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Review: ZYX's Italo Disco romance has been on going on for many years and across several key compilations. The biggest of them all was this one from 1989 which comes across four slabs of wax (or four CDs, if you prefer) and with a bumper tracklist featuring all the most vital names. Plenty of the formative years sounds are here to check out - many of which went on to be championed by DJs like Ron Hardy and the Hot Mix 5 in the early days of house. Doctor's Cat 'Feel The Drive' is a perennial favourite as is he pop tinged 'Dolce Vita' from Ryan Paris, and the exotic synth sounds of Lee Marrow's 'Shanghai', while Joe Yellow's electro on 'Lover to Lover' sure is infectious.

Notes: Zoom H1essential - 32-Bit Float Recording for All

The World's Easiest Recorder, Just Got Easier

With the push of a button the H1essential captures perfect audio for musicians, podcasters, filmmakers, and content creators. Simply hit record and discover the power of 32-bit float.

32-Bit Float Magic

With 32-bit float recording, you never have to adjust levels. The H1essential captures every nuance of your sound ensuring high-quality audio with every take

The First Handy Recorders with Accessibility

The Essential Series was designed with Accessibility for the blind and visually impaired. Navigate the menu with audible descriptions through the built-in speaker or headphones. Creators can choose English, Spanish, French, Japanese, German, Italian or Chinese.

Loud and Clear

The onboard X/Y microphones capture clean audio up to 120 dB SPL, equivalent to the sound of a high-performance engine.

The Perfect Practice Companion for Musicians

Musicians can use the H1essential to record every rehearsal, a great way to improve your playing. Features like overdubbing and playback-speed-adjustment are great for writing and practicing.

Sound Makes the Scene

The H1essential is great for filmmakers. Record and send audio directly to your camera or use it to record sound effects to complete your scene.

For Storytellers

Podcasters can mount the H1essential on a tripod for sit down conversations or use 'mono mode' for on-the-go interviews.

Big Features, Small Package

The H1essential has advanced features such as overdubbing, pre-record, auto record, and playback speed adjustment.

Features

32-bit float recording: perfect audio with no need to set gain
120 dB SPL 90 degree XY Mics
Records up to 96kHZ sample rate
New OLED Display
Overdubbing, auto record, pre-record and timer functions
USB Microphone Function
Audio guidance function for the blind and visually impaired
10 hours of battery life on 2 AAA Batteries or USB-C Bus power

Specs

Inputs

Built-in mic: 90 degree XY stereo format
Directionality: Unidirectional
Sensitivity: -37 dB/1 Pa at 1 kHz
Maximum sound pressure input: 120 dB SPL

MIC/LINE IN jack

Connector: Stereo mini jack
Input impedance: 2 kO or more
Plug-in power: 2.5 V

Built-in mic
90 degree XY stereo format
Directionality: Unidirectional

Outputs

PHONE / LINE OUT jack
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(into 32O load)
Output impedance: 10 O or less
Built-in speaker Type: 20 x 30mm oval dynamic speaker
Practical maximum output: 250mW

Recorder
Recording formats:
WAV
44.1/48/96 kHz, 32-bit Float
Stereo / Mono
BWF and iXML formats supported

Recording media
4-32GB cards compatible with the microSDHC specification
64GB-1TB cards compatible with the microSDXC specification

Display
OLED: 128 x 64

USB
Connector: USB Type-C (Use a USB cable that supports data transfer.)
USB Mic: USB 2.0 High Speed
48 kHz, 24-bit
File transfer: USB 2.0 High Speed

Power

2 AAA batteries Alkaline, Lithium, or Rechargeable NiMH
AC adapter: ZOOM AD-17: DC 5 V/1 A
USB bus power is supported.

Estimated continuous operation time using batteries

Alkaline batteries: About 10 hours
NiMH batteries (800 mAh): About 9 hours
Lithium batteries: About 18 hours
Stereo recording, 48kHz/32-bit float, no headphones, Power Save 1min
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.
They will vary greatly according to use conditions.

Power consumption: 5 W maximum
Dimensions: 53.9 mm (W) × 136.6 mm (D) × 29.0 mm (H)
Weight (including batteries): 92 g
Note: 0 dBu = 0.775 Vrms

Notes: The Zomo Recordcase RP-80 XT is recordcase with 75/25 divide in a classic style. The butterfly lock can be closed with an padlock (available as an optional accessoiry). The comfortable handle is rounding this nice shaped case.

