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Items 1 to 50 of 1,301 on page 1 of 27
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FORTHCOMING
1984
1984 (limited numbered hybrid SACD)
Cat: 821797 224864. Rel: 31 Dec 25
 
Rock
1984
Jump
Panama
Top Jimmy
Drop Dead Legs
Hot For Teacher
I'll Wait
Girl Gone Bad
House Of Pain
Review: Van Halen's 1984 remains a seminal record in the history of rock music, marking a significant pivot in both the band's sound and its broader influence on the genre. Released in a year crowded with iconic albums from heavyweights like Judas Priest, Iron Maiden and Bon Jovi, 1984 stood out with its innovative use of synthesisers, a bold move for a band traditionally known for its hard-hitting guitar-driven rock. This sonic shift, spearheaded by Eddie Van Halen's exploration of keyboards, made the album both controversial and groundbreaking, with 'Jump' becoming a defining anthem of the era. The album kicks off with the brief, synth-driven title track that transitions seamlessly into 'Jump,' a song that introduced a new layer of polish to Van Halen's sound without sacrificing the energy or fun that defined their earlier work. Despite initial resistance from die-hard fans, 'Jump' became the band's most commercially successful song, balancing Eddie's keyboard experimentation with David Lee Roth's larger-than-life vocals. Following 'Jump', the album dives back into more familiar territory with tracks like 'Panama' and 'Hot For Teacher', showcasing the signature blistering guitar riffs and infectious rhythms that put Van Halen on the map. 'Panama' is an explosive rocker, with crunching guitars and Roth's unmistakable charisma, while 'Hot For Teacher' opens with one of the most recognizable drum intros in rock history. The band's chemistry is on full display, combining wild guitar solos, booming bass lines, and energetic vocals. Deeper cuts like 'Top Jimmy' and 'Drop Dead Legs'' are often overshadowed by the big singles but still highlight the band's dynamic range. 'I'll Wait', with its atmospheric production and introspective tone, stands as one of the more unique entries in the Van Halen catalog, blending ghostly vocal effects with the band's pop sensibilities. Produced by Ted Templeman, 1984 strikes a delicate balance between the more polished sound of mainstream rock and the band's rough, raw origins. The album's commercial success, aided by MTV and the rise of music videos, cemented Van Halen's place in the pantheon of rock greats. Even 40 years after its release, 1984 sounds fresh, an enduring testament to Van Halen's ability to innovate without losing their core identity. Whether it's the flashy guitar solos, Roth's exuberant vocal performances, or the bold use of synthrs, 1984 captures a band at the peak of their powers, pushing boundaries while staying true to their rock 'n' roll spirit.
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est. release 31 Dec 25 $42.05
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FORTHCOMING
Arcadia
Arcadia (CD)
Cat: AFFINCD 12. Rel: 06 Oct 25
 
Ambient/Drone
Elysium
Horizon
Serenity
Luster
Luminosity
Utopia
Review: Past Inside The Present boss zake, Joachim Spieth and Markus Guentner join forces for a collaborative work that flits gracefully down the seam ambient and drone music. The vision unfolds across eight tracks, from the opener 'Elysium' and its almost hymn-like grandeur and the airy swathes of synth on 'Horizon', right through to the super sustained notes of 'Utopia' at its end. A meditational listen for sure, but one with plenty of mood peaks and troughs along the way.
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est. release 06 Oct 25 $18.22
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FORTHCOMING
Genesis
Genesis (hybrid SACD)
Cat: CAPA 043SA. Rel: 26 Sep 25
 
Rock
Mama
That's All
Home By The Sea
Second Home By The Sea
Illegal Alien
Taking It All Too Hard
Just A Job To Do
Silver Rainbow
It's Gonna Get Better
Review: Genesis' 1983 release begins with an ominous whisper, 'Mama', where Phil Collins channels something unnerving-part confession, part menace-set against sparse, mechanical drum programming. The track crescendos into a searing release, its layers of synths and percussion driving home a deep unease. If 'Mama' is the ghost in the machine, 'That's All' is the human touch: deceptively light, yet built on intricate layers of melody and rhythm that reveal the band's refined craftsmanship. The album balances pop accessibility with progressive roots. 'Second Home by the Sea', a two-part suite, showcases their knack for storytelling through instrumental drama, while 'Illegal Alien' mixes humour with commentary in a way that still provokes discussion. For fans of lush, introspective ballads, 'Taking It All Too Hard' offers a poignant standout moment. This reissue captures Genesis at a pivotal point, straddling their experimental past and chart-topping future. A must-have for fans exploring the evolution of a genre-defining band.
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est. release 26 Sep 25 $45.13
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FORTHCOMING
Abandoned Luncheonette
Cat: CAPA 050SA. Rel: 26 Sep 25
 
Rock
Review: After the relative commercial un-success of their debut Whole Oats, Hall & Oates relocated to the Big Apple to record 1973's Abandoned Luncheonette, marking the start of their New York chapter, which perhaps artistically expressed their own debutant dismay. Produced by Arif Mardin, and in a rightly disgruntled fashion, the duo sought to distance themselves from commercial formulae, honing a unique sound that would later prove non-fungible. Keeping close to the pair's American roots, Mardin played a crucial role, and under his guidance, H&O would call the production process a vital learning experience. The second side of the record is notable for its guitarist Chris Bond's Beatles-inspired ideas, which he would later express as a regretful choice, as it deviated substantially from H&O's vision. But this is an overall "magical" record, as expressed by the duo themselves.
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est. release 26 Sep 25 $46.26
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FORTHCOMING
What'd I Say
What'd I Say (hybrid SACD)
Cat: CAPA 048SA. Rel: 26 Sep 25
 
Soul
Review: Improvised onstage to fill time, 'What'd I Say' became one of the most important recordings in modern music history. Built around Charles' electrifying Wurlitzer riffs, call-and-response exchanges with the Raelettes, and a gospel-blues structure oozing sexual energy, it bridged sacred and profane, church and club. The single, split into two parts, fused gospel passion with r&b swagger and Latin rhythm, helping birth the genre of soul itself. Banned by many radio stations for its overt sensuality, it nevertheless soared into the mainstream, giving Charles his first gold record and changing the sound of pop forever. Everyone-from The Beatles to James Brown-took note.
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est. release 26 Sep 25 $44.85
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FORTHCOMING
Purple
Purple (hybrid SACD)
Cat: CAPA 029SA. Rel: 26 Sep 25
 
Indie/Alternative
Review: In newly audible, shimmering detail, Stone Temple Pilots' second LP (1994) marked a shift from the rawness of their pilot album Core toward tighter songwriting and broader sonic reach, layer-caking their readily established grunge sound in starker progressions and clearer Southern gothic baritones from Scott Weiland. 'Vasoline', 'Big Empty' and 'Interstate Love Song' still hit hard, yet deeper cuts like 'Pretty Penny', 'Lounge Fly' and 'Silvergun Superman' reveal the album's layered charm. Only 47 minutes long, but full of unexpected sonic flourishes, it's now rediscovered in 45rpm form, thanks to Analogue Productions, compared to whom few do it better.
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est. release 26 Sep 25 $45.97
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FORTHCOMING
Otis Blue: Otis Redding Sings Soul
Cat: CAPA 035SA. Rel: 26 Sep 25
 
Hip Hop/R&B
Review: The third studio release from Georgia-born vocalist Otis Redding captures one of soul's most transcendent voices hitting his stride. Recorded at Stax in Memphis with the label's legendary house band, the LP blends Redding originals like 'Respect' and 'I've Been Loving You Too Long' with impassioned reinterpretations of songs by Sam Cooke, B.B. King, the Rolling Stones, and more. Backed by Booker T. & the M.G.'s and the Memphis Horns, Redding delivers performances that are raw, urgent and unmistakably Southern - his voice rising from pain to exultation in a single breath. 'Ole Man Trouble' opens in a mood of wounded resolve, while 'Change Gonna Come' channels Cooke's civil rights sorrow with a gut-punching tenderness. 'Shake' and 'Satisfaction' bristle with brassy energy, offering a grittier counterpoint to their original versions. Despite being largely composed of covers, every track is transformed by Redding's vocal phrasing and the band's immaculate drive. What results is a tight, 30-minute lesson in Southern soul, uniting gospel, blues and r&b into something wholly its own. It remains one of the most complete studio expressions of Redding's short but seismic career - a benchmark of the genre and a defining record of the 60s.
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est. release 26 Sep 25 $45.97
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FORTHCOMING
The Lamb Lies Down On Broadway (50th Anniversary Super Deluxe Edition)
Cat: 060349 7819157. Rel: 26 Sep 25
 
