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Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

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DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

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Items 1 to 47 of 47 on page 1 of 1
Cat: 718224 Rel: 04 Mar 19 • View all Drum machines
 
Unique 6-track sampler/sequencer with 1GB of sample storage
Notes: Meet the six track groovebox that offers massive sound in a compact size. You get pretty much all of the Elektron superpowers in a sleek, lightweight, and accessible package. Loads of useful presets and loads of space for your own sounds. The controls are right there at your fingertips. A truly plug-and-play bundle of joy!

Packed with great sounds:

The sound engine uses high-quality digital samples. There are 300 preset sounds supplied by Splice, ranging from the familiar kicks, snares, and hi-hats to exotic, never-before-heard ones. With a few tweaks, you can easily personalize any sample until it sounds just the way you want it. Transfer your own samples into it, or use any of the expertly crafted custom sound packs.

Dedicated knobs:

As an Elektron first, this machine offers a complete set of tactile controls, with one function per knob. They're all right there on the front panel; just grab a knob and twist it. Unleash your music spontaneously using the six tough, velocity-sensitive pads. Record your every move live, or punch in your creation one step at a time using the superb Elektron sequencer.

Ready to go:

At under one kilogram, you're getting the benefits of a light and convenient machine that will surprise you with its snarling sonic power.

- Control All lets you twist your sounds to oblivion. Then use Reload to take you back to where you started
- Use Parameter Locks to automate parameters. Each step can have a totally different sound
- Load six samples at once - just like a kit. Great when you have made a Pattern with Parameter Locks, LFOs etc... Load six new samples to instantly experiment and come up with unique and unexpected results
- Write basslines and melodies using Chromatic Mode
- New Chance parameter. Chance determines the possibility whether the sequencer steps on a track are triggered or not. Combining Chance with the Control All functionality can lead to many interesting results and happy accidents
- Record sequences with or without quantization. Steps can be micro-timed with individual Swing control per track
- Individual Step Length per track
- Individual Tempo Multiplier per track
- Class compliant USB audio 2.0

Included in the box:

- Power Supply PSU-4
- Micro USB Cable USB-2
- MIDI adapter (5-pin DIN to 3.5mm TRS minijack)
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 More than 10 in stock $346.23
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Cat: 690936 Rel: 18 Apr 19 • View all Synth modules
 
Dual-channel drum sample module - 14HP
Notes: Performance oriented Sample Drum brings you two independent drum sounds or loops with plenty of manual and CV controlled parameters. Samples are stored on the microSD card, and OLED screen makes working with samples instant and easy.

Sample Drum allows you to slice up loops directly in your modular system and rearrange them to taste. For processing, there are tuning functions (including 1 v/octave pitch tracking) and virtual VCAs plus AD envelopes. Thanks to the module's dual-channel concept, two loops can be combined. It is also possible to load one-shot samples instead of entire rhythms, of course. A total of six CV inputs guarantees lively results.

Sample Drum is composed of two identical audio players. WAV files (including cue points) are fed to the module via a micro SD card. Loops can be cut into several sections using the Data, Start and End potentiometers. The resulting slices may be played back in any order imaginable. A tune control allows real-time pitch changes. Additionally, there is a virtual VCA plus AD envelope per slice. - But that's not all! There are three CV inputs per channel, which can be routed to any parameters. It is even possible to play sounds according to the 1 v / octave standard. Results are emitted via one output per player.
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 More than 10 in stock $304.35
Cat: 718736 Rel: 27 Feb 19 • View all Synth modules
 
Multi-mode filter with four filter types - 18HP
Notes: The Quad Peak Animation System combines the auditory enveloping of stereo spaced peaks with the animation of two or more peaks in a single channel dancing around each other or engaging in primitive vocalizations. QPAS is Quad Core, containing four identical state variable filter cores with a control system powerful enough to guide them in stereo multi-peak operation, but simple enough to encourage system integration rather than domination.

- Quad Core Stereo Analogue
- Multi-Peak with clean resonance
- Fast response encourages deep FM
- Radiate spaces stereo image and animates associated channel
- High Q settings are under damped, excitable and ring by gate or trigger
- 2 modulation inputs aid patch exploration
- Stereo VCA, pre-filter with gain
- Mono to Stereo, Stereo to Mono, Mono to Mono and Stereo to Stereo operations
- Smile Pass filter response unique to QPAS
- Low Pass, Band Pass, High Pass and Smile Pass outputs simultaneously available
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 2 in stock $341.13
Cat: 733238 Rel: 18 Jul 19 • View all Synth modules
 
Eight channel audio & CV sampler for Eurorack - 21HP
Notes: The 'Squid Salmpler' is a Eurorack 8 channel audio & CV sampler. It is designed for immediate real time sampling, editing and mangling within a modular context.

Taking influence from early hardware samplers, The Squid Salmple focuses on usability and instinctive operation, incorporating a proven Pamela's Workout style user interface for minimal screen dependence and a fun, hands on experience.

With support for sampling and playback for both audio and CV, as well as CV control of all parameters, on-the-fly bank loading and saving to USB, The Squid Salmple brings a unique take on old school sampling into the modular realm.

The Squid Salmple comes with a USB Stick containing approximately 90 banks of original carefully curated royalty free samples. This includes a wide range of sounds from classic drum machines and weird synths to field recordings and CV modulations. Banks are provided by both ALM and some of our favourite artists and friends including Mumdance, Solid Blake, Russell Haswell, Lauren Flax, Dave Burraston (NYZ), Sue Zuki, Dungeon Acid, Sasha Lewis and Andrew Duff.
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 3 in stock $406.48
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Cat: 718805 Rel: 14 Mar 19 • View all DJ turntables
 
Professional direct drive manual turntable - black
Notes: The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.

Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.

Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.
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 2 in stock $348.26
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Cat: 728570 Rel: 16 Jul 19 • View all Synth modules
 
26HP Eurorack spectral re-synthesiser module
Notes: Rossum Electro-Music Software Architect Bob Bliss (who also, as it happens, fathered E-mu's famed "EOS" Emulator Operating System) has created Panharmonium, a unique music and sound design tool that analyses the spectral content of any audio signal and uses that analysis to drive a bank of from 1 to 33 oscillators. Depending on various control settings, Panharmonium can accurately reproduce the input spectrum in real time or modify it in a multitude of wildly creative ways. All with an interface whose immediacy encourages performance and interaction.

Panharmonium input can be anything from a single oscillator to an entire mix (including vocals). From dense, swirling pads and drones that evolve with the input's changing spectrum, to clock-syncable spectral arpeggiation, to as-yet unnamed harmonic effects, Panharmonium opens up an entirely new world of sonic possibilities.

Additionally, Panharmonium can take a snapshot of an instantaneous spectrum and use that as a complex harmonic oscillator, which can then be modified and modulated by all of Panharmonium's other controls.

Panharmonium accomplishes its magic though a combination of functional submodules:

Spectral Analyser:

The Spectral Analyser provides tools for defining the analysis process.

- The Slice parameter sets the rate at which the incoming audio is transformed to spectral data. It can be set by the Slice and Multiplier controls, the Tap button, or by an external clock signal. Very short slice times result in real-time spectral data, while longer times can create rhythmic spectral patterns.
- The Centre Freq and Bandwidth controls (and associated CV inputs and attenuverters) control the range of frequencies to be analysed. The Bandwidth control allows the selection of narrow to wide pass bands on the left side of the pot and narrow to wide notches on the right side of the pot. The ability to sweep the frequency and modify the bandwidth under CV control opens up a wide range of sonic effects.
- The Freeze button lets you freeze the spectral integrator, sustaining the currently analysed spectrum.

Spectral Modifiers:

These controls allow you to creatively modify the analysed spectra.

- The Voice parameter lets you select from 1 to 33 oscillators to resynthesise the spectrum.
- The Blur parameter (and associated CV input) is a spectral lag processor that controls how quickly the spectrum can change.
- The Feedback control (and associated CV input) lets you route the re-synthesised audio back into the entire processing chain for subtle or dramatic feedback effects. At its max, the output becomes self-sustaining, even if the input is removed.