Tecnical Data

Capacity: approx. 80 LPs
External dimensions (W x D x H): 350 x 250 x 330 mm
Internal dimensions (W x D x H): 315 x 245 x 315 mm
Weight: 3,1 kg
Format: LPs
Capacity: 50-99

Notes: The Zomo VS-Box Space is a state-of-the-art solution for the storage of vinyls. It captivates with its extraordinary design and high quality. It is laminated with a durable, water-repellent decor available in four different colours.

The Vinyl Box is quick and easy to assemble and the exclusive design will inspire you. This piece of furniture is a real eye-catcher for every living room.

The capacity can vary depending on the thickness of the records.

Technical specifications

Dimensions (W x D x H): 460 x 400 x 370 mm
Weight: 3,7 kg
Format: LPs
Capacity: 100-150
Material: Wood

Notes: The Zomo VS-Box Space is a state-of-the-art solution for the storage of vinyls. It captivates with its extraordinary design and high quality. It is laminated with a durable, water-repellent decor available in four different colours.

The Vinyl Box is quick and easy to assemble and the exclusive design will inspire you. This piece of furniture is a real eye-catcher for every living room.

The capacity can vary depending on the thickness of the records.

Technical specifications

Dimensions (W x D x H): 460 x 400 x 370 mm
Weight: 3,7 kg
Format: LPs
Capacity: 100-150
Material: Wood

Notes: The Zomo VS-Box 200 is a practical way to store your vinyl in a stylish and efficient way.

The VS-Box 200 is made of solid wood and laminated with tough water-repellent decor. This model is easy to install, multi-stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers. The capacity can be various by the thickness of your vinyl.

Notes: The Zomo HD-120 Mono-Stick is the cool variant of the Zomo headphone series.

The rotatable earpices and the ergonomic design makes the HD-120 a very populare choice when it comes to club performances. The removable spiral cables plug is build very solid and can be changed in seconds.

It is important for one-ear solutions to build up enough pressure to ensure an high sound level which is needed in loud environments like discos. Also the HP-120 has an kick-bass optimized frequency response.

The high quality and the brilliant design are an garantied eyecatcher in every club. The high-end materials and drivers are a garantie for a long livetime of these extraordinary professional sound experience.

www.youtube.com/watch?v=ZDpKE59vdIY

Notes: The Zomo VS-Box 200 is a practical way to store your vinyl in a stylisch and efficient way.

The VS-Box 200 is made of solid wood and laminated with tough water-repellent dekor. This model is easy to install, multiple stockable and can be combinated with other VS-Boxes. The Box is also compatible to vinyls in protection covers.

The capacity can variate by the thickness of your vinyl.

Notes: The Wave is the latest addition to Zomo's popular VS-Rack series. This stylish record rack offers - depending on the thickness of the LPs and stack white - space up to 40 records. Thereby the records can be stacked in 2 different ways in the rack: Either classically between the ribs or also crosswise, so that you can quickly browse through your favorite vinyls.

Like all VS-Rack shelves, the Wave is made of powder-coated steel and convinces not only with its stable and safe stand, but also with its unique look, which makes it an eye-catcher in every living room or studio. The Wave is available in 4 different colors, so that it can fit into any ambience.

Technical data
Weight: 2,5 kg
Dimensions (W x D x H): 300 x 300 x 220 mm
Format: LPs
Capacity: up to 50 pieces
Material: Metal

Notes: The Wave is the latest addition to Zomo's popular VS-Rack series. This stylish record rack offers - depending on the thickness of the LPs and stack white - space up to 40 records. Thereby the records can be stacked in 2 different ways in the rack: Either classically between the ribs or also crosswise, so that you can quickly browse through your favorite vinyls.

Like all VS-Rack shelves, the Wave is made of powder-coated steel and convinces not only with its stable and safe stand, but also with its unique look, which makes it an eye-catcher in every living room or studio. The Wave is available in 4 different colors, so that it can fit into any ambience.

Technical data

Weight: 2,5 kg
Dimensions (W x D x H): 300 x 300 x 220 mm
Format: LPs
Capacity: up to 50 pieces
Material: Metal

Notes: The Zomo HD-120 Mono-Stick is the particularly cool version of the Zomo headphone series, which is particularly popular in club use and features a swivelling ear cup and an ergonomic handle.

The detachable spiral cable has a very stable plug and can be changed in seconds.