Progressive Rock
Review: Genesis' double concept album from 1974 is a seraphic work, telling the surreal, mythic story of Rael, a Puerto Rican youth navigating a dreamlike New York City filled with bizarre characters and symbolism. Also Peter Gabriel's last album with Genesis, it marks the moment that the 'Solsbury Hill' singer left to pursue a solo career, thus curtailing the era of "progressive Genesis". Hailed as one of the most influential prog rock albums of all time, it exalts Genesis as early users of ambient, synth-driven moodscapes, which serve as transcendent backdrops for Rael's "ashy to classy" bildungsroman. As a Puerto Rican street kid embarks on an odyssey of personage, the album reaches a staunch climax in an archetypal castration scene. Also doubling as a live show in which Peter Gabriel donned grotesque costumes and leathery hides to represent Rael - not quite Broadway, but close - this new set comes complete with a 1975 tour programme reproduction, replica ticket, poster and a 60-page coffee table style book featuring rare images and new liner notes by Alexis Petridis.
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est. release 26 Sep 25 $98.12
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FORTHCOMING
Foxtrot
Foxtrot (hybrid SACD)
Cat: CAPA 027SA. Rel: 26 Sep 25
 
Rock
Review: This 1972 masterpiece opens with 'Watcher of the Skies,' an expansive track that marries atmospheric keyboards and quirky rhythmic bombast with Gabriel's distinct voice, while its centrepiece. 'Supper's Ready,' stretches over 20 minutes, shifting effortlessly between prog grandeur and delicate folk. The album's blend of complex structures and emotional depth is evident in 'Get 'Em Out by Friday,' which combines sharp social commentary with intricate time signatures. Throughout, the band proves their mastery of dynamics, using their progressive rock sound to push boundaries while remaining grounded in emotional resonance. A timeless exploration of musical freedom.

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est. release 26 Sep 25 $45.13
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FORTHCOMING
Welcome To My Nightmare
Cat: CAPA 015 SA. Rel: 26 Sep 25
 
Rock
Review: 1975 marked a defining moment in the Alice Cooper character arc, with the release of Welcome to My Nightmare, a concept album reiterating the Kiss member's theatricality, storytelling skills, and knack for all things phantasmagoric. From 'Welcome to My Nightmare', listeners are plunged into a dark fantastical nether-realm, with added orchestration lending Cooper's craft a Burtonesque grim like never before. In collaboration with longtime producer Bob Ezrin, Cooper impelled many memorable spirits here, naturally forming the sonic backbone of the eponymous, accompanying concert film (1975) produced by David Winter. The album's breakout hit, 'Only Women Bleed', reached the Top 5 and played a major role in propelling Welcome to My Nightmare to multi-platinum status.
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est. release 26 Sep 25 $45.13
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FORTHCOMING
The Soul Of Ben Webster
Cat: CVRJ 6124SA. Rel: 26 Sep 25
 
Jazz
Review: Originally recorded in New York City in July 1958 and issued on Verve, this tight seven-piece session unites tenor sax giant Ben Webster with trumpeter Art Farmer and fellow saxophonist Harold Ashby for a sterling set of melodic swing and balladry; a romantic sidestep indeed for the Ellington/Holiday sessional and legend in his own right. Tracks like 'Chelsea Bridge' and 'Coal Train' give ample space for lyrical phrasing and subtle interplay, backed by a rhythm section featuring Milt Hinton, Dave Bailey and Jimmy Jones. Guitarist Mundell Lowe rounds out the lineup. This reissue arrives as a hybrid SACD, mastered by George Marino at Sterling Sound using original tapes. Marino opted for the George Massenburg GML 20-bit A/D for the final transfer, citing its sonic synergy. The disc includes both high-res SACD stereo and standard CD layers.
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est. release 26 Sep 25 $37.57
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FORTHCOMING
A Trick Of The Tail
A Trick Of The Tail (hybrid SACD)
Cat: CAPA 073SA. Rel: 26 Sep 25
 
Rock
Dance On A Volcano
Entangled
Squonk
Mad Man Moon
Robbery, Assault And Battery
Ripples
A Trick Of The Tail
Los Endos
Review: Genesis' 1976 album represents a pivotal moment for the band, blending intricate jazz/fusion elements with their signature progressive rock style. The SACD release highlights the nuanced interplay among members, delivering stunning clarity to Phil Collins' dynamic drumming and Mike Rutherford's sophisticated bass lines. Tracks like 'Dance on a Volcano' showcase the band's energy, with Steve Hackett's guitar evoking vivid imagery against Tony Banks' layered keyboards. 'Entangled' and 'Mad Man Moon' stand out for their delicate, introspective tones, featuring acoustic guitars and emotive vocals from Collins, whose voice brings a heartfelt authenticity to the material. The intricate use of mellotron, especially on 'Los Endos' and the latter half of 'Entangled,' adds a lush, choral atmosphere. 'Ripples' emerges as one of Genesis' finest moments, its nostalgic beauty underscored by shimmering 12-string guitars and majestic instrumental passages. Meanwhile, 'Squonk' delivers a rhythmic punch, marking a turning point where Collins proved his mettle as both drummer and vocalist. With its varied compositions and instrumental brilliance, the album bridges the theatrical style of earlier works with a more cohesive and music-centric approach. The SACD release ensures these performances resonate more vibrantly than ever, cementing its place as one of the band's definitive achievements.
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est. release 26 Sep 25 $45.41
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FORTHCOMING
Supposed Former Infatuation Junkie
Cat: UDSACD 2299. Rel: 26 Sep 25
 
Indie/Alternative
Front Row
Baba
Thank U
Are You Still Mad
Sympathetic Character
That I Would Be Good
The Couch
Can’t Not
UR
I Was Hoping
One
Would Not Come
Unsent
So Pure
Joining You
Heart Of The House
Your Congratulations
Review: Supposed Former Infatuation Junkie is Alanis Morissette's ambitious follow-up to 1995's mega-hit Jagged Little Pill. Released November 3, 1998, the album defied expectations and avoided the easy path of imitation and in instead, Morissette dove deeper into introspection, spiritual growth and lyrical vulnerability. With eclectic production blending rock, Eastern influences and hip-hop grooves, the album reflects the sound of a maturing artist embracing complexity. Songs like 'Front Row' and 'Thank U' reflect her evolving voice which is less angry, more self-aware yet still fearless. This bold, personal work solidified Morissette's artistic identity beyond her already proven commercial success.
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est. release 26 Sep 25 $52.69
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FORTHCOMING
Killing Me Softly
Killing Me Softly (hybrid SACD)
Cat: CAPA 054SA. Rel: 26 Sep 25
 
Hip Hop/R&B
Review: A renowned and timeless soul masterpiece, this album was built upon simmering ballads, powerful message songs and excellent up-tempo tracks. Released in 1973, the album cemented Flack's status as one of the top-selling female vocalists across genres. The title track, which won the 1974 Grammy Award for Record of the Year, stands as a definitive moment in her career, featured her unparalleled vocal depth and emotional range. The sound quality of this SACD is exceptional, with superb clarity and transparency, delivering a rich, three-dimensional sound. The punchy bass and beautiful mix reveal deep spatial depth and air around each instrument, making this one of the most vivid and true-to-life renditions of the album available today.
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est. release 26 Sep 25 $44.85
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FORTHCOMING
Nursery Cryme
Nursery Cryme (hybrid SACD)
Cat: CAPA 026SA. Rel: 26 Sep 25
 
Rock
The Musical Box
For Absent Friends
The Return Of The Giant Hogweed
Seven Stones
Harold The Barrel
Harlequin
The Fountain Of Salmacis
Review: Genesis took a significant leap forward with the addition of Phil Collins and Steve Hackett to the lineup and this album showcases a perfect blend of bombastic keyboards, intricate melodies and imaginative storytelling. Opening with 'The Musical Box', a mini rock opera that fuses nursery rhyme influences with progressive rock grandeur, the album establishes itself as a classic. The heavy and menacing 'The Return of the Giant Hogweed' exemplifies the band's creative audacity, while 'For Absent Friends' offers a brief, gentle respite led by Collins' emotive vocals. 'Seven Stones' features one of the most iconic Mellotron solos, while 'The Fountain of Salmacis' presents a mythical tale with symphonic depth. 'Harold the Barrel' provides a brief, humorous interlude and 'Harlequin' offers a quaint but somewhat disposable moment. The record's strength lies in its balance of light and dark, with moments of beauty and power seamlessly intertwined. The album captures the band's transition from their early sound to a more ambitious, epic style, laying the groundwork for future masterpieces. It remains a cornerstone of progressive rock, showcasing Genesis at their imaginative best.
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est. release 26 Sep 25 $45.13
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FORTHCOMING
Abacab
Abacab (hybrid SACD)
Cat: CAPA 042SA. Rel: 26 Sep 25
 
