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Items 1 to 50 of 1,307 on page 1 of 27
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FORTHCOMING
Stillpoint: Helix
Cat: LILAAUR 2CD.
 
Ambient/Drone
Stillpoint (Ayaavaaki Meditation)
Stillpoint (Marine Eyes At Sunset rework)
Stillpoint (Moshimoss Retake)
Stillpoint (Endlesstrains Above The Bay rework)
Stillpoint (Zarr Nightshift mix)
Stillpoint (Ecovillage Land Of Dreams Revisit)
Stillpoint (Logic Moon Night Of Vigil)
Stillpoint (Snufmumriko Reshuffle)
Stillpoint (Omfeel Rays Of Hope)
Stillpoint (Warmth Passage Through The Fog)
Stillpoint (Slow Dancing Society Re-rub)
Stillpoint (Sinius Rain Of Stars)
Stillpoint (Slow Dancing Society Soft Nurse mix)
Review: Swedish producer Purl's Stillpoint was originally released in 2015 via Silent Season, a label known for its handcrafted, small-batch editions. Quickly selling out, it has since resonated with listeners like surface ripples on water, redounding to fans calling on a new vinyl pressing. In conjunction with another PURL crowdfunding campaign, we're now firmly re-poised to take in this wash of ambient rerubs again, relishing them like monsoons on baked skin. From Moshimoss' strange dub inflections to Ecovillage's 'Land Of Dreams' revisit, every track here on this CD edition is a depth-swill of ambiance.
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coming soon $16.54
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FORTHCOMING
Diriaou
Diriaou (CD)
Cat: FFL 099CD.
 
Jazz
Kerzhadenn
Kleier
L'attente Des Femmes
Baz Valan
Kernow
Le Scorff
Diriaou
Maro Pontkalek
Berceuse
Kerzhadenn (Alt)
Review: Recorded live in 1998 but sounding entirely untethered to any one era, this extraordinary duo performance by Breton harpist Kristen Noguès and British reedman John Surman occupies its own quiet universe. Working with the raw material of Breton folk forms, they spin something textural and intuitive—traditional music refracted through modal improvisation, ambient phrasing, and dreamlike space. Noguès’s harp, at once delicate and percussive, meets Surman’s clarinet and baritone sax in pieces like ‘Baz Valan’ and ‘Kernow’, where melodies appear and dissolve like mist. ‘Le Scorff’ and ‘Maro Pontkalek’ draw from specific folk sources but blur into spectral chamber music, while Noguès’s voice haunts the lullaby ‘Berceuse’ and the elegant opener ‘Kerzhadenn’. The live setting brings added intimacy—air, breath, and creak in every note. It’s folk as open form: not nostalgic, but restlessly poetic, full of tenderness and strange clarity.
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coming soon $18.50
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FORTHCOMING
Crashing Dream
Cat: FLAT 51025CD.
 
Psych/Garage Rock
Depending On You
My Secret Country
Don't Feel Bad
Mystic Green
Sad Eyes Kill
Shoot Down The Railroad Man
Fertile Crescent
Invisible People
Gone West
Only Business
Review: Rain Parade's 1985 release marks a defining moment in the band's journey, offering a blend of jangly guitars and psychedelia-laced textures that epitomise the era's alt-rock tendencies. Hailing from Los Angeles, the band delivers a turbulent mix of influences, ranging from the baroque to the brittle, with a certain disjointedness that reflects their internal struggles. The production, led by Steve Gronback, offers a spacious sound that gives space to the atmospheric instrumentation, but the lack of cohesion leaves some tracks feeling as though they're searching for a purpose. Highlights like 'Depending on You' showcase the band's potential, but the overall effect is one of a group caught in transition, unsure of where they're headed. Tracks such as 'Mystic Green' and 'Gone West' encapsulate this feeling of aimless wandering, while 'Invisible People' stands out as an example of the band's unique blend of folk and psychedelia. Though compelling in parts, this album never fully realises its promise.
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coming soon $14.30
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FORTHCOMING
Radio Broadcast Oakland 1989
Cat: 115690 2.
 
Blues
Review: In 1989, Oakland played host to a rare meeting of American rock heavyweights, with John Fogerty leading a set packed with Creedence Clearwater Revival staples and solo favourites. Joined by Jerry Garcia and Bob Weir of the Grateful Dead, as well as saxophonist Clarence Clemons of Bruce Springsteen's E Street Band, the night emulsified key figures from rock's most influential chapters. First aired live on FM radio, this now remastered CD captures the full performance, including raucous renditions of 'Born on the Bayou', 'Proud Mary', and 'Fortunate Son'. The set showcases Fogerty in commanding form, bridging his swamp rock roots with the celebratory energy of the guest ensemble.
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coming soon $15.14
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30 Years Anniversary (Extended Edition)
Cat: 6626 3. Rel: 17 Jun 25
 
Uplifting Trance
It's My Life (Natural Born Grooves remix)
Encore Une Fois (Future Breeze remix)
Ecuador (extended mix)
Stay (feat La Trec - extended mix)
La Primavera (extended mix)
Mysterious Times (feat Tina Cousins - extended mix)
Move Mania (feat Shannon - extended mix)
Colour The World (feat Dr Alban - TB remix)
Adelante (extended mix)
With My Own Eyes (Tandu & McLoud remix)
Ganbareh (extended mix)
All Is Love (feat Jessy - extended mix)
Rainbow (feat Nicole Scholz - extended mix)
Easy Find (with Jay Frog - extended mix)
I Believe (feat TJDavies - extended mix)
The Secret (feat Sarah Brightman - extended mix)
Just Around The Hill (feat Tina Cousins - Doug Laurent remix)
Can't Change You (feat Pkexiphones - extended mix)
Summer's Gone (feat Tony T - extended mix)
What Is Life (extended mix)
Run (feat Boy George - extended mix)
Walking The Wire (feat Christina Novelli - extended mix)
Coming Home (feat Shane Ward - StoneBridge remix)
The Ultimate Seduction (feat C'hantal - extended mix)
Rock My Body (with R3hab & Inna - SASH! remix)
To The Beat (SASH! remix)
It's My Life 25 (extended mix)
Review: German DJ/production team Sash! stormed into the mid-90s with a turbocharged take on trance and Eurodance, dominating charts and countless club nights. The breakthrough came with underground cut 'It's My Life', but it was 1997's 'Encore Une Fois, first indended as a high-drama, French-vocal trance extra, that launched his career, precipitating a flurry of scene-shaping hits: 'Ecuador' with Rodriguez, 'Stay' with La Trec, 'La Primavera', and 'Mysterious Times' with Tina Cousins. This 30th anniversary CD digs deep into that golden era with full-length, remastered extended versions, and includes more experimental turns like the Boy George collab 'Run', plus the colossal streaming-era revival hit 'Rock My Body' with R3hab and Inna.
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 in stock $19.62
FORTHCOMING
This Is Not A Drill: Live From Prague
Cat: 198029 08562. Rel: 01 Aug 25
 
Progressive Rock
Introduction
Comfortably Numb
The Happiest Days Of Our Lives
Another Brick In The Wall (Pt 2)
Another Brick In The Wall (Pt 3)
The Powers That Be
The Bravery Of Being Out Of Range
The Bar (Pt 1)
Have A Cigar
Wish You Were Here
Shine On You Crazy Diamond
Sheep
In The Flesh
Run Like Hell
Deja Vu
Is This The Life We Really Want?
Money
Us & Them
Any Colour You Like
Brain Damage
Eclipse
Two Suns In The Sunset
The Bar (Pt 2)
Outside The Wall
Review: Roger Waters brings his uncompromising farewell tour to the big screen with This Is Not A Drill: Live From Prague The Movie, landing in cinemas globally this summer. Videoed at the O2 Arena in Prague in May 2023, this widescreen concert film is directed by longtime collaborator Sean Evans, framing Waters' politically charged production as a last stand against late capitalism, climate catastrophe and cultural decay. The setlist spans 20 tracks from across his solo career and Pink Floyd catalogue - 'Comfortably Numb', 'Us & Them', 'The Bar' - all played by a nine-strong touring band. This double CD accompanies a full multi-format set, alongside a quad LP, DVD, Blu-ray and digital version.
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est. release 01 Aug 25 $19.05
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FORTHCOMING
Tracks II: The Lost Albums
Cat: 194399 50162. Rel: 27 Jun 25
 