Oscillator Bank:

The Oscillator Bank resynthesises the analysed spectra.

- The Waveform parameter selects the oscillators' waveform. In addition to the usual sine, triangle, sawtooth and pulse waveforms, two special crossfading sine and sawtooth waveforms are included.
- The Freq control lets you tune the oscillators over a +/-7 semitone range. The frequency is further controlled by the 1V/Oct input and the FM input and attenuverter.
- The Octave control, not surprisingly, shifts the pitch of the output by octaves.
- The Glide parameter sets the amount of polyphonic glide (i.e., each oscillator has its own glide circuit).
- The Mix control (and associated CV input) sets the balance between the original input audio and the resynthesised audio.

Optional Functions:

A number of optional functions can be selected by using the Output Mode and Tap buttons.

- Holding the Output Mode button and adjusting the Slice control enables Drums Mode, which optimizes the spectral analysis for drums and other percussive inputs.
- Holding the Output Mode button and adjusting the Centre Freq control allows you to instead set the lower frequency of the analysis range.
- Holding the Output Mode button and adjusting the Freq control enables Spectral Warping. In contrast to conventional frequency adjustment, where the harmonic relationships between the spectral elements are preserved, Spectral Warping shifts the harmonic elements individually, producing a variety of clangourous, swarming textures.
- Holding the Tap button and adjusting the Freq control quantizes the resulting frequency adjustments to semitones.

Spectra Memories and Presets:

Panharmonium provides 12 user Spectra memories and 12 user Presets (in addition to 12 each factory memories).

- The Spectra memories let you store up to 12 frozen slices. When selected, a spectrum (up to 33 oscillators wide!) replaces any live input and can have its pitch controlled by the 1V/Oct input and FM controls.
- A Preset is a snapshot of all of the module settings, along with the value of any CVs present at the moment the preset is saved.

Panharmonium is 26HP wide and 25mm deep.
Power requirements (max): 140mA +12V, 30mA -12V. Reverse polarity protected.
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 8 in stock $455.50
Cat: 718794 Rel: 18 Apr 19 • View all Synth modules
 
Distortion module with Plasma technology - 16HP
Notes: Gamechanger Audio is a Latvian company committed to exploring the uncharted territories of music electronics and creating devices that provide real value while stretching the imagination of both musicians and engineers. In their Plasma Pedal they managed to combine Tesla coil with a lots of Rock and Roll and the result is one of the worlds heaviest sounds with plenty of unique features and the potential to become the new standard of distortion.

Similar to the Plasma Pedal, Plasma Drive gives you a new and previously unexplored method of achieving signal clipping in 16HP. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube. In essence - you are playing a lightning bolt of electricity, and the electrical discharges produced by your instrument are instantly converted back into an analogue audio signal, producing a quick, responsive, and extremely heavy distortion with tons of unique character!

The Eurorack module Plasma Drive brings sounds of the Plasma Pedal to the next level. As per Eurorack standards we added CV control over distortion level and dry/wet mix, as well as octave up and 1 and 2 octaves down tracking oscillators that add even more harmonics to the original signal. Tracking oscillators can be switched on/off manually or via trigger signals. The Plasma Drive module is powered via conventional Eurorack PSU ribbon cable and the power consumption is around 150mA.
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 3 in stock $306.39
Cat: 718811 Rel: 14 Mar 19 • View all DJ turntables
 
Professional direct drive manual turntable - silver
Notes: The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.

Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.

Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.
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 2 in stock $347.25
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Cat: 718618 Rel: 25 Jun 19 • View all Studio monitors
 
High-resolution compact studio monitor
Notes: IK's iLoud Micro Monitors stunned an industry. Producers and engineers at every level marvelled at the performance coming from such a small setup, so IK challenged our team to push its concept even further - to design a new compact speaker to rival 5", 6" and even 8" monitors.

The result is iLoud MTM, and it changes everything about the sound, accuracy and convenience of reference monitors in today's modern studio.

Once you hear iLoud MTM, you'll find it hard to ever go back to traditional big-box speakers.

Reference-class, ultra-linear response:

The first job of any studio monitor is to deliver accurate, un-coloured sound so you can trust your mixing decisions will translate across multiple playback systems. iLoud MTM uses the most advanced DSP techniques to provide total control over the speakers' performance, delivering results simply not obtainable with traditional analogue designs.

Highs are neutral and defined, mids are clear and balanced, and lows are as balanced as ever. You can mix for hours with no ear fatigue, and the work you create will translate better than ever. And of course, it's loud, with 100W RMS total power per speaker and 103dB SPL maximum sound pressure, delivering the proven volume the iLoud brand is known for.

Extended low-end to rival larger systems:

iLoud Micro Monitor wowed the world with the bass performance it delivered from a 3" speaker that "defied physics". But iLoud MTM offers even more, with even bass response down to an astonishing 40Hz ideal for modern music styles.

iLoud MTM debuts IK's new patent-pending Physical Response Linearization (PRL) system, that uses a precise model of the enclosure's design, construction and materials, combined with electro-mechanical measurements of the real units, to correct the system's performance in real time. The result is a stunningly "firm," balanced and defined low end, to surpass the sound of speakers even twice iLoud MTM's size.

Deep bass is solid and firm - you won't believe sound like this comes from a monitor so small.

A new phase in accurate sound reproduction:

Most conventional studio monitors, even high-end designs, suffer from skewed phase response caused by traditional, phase-shifting crossovers and driver/enclosure phase alterations. The end result is an unfocused stereo image, blurry transients, and overall lack of detail. iLoud MTM leverages IK's two decades of DSP experience to offer a true phase-coherent response across the useful frequency spectrum, for unbelievably realistic, natural sound like you've never heard.

You'll hear instruments and dialogue as if it's happening live, discover more detail in your tracks than ever before, and stop wasting hours trying to EQ away issues with your mixes that were never really there. This linear-phase response is rarely found in speakers even several times iLoud MTM's price, and has to be heard to be appreciated.

Symmetrical MTM design for superior imaging and precision:

iLoud MTM uses a midrange-tweeter-midrange symmetrical design, with a pair of 3.5" high performance woofers and one 1" high definition, back-chamber loaded tweeter, which provides ultra precise, defined, point source sound that can't be achieved by traditional 2-way systems at close distances. This means an even more natural, life-like sound, where the speakers "disappear" and you can focus on the music. It also minimizes the ear fatigue caused by traditional 2- or 3-way designs, where different frequencies arrive at your ear at different times. So you can mix longer, with less effort.

iLoud MTM's design also offers exceptional sound dispersion, enhancing the transparency and neutrality of what you hear.

Instantly adjust to any room environment:

Today's studios can be anywhere, from acoustician-designed spaces to a spare bedroom. Too many speaker manufacturers keep designing for ideal acoustic environments, ideal positioning and large listening distances. But many musicians simply don't have that luxury.

iLoud MTM offers built-in acoustic self-calibration via the included ARC reference microphone, to automatically adjust the frequency response to its placement. Just set up the monitors, put the microphone in your preferred listening position, press a button and you'll instantly have a custom calibration for the sweet spot of your listening environment.

Digitally-controlled for precision audio:

iLoud MTM uses audiophile-grade high resolution algorithms and the top-of-the line A/D converters to carefully manage cross-overs, filtering, time alignment, equalization, dynamics control and auto-calibration. Totally DSP-controlled and precision time-aligned, iLoud MTM also manages the off-axis response to manage the effects of room reverberations.
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 1 in stock $371.76
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Cat: 731930 Rel: 21 May 19 • View all Synth modules
 
analogue synth module with simultaneously waveform outputs
Notes: Fusion VCO2 is a full analogue sound source with lots of distinct features.