Rock
Abacab
No Reply At All
Me & Sarah Jane
Keep It Dark
Dodo/Lurker
Who Dunnit?
Man On The Corner
Like It Or Not
Another Record
Review: Abacab remains an album that pulses with the energy of the early 80s, yet it carries a weight of reflection that anchors it beyond its time. The opening track sets a brisk pace, its driving rhythm section cutting through the dense layers of synths with a sense of urgency. 'No Reply at All' stands as one of the album's high points, with a funk-infused groove that is both unexpected and irresistible. As the album progresses, 'Dodo' takes a darker turn, blending prog-rock sensibilities with electronic textures, showing the band's ability to evolve while retaining their distinctive voice. Throughout, there's a sense of experimentationia willingness to push boundaries, to step away from their previous sound while staying true to their roots. Abacab showcases a band in transition, seamlessly fusing their past with the future they were stepping into.
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est. release 26 Sep 25 $45.13
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FORTHCOMING
The Genius Of Ray Charles
Cat: CAPA 066SA. Rel: 26 Sep 25
 
Soul
Review: Originally released in 1958, and now reissued, was a stylistic change for Ray Charles. Departing from the gospel-infused r&b of his earlier Atlantic work, Charles grew into a lush, genre-blending approach that straddled a big band swing and string-laden balladry. Ray, 28 years old, this was already his sixth album of material. Now on SACD, a format known to be the most superior consumer format, we can all appreciate the intricate details of this landmark album. Side-A is a high-energy one, powered by arrangements from Quincy Jones and contributions from members of the Count Basie and Duke Ellington bands. Tracks like 'Let the Good Times Roll', 'It Had to Be You' and 'A'exander's Ragtime Band' sparkle with swagger and sophistication. Charles's piano lines snake through the arrangements with soulful ease, unifying the jazz-driven ensemble with his distinctive r&b touch. Side-B turns more introspective, featuring Ralph Burns's rich orchestral arrangements. Here, Charles delivers haunting renditions of 'Just for a Thrill', 'You Won't Let Me Go', and the moving 'Don't Let the Sun Catch You Crying'. His expressive phrasing and tender piano work bring emotional depth to each piece. The album concludes with a stirring take on 'Come Rain or Come Shine', arguably one of his greatest recorded performances. More than a recording of vocal talent, this album redefined what a soul artist could achieve within the framework of American popular music.
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est. release 26 Sep 25 $44.85
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FORTHCOMING
Jittoku 76
Jittoku 76 (2xCD)
Cat: DRFT 19CD. Rel: 19 Sep 25
 
Psych/Garage Rock
Review: Kyoto punks Les Rallizes Denudes denude us of our pretensions with this live recording, taped on July 30 during a brief stopover on route to the Sunset Carnival in Ishikawa. The psych-noise band's lineup at the time included founding members Takashi Mizutani and Takashi Nakamura, joined by Hiroshi Nar (ex-Zunou Keisatsu) on bass and Sami (aka Toshiro Mimaki) on drums. Captured on a Marantz cassette deck with internal mics, this is a raw recording of a power-psych show of force, and despite deleting album cut 'The Last One', it's been as sensitively restored as possible by Makoto Kubota. Jittoku 76 offers a notably different set from '77 Live, containing early versions of 'Dream Again Today' and 'Carnival', not to mention a bruising rework of 'Hibiscus Flower', dragging the track into heavier in-the-moment territory.
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est. release 19 Sep 25 $22.15
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FORTHCOMING
Live At Montreux Jazz Festival 2022
Cat: 402975 9204398. Rel: 05 Sep 25
 
Jazz
Review: Captured at the Stravinski Auditorium, this new Ear Music set from Doncaster-born jazz fusion guitarist John McLaughlin fuses new material with longtime favourites like 'New Blues Old Bruise' and 'El Hombre Que Sabia', reaching its zenith with a charged take on Pharoah Sanders' 'The Creator Has A Master Plan'. First led by the reflective first single 'Abbaji', a tribute to tabla master Alla Rakha, the album underlines McLaughlin's all-directional reach across jazz, blues and global traditions. His relationship with Montreux stretches back over five decades, and this edition - Blu-ray, 2xCD digipak, 2xLP gatefold and digital - catches a modern master still pushing at the edges.
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est. release 05 Sep 25 $21.30
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FORTHCOMING
A Danger To Ourselves
Cat: RVNGNL 118CD. Rel: 05 Sep 25
 
Experimental/Electronic
Cosa Rara (feat David Sylvian)
Amorcito Caradura
No Death No Danger
Caes (feat Camille Mandoki)
Aguita Con Sal
Hasta El Final
Divina
Acephale
Mala Sangre
The Common Reader (feat The Common Reader)
Stelliformia
El Exceso Segun Cs
Covenstead Blues
Review: With A Danger To Ourselves, Lucrecia Dalt builds on the momentum of 2023's iAy!, although it also hears her disrobe the experimental trickery of her earlier outings for a clearer songwriting sensibility. Written during tour limbo and the early days of a relationship, the record discards her usual fictional cloaks for autofiction, threading narrative, quotidian daily life fragments through a careful production needle, productively bar-mounted to the machine by the mythical production hand of David Sylvian. There's less melody here, more gravity; Dalt's voice cuts through the mix with new sharpness, as Spanish and English blur across tracks like 'Divina', where sensual dread meets forensic sound design detail.
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est. release 05 Sep 25 $13.74
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FORTHCOMING
Friend
Friend (CD with obi-strip)
Cat: WHYT 83CD. Rel: 05 Sep 25
 
Experimental/Electronic
Days Go By
Blinkmoth (July mix)
Doom Bikini
Idea 2
N'Balmed
Rider
On God
Peel
Lude (Unwind)
Play
Lung Slide
Hypersoft Lovejinx Junkdream
Collapse (Falling Forward Blissfully All The Time)
Review: James K returns on AD 93 with her third album and a refined culmination of over a decade's intuitive music making. The New York-based producer and vocalist's signature hauntological dream pop melds breathy, lilting vocals with intricate guitar and electronic textures, crafting soundscapes that feel like recovered memories - at once delicate, immersive and charged with subtle tension. Building on the urgency of her 2013 debut 'Rum' EP and the prismatic depth of PET, the present offering navigates between the homespun DIY rave ethos and the evolving urban pulse of her city. Tracks like 'Blinkmoth (July Mix)' and 'Collapse (Falling Forward Blissfully All The Time)' reveal her mastery of balancing spacious atmospherics with emotional weight, while the album's carefully layered compositions highlight collaborations that have enriched her sound over the years. With Friend, James K reclaims her place as a singular voice in experimental electronic music, offering a slow-burning, dreamlike journey that both soothes and unsettles.
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est. release 05 Sep 25 $17.39
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FORTHCOMING
Live At Wall&Wall Mode 2024/06/01
Cat: MODE 01. Rel: 29 Aug 25
 
Experimental/Electronic
Review: Puce Mary (Posh Iso mainstay ambient drone project of Finnish artist Frederikke Hoffmeier) and Incapacitants (Osaka noisemakers born in 1981) collide in a scorched-earth live set recorded at MODE Tokyo in 2024, now pressed to wax by 33-33. A rare, feral document of noise at its most combustible: no edits, no overdubs, just raw signal to collective destruction. Incapacitants - Toshiji Mikawa and Fumio Kosakai- open with a wall of full-spectrum chaos, sharp and seismic, whence as the intensity peaks, Mary enters, slicing through with her signature burn of texture and dread, pushing the set into new extremes. Less a blend, more an escalation into dread and void.
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est. release 29 Aug 25 $11.77
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FORTHCOMING
You Can't Hip A Square: The Doc Pomus Songwriting Demos
Cat: 081007 5114829. Rel: 15 Aug 25
 
50s/60s
Review: Bringing together over 160 demos across six CDs, You Can't Hip A Square dredges the archive of one of America's most influential behind-the-scenes songwriters. Doc Pomus, who co-wrote some of the 20th century's most enduring pop, r&b and rock staples, often with Mort Shuman, kept a trove of acetates now restored and assembled here for the first time. The collection has early versions of era-definers 'Lonely Avenue', 'A Teenager In Love' and 'Save The Last Dance For Me', all songs later made famous by Elvis and Lou Reed. Alongside the hits are over 120 previously unheard recordings; speculative songs which never made it past demo stage. It's a rare look into the scaffolding of 50s and 60s hit-scoring.
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est. release 15 Aug 25 $137.36
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FORTHCOMING
Jam Down Rock: Joe Gibbs Dancehall Dub
Cat: DBCD 167. Rel: 15 Aug 25
 