Rock
Review: Bruce Springsteen has been sitting on these recordings for yearsiwhole records, not sketchesisome finished, some forgotten. Now they finally surface, spanning 1983 to 2018, and offer a different kind of self-portrait: one less polished and more exploratory. The earliest material finds him navigating a path between the haunted quiet of 'Nebraska' and the radio gloss of 'Born in the USA'. Later sessions toy with drum loops, synth beds and orchestral swells. One batch plays like the soundtrack to a film that never existed; another leans into pedal steel and modest country sketches. There are borderland narratives, noir-ish ballads, E Street-style anthems. That New Jersey gritithat plainspoken clarity he's carried since the boardwalk daysiruns through even the softest tracks. He says he made this music to please himself and close friends, and you hear that freedom in its variety: some songs feel raw and just-found, others fully formed. There's no tidy arc, but that's part of its charm. Across seven discs and 82 songs, what emerges isn't a legacy project but something quieter: a window into how a working musician keeps working. You don't come away with answersionly a better sense of how far Springsteen will follow a song just to see where it leads.
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est. release 27 Jun 25 $257.90
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FORTHCOMING
The Lamb Lies Down On Broadway (50th Anniversary Super Deluxe Edition)
Cat: 060349 7819157. Rel: 26 Sep 25
 
Progressive Rock
Review: Genesis' double concept album from 1974 is a seraphic work, telling the surreal, mythic story of Rael, a Puerto Rican youth navigating a dreamlike New York City filled with bizarre characters and symbolism. Also Peter Gabriel's last album with Genesis, it marks the moment that the 'Solsbury Hill' singer left to pursue a solo career, thus curtailing the era of "progressive Genesis". Hailed as one of the most influential prog rock albums of all time, it exalts Genesis as early users of ambient, synth-driven moodscapes, which serve as transcendent backdrops for Rael's "ashy to classy" bildungsroman. As a Puerto Rican street kid embarks on an odyssey of personage, the album reaches a staunch climax in an archetypal castration scene. Also doubling as a live show in which Peter Gabriel donned grotesque costumes and leathery hides to represent Rael - not quite Broadway, but close - this new set comes complete with a 1975 tour programme reproduction, replica ticket, poster and a 60-page coffee table style book featuring rare images and new liner notes by Alexis Petridis.
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est. release 26 Sep 25 $98.12
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FORTHCOMING
Still Living In The Past
Still Living In The Past (5xCD + Blu-ray)
Cat: 502173 2368409. Rel: 11 Jul 25
 
Progressive Rock
A Song For Jeffrey (CD1: original mixes, remixes, edits & demos 1968-1971)
Love Story
A Christmas Song
Living In The Past
Driving Song
Sweet Dream
Singing All Day
Teacher
Inside
My God
Just Trying To Be
Wond'ring Aloud Again
Wond'ring Again
Lick Your Fingers Clean
Locomotive Breath
Life Is A Long Song
Up The 'Pool
From Later
Life Is A Long Song
A Song For Jeffrey (CD2: Steven Wilson mix)
One For John Gee
Love Story
A Christmas Song
Living In The Past
Driving Song
Bouree
Fat Man
Singing All Day
Sweet Dream
17
Teacher
The Witch's Promise
Teacher
Inside
Alive & Well & Living In
Just Trying To Be
By Kind Permission Of (CD3: Steven Wilson mix)
Dharma For One
Wond'ring Aloud
Wond'ring Again
Lick Your Fingers Clean
Up To Me
Hymn 43
Locomotive Breath
Life Is A Long Song
Up The 'Pool
Dr Bogenbroom
From Later
Nursie
Locomotive Breath
Introduction To Nothing Is Easy (CD4: live At Carnegie Hall, November 4, 1970)
Nothing Is Easy
Introduction To My God
My God
Introduction To With You There To Help Me
With You There To Help Me
Introduction To A Song For Jeffrey
A Song For Jeffrey
Introduction To To Cry You A Song
To Cry You A Song (CD5: live At Carnegie Hall, November 4, 1970 - part 2)
Introduction To Sossity; You're A Woman
Sossity; You're A Woman
Introduction To Dharma For One
Dharma For One
Introduction To We Used To Know
We Used To Know
Guitar Solo
For A Thousand Mothers
Still Living In The Past (Blu-ray)
Review: Blackpool rock progressors Jethro Tull revisit their formative years with Still Living In The Past, a lavish 5CD and Blu-ray reissue of the main compilation, first out in 1972. Originally pulling on UK-only singles, EP tracks and early oddities recorded between 1968 and 1971, the collection now returns in expanded form, with new stereo and surround mixes by Steven Wilson, previously unheard edits and demos, and a full 1970 Carnegie Hall set spread across two discs. It's a deep dive into Ian Anderson's baroque-folk experiments and mandolin-heavy diversions before Thick As A Brick rewired the band entirely.
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est. release 11 Jul 25 $60.54
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FORTHCOMING
The Party's Over (reissue)
Cat: 502173 2589408. Rel: 27 Jun 25
 
Indie/Alternative
Review: That we're still talking about this 1982 album all these years later is testament to its timeless brilliance. Talk Talk, blessed to have had Colin Thurston (Duran Duran, David Bowie) as a producer forged an impressive debut album of hip synth pop with pan generational appeal and a cool feel that puts it up there with Depeche Mode. The title track is an undeniable slow banger showcasing singer Mark Hollis' nailing of a glum yet glam vocal delivery and Simon Brenner's stunning synth phrases. Another highlight with bass parts to rival anything by the band Japan is 'Today' - an 80s pop wonder that's an addictive number, which compels you to want to reach out for the album time and time again.
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est. release 27 Jun 25 $14.02
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FORTHCOMING
Find El Dorado
Cat: 502173 2748935. Rel: 25 Jul 25
 
Rock
Handouts In The Rain
Small Town Talk
El Dorado
White Line Fever
One Last Cold Kiss
When You Are A King
Pinball
Where There's Smoke, There's Fire
I Started A Joke
Never The Same
Lawdy Rolla
Nobody's Fool
Journey
Daltry Street
Clive's Song
Review: Paul Weller returns this July with Find El Dorado, a studio LP of covers with a reflective twist applied. Refusing to play it straight as ever, the guitarist and principal Jam songwriter dives into songs that he's now happy to reveal have haunted him for years, revisiting them with quiet clarity and a reverent touch. Produced by longtime collaborator Steve Cradock, the record nets in a wide cast (Declan O'Rourke, Noel Gallagher, Amelia Coburn, Seckou Keita, Robert Plant), enlisting his very many sidereal friends to help reshape such classic blues, ragtime and rock & roll cuts as The Flying Burrito Brothers' 'White Line Fever' and Christy Moore's one-cover-removed version of Mountain's 'One Last Cold Kiss'.
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est. release 25 Jul 25 $14.02
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FORTHCOMING
Dreamworld
Dreamworld (2xCD + Blu-ray)
Cat: 505419 7941887. Rel: 01 Aug 25
 
Pop
Suburbia
Can You Forgive Her?
Opportunities (Let's Make Lots Of Money)
Where The Streets Have No Name/I Can't Take My Eyes Off You
Rent
I Don't Know What You Want But I Can't Give It Any More
So Hard
Left To My Own Devices
Single Bilingual/Se A Vida E (That's The Way Life Is)
Domino Dancing
Monkey Business
New York City Boy
Jealousy
Love Comes Quickly
Paninaro
Always On My Mind
Dreamland
Heart
What Have I Done To Deserve This?
It's Alright
Vocal
Go West
It's A Sin
West End Girls
Being Boring
Review: Coming on a 2CD + Blu-ray is a celebration of the iconic duo's 40th-anniversary tour with a dazzling live performance at Copenhagen's Royal Arena. Recorded in June 2023 as part of their Dreamworld Greatest Hits tour, this show features a career-spanning setlist, all impeccably shot on 14 cameras in crisp 4K and mixed in both stereo and 5.1 surround sound by David and Mike Woolley. From the opening beats of 'Suburbia' to the euphoric finale of 'Being Boring', Neil Tennant and Chris Lowe take fans on a nostalgic journey through their vast catalog. The tracklist reads like a history of synth-pop, including timeless hits like 'West End Girls', 'It's A Sin', 'Heart' and 'Domino Dancing'. Visually and sonically, the concert film promises an immersive experience, showing the band's ability to blend theatrical performance with infectious dance rhythms. The Blu-ray format ensures fans get the full spectacle, enhanced by the meticulous surround sound mix. For both longtime devotees and newcomers, Dreamworld: The Greatest Hits Live is a fitting tribute to the Pet Shop Boys' enduring influence on pop and dance musicia joyous celebration of four decades of innovative and irresistible tunes.
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est. release 01 Aug 25 $33.63
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FORTHCOMING
Sabresonic (remastered)
Cat: WARPCD 16R. Rel: 01 Aug 25
 