The core of the module is highly stable AS3340-based VCO with three simultaneously available waveforms, transistor-based suboscillator and detune function - two BBD delay lines that make frequency shifter that is mixed back to the principal oscillator in order to emulate two detuned VCOs. Tube crunch - distinct tube overdrive - is added on the top of the mix. Furthermore, Audio input mixes an external audio signal with the principal oscillator which results in crazy sonic experience. Fusion VCO2 is exactly what you need, if you wish to get really low frequencies and have a sound that sets your modular system apart from mass!

Features:
" Full analogue design
" Great tracking over 8 octave range
" Detune function for thickening the sound
" -1 oct transistor based suboscillator
" Tube overdrive circuit
" External audio input
" VCO synchronization
" Simultaneous waveform outputs
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 3 in stock $318.65
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EBS MicroBass 3 Preamp Pedal (preamp pedal/DI box)
EBS
Cat: 718777 Rel: 24 Jun 19 • View all Effects pedals
 
Professional analogue bass preamp/DI box
Notes: The EBS Microbass 3. We've all been there. Being forced by circumstances to rely on someone else's gear and left with that uneasy feeling it could turn into a disaster. With the new EBS Microbass 3, you can let go of that feeling and be confident you'll have your sound no matter the situation.

The EBS MicroBass 3 is a 2-channel preamp, built exclusively with premium components. It is engineered by EBS in Sweden with technologies from the famous HD360 and Fafner II amplifier designs. The preamp operates at a signal level equal to a professional mixing console (+/- 15V) which gives you plenty of headroom. The high signal level makes it suitable to use as a preamp in combination with any type of power amp.

Run the Clean and Drive channels in series or parallel. Use the dual balanced XLR-outputs to tap the signal post and pre EQ at the same time. If you run the Effects loop in stereo mode, the balanced outputs become a Left and Right output instead. With 10 Mohms input impedance, it handles any type of bass - passive, active or with piezo pickups.

The built-in tuner makes it easy to tune between songs without the need of an external device. The MicroBass 3 also carries an onboard compressor, similar to the one found on several EBS amplifiers, and several more features.

The analog EBS MicroBass 3 ensures your sound - every time.
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 1 in stock $334.77
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Cat: 718366 Rel: 18 Mar 19 • View all 音响和MIDI接口转接盒
 
10-in/4-out USB audio interface with 2 mic preamps & built in 12AX7 valve
Notes: Sono is the ultimate audio interface for guitarists and musicians, combining Audient's award winning analogue recording technology with the world's best speaker-cab simulation from Two notes.

Dial Up Tones Instantly:
Combining an on board 12AX7 analogue valve and 3-band Tone control with Two notes Torpedo power amp modelling and cab simulation, Sono lets you quickly create, record and store the guitar sounds you hear in your head.

3 Band Analogue Tone Control:
Fine tune your sound on the way in with Sono's 3 band analogue EQ and add body to your heavy tones or that extra bit of sparkle to your clean tones.

Two notes Torpedo Remote Software:
We teamed up with Two notes to bring you their renowned Torpedo Power Amp Modelling and Cab Simulation built straight into Sono. Letting you accurately emulate the sound and process of miking a guitar or bass cabinet in a professional recording studio all from your desktop.

Record through your favourite amps:
Pick and choose from a wide range of guitar and bass cabs models and play through or record classics such as the Marshall 4x12, Fender 2x12, Ampeg 8x10 and many more.

Customisation where you need it most:
No live room or extensive cab & mic collection? No problem! Customise everything from the room type, microphone model and placement and even stylistic tone control such as vintage and modern all from your computer.

Use in standalone mode:
Once you find a tone you love, store up to 3 presets on board Sono and start recording your favourite tones right away, practice without the need for a laptop or even take 3 amps with you on stage!

Zero Latency Recording:
Don't let latency get in the way of your creativity. Monitor mix allows you to blend between the input signal from your guitar and DAW playback, letting you record and monitor without delay.

The professional sound you deserve:
You've spent years perfecting your sound, why compromise now? Sono provides over 20 years of analogue console design heritage on your desktop. Get studio quality recordings with two of Audient's renowned console mic preamps.

Expand via ADAT:
Expand up to 10 inputs via ADAT and record drums, multi-mic cabs or even capture live performances. Sono lets you take your track from start to finish.
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 2 in stock $383.00
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Cat: 731219 Rel: 15 Jul 19 • View all Synth modules
 
16 voice oscillator - 12HP
Notes: The Demon Core Oscillator is a 16-voice DCO based on classic keyboard synthesizers.

This module offers also a static detune spread and a CV controllable core stability feature similar to Sequential Synthesizers. It introduces VCO-like pitch drift and jitter, allowing the module to sound like 80's polysynths.

With the help of the separately available expander, the module can be played polyphonically via MIDI.
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 3 in stock $426.91
Cat: 742403 Rel: 12 Aug 19 • View all Synth modules
 
Tiptop Audio 808 annivesary bundle featuring all six 808 modules
Notes: This limited-time bundle includes all of Tiptop's 808 series drum modules: a classic combination the brings the sounds of the iconic Roland TR-808 to the Eurorack ecosystem. Designed to be the first Eurorack drum machine, Tiptop's 808 series are now some of the best-loved drum modules around, using reverse-engineered 808 circuitry to provide an authentic translation of some of the most powerful electronic instrument sounds in history.

The BD808 and SD808 provide the kick and snare backbone of this set of modules, while the HATS808 offers open and closed hats with gnarly opportunities for creating crushed, filtered hat tones. Top it all off with some claves, cowbell, rimshot, and maracas and you've got a Eurorack drum machine that sounds like it came straight from the early 1980s - in the best way possible.
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 3 in stock $423.85
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Cat: 734878 Rel: 09 Jul 19 • View all Synth modules
 
Quad precision VCO - 18HP
Notes: A-111-4 contains four precision VCOs and has individual controls, inputs and outputs for each VCO available as well as a common control and output unit. After all the A-111-4 is very similar to four A-111-3 without LFO mode but built in output mixers for the three waveforms, and a master unit for all four VCOs.

Controls, inputs and outputs for each of the four VCOs:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: ~ 2 semitones / ~ 1 octave / ~ 4 octaves)
- Modulation CV input
- Modulation destination: Upper position: exponential frequency modulation (XM) / Lower position: linear frequency modulation (LM) or pulsewidth modulation of the rectangle (PM), selectable via internal jumper
- Frequency Modulation (FM) or Pulsewidth Modulation of the rectangle (PWM)
- Modulation intensity
- Triangle output
- Sawtooth output
- Rectangle output (about 50% without external PWM)
- Sync input (hard or soft sync internally selectable via jumper, CEM3340 hard sync type)
- CEM3340 based VCO (triangle core)
- Each VCO has it's own separate internal +/- power supply for each for best stability and the prevention of unwanted synchronisation of the VCOs

Controls, inputs and outputs of the master section:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: 2 semitones / 1 octave / 4 octaves)
- Frequency Modulation CV input (FM)
- FM intensity
- Triangle sum output
- Sawtooth sum output
- Rectangle sum output
- As soon as the single waveform output of a VCO is patched this waveform of the VCO in question is removed from the sum (this function can be turned off for each single output socket by means of solder bridges on the pc board, i.e. the sum contains then all signals independent of the patching of the single output)
- CV output (outputs the sum CV that is used to control all four VCOs)
- Bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)

Typical applications:

- Fat sounding monophonic VCO with the possibility to adjust any intervals
- Paraphonic patches in combination with the polyphonic CV interface A-190-5 (all four VCOs processed by one VCF/VCA)
- Full polyphonic patches in combination with the polyphonic CV interface A-190-5 and four complete VCF/VCA sections
- Complex VCO patches with up to four VCOs by means of the frequency modulation features (exponential an linear) and the sync functions
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 3 in stock $420.84
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Cat: 732833 Rel: 25 Jun 19 • View all Synth modules
 
stereo delay module
Notes: Erica Synths Black Stereo Delay is a hi-fi stereo delay with lot of unique features, based on our custom DSP engine. Developed in collaboration with Tim Pechersky aka TeemKaa of Useful Circuits. Tape, digital and ping-pong modes of delay, hold with overdub and delicate delay time and feedback control in combination with CV and trigger control over various parameters make this module not only great effects unit in your modular system, but also - an instrument on it's own.
Features:
" Stereo delay with adjustable delay time
" Tape, digital and ping-pong delay modes
" Tap and clock synchronization of delay time
" Reverse delay mode
" Hold mode (samples up to 20" of audio) with Add (overdub) feature
" Trigger control over Hold, Add and Reverse
" CV control over delay time, dry/wet mix and feedback
" Feedback path soft limiting compression
" Add to hold soft limiting compression
" Adjustable stereo delay spread
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 2 in stock $305.38
Cat: 718648 Rel: 20 May 19 • View all Synth modules
 
Triple oscillator module with various modulation possibilities - 30HP
Notes: The latest brainchild of synth pioneer Dave Rossum, TRIDENT is a 100% analogue, triple oscillator module that opens up a universe of dynamic timbral textures.