Particularly with this one-ear solution, it is important that the listener has enough pressure to be able to make the necessary volume even in extremely noisy environments such as discotheques. The kick-bass optimization mentioned above brings the desired effect.

The high-quality workmanship and the brilliant design create an increased style factor, which is particularly noticeable in the club area. The high-quality materials and drivers guarantee a long-lasting and professional sound experience of the highest quality.

Features:

Professional handheld headphones
Very good sound quality
Great processing
Transport bag, a set of imitation leather and velour padding are included in the extended scope of delivery

Technical Data

Cable: spiral cable, 3 meter, XLR to 6.3 jack plug
Adapter from 6.3 to 3.5 jack included
Frequency response: 30 - 30000 Hz
Efficiency: 110 dB
Weight: 253g
Headphone output: 1x 3.5 jack, 1x 6.3 Jack (with adapter)
Cable length: 3.0 m
Application area: DJ
Construction Type: On-Ear
System: Closed
Connection Mode: Cable
Rotatable auricle: No

Scope of delivery

Zomo HD-120 Headphones
Spiral cable 3 meter - XLR to 6.3 jack plug
Adapter: 6.3 jack to 3.5 jack
Carrying case
PVC ear-pad set
Velour Ear Padding Set

Notes: The Zomo VS-Box 200 is a practical way to store your vinyl in a stylish and efficient way.

The VS-Box 200 is made of solid wood and laminated with tough water-repellent decor. This model is easy to install, multi-stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers. The capacity can be various by the thickness of your vinyl.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Zomo LS-50 laptop stand is an useful and fortunate accessory for mobile DJs and musicians.

Most DJ-Desks are not offering much space to place own equipment, the LS-50 is the perfect solution to place a lot of equipment on minimal space. Laptops, controllers, mixer and CD-players can be placed easily and fast with the Zomo LS-50 laptop stand. All established laptops and other equipment can be used in combination with the LS-50.

The height and angle can be adjusted perfectly in just a few handles by opening four screw connections (without tool). This makes the Zomo LS-50 even more flexible and faster.

The Zomo LS-50 laptop stand can be fixed easily, like his predecessor on almost every flight cases, as a clip version on all desktops or set as an on-the-top version to the DJ booth, or slide under the mixer or turntable.

Sheer genius and totally cool. It's Zomo.

Notes: Diode Chaos is a 3hp analog chaotic low frequency voltage generator Eurorack Module available as Eurorack DIY Kit, PCB and Panel, or Built Module.

It is a unique module because it has never existed as an electronic music instrument until now. The module is based on a circuit from a paper called "A simple chaotic circuit with a light-emitting diode" written by Volos, Wang, Jafari, and Kapitaniak.

Diode Chaos produces 3 phases of interrelated morphing voltages including a chaotic trigger out. The range is 20-30 seconds a cycle up to audio rate, although only the X out and TRIG out go up to audio rate. The frequency is controlled by the RATE knob. Each output exhibits different behavior at different rate settings. X,Y, and Z outs like to stay in the 4vpp range although at different RATE settings the outs can reach 10vpp. The TRIG out chaotically releases 0-10v triggers although sometimes it will spit out smaller voltage peaks.

LED soldermask windows provide constant display of positive and negative voltage crossings.

Differences between chaos and random(some quoted and summarized material from Ian Fritz's site):

Chaos is "highly irregular, but still contained within a finite region (the "strange attractor")"

Chaos occurs in 3 dimensions.

Chaos needs a non-linear element (with Diode Chaos the nonlinear element is a red LED, and the chaos is directly visible and useable at the TRIG out).

Notes: The Triple Cap Chaos(C^3 Chaos) is a 2hp analog, chaos based, noise oscillator, pseudo ring modulator/harmonics generator, and audio mangler Eurorack module available as a DIY Eurorack kit, PCB and Panel, or built.

It is a unique module, like the Diode Chaos, because it has never existed as a musical instrument until now. There is also no other module to my knowledge that can do exactly what the Triple Cap can do. The circuit(with several modifications) is based on the paper "Simple Autonomous Chaotic Circuits" by J.C. Sprott and Jessica R. Piper. As opposed to the Diode Chaos that generates control voltage this module focuses on the audio rate.