Dub
Review: Joe Gibbs, one of Jamaica's pre-eminent reggae producers, demonstrates his seamless transition from roots to dancehall on this outstanding dub collection. Capturing the sound that dominated Jamaica between 1980 and 1982, the set features 23 heavy, hypnotic versions crafted at his Kingston studio, driven by the dynamic mixing of Gibbs' collaborator, dub engineer Errol Thompson. Celebrated instrumentalists lay down dark and compelling rhythms, giving fresh depth to popular cuts of the day, many of which have remained obscure for over 40 years. Tracks such as 'Jam Down Rock' encapsulate the era's raw dancehall energy, while dubs of major hits reveal Gibbs' ability to reinvent himself continuously. Essential for aficionados of Jamaican music's transformative early-80s period.
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est. release 15 Aug 25 $16.25
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FORTHCOMING
Live One
Cat: RETRACTOR 006CD. Rel: 08 Aug 25
 
Experimental/Electronic
Review: Long mythologised and rarely heard in full, this 2000 concert at the Royal Festival Hall marks what many consider COIL’s true live debut—a mesmerising, slow-blooming performance that bridges their austere studio experiments with a more ceremonial presence. With the lineup of John Balance, Peter Christopherson, Thighpaulsandra and Ossian Brown, the group traded chaos for control, donning polar fleece costumes and delivering a set that expands upon the tonal vocabulary of Time Machines while introducing a more dynamic, emotionally nuanced structure. ‘Everything Keeps Dissolving’ opens in murky reverie, before ‘Queens Of The Circulating Library’ sees Balance offer a restrained yet haunting vocal—less possessed, more meditative. The two-part ‘Chasms’ closes the set with depth-charge synths and slow tidal shifts, building tension without climax. Less an industrial confrontation than an alchemical unfolding, the performance remains one of the most quietly potent in the band’s catalogue.
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est. release 08 Aug 25 $13.74
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FORTHCOMING
Sabresonic (remastered)
Cat: WARPCD 16R. Rel: 01 Aug 25
 
Techno
Still Fighting
Smokebelch I
Clock Factory
Ano Electro (Andante)
RSD
Inter-Lergen-Ten-ko
Ano Electro (Allegro)
Smokebelch II (Beatless mix)
Review: Now reissued, the 1993 debut from this Weatherall-helmed outfit remains a vital artifact of early 90s UK electronic music. A distinct fusion of ambient techno, dub and melodic minimalism that helped define the era's genre-blurring sound, tracks like 'Smokebelch II' have a haunting beauty with sweeping pads and hypnotic grooves, embodying a deeply atmospheric and spacey aesthetic that nods to Berlin School influences while anchoring itself firmly in post-rave Britain. There's an elegance in its restraint, with Weatherall and company favouring mood and repetition over dramatic builds. The dubby undercurrents and minimal progressions have a depth that rewards patience. Sabresonic stands as a cohesive and influential record of UK electronic music in 1993. It reflects a moment when electronic music was still wide open and exploratory, paving the way for the deeper strains of ambient techno and downtempo to come.
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est. release 01 Aug 25 $16.81
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FORTHCOMING
Dreamworld
Dreamworld (2xCD + Blu-ray)
Cat: 505419 7941887. Rel: 01 Aug 25
 
Pop
Suburbia
Can You Forgive Her?
Opportunities (Let's Make Lots Of Money)
Where The Streets Have No Name/I Can't Take My Eyes Off You
Rent
I Don't Know What You Want But I Can't Give It Any More
So Hard
Left To My Own Devices
Single Bilingual/Se A Vida E (That's The Way Life Is)
Domino Dancing
Monkey Business
New York City Boy
Jealousy
Love Comes Quickly
Paninaro
Always On My Mind
Dreamland
Heart
What Have I Done To Deserve This?
It's Alright
Vocal
Go West
It's A Sin
West End Girls
Being Boring
Review: Coming on a 2CD + Blu-ray is a celebration of the iconic duo's 40th-anniversary tour with a dazzling live performance at Copenhagen's Royal Arena. Recorded in June 2023 as part of their Dreamworld Greatest Hits tour, this show features a career-spanning setlist, all impeccably shot on 14 cameras in crisp 4K and mixed in both stereo and 5.1 surround sound by David and Mike Woolley. From the opening beats of 'Suburbia' to the euphoric finale of 'Being Boring', Neil Tennant and Chris Lowe take fans on a nostalgic journey through their vast catalog. The tracklist reads like a history of synth-pop, including timeless hits like 'West End Girls', 'It's A Sin', 'Heart' and 'Domino Dancing'. Visually and sonically, the concert film promises an immersive experience, showing the band's ability to blend theatrical performance with infectious dance rhythms. The Blu-ray format ensures fans get the full spectacle, enhanced by the meticulous surround sound mix. For both longtime devotees and newcomers, Dreamworld: The Greatest Hits Live is a fitting tribute to the Pet Shop Boys' enduring influence on pop and dance musicia joyous celebration of four decades of innovative and irresistible tunes.
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est. release 01 Aug 25 $33.63
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FORTHCOMING
Haunted Dancehall (remastered)
Cat: WARPCD 26R. Rel: 01 Aug 25
 
Balearic/Downtempo
Bubble & Slide
Bubble & Slide II
Duke Of Earlsfield
Flight Path Estate
Planet D
Wilmot
Tow Truck
Theme
Theme 4
Return To Planet D
Ballad Of Nicky McGuire
Jacob Street 7am
Chapel Street Market 9am
Haunted Dancehall
Review: The second Sabres album remains a towering achievement in their short but influential career. Released in 1994, it sees the trio of Andrew Weatherall, Jagz Kooner and Gary Burns moving far beyond the progressive house leanings of their debut Sabresonic into a dark, richly textured world of breakbeats, dub, ambient and live instrumentation. It's a bold record that feels cinematic in scope and full of unique rhythms. Tracks like 'Tow Truck' and 'Theme' lean into the early rumblings of big beat, while 'Planet D', notably remixed by Portishead, plunges into shadowy, skeletal trip hop. 'Wilmot' lightens the mood with calypso samples, but it fits seamlessly alongside the haunting textures of 'Ballad of Nicky McGuire' and 'Flight Path Estate'. Weatherall's influence as a selector is key-every transition feels curated, and the pacing of the album is masterful. Neither fully techno nor trip hop, too eclectic for IDM and too atmospheric for the club, Haunted Dancehall occupies a singular space. It's one of the most enduring and visionary UK electronic albums of the 90s and remains one of Weatherall's most accomplished studio works.
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est. release 01 Aug 25 $17.67
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FORTHCOMING
This Is Not A Drill: Live From Prague
Cat: 198029 08562. Rel: 01 Aug 25
 
Progressive Rock
Introduction
Comfortably Numb
The Happiest Days Of Our Lives
Another Brick In The Wall (Pt 2)
Another Brick In The Wall (Pt 3)
The Powers That Be
The Bravery Of Being Out Of Range
The Bar (Pt 1)
Have A Cigar
Wish You Were Here
Shine On You Crazy Diamond
Sheep
In The Flesh
Run Like Hell
Deja Vu
Is This The Life We Really Want?
Money
Us & Them
Any Colour You Like
Brain Damage
Eclipse
Two Suns In The Sunset
The Bar (Pt 2)
Outside The Wall
Review: Roger Waters brings his uncompromising farewell tour to the big screen with This Is Not A Drill: Live From Prague The Movie, landing in cinemas globally this summer. Videoed at the O2 Arena in Prague in May 2023, this widescreen concert film is directed by longtime collaborator Sean Evans, framing Waters' politically charged production as a last stand against late capitalism, climate catastrophe and cultural decay. The setlist spans 20 tracks from across his solo career and Pink Floyd catalogue - 'Comfortably Numb', 'Us & Them', 'The Bar' - all played by a nine-strong touring band. This double CD accompanies a full multi-format set, alongside a quad LP, DVD, Blu-ray and digital version.
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est. release 01 Aug 25 $19.05
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FORTHCOMING
10
10 (CD)
Cat: FLO 00020CD. Rel: 25 Jul 25
 