At its most basic level, TRIDENT is three precision audio VCOs, each sporting a unique variety of control voltage inputs.

The main or "Carrier" oscillator provides its three waveforms simultaneously. The two Modulation Oscillators each have a single output and a waveform selector. The Modulation Oscillators also have a voltage controlled Symmetry parameter which varies the duty cycle of the triangle wave output from sawtooth to triangle back to time reversed sawtooth, and also varies the sawtooth output to have an upward or downward kink in the middle, as well as controlling pulse width when the pulse waveform is selected.

And while each oscillator can be used independently if desired, it's when they're combined into a synchronous ensemble that the real sonic magic happens.

That magic is what we call "Zing" modulation. Each of the Modulation Oscillators can modulate each of the Carrier outputs in an amount controlled by the Zing parameter. Zing modulation is mathematically akin to ring modulation, but due to the synchronization of the oscillators (when an oscillator's Sync button on), the harmonic sum and difference sidetones of ring modulation transform into complex but purely harmonic overtone spectra, which vary dynamically and dramatically with the frequency and waveshape modulations of the modulation oscillators. Each change in the Modulation Oscillator parameters - Frequency, Symmetry, Waveshape, Zing, and (in the case of Modulation Oscillator 2) Phase - will have a different effect on the timbre of each of the three Carrier waveshape outputs.

When the modulation oscillators are set to track the carrier oscillator, the waveshape will remain constant as the carrier frequency changes. In this case the overtone structure is determined by the settings and CV modulations of the modulation oscillators. If instead the modulation oscillators do not track the carrier, some of the overtone structure will vary relative to the carrier frequency.

What all this means is that whether musicians take advantage of TRIDENT's unique synchronous modulation capabilities (which they, of course, should), or just treat it as three superb, wide-range analogue oscillators, TRIDENT offers a vast variety of dramatic sonic textures.
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 6 in stock $458.68
Cat: 739126 Rel: 16 Jul 19 • View all Synth modules
 
Expanded take on Mutable Instruments' famous Clouds granular texture synthesiser - black faceplate, 34HP
Notes: Clouds, the granular synthesis module from Mutable Instruments, was discontinued in 2017. Supercell brings back Clouds in a more accessible 34 hp form factor, offering an improved user interface and several additional features:

- Each of the Blend parameters (Feedback, Panning, Mix, and Space) have dedicated knobs with their own CV inputs and inverting attenuators (attenuverters).

- The inputs and outputs now have mute switches, stereo VCAs, and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- A stereo output gain control has been added, providing an additional +6 dB of gain to compensate for low output levels when using certain parameter combinations.

- The complex process of changing the sampling time and managing presets has been simplified with dedicated switches and status LEDs.

- Extensive modulation options for all parameters including direct patching of external CV, distribution of one CV to all parameters via the AUX input, or an internal smooth random CV that is normalized to any unpatched inputs when AUX is also unpatched. The attenuverters control the modulation depth in all three cases. As of firmware v1.01 the internal modulation rate can be adjusted within a range of 1 to 100 Hz.

- The inputs and outputs now include stereo VCAs and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- Pitch is now controlled by two separate inputs: the V/Oct input is exponential and the Pitch input is linear. When both inputs are used, their voltages are summed.

- A manual Trig switch (for capturing individual grains) has been added, in addition to the Trig input that was present on Clouds.

All other features of the original Clouds remain intact, including access to the alternate modes. Thanks to Olivier Gillet for making the original Clouds hardware and firmware available under open-source licenses. Third-party firmware such as Parasites (by Matthias Puech) and Beat Repeat (by Julius Kammerl) will be supported in future firmware updates after the initial release of the module.
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 4 in stock $458.57
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Cat: 730439 Rel: 25 Apr 19 • View all Synthesisers
 
Desktop synth with integrated USB/MIDI interface - white with Russian lettering
Notes: The idea of the Polivoks Mini analog synthesiser came into mind in 1990, as the junior version of its older brother - the well known Polivoks full synth. The aim was to develop a simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flows of the Polivoks full synth. As a result of this research, a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality. For example, in the Modulator section the Form switch has been replaced by the controller with triangular oscillation in the middle position and sawtooth shape oscillation smoothly falling in the extreme positions.

The controller for the envelope filter input is set to zero in the middle position and its value increases by turning the knob clockwise, while turning the knob counter-clockwise increases inverse voltage of the envelope generator. The main synthesizer sections, such as generator, famous Polivoks filter and multimode envelope generator, are essentially the same as the Polivoks, and have this unique sound. In addition, the main generator of the Polivoks Mini doesn't require any thermal stabilization or adjustment.

In general, the simplified schematic delivers the sound appreciated by a wide range of musicians with minimal means but new capabilities. The Polivoks Mini is a keyboardless version with integrated USB and MIDI interfaces. The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.
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 1 in stock $407.51
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quote 730439
Arturia V Collection 7 Software (boxed) (virtual instrument software)
Cat: 730553 Rel: 18 Jun 19 • View all VST instruments & samplers
 
Keyboard & synthesiser software featuring 24 virtual instruments
Notes: V Collection 7 includes 24 legendary and carefully crafted instruments - making it the must-have software instrument bundle. Synths, string machines, a tape replay keyboard, organs, and pianos let you create brutal bass lines, cutting leads, sensual pads, and everything in between. Simply put, it's a synth bliss. V Collection 7 contains 3 new instruments: Synthi V, CZ V, and Mellotron V.

This is the most comprehensive anthology of classic synth and keyboards ever made. This is decades of passionate research, modelling, and development. This is your chance to take your place in music history.

The best synths and keys reborn:

V Collection has grown into the industry reference of software instruments that made music history. The solution demanding musicians choose.

Unrivalled, perfectly modelled sound:

V Collection uses our advanced TAE and Phi modelling technologies that perfectly recreate both the sound and feel of these legendary instruments.

Thousands of masterfully crafted presets:

An army of top-tier sound designers and big-name artists have created some of the most awe-inspiring synth and keyboard patches just for you.

Create with confidence:

All the instruments in V Collection are modelled on keyboards that made history. Now you can use them in your DAW to create the music you've always wanted to.

Play, perform, control:

V Collection seamlessly integrates with Arturia's KeyLab range, as well as controllers from other brands, giving you full control of your sound in the studio and on stage.

Easy yet powerful:

Every instrument features an integrated tutorial, tips on every control, and an intuitive sound browser. No matter what skill level you are, or what style you play, this has you covered.

Includes 24 software titles:

Mellotron V, Synthi V, CZ V, Analog Lab, Clavinet V, CMI V, DX7 V, Buchla Easel V, Synclavier V, B-3 V, Mini V, Piano V, Stage-73 V, Matrix-12 V, Farfisa V, Solina V, SEM V, Wurli V, Jup-8 V, ARP 2600 V, CS-80 V, Prophet V, VOX Continental V, Modular V
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 3 in stock $346.23
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Cat: 731924 Rel: 03 Jun 19 • View all Studio & speaker controllers
 
Console-style, precision monitor control
Notes: Building on over 20 years of expertise in analogue console heritage, Nero has been designed to give you powerful control over your monitoring. Featuring a comprehensive range of I/O, console style monitor control, Precision Matched Attenuation Technology and more... Nero will quickly become the core of your studio.