Techno
Still Fighting
Smokebelch I
Clock Factory
Ano Electro (Andante)
RSD
Inter-Lergen-Ten-ko
Ano Electro (Allegro)
Smokebelch II (Beatless mix)
Review: Now reissued, the 1993 debut from this Weatherall-helmed outfit remains a vital artifact of early 90s UK electronic music. A distinct fusion of ambient techno, dub and melodic minimalism that helped define the era's genre-blurring sound, tracks like 'Smokebelch II' have a haunting beauty with sweeping pads and hypnotic grooves, embodying a deeply atmospheric and spacey aesthetic that nods to Berlin School influences while anchoring itself firmly in post-rave Britain. There's an elegance in its restraint, with Weatherall and company favouring mood and repetition over dramatic builds. The dubby undercurrents and minimal progressions have a depth that rewards patience. Sabresonic stands as a cohesive and influential record of UK electronic music in 1993. It reflects a moment when electronic music was still wide open and exploratory, paving the way for the deeper strains of ambient techno and downtempo to come.
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est. release 01 Aug 25 $16.81
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FORTHCOMING
Haunted Dancehall (remastered)
Cat: WARPCD 26R. Rel: 01 Aug 25
 
Balearic/Downtempo
Bubble & Slide
Bubble & Slide II
Duke Of Earlsfield
Flight Path Estate
Planet D
Wilmot
Tow Truck
Theme
Theme 4
Return To Planet D
Ballad Of Nicky McGuire
Jacob Street 7am
Chapel Street Market 9am
Haunted Dancehall
Review: The second Sabres album remains a towering achievement in their short but influential career. Released in 1994, it sees the trio of Andrew Weatherall, Jagz Kooner and Gary Burns moving far beyond the progressive house leanings of their debut Sabresonic into a dark, richly textured world of breakbeats, dub, ambient and live instrumentation. It's a bold record that feels cinematic in scope and full of unique rhythms. Tracks like 'Tow Truck' and 'Theme' lean into the early rumblings of big beat, while 'Planet D', notably remixed by Portishead, plunges into shadowy, skeletal trip hop. 'Wilmot' lightens the mood with calypso samples, but it fits seamlessly alongside the haunting textures of 'Ballad of Nicky McGuire' and 'Flight Path Estate'. Weatherall's influence as a selector is key-every transition feels curated, and the pacing of the album is masterful. Neither fully techno nor trip hop, too eclectic for IDM and too atmospheric for the club, Haunted Dancehall occupies a singular space. It's one of the most enduring and visionary UK electronic albums of the 90s and remains one of Weatherall's most accomplished studio works.
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est. release 01 Aug 25 $17.67
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FORTHCOMING
Moisturizer
Cat: WIGCD 530. Rel: 11 Jul 25
 
Indie/Alternative
Review: Moisturizer is a bold, brash follow-up to Wet Leg's Grammy-winning debut album back in 2022. Now a full five-piece, the Isle of Wight band channels their explosive live energy into a tighter, more confident sound here on a record that was written in isolation during an intense creative burst. It dives into themes of obsession and all-consuming love and is delivered with visceral guitars, pounding drums and their signature wit. The result is a thrilling mix of raw emotion and playful edge. From indie darlings to 6 Music favourites, Wet Leg prove they're no one-album wonder as Moisturizer is a fearless leap forward that embraces chaos, heartache and fun in equal measure.
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est. release 11 Jul 25 $11.21
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FORTHCOMING
Wave (reissue)
Wave (reissue) (UHQ-CD with obi-strip)
Cat: UCCU 46067. Rel: 25 Jun 25
 
Jazz
Wave
The Red Blouse
Look To The Sky
Batidinha
Triste
Mojave
Dialogo
Lamento
Antigua
Captain Bacardi
Review: Prepare to chill like you've never chilled before. Not even a nuclear reactor core on the brink of radioactive combustion could refuse the coolant grooves of Antonio Carlos Jobim's 1967 LP Wave, one of the Brazilian songwriter and bossa nova pioneer's lushest and most accomplished orchestral collaborative works. Recorded in just three days at Van Gelder Studio in New Jersey, it was Jobim's second album for the US market, and his first after the huge cross-Atlantic success of The Composer Of Desafinado Plays and his collaborations with Stan Getz and Frank Sinatra. 'The Red Blouse', 'Triste' and 'Dialogo' indeed evoke the daunt factor of wandering a treeless savannah, with their many G-force string glissandos and cinematic motifs (Claus Ogerman helped Jobim craft sweeping, string-laden versions of his pre-written compositions) setting the stage for an evocative, telluric soundscape.
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est. release 25 Jun 25 $22.42
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FORTHCOMING
Loner
Loner (CD)
Cat: ZENCD 312. Rel: 11 Jul 25
 
Deep House
The Person You'd Like To Be
Different
Kimpton (With O'Flynn)
All My Friends
About To Begin
Still Riding
Cars Pass By Like Childhood Sweethearts
Machine Noise For A Quiet Daydream (feat Seamus)
Like It's Part Of The Dance
Childhood
Marriage
Wandering Mt Moon
Review: Edinburgh-born Barry Can't Swim made a solitary splash with Loner, now reissued some months after its initial release on CD. The album dived deep into the producer's personal landscape, shaped by a year of self-reflection and a global total live show wipeout, finding romance in the contrasts between adolescent aloneness and global superstardom: in the 21st century, we find it a relief to believe they're hardly incompatible. Lead single 'Different' has in the time since set itself apart on dancefloors the world over, its euphoria meeting a patchwork of influences, while always seeming to conjure some wonder and speculation as to the man behind the beats: always navigating identity, (dis)connection and change.
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est. release 11 Jul 25 $12.06
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FORTHCOMING
The Fateful Symmetry
Cat: CDSTUMM 517. Rel: 11 Jul 25
 
Indie/Alternative
Review: This is Mark Stewart of Pop Group fame's Bowie Blackstar moment. An innovative and expressive masterpiece that sounds ahead of its time. Completed shortly before the Bristol-born legend's untimely passing in April 2023, this is a posthumous release on Daniel Miller's Mute label - a label that's had a strong long-term connection with the fearless visionary. The album was co-produced by another all-time great in British music - Killing Joke's Youth, who is responsible for a swathe of the most interesting new music out there at the moment. The first track to be released from it, 'Memory Of You', shows what an incredible singer Stewart was, with a righteous nod to the Walker Brothers and Sinatra in his timbre. It's a truly welcome surprise and hats off to those releasing this in Mark Stewart's memory.
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est. release 11 Jul 25 $12.06
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FORTHCOMING
1984
1984 (limited numbered hybrid SACD)
Cat: 821797 224864. Rel: 31 Dec 25
 
Rock
1984
Jump
Panama
Top Jimmy
Drop Dead Legs
Hot For Teacher
I'll Wait
Girl Gone Bad
House Of Pain
Review: Van Halen's 1984 remains a seminal record in the history of rock music, marking a significant pivot in both the band's sound and its broader influence on the genre. Released in a year crowded with iconic albums from heavyweights like Judas Priest, Iron Maiden and Bon Jovi, 1984 stood out with its innovative use of synthesisers, a bold move for a band traditionally known for its hard-hitting guitar-driven rock. This sonic shift, spearheaded by Eddie Van Halen's exploration of keyboards, made the album both controversial and groundbreaking, with 'Jump' becoming a defining anthem of the era. The album kicks off with the brief, synth-driven title track that transitions seamlessly into 'Jump,' a song that introduced a new layer of polish to Van Halen's sound without sacrificing the energy or fun that defined their earlier work. Despite initial resistance from die-hard fans, 'Jump' became the band's most commercially successful song, balancing Eddie's keyboard experimentation with David Lee Roth's larger-than-life vocals. Following 'Jump', the album dives back into more familiar territory with tracks like 'Panama' and 'Hot For Teacher', showcasing the signature blistering guitar riffs and infectious rhythms that put Van Halen on the map. 'Panama' is an explosive rocker, with crunching guitars and Roth's unmistakable charisma, while 'Hot For Teacher' opens with one of the most recognizable drum intros in rock history. The band's chemistry is on full display, combining wild guitar solos, booming bass lines, and energetic vocals. Deeper cuts like 'Top Jimmy' and 'Drop Dead Legs'' are often overshadowed by the big singles but still highlight the band's dynamic range. 'I'll Wait', with its atmospheric production and introspective tone, stands as one of the more unique entries in the Van Halen catalog, blending ghostly vocal effects with the band's pop sensibilities. Produced by Ted Templeman, 1984 strikes a delicate balance between the more polished sound of mainstream rock and the band's rough, raw origins. The album's commercial success, aided by MTV and the rise of music videos, cemented Van Halen's place in the pantheon of rock greats. Even 40 years after its release, 1984 sounds fresh, an enduring testament to Van Halen's ability to innovate without losing their core identity. Whether it's the flashy guitar solos, Roth's exuberant vocal performances, or the bold use of synthrs, 1984 captures a band at the peak of their powers, pushing boundaries while staying true to their rock 'n' roll spirit.
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est. release 31 Dec 25 $42.05
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FORTHCOMING
Supposed Former Infatuation Junkie
Cat: UDSACD 2299. Rel: 26 Sep 25
 