Soul
TH
RL
KTYWS
P
ILTS
LI
SITL
HTTR
WAL
SOTH
Review: Mystery-heavy UK leftfield soul outfit Sault's 12th album feels like a deeply personal offering wrapped in some of the most radiant production of their career. With Inflo behind the boards, the album moves fluidly between soulful reflection and uplifting groove. Opener 'The Healing' speaks to emotional growth, inner peace and shared vulnerability. The message is clear: healing is a journey best taken together. Tracks like 'Power' and 'Know That You Will Survive' are driven by rich, pulsing basslines and lush instrumentation. They groove with purpose, rooted in funk and soul while sounding unmistakably present-day. Cleo's voice carries a calm authority, especially on 'Know That You Will Survive'. a song that delivers hard truths with grace and warmth. 'Look Up' springs to life with Pino Palladino's bass anchoring the song's ghostly harmonies. Tracks such as 'Higher Than the Rain' and 'Real Love' layer gently but build with quiet force. The subtlety makes them all the more gripping. But 'Sorry It's Too Late' lingers the longest. A simple piano line and Cleo's bare, aching voice create a stillness that's hard to shake. Through sorrow, hope and light, 10 is a graceful reminder that there's strength in softness.
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est. release 25 Jul 25 $18.78
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FORTHCOMING
The Making Of Five Leaves Left
Cat: 776269 7. Rel: 25 Jul 25
 
Folk/Americana
Mayfair (CD1: 1st Sound Techniques Session aka The Beverley Martyn demo & Alt takes From February 1968 To April 1969)
Time Has Told Me
Man In A Shed
Fruit Tree
Saturday Sun
Strange Face
Strange Face (Rough mix)
Day Is Done (take 5)
Day Is Done (take 2)
Day Is Done (take 7)
Man In A Shed (take 1)
My Love Left With The Rain
Blossom (CD2: Paul De Rivas Reel - October 1968/Out-Takes November 1968)
Instrumental
Made To Love Magic
Mickey's Tune
The Thoughts Of Mary Jane
Day Is Done
Time Has Told Me
Three Hours (take 2)
Time Has Told Me (take 4)
Strange Face (take 1)
Saturday Sun (take 1)
Fruit Tree
Time Of No Reply (Take 3 Into Take 4) (CD3: Out-Takes From December 1968 To April 1969)
Cello Song (take 4)
Mayfair (take 5)
River Man (take 1)
Way To Blue
The Thoughts Of Mary Jane (take 2)
Saturday Sun (take 1 Into take 2)
River Man (take 2)
Time Has Told Me (CD4: Five Leaves Left)
River Man
Three Hours
Way To Blue
Day Is Done
Cello Song
The Thoughts Of Mary Jane
Man In A Shed
Fruit Tree
Saturday Sun
Review: From Tanworth-in-Arden to Wimpole Street and the Sound Techniques studio, Nick Drake's journey to his debut full-length is laid bare in this meticulous, four-disc archival set, authorised by the Drake Estate and mastered by original engineer John Wood. Originally released on Island Records in 1969, the album's making is told across more than 30 previously unheard outtakes, Cambridge demos and alternate takesitracing the evolution of songs like 'Day Is Done', 'Saturday Sun' and the devastating 'River Man' from fragile sketches to finished elegies. Disc one's "Beverley Martyn demo" reveals a more tentative, companionable Drake, while the Cambridge reel captures a private world of haunting, early ideas ('Made to Love Magic', 'My Love Left With The Rain'). The studio takes on disc three show a singer still searching, his signature phrasing emerging through repetition and rejection. A sixty-page book, pressed on textured stock and written by Neil Storey and Richard Morton-Jack, completes the reissue. A landmark document of a quiet revolutionary who shaped modern songwriting through understatement, nuance and myth.
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est. release 25 Jul 25 $101.49
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FORTHCOMING
Somewhere Soul: Rituals Vol 1
VARIOUS
Cat: REWARM 21CD. Rel: 25 Jul 25
 
Jazz
Allysha Joy & Finn Rees - "Murmuring"
Chip Wickham - "Last Day On Earth"
Amanda Whiting - "The Other Side"
Emanative - "Space Is The Place"
Edbl & Raelle - "Enough"
Matt Wilde & Miranda Joan - "Like You"
Blue Lab Beats - "Item"
Melodiesinfonie - "Sa Ka Fete" (feat Keza)
MATTERS UNKNOWN - "Dream Of The Contest" (feat Megiapa)
Opek - "Megiapa"
E Lundquist - "Yellow"
Isolde Lasoen - "Things Left Unsaid"
SHOLTO - "Manzana"
MOMO - "Cavalo Marinho"
Charif Megarbane - "The Cartesian Joint"
Yarni - "Smile"
Bamia, Mitchum Yacoub - "Metele Mas" (feat Lourdes Iri)
TEYMORI - "Manu Vision"
Divorce From New York - "Merzouga" (feat Arturo Martin)
Marla Kether - "Morning Light" (feat Naima Adams)
Review: Josh Mason-Quinn, better known asonline curator and DJ Somewhere Soul, inaugurates his Rituals series with a 24-hour mixtape of moods, motions and musical markers, drawn from a lifetime of listening and shaped for Re:Warm Records. Volume One maps the arc of a day: from dawn calm to daytime uplift, evening retreat to late-night surrender, weaving jazz, soul, house and global rhythms with the care of a devoted selector. Rather than chasing big names, Mason-Quinn leans into the underground, spotlighting lesser-known and up-and-coming voices alongside familiar names for those already digging.
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est. release 25 Jul 25 $13.44
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FORTHCOMING
Find El Dorado
Cat: 502173 2748935. Rel: 25 Jul 25
 
Rock
Handouts In The Rain
Small Town Talk
El Dorado
White Line Fever
One Last Cold Kiss
When You Are A King
Pinball
Where There's Smoke, There's Fire
I Started A Joke
Never The Same
Lawdy Rolla
Nobody's Fool
Journey
Daltry Street
Clive's Song
Review: Paul Weller returns this July with Find El Dorado, a studio LP of covers with a reflective twist applied. Refusing to play it straight as ever, the guitarist and principal Jam songwriter dives into songs that he's now happy to reveal have haunted him for years, revisiting them with quiet clarity and a reverent touch. Produced by longtime collaborator Steve Cradock, the record nets in a wide cast (Declan O'Rourke, Noel Gallagher, Amelia Coburn, Seckou Keita, Robert Plant), enlisting his very many sidereal friends to help reshape such classic blues, ragtime and rock & roll cuts as The Flying Burrito Brothers' 'White Line Fever' and Christy Moore's one-cover-removed version of Mountain's 'One Last Cold Kiss'.
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est. release 25 Jul 25 $14.02
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FORTHCOMING
Music For Nitrous Oxide (30 Year Anniversary Edition)
Cat: APAMFG 05CD. Rel: 25 Jul 25
 
Ambient/Drone
Before Top Dead Center
Adamord
Madison
Down
Lagging
Lid (live)
Tape Hiss Makes Me Happy
The Swellsong
Goodnight
Review: Stars of the Lid's debut might lack the sculptural finesse of their later classics but its mood is unmistakably theirs: listless, weightless, slightly faded at the edges. Made with a four-track, borrowed samplers and a shared instinct for stillness, it drifts between raw tape experiments and embryonic drone compositions - half-thoughts suspended in air. 'Down' and 'Lagging' sink into grainy oblivion, while 'The Swellsong' offers a rare hint of light through the murk. Rather than aiming for the transcendence of The Tired Sounds..., this feels grounded, like something captured at night through thin apartment walls. There's charm in how fragile it all sounds - the gear was basic, the fidelity low, but the intention is clear. From student radio collage work to long-form ambient abstraction, this is where that arc begins. It's a modest first step that holds uncanny weight, not for what it says, but for the space it opens. Even now, it feels like a secret - not quite formed, but already whispering something deep.
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est. release 25 Jul 25 $13.44
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FORTHCOMING
The Revenge Of Alice Cooper
Cat: 402975 9206798. Rel: 25 Jul 25
 
Rock
Review: Detroit's original shock rocker returns with the surviving members of his 70s-era band, summoning the theatrical grit and garage energy that first made Alice Cooper a household name. The record leans into vintage horror motifs and snarling riffs, reviving the gritty, riff-led sound that once scandalised suburbia. 'Black Mamba' comes fanged and venomous, while 'Wild Ones' lurches forward with bratty abandon. A rare moment of tenderness surfaces on 'See You on the Other Side', haunted by a posthumous appearance from late guitarist Glen Buxton, seamlessly stitched in from unreleased tapes. The band sound unreasonably fresh for a group over half a century in, clearly enjoying the reunion without lapsing into pastiche. Equal parts theatre, throwback and defiance, this is Cooper reminding us that the old blood still runs hot.
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est. release 25 Jul 25 $15.69
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FORTHCOMING
Tectonic Sound
VARIOUS
Cat: TECCD 027. Rel: 18 Jul 25
 