Inputs:

As your studio grows it becomes harder to control. Nero enables you to centralise, connect and control all your monitoring needs from your desktop using Nero's array of stereo inputs.

Outputs:

Reference your mixes on up to three sets of speakers, independently set and match volume for all speakers and audition and assign your sub to any monitor path. Nero also provides one dedicated monitor grade headphone amp and three foldback grade headphone amps, making sure you're ready to take on the loudest of sessions with crystal clear headphone mixes.

Assignable Sub:

Easily assign a sub to activate when switching to a monitor path of choice but maintain the ability to switch it on and off without losing your saved preset. Nero also lets you audition the sub on any alternative set of speakers without forcing you to assign it permanently.

Smart Touchpoints:

Smart Touchpoints enable you to customise your workflow on the fly. Easily route and configure Nero's outputs and monitor controls to create monitoring combinations that suit your needs. Simply hold down a Smart Touchpoint to put it into setup mode, select your routing options and press it again to save.

Precision Matched Stereo Volume Control:

Nero perfectly matches the volume of the left and right channels of your stereo signal using Audient's custom Precision Matched Attenuation Technology. Unlike other monitor controllers, this prevents any deviation in volume between your left and right monitors or unbalancing of your stereo image, enabling you to monitor accurately and mix with confidence.

Console Style Monitor Control:

Utilising Audient's vast experience in implementing monitor control in both recording consoles and desktop controllers, Nero features David Dearden designed circuitry and a range of flexible monitor controls including dedicated talkback, cut & dim along with polarity, mono, speaker select and cue mix monitoring.
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 4 in stock $383.00
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Cat: 718630 Rel: 01 May 19 • View all Effects pedals
 
Analogue/digital hybrid delay effects pedal with assignable HotSwitch, MIDI & Expression input
Notes: An unexplored garden of innovations for musicians will soon be available from Eventide's newest creation - The Rose: a cascading bouquet of sounds in a sleek, stripped-down, small footprint effects pedal. The Rose project began several years ago and was rooted in the desire to invent a new line of unique effects by carefully grafting digital delay into an analogue platform. Our mission was to cultivate a modulated delay that would feel not only "as analogue as possible" but also be exquisite and precise. We trusted that this research would yield a genesis of products that sound and behave differently than modern DSP-based effects. Rose is the culmination of this vanguard research.

Eventide's Rose is rare and vibrant, unleashing a palette of sounds and textures unattainable by solely digital means. With six tactile knobs, a delay multiplier button, phase invert/reverse playback button and a shape button offering five different modulation sources, Rose inspires petals of creativity to bloom. Rose also features five presets, MIDI control and a fully assignable aux switch/expression pedal input for the ultimate in flexible versatility, on stage or in the studio. Do you have what it takes to tame this wild Rose? Plug in and experience botanical bliss!
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 1 in stock $366.66
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KRK
Cat: 718674 Rel: 12 Jul 19 • View all Studio monitors
 
10" 3-way powered mid-field studio monitor
Notes: The new thunderous 10" KRK ROKIT RP103 Generation 4 ("G4") tri-amp professional monitor takes music and sound creativity to a whole new industry-level. A tri-amp monitor ingeniously built for those needing to hear the depths of their productions clearly on every frequency range with DSP-driven room tuning with 25 visual Graphic EQ settings on an LCD, and combined with the included KRK App to help minimize and correct problems in your acoustic environment. Matching drivers (10", 4.5", 1") made with Kevlar ensures the same sonic integrity on every single frequency, minimizes listening-fatigue, and offers an incredibly balanced listening experience.

A scientifically designed high-quality speaker enclosure and newly-designed front-firing port offer exceptional low-end extension, punch and flexible room-positioning. High density Iso-foam pads decouple the speaker from the surface for improved clarity while fluid mechanics fully tuned to the entire system result in a deep and dynamic listening "sweet-spot" with incredible imaging and 3D soundstage. A new custom designed efficient class D power amp reduces operating temperatures to retain better audio integrity while a built-in Brickwall limiter automatically engages at maximum amp-level to maintain a balanced sound, protect the system, and offer better and wider dynamics.

Although truly affordable, price isn't even in the ROKIT conversation-professionals choose ROKITs for their time-tested and reliable results. The new ROKIT Generation 4 Line actually is ROKIT Science.

For Your Creation Environment:

The ROKIT 10-3 G4 Tri-Amp Mid-Field Monitor features rotatable 4.5" and 1" speakers for both vertical and horizontal applications. A more powerful 300 watt class D amplifier and an extended low-end frequency response delivers accurate reproduction in the most demanding of listening environments.

ROKIT Science:

Building on over 30 years of monitor innovation and countless developmental partnerships with successful award-winning music and sound productions, the new KRK ROKIT G4 line has been scientifically re-engineered from the ground up for the way modern artists work - in all genres and environments.

Matching Kevlar Drivers:

Matching driver design ensures the same sonic integrity across all frequencies, minimizes listening-fatigue, and offers unprecedented clarity and sound reproduction.

DSP-driven Onboard EQ with Visual LCD:

An incredibly versatile and sonically accurate monitor. DSP-driven Graphic EQ with 25 settings help condition your acoustic environment while offering new levels of versatility in a studio monitor.

Scientifically Designed Enclosure:

High quality enclosure with a newly-designed front-firing port offers exceptional low-end extension and accuracy, punch and flexible room-positioning.
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 2 in stock $468.79
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Cat: 713618 Rel: 01 Jul 19 • View all Synth modules
 
3-operator FM/phase distortion oscillator with thru-zero frequency modulation & external input
Notes: Complex digital oscillator with unison detune, programmable 3x4 modulation matrix mixer and external input. Intricate arrangements of phase distortion, thru-zero frequency modulation, and complex oscillation are instantly morphable and recallable through a voltage-controlled preset manager. Suitable for genre-targeted sequenced basslines, synthesis of stone, glass, and steel tones, and simulation of the acoustic properties of industrial machinery.

The Hertz Donut Mark III's main oscillator shapes its timbre by distorting the phase of a waveform lookup ramp, offering a linear growth of brass overtones from a simple sine wave whilst performing with exceptional clarity under heavy frequency modulation. The simulated resonance peak familiar to enthusiasts of phase distortion is also present and continuously controllable. The beloved "fractal" distortion from previous iterations of Hertz Donut is simultaneously available. The three waveform parameters operate in a modeless timbre space fully morphable under preset and shared manual/CV control, exhibiting stunning spectral evolutions that are intensified through the module's internal modulation bus. The fold knob is assignable to control one of the three parameters at a time, with the CV input also assignable to any of the three.

Two sinusoidal modulation operators are mixed to four modulation destinations with an external audio input. The operators may be locked to several precise frequency ratios of the main oscillator or set to be otherwise subordinate. The three sources may modulate each other's frequencies, or the amount of phase or fractal distortion. A plethora of control voltage inputs allow full control of the patch, reacting within a +/- 10V range. The first operator has a calibrated 1v/oct control voltage input and fine tune control, for use as an independent oscillator augmented by the modulation bus. The modulation mix is placed under the influence of a master control, so that a single knob and CV input control the degree of modulation in the entire module. Each sound that you design will have a unique and intense behaviour of this modulation control.

The preset manager stores 8 entire panel/menu states for instant recall under manual or voltage control. The control can also cause the creation of elegantly randomized preset data. The preset manager can be placed into a morphing mode where it assumes control of the various parameters, smoothly fading between entire panel states and generating very complicated sounds that are not easily described.