Indie/Alternative
Front Row
Baba
Thank U
Are You Still Mad
Sympathetic Character
That I Would Be Good
The Couch
Can’t Not
UR
I Was Hoping
One
Would Not Come
Unsent
So Pure
Joining You
Heart Of The House
Your Congratulations
Review: Supposed Former Infatuation Junkie is Alanis Morissette's ambitious follow-up to 1995's mega-hit Jagged Little Pill. Released November 3, 1998, the album defied expectations and avoided the easy path of imitation and in instead, Morissette dove deeper into introspection, spiritual growth and lyrical vulnerability. With eclectic production blending rock, Eastern influences and hip-hop grooves, the album reflects the sound of a maturing artist embracing complexity. Songs like 'Front Row' and 'Thank U' reflect her evolving voice which is less angry, more self-aware yet still fearless. This bold, personal work solidified Morissette's artistic identity beyond her already proven commercial success.
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est. release 26 Sep 25 $52.69
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FORTHCOMING
Tiny Music... Songs from the Vatican Gift Shop
Cat: UDSACD 2294. Rel: 27 Jun 25
 
Indie/Alternative
Press Play
Pop's Love Suicide
Tumble In The Rough
Big Bang Baby
Lady Picture Show
And So I Know
Trippin' On A Hole In A Paper Heart
Art School Girl
Adhesive
Ride The Cliche
Daisy
Seven Caged Tigers
Review: Stone Temple Pilots' 1996 pivot from grunge scaffolding to something stranger and shinier comes remastered on Mobile Fidelity's hybrid SACD; a hi-res edition cut from the original tapes. Recorded in a sprawling Californian ranch-turned-studio, the band ditched the confines of alt-rock purity for glam-flecked guitar pop, stoned psychedelia, garage crunch and warped lounge. It confused critics at the time, but Tiny Music... Songs From The Vatican Gift Shop has grown into its reputation, helped along by a vocal performance from Scott Weiland that drifts between smeared and swaggering, ragged and weirdly precise. Brendan O'Brien's production brims with odd textures and giddy detours, as 'Big Bang Baby' borrows from 'Jumpin' Jack Flash', while 'Lady Picture Show' veers into brittle melancholy. A record that made fun of the rules while rewriting them.
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est. release 27 Jun 25 $52.69
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FORTHCOMING
The Making Of Five Leaves Left
Cat: 776269 7. Rel: 25 Jul 25
 
Folk/Americana
Mayfair (CD1: 1st Sound Techniques Session aka The Beverley Martyn demo & Alt takes From February 1968 To April 1969)
Time Has Told Me
Man In A Shed
Fruit Tree
Saturday Sun
Strange Face
Strange Face (Rough mix)
Day Is Done (take 5)
Day Is Done (take 2)
Day Is Done (take 7)
Man In A Shed (take 1)
My Love Left With The Rain
Blossom (CD2: Paul De Rivas Reel - October 1968/Out-Takes November 1968)
Instrumental
Made To Love Magic
Mickey's Tune
The Thoughts Of Mary Jane
Day Is Done
Time Has Told Me
Three Hours (take 2)
Time Has Told Me (take 4)
Strange Face (take 1)
Saturday Sun (take 1)
Fruit Tree
Time Of No Reply (Take 3 Into Take 4) (CD3: Out-Takes From December 1968 To April 1969)
Cello Song (take 4)
Mayfair (take 5)
River Man (take 1)
Way To Blue
The Thoughts Of Mary Jane (take 2)
Saturday Sun (take 1 Into take 2)
River Man (take 2)
Time Has Told Me (CD4: Five Leaves Left)
River Man
Three Hours
Way To Blue
Day Is Done
Cello Song
The Thoughts Of Mary Jane
Man In A Shed
Fruit Tree
Saturday Sun
Review: From Tanworth-in-Arden to Wimpole Street and the Sound Techniques studio, Nick Drake's journey to his debut full-length is laid bare in this meticulous, four-disc archival set, authorised by the Drake Estate and mastered by original engineer John Wood. Originally released on Island Records in 1969, the album's making is told across more than 30 previously unheard outtakes, Cambridge demos and alternate takesitracing the evolution of songs like 'Day Is Done', 'Saturday Sun' and the devastating 'River Man' from fragile sketches to finished elegies. Disc one's "Beverley Martyn demo" reveals a more tentative, companionable Drake, while the Cambridge reel captures a private world of haunting, early ideas ('Made to Love Magic', 'My Love Left With The Rain'). The studio takes on disc three show a singer still searching, his signature phrasing emerging through repetition and rejection. A sixty-page book, pressed on textured stock and written by Neil Storey and Richard Morton-Jack, completes the reissue. A landmark document of a quiet revolutionary who shaped modern songwriting through understatement, nuance and myth.
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est. release 25 Jul 25 $101.49
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FORTHCOMING
Stasis Sounds For Long Distance Space Travel III
Cat: PITP 79CD. Rel: 27 Jun 25
 
Ambient/Drone
Stasis Sounds For Long-Distance Space Travel (Final Approach 1)
Stasis Sounds For Long-Distance Space Travel (Final Approach 2)
Stasis Sounds For Long-Distance Space Travel (Final Approach 3)
Stasis Sounds For Long-Distance Space Travel (Final Approach 4)
Stasis Sounds For Long-Distance Space Travel (Final Approach 5)
Stasis Sounds For Long-Distance Space Travel (Final Approach 6)
Stasis Sounds For Long-Distance Space Travel (Blue New World 1)
Stasis Sounds For Long-Distance Space Travel (Blue New World 2)
Stasis Sounds For Long-Distance Space Travel (Blue New World 3)
Stasis Sounds For Long-Distance Space Travel (Blue New World 4)
Stasis Sounds For Long-Distance Space Travel (Blue New World 5)
Review: Stasis Sounds For Long-Distance Space Travel III concludes a five-year journey by unrelenting ambient don zake and 36 as they once again cook up ambient soundscapes with real emotional depth. Inspired by a fan who said, "I was terrified of space travel, until I heard this album," the series explores the tension between isolation and wonder and this third volume shifts from drifting to arrival, where melancholic piano and deep synths mirror descent, landing and the quiet awe of beginning anew. With tracks like 'Final Approach' and 'Blue New World,' the duo crafts cinematic, immersive music for inner and outer voyages that are full of warmth, weight and the haunting beauty of the cosmic unknown.
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est. release 27 Jun 25 $15.99
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FORTHCOMING
Tuff Times Never Last
Cat: BWOOD 408CD. Rel: 11 Jul 25
 
Broken Beat/Nu Jazz/Nu Soul
Review: Still fresh after their 2024 'Get The Message' EP, Kokoroko's latest LP and motto Tuff Times Never Last arrives now through Brownswood on CD, edifying on a period of reflection, change and free play. The London group now stretch further into British 80s rhythm & blues, lovers rock and synth-laced Antillean disco, nudging their core Afrobeat sound into looser, sweeter terrains. Onome Edgeworth and Sheila Maurice-Grey anchor the writing with personal memories of growing up in the capital, drawing subtle parallels with films like Crooklyn and The Wood. 'Sweetie' particularly is a lo-fi stepper with scratchy horns and cheap-sounding drum machines, nodding to Onyeabor-style futurism. The LP precedes their biggest headline show to date at O2 Academy Brixton on 25 September.
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est. release 11 Jul 25 $13.44
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FORTHCOMING
10
10 (CD)
Cat: FLO 00020CD. Rel: 25 Jul 25
 
Soul
TH
RL
KTYWS
P
ILTS
LI
SITL
HTTR
WAL
SOTH
Review: Mystery-heavy UK leftfield soul outfit Sault's 12th album feels like a deeply personal offering wrapped in some of the most radiant production of their career. With Inflo behind the boards, the album moves fluidly between soulful reflection and uplifting groove. Opener 'The Healing' speaks to emotional growth, inner peace and shared vulnerability. The message is clear: healing is a journey best taken together. Tracks like 'Power' and 'Know That You Will Survive' are driven by rich, pulsing basslines and lush instrumentation. They groove with purpose, rooted in funk and soul while sounding unmistakably present-day. Cleo's voice carries a calm authority, especially on 'Know That You Will Survive'. a song that delivers hard truths with grace and warmth. 'Look Up' springs to life with Pino Palladino's bass anchoring the song's ghostly harmonies. Tracks such as 'Higher Than the Rain' and 'Real Love' layer gently but build with quiet force. The subtlety makes them all the more gripping. But 'Sorry It's Too Late' lingers the longest. A simple piano line and Cleo's bare, aching voice create a stillness that's hard to shake. Through sorrow, hope and light, 10 is a graceful reminder that there's strength in softness.
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est. release 25 Jul 25 $18.78
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FORTHCOMING
Funk Masters: Vintage Sounds
VARIOUS
Cat: 347630 2. Rel: 27 Jun 25
 