Bass
Pinch - "Tectonic Sound"
Peverelist - "Feel Something"
Re:ni - "Sunrise On The Superloop"
VIVEK - "Gone W3st"
Beatrice M - "Poison"
Om Unit - "Strobes (The Warning)"
FJAAK & J Manuel - "Binder"
Cocktail Party Effect - "Smiling Worm"
2562 - "Overcome"
Yushh - "Ghost Of What"
Appleblim - "Ghost Coast"
Flora Yin Wong - "Virga"
Kahn & Neek - "Motion Light"
SICARIA - "Rhassoul"
Gemmy - "Domino Effect"
Pinch & Neffa-T - "This Is This Isn't"
Shed - "Scapes"
Sophia Loizou - "Revenant"
J Sparrow - "Genesys"
Cortical - "Ram"
Ipman - "Xenohypnostic Mind Control"
Distance - "Heresy"
RSD - "Roll Of"
Coki - "Angel Of Death"
Review: After a pair of 12" selectors' teasers, the full edition of Tectonic Sound stands poised to plot a new course for Pinch's long-running Bristol label, pulling a drawstring on a freshly foraged crock of producer talent alongside with cured and matured names from its past. The 24-tracker welcomes first-timers like Re:ni, Beatrice M., Yushh, Flora Yin Wong and Sicaria, as well as cornerstone figures such as 2562, Shed and Distance. Nearly all contributions were made with the label's DNA in mind: bass-led electronics working the fault line between dubstep, techno and broken rhythms. "More so than just the sound, the music is in tune with the real ethos of the early dubstep scene," says Pinch. "It's led by hearts really."
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est. release 18 Jul 25 $13.17
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FORTHCOMING
Forbidden Fruit: The Age Of Consent Remixed
Cat: LMS 1725439. Rel: 11 Jul 25
 
Pop
Why? (feat Neil Tennant - Superchumbo Super extended mix)
Bronski Beat & The Knocks - "Smalltown Boy" (feat Perfume Genius - extended mix)
Junk (Gareth Jones An Electrogenetic remix)
Love & Money (RSF Metropol Italo remix)
Need A Man Blues (RSF Metropol NRG remix)
I Feel Love/Love To Love You Baby (Ultramix)
Johnnie Remember Me (A Jazz Affair)
Review: Bronski Beat's brief but influential presence from London in the mid-80s delivered crucial anthems for queer liberation and synth-pop innovation. This remix collection reimagines the landmark 1984 album that put the band on the map. Gareth Jones, known for his work with Depeche Mode, reshapes ‘Junk’ into icy electro futurism, while Kinky Roland channels high-energy Euro disco on ‘Love and Money’. Meanwhile, Superchumbo's epic house reinterpretation of ‘Why?’, featuring Neil Tennant of Pet Shop Boys, injects new urgency into its activist heart. From sultry jazz-inflected takes (‘Johnnie Remember Me’) to modern club flourishes like The Knocks and Perfume Genius' shimmering spin on ‘Smalltown Boy’, these tracks freshly affirm the timelessness of Bronski Beat's revolutionary spirit.
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est. release 11 Jul 25 $12.06
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FORTHCOMING
Tuff Times Never Last
Cat: BWOOD 408CD. Rel: 11 Jul 25
 
Broken Beat/Nu Jazz/Nu Soul
Review: Still fresh after their 2024 'Get The Message' EP, Kokoroko's latest LP and motto Tuff Times Never Last arrives now through Brownswood on CD, edifying on a period of reflection, change and free play. The London group now stretch further into British 80s rhythm & blues, lovers rock and synth-laced Antillean disco, nudging their core Afrobeat sound into looser, sweeter terrains. Onome Edgeworth and Sheila Maurice-Grey anchor the writing with personal memories of growing up in the capital, drawing subtle parallels with films like Crooklyn and The Wood. 'Sweetie' particularly is a lo-fi stepper with scratchy horns and cheap-sounding drum machines, nodding to Onyeabor-style futurism. The LP precedes their biggest headline show to date at O2 Academy Brixton on 25 September.
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est. release 11 Jul 25 $13.44
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FORTHCOMING
Still Living In The Past
Still Living In The Past (5xCD + Blu-ray)
Cat: 502173 2368409. Rel: 11 Jul 25
 
Progressive Rock
A Song For Jeffrey (CD1: original mixes, remixes, edits & demos 1968-1971)
Love Story
A Christmas Song
Living In The Past
Driving Song
Sweet Dream
Singing All Day
Teacher
Inside
My God
Just Trying To Be
Wond'ring Aloud Again
Wond'ring Again
Lick Your Fingers Clean
Locomotive Breath
Life Is A Long Song
Up The 'Pool
From Later
Life Is A Long Song
A Song For Jeffrey (CD2: Steven Wilson mix)
One For John Gee
Love Story
A Christmas Song
Living In The Past
Driving Song
Bouree
Fat Man
Singing All Day
Sweet Dream
17
Teacher
The Witch's Promise
Teacher
Inside
Alive & Well & Living In
Just Trying To Be
By Kind Permission Of (CD3: Steven Wilson mix)
Dharma For One
Wond'ring Aloud
Wond'ring Again
Lick Your Fingers Clean
Up To Me
Hymn 43
Locomotive Breath
Life Is A Long Song
Up The 'Pool
Dr Bogenbroom
From Later
Nursie
Locomotive Breath
Introduction To Nothing Is Easy (CD4: live At Carnegie Hall, November 4, 1970)
Nothing Is Easy
Introduction To My God
My God
Introduction To With You There To Help Me
With You There To Help Me
Introduction To A Song For Jeffrey
A Song For Jeffrey
Introduction To To Cry You A Song
To Cry You A Song (CD5: live At Carnegie Hall, November 4, 1970 - part 2)
Introduction To Sossity; You're A Woman
Sossity; You're A Woman
Introduction To Dharma For One
Dharma For One
Introduction To We Used To Know
We Used To Know
Guitar Solo
For A Thousand Mothers
Still Living In The Past (Blu-ray)
Review: Blackpool rock progressors Jethro Tull revisit their formative years with Still Living In The Past, a lavish 5CD and Blu-ray reissue of the main compilation, first out in 1972. Originally pulling on UK-only singles, EP tracks and early oddities recorded between 1968 and 1971, the collection now returns in expanded form, with new stereo and surround mixes by Steven Wilson, previously unheard edits and demos, and a full 1970 Carnegie Hall set spread across two discs. It's a deep dive into Ian Anderson's baroque-folk experiments and mandolin-heavy diversions before Thick As A Brick rewired the band entirely.
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est. release 11 Jul 25 $60.54
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FORTHCOMING
Loner
Loner (CD)
Cat: ZENCD 312. Rel: 11 Jul 25
 
Deep House
The Person You'd Like To Be
Different
Kimpton (With O'Flynn)
All My Friends
About To Begin
Still Riding
Cars Pass By Like Childhood Sweethearts
Machine Noise For A Quiet Daydream (feat Seamus)
Like It's Part Of The Dance
Childhood
Marriage
Wandering Mt Moon
Review: Edinburgh-born Barry Can't Swim made a solitary splash with Loner, now reissued some months after its initial release on CD. The album dived deep into the producer's personal landscape, shaped by a year of self-reflection and a global total live show wipeout, finding romance in the contrasts between adolescent aloneness and global superstardom: in the 21st century, we find it a relief to believe they're hardly incompatible. Lead single 'Different' has in the time since set itself apart on dancefloors the world over, its euphoria meeting a patchwork of influences, while always seeming to conjure some wonder and speculation as to the man behind the beats: always navigating identity, (dis)connection and change.
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est. release 11 Jul 25 $12.06
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FORTHCOMING
Moisturizer
Cat: WIGCD 530. Rel: 11 Jul 25
 
Indie/Alternative
Review: Moisturizer is a bold, brash follow-up to Wet Leg's Grammy-winning debut album back in 2022. Now a full five-piece, the Isle of Wight band channels their explosive live energy into a tighter, more confident sound here on a record that was written in isolation during an intense creative burst. It dives into themes of obsession and all-consuming love and is delivered with visceral guitars, pounding drums and their signature wit. The result is a thrilling mix of raw emotion and playful edge. From indie darlings to 6 Music favourites, Wet Leg prove they're no one-album wonder as Moisturizer is a fearless leap forward that embraces chaos, heartache and fun in equal measure.
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est. release 11 Jul 25 $11.21
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FORTHCOMING
Ii
Ii (CD)
Cat: BB 406. Rel: 11 Jul 25
 