The unison de-tune function mixes in a nearly identical copy of the sound with slightly offset frequency, or optionally in octave or fifth intervals. The Hertz Donut operates at 96khz for a minimum of sampling by-products, able to consistently and competently generate ornate digital beauty and jagged swaths of sonic mayhem. The auxiliary output presents the output of one or both modulation operators, also with optional unison applied. The nearby mix output is an analogue sum of the Main and Aux outputs, facilitating parallel FM algorithm construction. 17 HP panel size. Perfect, genuine, complete, crystalline, pure.
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 1 in stock $426.92
Cat: 743518 Rel: 01 Jan 90 • View all DJ equipment cases
 
***B-STOCK: Box opened, product unused***
Notes: When you hit the road, you want the best protection for your gear. Lightweight, durable and custom-made for your DJM-450 and XDJ-700, the FLT-450SYS is the safest way to get your DJ equipment from A to B. Plus it includes a removable cable cover that gives you easy access to your cables and connectors.
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 1 in stock $305.38
Cat: 743521 Rel: 01 Jan 90 • View all Synth modules
 
***B-STOCK: Box opened, product unused***
Notes: Dual VCO:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

512 Dual VCO:
The 512 Dual VCO (voltage controlled oscillator) is a single module consisting of two voltage controlled oscillators. Each independent VCO produces frequencies across a wide range with 1V/octave tracking and dedicated pulse, triangle, and saw wave outputs. Variable pulse width is available via panel control or CV modulation. Each oscillator's frequency can also be synchronized to the other in weak or strong modes to achieve a unique "sync" sound.
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 1 in stock $305.38
Cat: 743513 Rel: 01 Jan 90 • View all 音乐制作软件
 
***B-STOCK: Box damaged, product unused***
Notes: KOMPLETE 12 raises the bar for production, performance, and sound design in any genre. This collection contains more than 50 premium instruments and effects - including MASSIVE X, KONTAKT 6, and TRK-01 - plus 10 Expansions.

Cutting-edge platforms for synthesis and sampling:

Build just about anything you can imagine with KOMPLETE 12's two builder platforms. KONTAKT 6's advanced sampling and REAKTOR 6's flexible modular approach power thousands of innovative instruments and effects from NI, hundreds of leading manufacturers, and a growing community of users. Not ready to dive in at the deep end? Start making music straight away with comprehensive built-in libraries.

13 synthesizers:

From faithful hardware recreations, to cutting-edge designs that go beyond the capabilities of even the most out-there analogue gear, KOMPLETE 12 boasts 13 expressive, versatile synthesizers. Dive into FM synthesis with FM8, discover new textures with FORM, or explore the uncharted sonic worlds of the forthcoming MASSIVE X.

20 sampled instruments:

KOMPLETE 12's 20 sampled instruments range from unique pianos like UNA CORDA and THE GIANT to the contemporary pop sounds of SESSION STRINGS 2, and the traditional sounds of DISCOVERY SERIES: MIDDLE EAST.

5 drum and percussion instruments:

KOMPLETE 12's five dedicated percussion tools span everything from boom-bap beats to movie-trailer impacts. Tweak and randomize to your heart's content with POLYPLEX, build hard-hitting kits from your own sounds with BATTERY 4, or whip up some peak-time techno in no time at all with TRK-01.

15 effects:

Sculpt, tweak, and tailor your sound with 15 studio-grade effect plug-ins - from REPLIKA's creative delays to the twisted-yet-classic sounds of MOD PACK, and GUITAR RIG 5 PRO's 53 unique effects and 17 amp sims.

10 Expansions:

KOMPLETE 12 includes 10 Expansions - genre-specific sound packs loaded with synth presets, drum kits, one-shots, samples, and loops. Created by top artists and sound designers, Expansions can be used in any DAW and work with a range of Native Instruments products, including MASSIVE, BATTERY 4, and MONARK.

Find your sound with Komplete Kontrol:

It's not easy to make sense of over 25,000 sounds. That's why KOMPLETE 12 comes with KOMPLETE KONTROL, a handy plug-in that makes light work of browsing through all your instruments and effects, whether using NI hardware or your mouse and keyboard. And since each instrument preset comes with an audible preview, you can audition all your sounds without waiting for extra plug-ins to load.

Get hands on with NI hardware:

Everything in KOMPLETE 12 comes ready-mapped to your NI hardware by the plug-in developers themselves, so getting hands-on with all your instruments and effects is as simple as connecting a KOMPLETE KONTROL keyboard or MASCHINE controller. And thanks to NKS, you get exactly the same experience with hundreds of plug-ins from more than 75 leading manufacturers.
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 1 in stock $458.58
Tascam Series 208i Audio & MIDI Interface (USB audio & MIDI interface)
Cat: 718908 Rel: 03 Jul 19 • View all 音响和MIDI接口转接盒
 
20-in/8-out USB 2.0 audio/MIDI interface with DSP mixer
Notes: Expandability, both internal and bundled effects processing, internal mixing, external software control, and more for studio, home, and live recording. With a new look, including an angled tabletop design and large, easy-to-grab knobs, TASCAM sets a new standard for mid-grade audio interfaces.

Supreme Audio Fidelity:

It all starts with the best sound: TEAC and TASCAM have more than 60 years of high grade audio design experience. TASCAM Ultra-HDDA (High Definition Discrete Amplifier) mic preamp circuitry guarantees transparent natural tone with ultra-low noise.

24-bit/192 kHz:

A new-generation TASCAM audio interface engine delivers high-definition, 24-bit/192 kHz recording and solid stability.

Expandable input capability to grow into:

Easily add more input channels to accommodate future growth by using external microphone preamplifiers with S/MUX optical inputs to record drums, guitars, keyboards, vocals, and more. Each S/MUX optical port can accept up to 8 channels of audio input from an ADAT- or S/MUX-compatible device.

Well-designed interface for quick production:

TASCAM SERIES audio interfaces feature a large, easy-to-grab Monitor control knob that ensures you can quickly adjust the monitor output level. Their angled tabletop design offers easy access to all front-panel controls. A handy Monitor Balance control enables mixing live input with computer playback for zero-latency monitoring. Each analogue input channel is served by an individually switched +48 volt phantom power supply for condenser microphones.

A Wealth of Outputs:

The SERIES 208i provides eight individual analogue outputs for versatile monitoring (up to four stereo pairs of monitor speakers) and surround audio (up to 7.1) for video production.

Dual headphone monitoring:

The SERIES interface has 2 individual headphone amplifiers which offer powerful enough dual headphone monitoring.

Control Software for Matrix Mixing, Effects Processors, and More:

Free, easy-to-use TASCAM Control software manages faders, processing, and the ability to route any audio input (analogue, optical, and USB) to any audio output.

Built-in DSP Effects and Processing:

A DSP input and output mixer is complemented with digital reverb, compressor, phase invert, and 4-band EQ for each channel. Having these processors included internally eliminates all latency issues and takes the load off the computer allowing the PC/Mac to process the audio more efficiently.

Mobility:

TASCAM SERIES interfaces support tablets and other mobile devices and are compatible with many applications to meet your recording needs now and in the future.

Start Making Music Immediately with Bundled Software:

TASCAM SERIES audio interfaces are bundled with world-class software. Record with Steinberg Cubase LE DAW for Windows and Mac computers and Steinberg Cubasis LE DAW for iPad. Then process your audio with IK Multimedia AmpliTube guitar/bass modelling and effects software. Finish your high-quality, polished recording projects with IK Multimedia T-RackS mastering software. Both free standing and plug-in versions of AmpliTube and T-RackS are included.
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 1 in stock $362.57
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Cat: 743514 Rel: 01 Jan 90 • View all Studio mixers
 
***B-STOCK: Box opened, product unused***
Notes: Designed for permanent installation, the TASCAM MZ-372 offers versatile routing, mixing, and control of multiple audio sources in an attractive easy-to-operate 3U package. For maximum flexibility, source content can include music, spoken word (microphone), turntable, and more - all easily controlled via familiar sliders and assignment controls.

Flexible I/O:

The MZ-372 allows multiple audio sources (19 total) to be mixed, muted, and routed to two (2) redundant outputs, controlled by familiar volume sliders and assignment buttons. Input signals can be inserted via six (6) audio channels, each consisting of two (2) sets of unbalanced RCA-type stereo pairs, and six (6) XLR inputs for a total of twelve (12) sets of RCA-type inputs and six (6) XLR inputs. In addition, channels 2/3/4 can be set to accommodate phono-level signals for use with a turntable. Lastly, and located conveniently on the front panel, one additional XLR input is available driving a studio quality mic preamp and ducking circuit for easy voiceover and announcement work.