Funk/Reissues
Review: Since the early 2000s, Wagram Music - a French indie label known for a diversity of releases from across the "cool" spectrum of hip-hop, jazz, soul and funk - has conceived many an ingenious studio compilation. This specialism granted them their toehold in the music industry, and would later also confer them their powers in the domains of publishing and "distro". For now, though, we're firmly camped in with the comps, as their breakout feature, Funk Masters, returns for another round. Long charting the backstreet talents of the likes of Odyssey, Marvin Gaye, Funkadelic, and Anita Ward - among a longer list too great to mention in its entirety - this is an unstoppable series. This time we're in ever more wondrous company, as the Masters contrast to 2022's Vintage Sounds, with further brill selections from Bobby Byrd, T-Connection and Isaac Hayes.
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est. release 27 Jun 25 $13.17
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FORTHCOMING
Genesis
Genesis (hybrid SACD)
Cat: CAPA 043SA. Rel: 26 Sep 25
 
Rock
Mama
That's All
Home By The Sea
Second Home By The Sea
Illegal Alien
Taking It All Too Hard
Just A Job To Do
Silver Rainbow
It's Gonna Get Better
Review: Genesis' 1983 release begins with an ominous whisper, 'Mama', where Phil Collins channels something unnerving-part confession, part menace-set against sparse, mechanical drum programming. The track crescendos into a searing release, its layers of synths and percussion driving home a deep unease. If 'Mama' is the ghost in the machine, 'That's All' is the human touch: deceptively light, yet built on intricate layers of melody and rhythm that reveal the band's refined craftsmanship. The album balances pop accessibility with progressive roots. 'Second Home by the Sea', a two-part suite, showcases their knack for storytelling through instrumental drama, while 'Illegal Alien' mixes humour with commentary in a way that still provokes discussion. For fans of lush, introspective ballads, 'Taking It All Too Hard' offers a poignant standout moment. This reissue captures Genesis at a pivotal point, straddling their experimental past and chart-topping future. A must-have for fans exploring the evolution of a genre-defining band.
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est. release 26 Sep 25 $45.13
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FORTHCOMING
Abandoned Luncheonette
Cat: CAPA 050SA. Rel: 26 Sep 25
 
Rock
Review: After the relative commercial un-success of their debut Whole Oats, Hall & Oates relocated to the Big Apple to record 1973's Abandoned Luncheonette, marking the start of their New York chapter, which perhaps artistically expressed their own debutant dismay. Produced by Arif Mardin, and in a rightly disgruntled fashion, the duo sought to distance themselves from commercial formulae, honing a unique sound that would later prove non-fungible. Keeping close to the pair's American roots, Mardin played a crucial role, and under his guidance, H&O would call the production process a vital learning experience. The second side of the record is notable for its guitarist Chris Bond's Beatles-inspired ideas, which he would later express as a regretful choice, as it deviated substantially from H&O's vision. But this is an overall "magical" record, as expressed by the duo themselves.
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est. release 26 Sep 25 $46.26
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FORTHCOMING
What'd I Say
What'd I Say (hybrid SACD)
Cat: CAPA 048SA. Rel: 26 Sep 25
 
Soul
Review: Improvised onstage to fill time, 'What'd I Say' became one of the most important recordings in modern music history. Built around Charles' electrifying Wurlitzer riffs, call-and-response exchanges with the Raelettes, and a gospel-blues structure oozing sexual energy, it bridged sacred and profane, church and club. The single, split into two parts, fused gospel passion with r&b swagger and Latin rhythm, helping birth the genre of soul itself. Banned by many radio stations for its overt sensuality, it nevertheless soared into the mainstream, giving Charles his first gold record and changing the sound of pop forever. Everyone-from The Beatles to James Brown-took note.
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est. release 26 Sep 25 $44.85
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FORTHCOMING
Purple
Purple (hybrid SACD)
Cat: CAPA 029SA. Rel: 26 Sep 25
 
Indie/Alternative
Review: In newly audible, shimmering detail, Stone Temple Pilots' second LP (1994) marked a shift from the rawness of their pilot album Core toward tighter songwriting and broader sonic reach, layer-caking their readily established grunge sound in starker progressions and clearer Southern gothic baritones from Scott Weiland. 'Vasoline', 'Big Empty' and 'Interstate Love Song' still hit hard, yet deeper cuts like 'Pretty Penny', 'Lounge Fly' and 'Silvergun Superman' reveal the album's layered charm. Only 47 minutes long, but full of unexpected sonic flourishes, it's now rediscovered in 45rpm form, thanks to Analogue Productions, compared to whom few do it better.
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est. release 26 Sep 25 $45.97
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FORTHCOMING
Otis Blue: Otis Redding Sings Soul
Cat: CAPA 035SA. Rel: 26 Sep 25
 
Hip Hop/R&B
Review: The third studio release from Georgia-born vocalist Otis Redding captures one of soul's most transcendent voices hitting his stride. Recorded at Stax in Memphis with the label's legendary house band, the LP blends Redding originals like 'Respect' and 'I've Been Loving You Too Long' with impassioned reinterpretations of songs by Sam Cooke, B.B. King, the Rolling Stones, and more. Backed by Booker T. & the M.G.'s and the Memphis Horns, Redding delivers performances that are raw, urgent and unmistakably Southern - his voice rising from pain to exultation in a single breath. 'Ole Man Trouble' opens in a mood of wounded resolve, while 'Change Gonna Come' channels Cooke's civil rights sorrow with a gut-punching tenderness. 'Shake' and 'Satisfaction' bristle with brassy energy, offering a grittier counterpoint to their original versions. Despite being largely composed of covers, every track is transformed by Redding's vocal phrasing and the band's immaculate drive. What results is a tight, 30-minute lesson in Southern soul, uniting gospel, blues and r&b into something wholly its own. It remains one of the most complete studio expressions of Redding's short but seismic career - a benchmark of the genre and a defining record of the 60s.
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est. release 26 Sep 25 $45.97
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FORTHCOMING
Forbidden Fruit: The Age Of Consent Remixed
Cat: LMS 1725439. Rel: 11 Jul 25
 
Pop
Why? (feat Neil Tennant - Superchumbo Super extended mix)
Bronski Beat & The Knocks - "Smalltown Boy" (feat Perfume Genius - extended mix)
Junk (Gareth Jones An Electrogenetic remix)
Love & Money (RSF Metropol Italo remix)
Need A Man Blues (RSF Metropol NRG remix)
I Feel Love/Love To Love You Baby (Ultramix)
Johnnie Remember Me (A Jazz Affair)
Review: Bronski Beat's brief but influential presence from London in the mid-80s delivered crucial anthems for queer liberation and synth-pop innovation. This remix collection reimagines the landmark 1984 album that put the band on the map. Gareth Jones, known for his work with Depeche Mode, reshapes ‘Junk’ into icy electro futurism, while Kinky Roland channels high-energy Euro disco on ‘Love and Money’. Meanwhile, Superchumbo's epic house reinterpretation of ‘Why?’, featuring Neil Tennant of Pet Shop Boys, injects new urgency into its activist heart. From sultry jazz-inflected takes (‘Johnnie Remember Me’) to modern club flourishes like The Knocks and Perfume Genius' shimmering spin on ‘Smalltown Boy’, these tracks freshly affirm the timelessness of Bronski Beat's revolutionary spirit.
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est. release 11 Jul 25 $12.06
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FORTHCOMING
The Genius Of Ray Charles
Cat: CAPA 066SA. Rel: 26 Sep 25
 
Soul
Review: Originally released in 1958, and now reissued, was a stylistic change for Ray Charles. Departing from the gospel-infused r&b of his earlier Atlantic work, Charles grew into a lush, genre-blending approach that straddled a big band swing and string-laden balladry. Ray, 28 years old, this was already his sixth album of material. Now on SACD, a format known to be the most superior consumer format, we can all appreciate the intricate details of this landmark album. Side-A is a high-energy one, powered by arrangements from Quincy Jones and contributions from members of the Count Basie and Duke Ellington bands. Tracks like 'Let the Good Times Roll', 'It Had to Be You' and 'A'exander's Ragtime Band' sparkle with swagger and sophistication. Charles's piano lines snake through the arrangements with soulful ease, unifying the jazz-driven ensemble with his distinctive r&b touch. Side-B turns more introspective, featuring Ralph Burns's rich orchestral arrangements. Here, Charles delivers haunting renditions of 'Just for a Thrill', 'You Won't Let Me Go', and the moving 'Don't Let the Sun Catch You Crying'. His expressive phrasing and tender piano work bring emotional depth to each piece. The album concludes with a stirring take on 'Come Rain or Come Shine', arguably one of his greatest recorded performances. More than a recording of vocal talent, this album redefined what a soul artist could achieve within the framework of American popular music.
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est. release 26 Sep 25 $44.85
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FORTHCOMING
Nursery Cryme
Nursery Cryme (hybrid SACD)
Cat: CAPA 026SA. Rel: 26 Sep 25
 