Experimental/Electronic
Review: Released in 1972, this turning-point work from German duo Cluster sees them move away from the abrasive chaos of their Kluster origins into something more controlled, spatial and tonal. With Conny Plank now focused on production rather than performance, the pair hone their approach into six named pieces-more concise, but still rich in mood and texture. 'Plas' and 'Georgel' simmer with soft modulations and bubbling loops, while 'Im Suden' stretches into blissfully uneasy territory, evoking desolation and calm in equal measure. 'Live in der Fabrik' is the set's centre of gravity, a longform pulse of metallic resonance and oscillating feedback that swells into kosmische abstraction. Less confrontational than its predecessor, it remains an essential document of early 70s electronic drift-weightless, eerie and always on the edge of collapse.
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est. release 11 Jul 25 $17.94
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FORTHCOMING
The Fateful Symmetry
Cat: CDSTUMM 517. Rel: 11 Jul 25
 
Indie/Alternative
Review: This is Mark Stewart of Pop Group fame's Bowie Blackstar moment. An innovative and expressive masterpiece that sounds ahead of its time. Completed shortly before the Bristol-born legend's untimely passing in April 2023, this is a posthumous release on Daniel Miller's Mute label - a label that's had a strong long-term connection with the fearless visionary. The album was co-produced by another all-time great in British music - Killing Joke's Youth, who is responsible for a swathe of the most interesting new music out there at the moment. The first track to be released from it, 'Memory Of You', shows what an incredible singer Stewart was, with a righteous nod to the Walker Brothers and Sinatra in his timbre. It's a truly welcome surprise and hats off to those releasing this in Mark Stewart's memory.
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est. release 11 Jul 25 $12.06
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FORTHCOMING
Gilles Peterson Presents International Anthem
Gilles PETERSON / VARIOUS
Cat: IARC 100CD. Rel: 11 Jul 25
 
Jazz
Chicago, January 13th, 2020
Makaya McCraven - "The Jaunt"
Junius Paul - "Ase"
Dezron Douglas & Brandee Younger - "The Creator Has A Master Plan"
Resavoir - "Taking Flight"
Irreversible Entanglements - "Open The Gates"
Angel Bat Dawid - "We Are Starzz"
Rob Mazurek & Exploding Star Orchestra - "Abstract Dark Energy (Parable 9)"
The Most Amazing Time
Damon Locks & Black Monument Ensemble - "Rebuild A Nation"
Dos Santos - "A Shot In The Dark"
Daniel Villarreal - "In/On"
Anna Butterss - "Pokemans"
SML - "Industry"
Jeremiah Chiu & Marta Sofia Honer - "Snacko"
Jeff Parker - "Cliche"
Jamire Williams - "And Then The Anointing Fell"
Carlos Nino & Friends - "Please, Wake Up"
Thandi Ntuli - "Voice & Tongo Experiment" (with Carlos Nino)
Tom Skinner - "Quiet As It’s Kept"
Ruth Goller - "Next Time I Keep My Hands Down"
Alabaster DePlume - "A Gente Acaba (Vento Em Rosa)"
Old Fashioned Chicago Music
Jaimie Branch - "Theme 001" (live)
Tomin - "Angela’s Angel"
Asher Gamedze - "Melancholia"
Ibelisse Guardia Ferragutti & Frank Rosaly - "MESTIZX" (Brownswood Basement live)
Ben LaMar Gay - "Oh Great Be The Lake"
Charles Stepney - "Step On Step"
Review: Evergreen selector Gilles Peterson's long-running connection with Chicago's International Anthem is given a proper retrospective on this cracking compilation. Pulling from a decade of releases and handpicked via his BBC 6 Music and Worldwide FM broadcasts, the compilation echoes Peterson's curatorial instinct while celebrating the label's fiercely independent, genre-blurring spirit. Spiritual jazz, beat science, spoken word and ambient textures are all woven together with an effortless flow. An unreleased live cut from Worldwide FM adds a little intrigue, grounding the release in the global community Peterson has done much to champion. As part of the label's 'IA11' series, it's a nod to where International Anthem has come from and a signpost of what's still to come. Another reminder that man like Gilles is still listening closer than most.
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est. release 11 Jul 25 $19.90
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FORTHCOMING
NOW 12" 80's: 1985 Part 1
VARIOUS
Cat: CDNOW 1285P1. Rel: 11 Jul 25
 
Pop
Queen - "One Vision" (extended version)
Philip Bailey And Phil Collins - "Easy Lover" (extended dance remix)
Eurythmics, Annie Lennox, Dave Stewart And Aretha Franklin - "Sisters Are Doin' It For Themselves" (ET mix)
Simple Minds - "Don't You (Forget About Me)" (12" version)
The Power Station - "Some Like It Hot" (12" mix)
Billy Idol - "White Wedding" (Parts 1 & 2 - Shotgun mix)
Pat Benatar - "Love Is A Battlefield" (extended version)
ZZ Top - "Legs" (dance mix)
Laura Branigan - "Spanish Eddie" (New extended remix version)
Tina Turner - "We Don't Need Another Hero (Thunderdome)" (extended version)
Bryan Ferry - "Slave To Love" (12" remix)
Scritti Politti - "The Word Girl/Flesh & Blood" (version)
Frankie Goes To Hollywood - "Welcome To The Pleasuredome (An Alternative To Reality)"
A-ha - "Take On Me" (extended mix)
Billy Ocean - "Loverboy" (extended mix)
Five Star - "All Fall Down" (M & M remix)
Ashford & Simpson - "Solid" (Special club mix)
The Pointer Sisters - "Dare Me" (12" dance mix)
Baltimora - "Tarzan Boy" (Summer version)
Bananarama - "Do Not Disturb" (extended version)
Go West - "Don't Look Down" (The Stratospheric mix)
ABC - "Vanity Kills" (The Mendelsohn mix)
Nik Kershaw - "Wide Boy" (extended mix)
King - "Love & Pride" (Body And Soul mix)
Dead Or Alive - "You Spin Me Round (Like A Record)" (Performance mix)
Bronski Beat - "Hit That Perfect Beat" (12" version)
Sheryl Lee Ralph - "In The Evening" (extended mix)
Hazell Dean - "They Say It's Gonna Rain" (Indian Summer mix)
Animotion - "Obsession" (dance mix)
Bonnie Tyler - "Holding Out For A Hero" (club mix)
Jan Hammer - "Miami Vice Theme" (extended version)
Harold Faltermeyer - "Axel F" (extended version)
Colonel Abrams - "Trapped" (12" Regisford vocal mix)
Lisa Lisa & Cult Jam And Full Force - "I Wonder If I Take You Home" (extended version)
Chaka Khan - "This Is My Night" (12" extended version)
Princess - "Say I'm Your No.1" (Full Length version)
Tears For Fears - "Shout" (UK version/extended version)
Arcadia - "Election Day" (Consensus mix)
Propaganda - "Duel (Bitter-Sweet)"
New Order - "The Perfect Kiss" (12" version)
Sheila E - "The Belle Of St. Mark" (dance remix)
Level 42 - "Something About You" (Shep Pettibone remix)
Sharpe & Numan - "Change Your Mind" (extended version)
Howard Jones - "Things Can Only Get Better" (extended mix)
Stephen Duffy - "Icing On The Cake" (remix)
Red Box - "Lean On Me (Ah-Li-Ayo) (Dogmatix)"
Review: Few years in pop music were as sonically adventurous and packed with chart-topping flair as 1985. NOW is back to do what they do best: select a wide variety of tunes that covers the time period as well (if not better) than any DJ or streaming platform could. This 4CD collection explores the year's dancefloors and radio waves, featuring 46 full-length, extended and remixed 12" versions that helped define a generation. CD1 opens with the mighty Queen anthem 'One Vision' and rolls through power-duets, stadium anthems and rock-pop hybrids with classics from Philip Bailey & Phil Collins, Eurythmics with Aretha Franklin and Simple Minds. CD2 leans toward club-driven sounds, kicking off with the sprawling 'Welcome To The Pleasuredome' by Frankie Goes To Hollywood and A-ha's timeless 'Take On Me'. The floor stays alive with extended takes from Billy Ocean, The Pointer Sisters and ABC. CD3 brings Hi-NRG heat with Dead Or Alive and Bronski Beat, while movie themes and synth-pop jams add nostalgia. CD4 goes art-pop with Tears For Fears, New Order and Arcadia, with Shep Pettibone's remix work and standout 12" cuts from Howard Jones and Sheila E. The music speaks for itself on this deep and storied collection.
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est. release 11 Jul 25 $14.57
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FORTHCOMING
All The Young Droids: Junkshop Synth Pop 1978-1985
VARIOUS
Cat: RVSN 003CD. Rel: 11 Jul 25
 