Multiple Zone Outputs:

Twin outputs each feature a combination of balanced XLR or RCA unbalanced connectors for easy integration into virtually any audio system. This flexibility allows combinations of microphones, CD/DVD/Blu-ray players, instruments - or any other audio source - to be selected or muted, and sent simultaneously to the dual outputs, each with its own volume control. Finally, the convenient "talkover" function will automatically lower any mixed channel source, so the microphone connected to the front panel can easily be can be heard in whichever zones you choose.

Easy, Immediate Control:

Familiar volume sliders, switches/buttons, EQ knobs, and mute buttons make the MZ-372 simple and fast to operate and set up. There is even a master recording stereo output, which can send audio to an external recorder which makes event or music performance capturing easy. The Booth outputs provide another stereo feed with independent control for additional monitoring.
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 1 in stock $305.38
Cat: 719367 Rel: 18 Feb 19 • View all Effects pedals
 
8-loop true bypass switching pedal
Notes: The Super Switcher, as its name implies, offers a powerful solution for players who are tired of "tap dancing" around their pedalboard. In effect, it moves all of your pedals to your pedalboard's front row while delivering control of them with one button push. The result is that it puts the player back in control of an unruly pedalboard!

It's also perfect for any guitarist using the "four-cable method" because it makes it easy to properly route effects that should go in front of an amp and those that are best in the effects loop.

When it comes to live performance, the Super Switcher can efficiently organize presets into banks that are easy to recall and match your show's set list. If you're playing to a click track and want to have the presets recalled via MIDI programmed to a song, the Super Switcher can handle that, too. It's also a great way to sync time-based effects to the same master clock.
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 1 in stock $376.87
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Cat: 738527 • View all DJ turntables
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.

Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.

Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.
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 1 in stock $338.68
Cat: 727131 Rel: 13 May 19 • View all Synthesisers
 
49 key edition synthesiser with music production software suite
Notes: Improving an already-winning formula of superb sound quality, huge power (including 128 note polyphony!), a sleek compact chassis and a great price, MX49 Version 2 adds iPad, iPhone and iPod touch audio/MIDI class compliancy.

Yamaha's MX Series synthesisers feature carefully-selected sounds taken from the award-winning Motif XS. But the MX49 isn't just a synthesiser; it also bridges the gap between hardware and software. Its class-compliant USB audio/MIDI connection massively simplifies music production with your favourite DAW, whether you use macOS, iOS or Windows.

Handy DAW and VST controls are built into the MX49, perfect for using with the included software for macOS and Windows: Cubase AI, YC3B Organ Synthesiser VST and Prologue Analogue Synthesiser VST.

And, for producers using iOS, the MX49 Version 2 will unlock both Steinberg's Cubasis app and Yamaha's own FM Essential synthesizer app for iOS.

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 1 in stock $402.41
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quote 727131
Cat: 743522 Rel: 01 Jan 90 • View all Studio monitors
 
2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer & 1" dome tweeter - white
Notes: Channelling the spirit of the legendary Yamaha NS10 nearfield speakers, the HS5I monitors offer exceptional detail and clarity with a superb flat response.

This edition of the best-selling HS5 Monitor Speaker includes built-in mounting points, making it compatible with two optional bracket types for wall and ceiling mounting - offering the flexibility needed for a wider range of sonic environments.

Highly Efficient Transducers:

The HS Series features newly developed transducers that achieve astonishingly smooth response over a wide bandwidth. These transducers utilise an advanced magnetic field design that regulates the flow of magnetic response to provide seamless, natural sonic transitions. Every component's materials and design have undergone an extensive cycle of development, re-examination and optimisation resulting in staggering gains in signal reproduction accuracy across the audio spectrum.

Low Resonance Enclosure Design:

The enclosures are constructed from a specific dense and resilient MDF with a damped acoustic response perfectly matched to reference monitoring. Drawing from over a century of acoustic piano making, Yamaha have employed a traditional 3-way metered-joint technique. Common to architectural design, this construction firmly anchors the corners of the enclosure to dramatically improve durability and eliminate unwanted resonance.

Wide Range of Applications:

The 'I' Editions of the HS Series feature flexible mounting options that help bring a stylish aesthetic and classic HS sound to a more diverse range of installed applications.
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 1 in stock $305.38
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quote 743522
Cat: 738777 Rel: 29 Jul 19 • View all Synth module accessories
 
6U 104HP black Eurorack case
Notes: Supplied with an incorporated power supply fixed on the left side of the box.

Sides are made of 5mm thick Plexiglas.

The frame is made of aluminium with a sanded black finish for less scratches.

Rails are black.

- 104HP
- Depth of the box: 6cm
- Depth of the box along the 5HP of the power supply: 4cm
- Power consumption: +12V : 1.5A ; -12V : 1A ; +5V : 0.5A
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 1 in stock $306.39
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Cat: 738778 Rel: 29 Jul 19 • View all Synth module accessories
 
7U 104HP black Eurorack case with foldable steps
Notes: Supplied with an incorporated power supply fixed on the left side of the box.

Two foldable steps and 3 bus boards inside the case.

The sides are made of 5mm thick Plexiglas.

The frame is made of aluminium with a sanded black finish for less scratches.

Rails are black.

It has two rows 3U 104 HP and one row 1U 104 HP.

Intellijel format.

- 104HP
- Depth of the box: 6cm
- Depth of the box along the 5HP of the power supply: 4cm
- Power consumption: +12V : 1.5A ; -12V : 1A ; +5V : 0.5A
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 1 in stock $408.52
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quote 738778
Cat: 708102 Rel: 18 Apr 19 • View all Synth modules
 
14 band inductor based fixed filter bank - silver, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
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 1 in stock $460.61
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Cat: 676890 Rel: 26 Apr 19 • View all Synth modules
 
Analogue synthesiser voice with expressive sound - 26HP
Notes: MANTHER GROWL is a full featured, Eurorack monophonic synth voice with an analogue signal path, and like the Manther Tabletop, it includes a coveted CEM3340 VCO IC chip. The analogue filter is based on an SSM2044 chip. Square, Saw and Triangle waveforms have their own individual level controls (manual control as well as CV jack inputs), as well as their own individual outputs. Wavefold control can be set to Tri or ALL (folds all waveforms and external input post-filter). Dial the independent LFO level controls to modulate pitch, pulsewidth and filter cutoff. Also includes manual controls over both VCA and filter ADSR and both the VCA and filter have individual gate inputs.
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 2 in stock $438.15
Grado DJ200i Cartridge & Stylus (pair) (cartridge + stylus, pair)
Cat: 741707 Rel: 01 Jan 90 • View all DJ cartridges
 
DJ cartridge & stylus, pair
Notes: The DJ200i is the premium DJ cartridge from hi-fi specialists grado. Hand engineered for a premium quality, rich, warm and unique sound, the DJ200i is built and designed to meet the demanding needs of the professional DJ. A step above anything else in this price bracket, and many cartridges priced significantly higher.

The grado specially engineered transmission line cantilever allows for the ideal transfer of music signal and for safe and effective stylus back-cueing. The prestige model DJ200i uses a modified 4 piece otl cantilever technology, oxygen free wire in the coils and a specially designed, high polished, diamond mounted in a brass bushing for possibly, the most advanced DJ cartridges ever offered to the professional DJ market.
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 1 in stock $319.27
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Cat: 733645 Rel: 29 May 19 • View all Synth modules
 
Complex oscillation module - 22HP
Notes: The Noisy Oscillator module is an oscillator that mixes two signals: a 'regular' wave (sawtooth/square/triangle) and a 'tonal noisy' wave. This adds a special noisy layer over the sound, that adds 'air', grit or dirt, depending on the combinations you make. The MOD parameter acts on the noisy waveforms:

- Sonar Noise: a white noise filtered by a resonant bandpass filter, with 1V/oct tracking of the filter frequency. The MOD parameter controls the resonance.
- Wind Noise: white noise filtered by a comb filter, with 1V/oct tracking of the base frequency (delay). The MOD parameter controls a 6dB/oct hipass filter.
- Arcade Noise: LFSR noise source as can be found on the SID soundchips (Commodore) or Sega Arcade games. The MOD parameter controls again a 6dB/oct hipass filter.