Rock
The Musical Box
For Absent Friends
The Return Of The Giant Hogweed
Seven Stones
Harold The Barrel
Harlequin
The Fountain Of Salmacis
Review: Genesis took a significant leap forward with the addition of Phil Collins and Steve Hackett to the lineup and this album showcases a perfect blend of bombastic keyboards, intricate melodies and imaginative storytelling. Opening with 'The Musical Box', a mini rock opera that fuses nursery rhyme influences with progressive rock grandeur, the album establishes itself as a classic. The heavy and menacing 'The Return of the Giant Hogweed' exemplifies the band's creative audacity, while 'For Absent Friends' offers a brief, gentle respite led by Collins' emotive vocals. 'Seven Stones' features one of the most iconic Mellotron solos, while 'The Fountain of Salmacis' presents a mythical tale with symphonic depth. 'Harold the Barrel' provides a brief, humorous interlude and 'Harlequin' offers a quaint but somewhat disposable moment. The record's strength lies in its balance of light and dark, with moments of beauty and power seamlessly intertwined. The album captures the band's transition from their early sound to a more ambitious, epic style, laying the groundwork for future masterpieces. It remains a cornerstone of progressive rock, showcasing Genesis at their imaginative best.
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est. release 26 Sep 25 $45.13
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FORTHCOMING
Abacab
Abacab (hybrid SACD)
Cat: CAPA 042SA. Rel: 26 Sep 25
 
Rock
Abacab
No Reply At All
Me & Sarah Jane
Keep It Dark
Dodo/Lurker
Who Dunnit?
Man On The Corner
Like It Or Not
Another Record
Review: Abacab remains an album that pulses with the energy of the early 80s, yet it carries a weight of reflection that anchors it beyond its time. The opening track sets a brisk pace, its driving rhythm section cutting through the dense layers of synths with a sense of urgency. 'No Reply at All' stands as one of the album's high points, with a funk-infused groove that is both unexpected and irresistible. As the album progresses, 'Dodo' takes a darker turn, blending prog-rock sensibilities with electronic textures, showing the band's ability to evolve while retaining their distinctive voice. Throughout, there's a sense of experimentationia willingness to push boundaries, to step away from their previous sound while staying true to their roots. Abacab showcases a band in transition, seamlessly fusing their past with the future they were stepping into.
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est. release 26 Sep 25 $45.13
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FORTHCOMING
NOW 12" 80's: 1985 Part 1
VARIOUS
Cat: CDNOW 1285P1. Rel: 11 Jul 25
 
Pop
Queen - "One Vision" (extended version)
Philip Bailey And Phil Collins - "Easy Lover" (extended dance remix)
Eurythmics, Annie Lennox, Dave Stewart And Aretha Franklin - "Sisters Are Doin' It For Themselves" (ET mix)
Simple Minds - "Don't You (Forget About Me)" (12" version)
The Power Station - "Some Like It Hot" (12" mix)
Billy Idol - "White Wedding" (Parts 1 & 2 - Shotgun mix)
Pat Benatar - "Love Is A Battlefield" (extended version)
ZZ Top - "Legs" (dance mix)
Laura Branigan - "Spanish Eddie" (New extended remix version)
Tina Turner - "We Don't Need Another Hero (Thunderdome)" (extended version)
Bryan Ferry - "Slave To Love" (12" remix)
Scritti Politti - "The Word Girl/Flesh & Blood" (version)
Frankie Goes To Hollywood - "Welcome To The Pleasuredome (An Alternative To Reality)"
A-ha - "Take On Me" (extended mix)
Billy Ocean - "Loverboy" (extended mix)
Five Star - "All Fall Down" (M & M remix)
Ashford & Simpson - "Solid" (Special club mix)
The Pointer Sisters - "Dare Me" (12" dance mix)
Baltimora - "Tarzan Boy" (Summer version)
Bananarama - "Do Not Disturb" (extended version)
Go West - "Don't Look Down" (The Stratospheric mix)
ABC - "Vanity Kills" (The Mendelsohn mix)
Nik Kershaw - "Wide Boy" (extended mix)
King - "Love & Pride" (Body And Soul mix)
Dead Or Alive - "You Spin Me Round (Like A Record)" (Performance mix)
Bronski Beat - "Hit That Perfect Beat" (12" version)
Sheryl Lee Ralph - "In The Evening" (extended mix)
Hazell Dean - "They Say It's Gonna Rain" (Indian Summer mix)
Animotion - "Obsession" (dance mix)
Bonnie Tyler - "Holding Out For A Hero" (club mix)
Jan Hammer - "Miami Vice Theme" (extended version)
Harold Faltermeyer - "Axel F" (extended version)
Colonel Abrams - "Trapped" (12" Regisford vocal mix)
Lisa Lisa & Cult Jam And Full Force - "I Wonder If I Take You Home" (extended version)
Chaka Khan - "This Is My Night" (12" extended version)
Princess - "Say I'm Your No.1" (Full Length version)
Tears For Fears - "Shout" (UK version/extended version)
Arcadia - "Election Day" (Consensus mix)
Propaganda - "Duel (Bitter-Sweet)"
New Order - "The Perfect Kiss" (12" version)
Sheila E - "The Belle Of St. Mark" (dance remix)
Level 42 - "Something About You" (Shep Pettibone remix)
Sharpe & Numan - "Change Your Mind" (extended version)
Howard Jones - "Things Can Only Get Better" (extended mix)
Stephen Duffy - "Icing On The Cake" (remix)
Red Box - "Lean On Me (Ah-Li-Ayo) (Dogmatix)"
Review: Few years in pop music were as sonically adventurous and packed with chart-topping flair as 1985. NOW is back to do what they do best: select a wide variety of tunes that covers the time period as well (if not better) than any DJ or streaming platform could. This 4CD collection explores the year's dancefloors and radio waves, featuring 46 full-length, extended and remixed 12" versions that helped define a generation. CD1 opens with the mighty Queen anthem 'One Vision' and rolls through power-duets, stadium anthems and rock-pop hybrids with classics from Philip Bailey & Phil Collins, Eurythmics with Aretha Franklin and Simple Minds. CD2 leans toward club-driven sounds, kicking off with the sprawling 'Welcome To The Pleasuredome' by Frankie Goes To Hollywood and A-ha's timeless 'Take On Me'. The floor stays alive with extended takes from Billy Ocean, The Pointer Sisters and ABC. CD3 brings Hi-NRG heat with Dead Or Alive and Bronski Beat, while movie themes and synth-pop jams add nostalgia. CD4 goes art-pop with Tears For Fears, New Order and Arcadia, with Shep Pettibone's remix work and standout 12" cuts from Howard Jones and Sheila E. The music speaks for itself on this deep and storied collection.
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est. release 11 Jul 25 $14.57
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FORTHCOMING
Foxtrot
Foxtrot (hybrid SACD)
Cat: CAPA 027SA. Rel: 26 Sep 25
 
Rock
Review: This 1972 masterpiece opens with 'Watcher of the Skies,' an expansive track that marries atmospheric keyboards and quirky rhythmic bombast with Gabriel's distinct voice, while its centrepiece. 'Supper's Ready,' stretches over 20 minutes, shifting effortlessly between prog grandeur and delicate folk. The album's blend of complex structures and emotional depth is evident in 'Get 'Em Out by Friday,' which combines sharp social commentary with intricate time signatures. Throughout, the band proves their mastery of dynamics, using their progressive rock sound to push boundaries while remaining grounded in emotional resonance. A timeless exploration of musical freedom.

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est. release 26 Sep 25 $45.13
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FORTHCOMING
Welcome To My Nightmare
Cat: CAPA 015 SA. Rel: 26 Sep 25
 
Rock
Review: 1975 marked a defining moment in the Alice Cooper character arc, with the release of Welcome to My Nightmare, a concept album reiterating the Kiss member's theatricality, storytelling skills, and knack for all things phantasmagoric. From 'Welcome to My Nightmare', listeners are plunged into a dark fantastical nether-realm, with added orchestration lending Cooper's craft a Burtonesque grim like never before. In collaboration with longtime producer Bob Ezrin, Cooper impelled many memorable spirits here, naturally forming the sonic backbone of the eponymous, accompanying concert film (1975) produced by David Winter. The album's breakout hit, 'Only Women Bleed', reached the Top 5 and played a major role in propelling Welcome to My Nightmare to multi-platinum status.
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est. release 26 Sep 25 $45.13
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FORTHCOMING
The Soul Of Ben Webster
Cat: CVRJ 6124SA. Rel: 26 Sep 25
 
