analogue gain stage and true relay (or DSP) based bypass.

Inspired by ALM's favourite classic hardware effects processors, the MFX incorporates DSP effect technologies from the dawn of digital effects in the 70s to the present day. Reshape sounds with the distortion and dynamics engines. Bend time space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, frequency shifter, and range of ensemble effects. Fracture sounds with the one-of-a-kind granular and glitch engines.

The MFX Pedal user interface is designed to be familiar, quick and easy to use. Each program contains a wide range of controllable parameters both directly editable or freely assigned to knobs, MIDI or expression control. Each program includes factory presets as well as the ability to store and recall user presets. All states are preserved across power cycles.

Available for the first time outside of modular, the MFX pedal easily brings the character and uniqueness of ALM effects to your guitar rig, DAW-less setup, mixer effects send or synth collection.

Tech Specs
Power: 9V DC power, center negative
Current Draw: 100mA (200mA+ supply recommended)
Input Impedance: 1MOhm
Output Impedance: 1Kohm
Max Input level: +8 dBu (2 Vrms ~ approx 5Vpp)
Optional Gain Stage: +10 dB
Bypass: True Relay & Buffered DSP based
Expression input: 0-3V
Dimensions: 125x65x70mm
16 Bit / 44.1Khz Stereo processing with 32 bit floating point DSP
ARM CPU based DSP

Notes: Introducing the Devil's Triad Essentials, All-Pedal's newest pedal designed in collaboration with Jeff Loomis. Built on the original Drive section of the now famous Devil's Triad, the "Essentials" provides you with one of the most versatile drive pedals ever created. All-Pedal started with the same Drive circuit, which is already able to deliver a wide range of drive tones. To this, an active three band EQ was added, tuned to the ideal frequencies for dialling in the best match for your particular amp or emulator. Then, the design weas finished off with an all new integrated Boost section. Now you not only have the ability to boost the output signal coming from the Drive section, but you can also boost the gain of the Drive itself. In addition, both of these Boost controls have a small area of cut available in the minimum settings. This means you have the ability to preset Post volume cut or boost, and Pre cut or boost. It sounds amazing on it's own, or when used to shape the drive tones of your favourite amp. The Devil's Triad Essentials aims to be your essential tone shaping tool.

Overdrive

Analogue op-amp drive provides depth and tightness to any amplifier while emphasizing your pick attack.
Drive input impedance: (Measured) ~ 400K @ 1kHz
Total Output: 20db
Power Draw: 37mA @ 9VDC

Boost

Pre & Post boost knobs for ultimate control on the front and back of the drive circuit.
Boost: Analog op-amp
Measured input impedance: 325K @ 1KhZ
Boost: Unity - 20db

3 band EQ

Highly tuneable 3-band EQ section, designed specifically for guitar. With rugged construction, unparalleled touch sensitivity, amp-like dynamics, and versatile tone shaping onboard.
High: Active 10db boost / 15db cut, centre frequency 4kHz
Mid: Active 7.5db boost / 7.5db cut, centre frequency 1kHz
Low: Active 7.5db cut / 13db cut, centre frequency 70Hz

Technical details

Size: 4.7" x 2.6" (121mm x 66mm)
Power: 9V Power Jack (No battery connector inside)
Power Draw: 37mA
True Bypass

Notes: The GALACTAVISE is Allpedal's flagship compressor. Built with the musician's needs in mind, it boasts an uncompromisingly sweet compressor circuit with a Mix control for dialling in that perfect balance of compressed tone and clean tone.

The top end can often be make or break with many compressor circuits, so AllPedal also added the ability to adjust just the right amount with the Presence control. Made with the highest quality components for a low noise floor and road-worthy durability.

Let the GALACTAVISE blast your tone into orbit!

GALACTAVISE is the best guitar compressor pedal for musicians seeking to balance their sound's dynamics. As the best compression pedal on the market, it allows guitarists to control their volume levels efficiently, ensuring a consistent sound output. This guitar compression pedal is an essential tool for both studio recording and live performance.

As with all their effect pedals, AllPedal took special care in the GALACTAVISE's aesthetics with its finish, sophisticated artwork and anodized knobs.

GALACTAVISE is proudly made by hand in Paducah, KY in the USA using the latest cutting-edge technology in the pursuit of ultimate tone.

Notes: Bad Comrade Pedal

(Glitch, Pitch, Slice, and Dice)

Is it a distortion pedal? Is it a ring modulator? Delay? Just call it the Bad Comrade, the world's first hand-wired glitch, pitch, slice, and dice pedal. For the adventurous guitarist (or anyone wielding a 1/4" jack) that craves unthinkable tones, the Bad Comrade lets you distort, modulate, glitch, and slice on the fly.

The Bad Comrade is hand-wired in Seattle, Washington. True bypass, chrome plated LED, lead-free solder. It operates on a standard Boss style 9vdc power supply, not included. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Important: power up the Bad Comrade with Glitch and Time wide open.

Enclosure size: 4.67" x 3.654" x 1.547"