Pop
Design - "Premonition"
Vision - "Lucifer's Friend"
Richard Bone - "Alien Girl"
John Howard - "I Tune Into You"
Ian North - "We're Not Lonely"
Selwin Image - "The Unknown"
Harry Kakoulli - "I'm On A Rocket"
Rich Wilde - "The Lady Wants To Be Alone"
Billy London - "Woman"
Alan Burnham - "Science Fiction"
The Microbes - "Computer"
The Goo-Q - "I'm A Computer"
Gerry & The Holograms - "Gerry & The Holograms"
The Warlord - "The Ultimate Warlord"
Die Marinas - "Fred From Jupiter"
Dee Jay Bert & Eagle - "I Am Your Master"
Peta Lily & Michael Process - "I Am A Time Bomb"
Sole Sister - "It's Not What You Are But How"
Alasdair Riddell - "Do You Read Me?"
Karel Fialka - "Armband (The Mystery Song)"
John Springate - "My Life"
Incandescent Luminaire - "Famous Names"
Disco Volante - "No Motion"
Dream Unit - "A Drop In The Ocean"
Gerry & The Holograms - "Gerry & The Holograms"
The Warlord - "The Ultimate Warlord"
Die Marinas - "Fred From Jupiter"
Dee Jay Bert & Eagle - "I Am Your Master"
Peta Lily & Michael Process - "I Am A Time Bomb"
Sole Sister - "It's Not What You Are But How"
Alasdair Riddell - "Do You Read Me?"
Karel Fialka - "Armband (The Mystery Song)"
John Springate - "My Life"
Incandescent Luminaire - "Famous Names"
Disco Volante - "No Motion"
Dream Unit - "A Drop In The Ocean"
Review: Digging deep in the corners of early synth-pop, this compilation was curated with a deep affection for the bizarre and overlooked that landed in that period between. Compiled by Lush and Mary Chain bassist and one time NME picture desk staffer Phil King, whose past work has unearthed glam, punk and outsider gems, this collection reveals the experimental energy of an era when affordable synthesisers met a DIY, producing a wave of homegrown electronic tracks that rarely reached mainstream recognition. The compilation is a collision of styles and intentions. Design's 'Premonition' pulses with atmosphere and forward-thinking rhythm, while Vision's 'Lucifer's Friend' blends gothic melancholy with synth precision. Richard Bone's 'Alien Girl' and Ian North's 'We're Not Lonely' lean into post-punk abstraction and minimalism. Peta Lily and Michael Process deliver a killer with 'I Am A Time Bomb', a stark, feminist minimal wave piece with a visceral sense of urgency. Gibraltar's The Microbes also are here with the whimsical 'Computer' and Sole Sister's instrumental 'It's Not What You Are But How' echoes modern minimal synth trends. Tracks like 'The Ultimate Warlord' by The Warlord and Dee Jay Bert & Eagle's 'I Am Your Master' fuse disco grooves with sci-fi theatrics. Even the misfires, such as Billy London's cringeworthy 'Woman', lend insight into the era's wild experimentation. Far from a slick or polished collection, All The Young Droids is chaotic, strange and inspired, making it the most unique collections of synthpop we've ever ever encountered.
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est. release 11 Jul 25 $14.02
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FORTHCOMING
Landscape From Memory
Cat: ERATP 174CD. Rel: 04 Jul 25
 
Experimental/Electronic
In Reverse
Catherine
Drum Song
Soft Gradient Beckons
Gaivotas
Coda
Known Shape
Nocturne
Jupiter
In A Trance
If Not Now
2 Forms
Tape Loop
Landscape From Memory
Review: After a year spent adrift, Rival Consoles - Ryan Lee West - returns with his ninth full-length, Landscape From Memory, and with it, a rekindled spark. Having stepped away from his self-built studio in Hackney amid the comforts of routine, West embroidered this record from scraps: demos recorded on the road, acoustic sketches caught through a laptop mic, grainy textures brass rubbed against lustrous synth tabula rasa. Leading light 'Catherine', a dedication to his partner, is bare and buoyant, following renewed processive energy. 'In a Trance', 'Known Shape' and 'Gaivotas' further flex West's fondness for propulsive rhythms and irregular sonics.
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est. release 04 Jul 25 $15.14
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FORTHCOMING
High Fashion Dance Music Volume 6
VARIOUS
Cat: 66 264. Rel: 03 Jul 25
 
Disco/Re-Edits
Donna Allen - "Joy Pain" (Dr Packer extended main mix)
BB&Q Band - "Main Attraction" (Dr Packer remix)
BB&Q Band - "Genie" (Michael Gray remix)
Ruffneck - "Everybody" (feat Yavahn - Steve Newsome remix)
Ben Liebrand & Timmy Thomas - "Together"
Adventures Of Stevie V - "Dirty Cash Money Talks" (Sold Out 12 Inch mix)
Tullio De Piscopo - "Stop Bajon Primavera" (Michael Gray remix)
Midway - "Set It Out" (Ben Liebrand Mash Up)
Loose Change - "Straight From The Heart" (Moplen remix)
Peter Brown - "Dance With Me" (Dr Packer extended remix)
T-Connection - "Saturday Night" (Dr Packer extended Snippet)
T-Connection - "At Midnight" (Dr Packer remix)
Ben Liebrand Ojam - "Running Away Full Story 90s"
BB&Q Band - "Dreamer" (Michael Gray remix)
BB&Q Band - "Ricochet" (Dr Packer & Michael Gray remix)
Dance Reaction - "Disco Train" (Martin Boer remix)
Track 17
Moses - "We Just" (Ben Liebrand Evolution mix)
Donna Allen - "Serious" (Michael Gray remix)
Mikki - "Dance Lover" (feat Starz - Dr Packer extended remix)
Nicole - "Rock The House" (Michael Gray vocal remix)
Fun Fun - "Give Me Your Love" (Ben Liebrand Le Disco mix)
TJM - "Small Circle Of Friends" (Moplen remix)
Review: Ben Liebrand returns to the High Fashion Dance Music series with volume six in the series: first launched in 1982 and revived in 2021 after a decades-long pause, the series blends classic soul, funk and disco with new edits and unreleased exclusives, all woven into one nonstop mixtape project by Liebrand himself. This round leans on work from remixers like Dr Packer, Moplen, Michael Gray, David Morales and Martin Boer, with names like Donna Allen, Nicole, BB&Q Band, T-Connection, and Adventures Of Stevie V spotlit like a play made up entirely of main characters. There’s a first-time team-up between Liebrand and Timmy Thomas, plus Moplen’s long-awaited rework of TJM’s ‘Small Circle Of Friends’; the set also includes freshly-squeezed bits from Liebrand and Moplen that haven’t yet surfaced elsewhere.
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标签: Disco House
Pre-orders at Juno

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est. release 03 Jul 25 $19.35
(No payment required now - pay when released)
FORTHCOMING
Funk Masters: Vintage Sounds
VARIOUS
Cat: 347630 2. Rel: 27 Jun 25
 
Funk/Reissues
Review: Since the early 2000s, Wagram Music - a French indie label known for a diversity of releases from across the "cool" spectrum of hip-hop, jazz, soul and funk - has conceived many an ingenious studio compilation. This specialism granted them their toehold in the music industry, and would later also confer them their powers in the domains of publishing and "distro". For now, though, we're firmly camped in with the comps, as their breakout feature, Funk Masters, returns for another round. Long charting the backstreet talents of the likes of Odyssey, Marvin Gaye, Funkadelic, and Anita Ward - among a longer list too great to mention in its entirety - this is an unstoppable series. This time we're in ever more wondrous company, as the Masters contrast to 2022's Vintage Sounds, with further brill selections from Bobby Byrd, T-Connection and Isaac Hayes.
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Pre-orders at Juno

This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

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est. release 27 Jun 25 $13.17
(No payment required now - pay when released)
FORTHCOMING
Flowers
Flowers (CD)
Cat: DOC 367CD. Rel: 27 Jun 25
 
Soul
Flowers
Paradise
Lovers' Holiday
Need The Answer
Flower Moon
Really Wanna Be With You
Been So Long
Everythin
Rust & Steel
If Not For Love
Without You
Review: Over a decade since their beginnings in Bloomington, Indiana, Durand Jones & The Indications return with a warm and sensual record that both reflects and refines their soulful trajectory. It blossoms slowly, opening with the mid-tempo glide of 'Superstition' and deepening into the creamy falsetto of 'When I'm Back'. 'The Way That I Do' draws on lowrider aesthetics with ease while 'Love Everlasting' and 'Meditation' showcase their expanding vocal palette and flair for smooth arrangement. 'Sadie' leans into southern balladry with the band's signature tenderness and closer 'Comin' Around' folds gospel, soul and heartbreak into one final shimmer. Still rooted in vintage tones but more patient and lush, this feels like a band fully in bloom.
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Pre-orders at Juno

This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

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est. release 27 Jun 25 $13.44
(No payment required now - pay when released)
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