Jazz
Review: Originally recorded in New York City in July 1958 and issued on Verve, this tight seven-piece session unites tenor sax giant Ben Webster with trumpeter Art Farmer and fellow saxophonist Harold Ashby for a sterling set of melodic swing and balladry; a romantic sidestep indeed for the Ellington/Holiday sessional and legend in his own right. Tracks like 'Chelsea Bridge' and 'Coal Train' give ample space for lyrical phrasing and subtle interplay, backed by a rhythm section featuring Milt Hinton, Dave Bailey and Jimmy Jones. Guitarist Mundell Lowe rounds out the lineup. This reissue arrives as a hybrid SACD, mastered by George Marino at Sterling Sound using original tapes. Marino opted for the George Massenburg GML 20-bit A/D for the final transfer, citing its sonic synergy. The disc includes both high-res SACD stereo and standard CD layers.
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est. release 26 Sep 25 $37.57
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FORTHCOMING
A Trick Of The Tail
A Trick Of The Tail (hybrid SACD)
Cat: CAPA 073SA. Rel: 26 Sep 25
 
Rock
Dance On A Volcano
Entangled
Squonk
Mad Man Moon
Robbery, Assault And Battery
Ripples
A Trick Of The Tail
Los Endos
Review: Genesis' 1976 album represents a pivotal moment for the band, blending intricate jazz/fusion elements with their signature progressive rock style. The SACD release highlights the nuanced interplay among members, delivering stunning clarity to Phil Collins' dynamic drumming and Mike Rutherford's sophisticated bass lines. Tracks like 'Dance on a Volcano' showcase the band's energy, with Steve Hackett's guitar evoking vivid imagery against Tony Banks' layered keyboards. 'Entangled' and 'Mad Man Moon' stand out for their delicate, introspective tones, featuring acoustic guitars and emotive vocals from Collins, whose voice brings a heartfelt authenticity to the material. The intricate use of mellotron, especially on 'Los Endos' and the latter half of 'Entangled,' adds a lush, choral atmosphere. 'Ripples' emerges as one of Genesis' finest moments, its nostalgic beauty underscored by shimmering 12-string guitars and majestic instrumental passages. Meanwhile, 'Squonk' delivers a rhythmic punch, marking a turning point where Collins proved his mettle as both drummer and vocalist. With its varied compositions and instrumental brilliance, the album bridges the theatrical style of earlier works with a more cohesive and music-centric approach. The SACD release ensures these performances resonate more vibrantly than ever, cementing its place as one of the band's definitive achievements.
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est. release 26 Sep 25 $45.41
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FORTHCOMING
Killing Me Softly
Killing Me Softly (hybrid SACD)
Cat: CAPA 054SA. Rel: 26 Sep 25
 
Hip Hop/R&B
Review: A renowned and timeless soul masterpiece, this album was built upon simmering ballads, powerful message songs and excellent up-tempo tracks. Released in 1973, the album cemented Flack's status as one of the top-selling female vocalists across genres. The title track, which won the 1974 Grammy Award for Record of the Year, stands as a definitive moment in her career, featured her unparalleled vocal depth and emotional range. The sound quality of this SACD is exceptional, with superb clarity and transparency, delivering a rich, three-dimensional sound. The punchy bass and beautiful mix reveal deep spatial depth and air around each instrument, making this one of the most vivid and true-to-life renditions of the album available today.
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est. release 26 Sep 25 $44.85
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FORTHCOMING
Clay
Clay (CD)
Cat: STRUT 502CD. Rel: 27 Jun 25
 
Experimental/Electronic
Calm Water
Need To Run
Mowing
More & More
Heart
Animals
Fallen Again
Babystar
Show Me
Someone Like You
Circle Shore
Review: A collaboration rooted in intuition, Clay finds UK experimentalist Matthew Herbert and South London drummer-vocalist Momoko Gill stepping into strange, emotionally vivid territory, stretching the song form into new shapes on their first full-length collaborationi a record that's as textural as it is emotional. Built from improvised sessions and strange source materialiJapanese kotos, basketballs, domestic clatterithe music feels both homespun and futuristic. 'Calm Water' opens with uncanny stillness before 'Need To Run' and 'Mowing' introduce a kind of fractured longing. Gill's voice dances above the dust-clouded rhythms of 'More And More' and 'Heart', sometimes like a jazz phrasing exercise, other times like something closer to prayer. Even the more dancefloor-leaning momentsi'Babystar', 'Show Me', 'Someone Like You'iremain intimate, the spaces between notes stretching wide. On 'Animals' and 'Circle Shore', they seem to hover in slow-motion, guided by instinct and restraint. It's a record with no interest in genre boundaries, powered by instinct and a quiet refusal to settle.
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est. release 27 Jun 25 $11.77
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FORTHCOMING
Gilles Peterson Presents International Anthem
Gilles PETERSON / VARIOUS
Cat: IARC 100CD. Rel: 11 Jul 25
 
Jazz
Chicago, January 13th, 2020
Makaya McCraven - "The Jaunt"
Junius Paul - "Ase"
Dezron Douglas & Brandee Younger - "The Creator Has A Master Plan"
Resavoir - "Taking Flight"
Irreversible Entanglements - "Open The Gates"
Angel Bat Dawid - "We Are Starzz"
Rob Mazurek & Exploding Star Orchestra - "Abstract Dark Energy (Parable 9)"
The Most Amazing Time
Damon Locks & Black Monument Ensemble - "Rebuild A Nation"
Dos Santos - "A Shot In The Dark"
Daniel Villarreal - "In/On"
Anna Butterss - "Pokemans"
SML - "Industry"
Jeremiah Chiu & Marta Sofia Honer - "Snacko"
Jeff Parker - "Cliche"
Jamire Williams - "And Then The Anointing Fell"
Carlos Nino & Friends - "Please, Wake Up"
Thandi Ntuli - "Voice & Tongo Experiment" (with Carlos Nino)
Tom Skinner - "Quiet As It’s Kept"
Ruth Goller - "Next Time I Keep My Hands Down"
Alabaster DePlume - "A Gente Acaba (Vento Em Rosa)"
Old Fashioned Chicago Music
Jaimie Branch - "Theme 001" (live)
Tomin - "Angela’s Angel"
Asher Gamedze - "Melancholia"
Ibelisse Guardia Ferragutti & Frank Rosaly - "MESTIZX" (Brownswood Basement live)
Ben LaMar Gay - "Oh Great Be The Lake"
Charles Stepney - "Step On Step"
Review: Evergreen selector Gilles Peterson's long-running connection with Chicago's International Anthem is given a proper retrospective on this cracking compilation. Pulling from a decade of releases and handpicked via his BBC 6 Music and Worldwide FM broadcasts, the compilation echoes Peterson's curatorial instinct while celebrating the label's fiercely independent, genre-blurring spirit. Spiritual jazz, beat science, spoken word and ambient textures are all woven together with an effortless flow. An unreleased live cut from Worldwide FM adds a little intrigue, grounding the release in the global community Peterson has done much to champion. As part of the label's 'IA11' series, it's a nod to where International Anthem has come from and a signpost of what's still to come. Another reminder that man like Gilles is still listening closer than most.
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est. release 11 Jul 25 $19.90
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FORTHCOMING
High Fashion Dance Music Volume 6
VARIOUS
Cat: 66 264. Rel: 03 Jul 25
 
Disco/Re-Edits
Donna Allen - "Joy Pain" (Dr Packer extended main mix)
BB&Q Band - "Main Attraction" (Dr Packer remix)
BB&Q Band - "Genie" (Michael Gray remix)
Ruffneck - "Everybody" (feat Yavahn - Steve Newsome remix)
Ben Liebrand & Timmy Thomas - "Together"
Adventures Of Stevie V - "Dirty Cash Money Talks" (Sold Out 12 Inch mix)
Tullio De Piscopo - "Stop Bajon Primavera" (Michael Gray remix)
Midway - "Set It Out" (Ben Liebrand Mash Up)
Loose Change - "Straight From The Heart" (Moplen remix)
Peter Brown - "Dance With Me" (Dr Packer extended remix)
T-Connection - "Saturday Night" (Dr Packer extended Snippet)
T-Connection - "At Midnight" (Dr Packer remix)
Ben Liebrand Ojam - "Running Away Full Story 90s"
BB&Q Band - "Dreamer" (Michael Gray remix)
BB&Q Band - "Ricochet" (Dr Packer & Michael Gray remix)
Dance Reaction - "Disco Train" (Martin Boer remix)
Track 17
Moses - "We Just" (Ben Liebrand Evolution mix)
Donna Allen - "Serious" (Michael Gray remix)
Mikki - "Dance Lover" (feat Starz - Dr Packer extended remix)
Nicole - "Rock The House" (Michael Gray vocal remix)
Fun Fun - "Give Me Your Love" (Ben Liebrand Le Disco mix)
TJM - "Small Circle Of Friends" (Moplen remix)
Review: Ben Liebrand returns to the High Fashion Dance Music series with volume six in the series: first launched in 1982 and revived in 2021 after a decades-long pause, the series blends classic soul, funk and disco with new edits and unreleased exclusives, all woven into one nonstop mixtape project by Liebrand himself. This round leans on work from remixers like Dr Packer, Moplen, Michael Gray, David Morales and Martin Boer, with names like Donna Allen, Nicole, BB&Q Band, T-Connection, and Adventures Of Stevie V spotlit like a play made up entirely of main characters. There’s a first-time team-up between Liebrand and Timmy Thomas, plus Moplen’s long-awaited rework of TJM’s ‘Small Circle Of Friends’; the set also includes freshly-squeezed bits from Liebrand and Moplen that haven’t yet surfaced elsewhere.
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标签: Disco House
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est. release 03 Jul 25 $19.35
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FORTHCOMING
The Revenge Of Alice Cooper
Cat: 402975 9206798. Rel: 25 Jul 25
 