The noisy wave can be set equal, or 1 or 2 octaves above the regular wave.

The module has two voices, with their own set of CV and output connectors. This can be used to play in a full 2-voice polyphony, or in a 2-voice unison. The outputs can be separate, using both output connectors, or mixed, using only the connector of the second voice.

Next to the 1V/oct pitch CV, the module offers CV control over pitch (FM), the MOD parameter and the sound level:

- FM CV: pitch control normalled to 0V, attenuated with the FM knob (+ and -). This allows for Frequency Modulation up to the lower audio range. It's of course a digital module, so higher frequencies can start inducing aliasing and digital artefacts.
- MOD CV: CV control for the MOD parameter, normalled to 0V and attenuated with the CV AMT knob (+ and -).
- LEVEL CV: CV control for the sound volume, normalled to 7.5V. With this CV control you can omit an external VCA stage if you want.

The CV signals of the second voice (upper row of connectors) are always normalled to the signal of the first voice (lower row), so you can use a single LFO for some FM vibrato or tremolo on both voices, for example. Only the V/oct connector of the second voice is normalled to the first voice with an extra addition of a fixed voltage that can be set using a trimmer at the backside of the module. This way you can use the 2 voices to play in unison with a fixed pitch separation you can set on the backside.
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 3 in stock $305.38
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Cat: 727746 Rel: 08 Apr 19 • View all Synth module accessories
 
Eurorack case with power supply
Notes: The EVZ1 6U 104 HP is a compact and lightweight case. It is made of metal and gets a noble vintage look thanks to beautiful wooden side parts. This 6U case is flat and offers two rows of 104 HP for the installation of modules.

The integrated 4 HP wide KAZU power solution with switching PSU and EVE1 bus board works extremely accurately and delivers very clean power. A total of up to 20 modules can be connected.

The KAZU PSU solution is of high quality and delivers a constant current without getting hot.

- Switching power supply, developed especially for modular systems
- Minimal voltage peaks and interferences
- Very little heating, even at high loads
- Overvoltage and short-circuit protection
- Primary voltage: 100 - 240 V
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 1 in stock $363.58
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Cat: 727747 Rel: 03 May 19 • View all Synth module accessories
 
Compact & lightweight metal case with wooden side panels
Notes: Made of metal, and with a noble vintage look thanks to beautiful wooden side parts, this 6U case is flat and offers two rows of 84 HP for the installation of modules. The integrated 4 HP wide KAZU power solution with switching PSU and EVE1 busboard works extremely accurately and delivers very clean power. A total of up to 20 modules can be connected. The KAZU PSU solution is of high quality and delivers a constant current without getting hot.
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 1 in stock $311.50
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Cat: 735588 Rel: 25 Apr 19 • View all Synthesisers
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The idea of the Polivoks Mini analog synthesiser came into mind in 1990, as the junior version of its older brother - the well known Polivoks full synth. The aim was to develop a simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flows of the Polivoks full synth. As a result of this research, a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality. For example, in the Modulator section the Form switch has been replaced by the controller with triangular oscillation in the middle position and sawtooth shape oscillation smoothly falling in the extreme positions.

The controller for the envelope filter input is set to zero in the middle position and its value increases by turning the knob clockwise, while turning the knob counter-clockwise increases inverse voltage of the envelope generator. The main synthesizer sections, such as generator, famous Polivoks filter and multimode envelope generator, are essentially the same as the Polivoks, and have this unique sound. In addition, the main generator of the Polivoks Mini doesn't require any thermal stabilization or adjustment.

In general, the simplified schematic delivers the sound appreciated by a wide range of musicians with minimal means but new capabilities. The Polivoks Mini is a keyboardless version with integrated USB and MIDI interfaces. The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.
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 1 in stock $424.86
Cat: 743662 Rel: 18 Jul 19 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A complete AE modular system in a one-row Rack; containing the following modules:

- MASTER
- 2 OSC/D
- VCO
- NOISE
- LFO
- SVFILTER
- ENV
- 2VCA
- 2ATT/CV
- MIXER
- SAMPLE&HOLD
- DELAY

The case is extendable; via a joint kit (not included) another case of this width can be attached at a free angle; the bus is connected via a short connector cable between both cases.

It is shipped complete with power supply unit, MIDI breakout cable, a bunch of patch wires of every type and a quick start guide.
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 1 in stock $338.92
Cat: 742669 Rel: 10 Jun 19 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A complete AE modular system in a two-row Rack (32 AE module units in complete); containing the following modules:

- MASTER
- 2OSC/D
- VCO
- NOISE
- 2 x LFO
- FILTER (Wasp type)
- SVFILTER
- 2ENV
- 2VCA
- LOGIC
- SAMPLE&HOLD
- BEATDIVIDER
- TRIQ164
- 2ATT/CV
- MIXER
- DELAY

The case is extendable; via a joint kit (not included) another case of this type can be attached at a free angle; the bus is connected via a short connector cable.

It is shipped complete with power supply unit, MIDI breakout cable, a bunch of patch wires of every type and a quick start guide.
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 1 in stock $494.41
Cat: 741737 Rel: 18 Jul 19 • View all Synthesisers
 
B-STOCK: Box opened, product unused & in perfect condition
Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


A complete AE modular system in a one-row Rack; containing the following modules:

- MASTER
- 2 OSC/D
- VCO
- NOISE
- LFO
- SVFILTER
- ENV
- 2VCA
- 2ATT/CV
- MIXER
- SAMPLE&HOLD
- DELAY

The case is extendable; via a joint kit (not included) another case of this width can be attached at a free angle; the bus is connected via a short connector cable between both cases.

It is shipped complete with power supply unit, MIDI breakout cable, a bunch of patch wires of every type and a quick start guide.
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 1 in stock $335.87
Cat: 742750 Rel: 09 Jul 19 • View all Studio monitors
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Type 05 model is a real multi-tasker. Its strong performance, digital connectivity, and compact size turn it into the ideal choice for mobile broadcast stations, recording studios, multichannel-setups, and VoIP conferences. The Type 05 is based on a 2-way-system that provides a solid fundament and a high degree of accuracy in the frequency range between 45Hz and 50kHZ by coordinating the interplay between a 6"-woofer and a high-resolution Air Motion Transformer (HEDD AMT).

Type 05 is, like all of our Series ONE studio monitors, additionally equipped with a modular connection system. Besides standard analogue XLR and RCA connections, the Type 05 features an empty card slot that we have designed to read Dante (Audio-over-IP) and other digital audio protocols.
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 2 in stock $350.34
Cat: 731216 Rel: 18 Jun 19 • View all Synth modules
 
4 variable waveshape operators for linear FM synthesis - 30HP
Notes: Implementing frequency modulation synthesis completely from scratch in firmware, the Quad Operator is able to provide a modern take on frequency modulation synthesis.

- One knob per function design for true ease of use
- Any FM algorithm is possible via modulation matrix
- The Algo expander provides algorithm save/recall and crossfading capabilities
- Independent output per operator
- Virtual VCA per operator for both animating modulation and output volume control
- Includes a dedicated "AR FM" input with its own modulation sends, designed to bring an audio rate signal in from your rack for use as a modulator. Try processing a phase locked operator, and feeding it back in!
- Each operator can also be unlocked then tuned and patched independently, making the module a great general purpose oscillator bank
- Convincing digital emulation of classic analogue waveshapes - sine, triangle, square, and saw
- An LFO mode, enabled the generation of phase locked, complex modulation signals
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 5 in stock $423.84
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