Rock
Review: Detroit's original shock rocker returns with the surviving members of his 70s-era band, summoning the theatrical grit and garage energy that first made Alice Cooper a household name. The record leans into vintage horror motifs and snarling riffs, reviving the gritty, riff-led sound that once scandalised suburbia. 'Black Mamba' comes fanged and venomous, while 'Wild Ones' lurches forward with bratty abandon. A rare moment of tenderness surfaces on 'See You on the Other Side', haunted by a posthumous appearance from late guitarist Glen Buxton, seamlessly stitched in from unreleased tapes. The band sound unreasonably fresh for a group over half a century in, clearly enjoying the reunion without lapsing into pastiche. Equal parts theatre, throwback and defiance, this is Cooper reminding us that the old blood still runs hot.
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est. release 25 Jul 25 $15.69
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FORTHCOMING
Live At Montreux Jazz Festival 2022
Cat: 402975 9204398. Rel: 05 Sep 25
 
Jazz
Review: Captured at the Stravinski Auditorium, this new Ear Music set from Doncaster-born jazz fusion guitarist John McLaughlin fuses new material with longtime favourites like 'New Blues Old Bruise' and 'El Hombre Que Sabia', reaching its zenith with a charged take on Pharoah Sanders' 'The Creator Has A Master Plan'. First led by the reflective first single 'Abbaji', a tribute to tabla master Alla Rakha, the album underlines McLaughlin's all-directional reach across jazz, blues and global traditions. His relationship with Montreux stretches back over five decades, and this edition - Blu-ray, 2xCD digipak, 2xLP gatefold and digital - catches a modern master still pushing at the edges.
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est. release 05 Sep 25 $21.30
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FORTHCOMING
The Brutalist (Soundtrack)
Cat: 198028 79472.
 
Soundtracks
Ship (Overture)
Laszlo (Overture)
Bus (Overture)
Chair
Van Buren's Estate
Library
Jazz Club
Porn
Monologue
Up The Hill
Pennsylvania
Bicycle
Steel
Intermission
Erzsebet
Handjob
Bath
Building Site
Ribbon Cutting
Picnic By The Lake
Gordon's Dinner
Looking At You
Vidui
New York
Stairs
Carrara
Marble
Tunnel
Construction
Heroin
Search Party
Venice (Epilogue)
Review: Brady Corbet's latest film is brought to life by Daniel Blumberg's ambitious score, which perfectly complements its sweeping narrative and brutalist aesthetic. Blumberg, a British composer and musician, fuses large-scale brass orchestrations, intimate piano melodies and dynamic jazz elements. The film, which spans multiple decades and tells the story of Hungarian architect Laszlo Toth (Adrien Brody) rebuilding his life in post-war America, is mirrored in the music's broad emotional scope. Blumberg worked with a diverse group of avant-garde musicians from across Europe, capturing their performances on location to maintain a raw, organic sound. Collaborators like Axel Dorner (trumpet), Evan Parker (saxophone) and Sophie Agnel (piano) inject the score with an improvisational quality that contrasts beautifully with the meticulously crafted film score. One of the most memorable moments comes during the jazz club scene, where a quartet of jazz musicians, including Pierre Borel and Simon Sieger, deliver an electrifying live performance. The score's most striking shift occurs in the film's 1980s-set Epilogue, where Blumberg teams up with Vince Clarke, transforming the main theme into a synth-driven anthem. The score's breadth, from intimate jazz to grand orchestration, makes it as integral to the film as the visuals themselves.
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coming soon $17.39
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FORTHCOMING
Love Train: The Gamble & Huff Songbook
VARIOUS
Cat: CDTOP 534. Rel: 27 Jun 25
 
Soul
The Vibrations - "Love In Them There Hills"
Peaches & Herb - "United"
Madeline Bell - "I'm Gonna Make You Love Me"
Freddie Scott - "(You) Got What I Need"
Mary Wells - "A Brand New Me"
Elvis Presley - "Only The Strong Survive"
The Intruders - "Cowboys To Girls"
Jerry Butler - "Lost"
Gladys Knight & The Pips - "Together"
Archie Bell & The Drells - "I Can't Stop Dancing"
Dusty Springfield - "Let's Get Together Soon"
Wilson Pickett - "Ain't No Doubt About It"
Joe Simon - "Drowning In The Sea Of Love"
The Supremes - "Love Train"
Barbara Mason - "Me & Mr Jones"
Margo Thunder - "Expressway To Your Heart"
The O'jays - "I Love Music" (album version)
George Faith - "I've Got The Groove"
Harold Melvin & The Blue Notes - "Don't Leave Me This Way"
Bonnie Bramlett & Dobie Gray - "Never Gonna Give You Up"
Lou Rawls - "You'll Never Find Another Love Like Mine"
The Temptations - "If You Don't Know Me By Now"
Third World - "Now That We've Found Love"
Bobby Rush - "Hey Western Union Man"
Review: Since launching his Songwriter Series, Ace Records have often been asked when a Gamble And Huff collection would arrive. With the duo's 60th anniversary approaching and both legends still active, the timing couldn't be better for Love Train: The Songs Of Kenneth Gamble and Leon Huff. This compilation zeroes in on the first decade of their partnership, packing as many signature tunes as a single CD allows. Instead of sticking solely to Philadelphia International classics, it broadens the scope with versions that highlight the enduring versatility of their work. Along with staples from the O'Jays, Lou Rawls and Harold Melvin & The Blue Notes, the set features takes from Dusty Springfield, The Supremes, Dobie Gray, Gladys Knight & The Pips and even Elvis Presley. Whether blues, reggae or soul, the collection embodies the motto of Gamble, Huff and Thom Bell's Mighty Three publishing: "You'll Never Forget Our Tunes."
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Played by: Pete Haigh
标签: Soul Disco
Pre-orders at Juno

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est. release 27 Jun 25 $14.57
(No payment required now - pay when released)
FORTHCOMING
Golliwog
Cat: BWZ 804CD. Rel: 27 Jun 25
 
Hip Hop/R&B
Jumpscare
STAR87
Misery
BLK Xmas (feat Bruiser Wolf)
Waterproof Mascara
Counterclockwise
Corinthians (feat Despot)
Pitchforks & Halos
All These Words Are Yours (feat Elucid)
Maquiladoras (feat Al Divino)
A Doll Fulla Pins (feat Yolanda Watson)
Golgotha
Cold Sweat
BLK Zmby
Make No Mistake
Born Alone
Lead Paint Test (feat Elucid)
Dislocated (feat Elucide)
Review: New York's Billy Woods is not just a rapper but a confronter of disavowed, barbaric truths, where the sordid, postcolonial gluts of American oligarchy are refracted through an excoriating, critical and surreal lens. The prognosis has always been dire: Woods' lyrics - whether on his debut History Will Absolve Me (2012) or the more recent Haram (2021) - are prophecies against the sputtering machine-regime of racial enmity, where the Other is misconceived an essential cog in societal works. Golliwog ramps up the bad trip factor, suggesting an eerie mix of negritude and irresolution, with a supporting cast of musicians ensuring a wonky production prowess: Kenny Segal, Conductor Wiliams and LA jazzists Human Error Club. Frantz Fanon is proclaimed a zombie, as licentious lyrics run amok on 'Misery'.
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Pre-orders at Juno

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est. release 27 Jun 25 $15.42
(No payment required now - pay when released)
FORTHCOMING
Landscape From Memory
Cat: ERATP 174CD. Rel: 04 Jul 25
 
Experimental/Electronic
In Reverse
Catherine
Drum Song
Soft Gradient Beckons
Gaivotas
Coda
Known Shape
Nocturne
Jupiter
In A Trance
If Not Now
2 Forms
Tape Loop
Landscape From Memory
Review: After a year spent adrift, Rival Consoles - Ryan Lee West - returns with his ninth full-length, Landscape From Memory, and with it, a rekindled spark. Having stepped away from his self-built studio in Hackney amid the comforts of routine, West embroidered this record from scraps: demos recorded on the road, acoustic sketches caught through a laptop mic, grainy textures brass rubbed against lustrous synth tabula rasa. Leading light 'Catherine', a dedication to his partner, is bare and buoyant, following renewed processive energy. 'In a Trance', 'Known Shape' and 'Gaivotas' further flex West's fondness for propulsive rhythms and irregular sonics.
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Pre-orders at Juno

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est. release 04 Jul 25 $15.14
(No payment required now - pay when released)
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