The "Emanate" potentiometer controls the coarser overall spectrum of the chaos, from lots of activity counter clock wise up to less chaos and more of a steady oscillation. The "Width, CV ATT" potentiometer can be thought of as more of a fine control for the chaos/oscillator. When something is inserted into the "CV" in the voltage normalization from the width knob is broken and the potentiometer now acts as an attenuator for the incoming cv. The Triple Cap is not a traditional volt per octave exponential VCO, and has a sort of narrow frequency range to exploit the chaotic behavior.

It expects a +5v to -5v max signal in to modulate the chaos. The "IN" jack is an A.C. coupled input for audio in, although cv and audio can work for both the "CV" in jack and "IN." The "IN" will interfere and interact with the onboard chaotic oscillator depending on the frequency of the input, which may take some experimentation. It can create ring mod ish sounds, to added harmonics, to almost bit crushed sounds depending on the "X" or "Y" output. The "X" output is a more windy noisy sinusoidal based output and the "Y" output is more squared off and aggressive, harsher sounding output.

Some quirks about the Triple Cap: The "X" output can offset negatively or positively a little bit depending on the pot settings, but both outputs tend to stay around 10vpp. With the "Emanate" and "Width" pots all the way up the typical frequency will be around 150hz although some will reach 200hz at this setting. With the "Emanate" pot full counter clock wise "Width" pot full clock wise the frequency will be around 250hz. It is possible to send signals into the triple cap that can bring it out of the desired range causing the oscillation to cut out.

The Triple Cap has a double sided panel. meaning one side has the classic graphics and the other is Soulless with less graphics.

Notes: The Entropy Expander is a 3hp Analog Random Voltage Generator that expands upon the features of the Entropy Euroack Module. Available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

The Entropy+Expander packs together some of the most random voltage options in 6hp. It provides a controllable "Glide"(slew) out for the S/T\H, a comparator with a controllable rate("Thrsh") of random gates("Rand Gate") out with an input to compare other waveforms(Comp In, inserting a cable into here breaks the white noise normalization), and high pass filtered white noise resulting in approximate "Blue noise" (+3db/octave) and "Violet noise"(+6db/octave) outs.

The unique part of the circuit is a voltage controlled A/B switch thats normalled to the "Rand Gate" out that's switching between the S/T\H out(left Blue led window)and Infra out(right Red led window), the Glide control also effects the S/T\H coming out of the switch so you can get really random results from the "Entropy Out." Inserting a cable into "Switch CV In" breaks the random gate normalization and lets you toggle between A/B(left S/T\H out and right Infra out, indicated by the led windows) with your own gate or trigger.

There is a jumper on the pcb to select if you want glide on the s/t\h at, Entropy out, or un-slewed operation. There is also a trimmer for setting the amplitude of the incoming signal at "Comp In" which sets the frequency range of random gates. This may have to be adjusted depending on your Entropy version.

The random gate range can also be set up more as a noise oscillator by turning the pcb trim(clockwise) up or it can be set so random gates are extremely slow(trim counter clockwise) with minutes between random gates.

Notes: The Dual VCA is a 2hp 2 channel Analog VCA and Mixer Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It is a DC coupled OTA(LM13700) Dual Linear VCA based on the same fabled design of the VnIcursal VCA. The 2 VCAs are summed together so it can be used as a voltage controlled mixer at the "SUM OUT" or all 3 outs can be used separately and simultaneously. 5 volts into the CV in will provide unity gain, anything above 5 volts can clip the input.

Review: Over-Nite Sensation has been long-hailed as the gateway drug into Frank Zappa’s extensive musical universe, after which there really is no going back. Now reissued and expanded by the Zappa estate, the album returns to the foreground again, in several formats, including one CD with over 57 unreleased and rare studio and live tracks piled on top of the original seven magnum opi. This edition, however, is an audiophile standard 2xLP edition, just as Uncle Meat intended from the jump. From the opening princely funk of ‘Dirty Love’ to the midway scattings of ‘Dinah-Moe Humm’ and the closing yippee-ki-yays of ‘Montana’, this album should be best remembered not only as FZ's sexiest, but coincidingly as the one on which music’s most notorious Bonnie & Clyde, Ike and Tina Turner, were enlisted to aid Zappa for the closing track, but were ultimately not credited due to a poor performance, by Zappa’s assessment.

Notes: Michael Gira - The Knot: Complete Words for Music, Collected Stories and Journals

Hardcover 7 1/4 x 10 1/4 inches, 408 pages, includes 101 colour images printed on high quality photographic paper.

Journals, stories, and songs span the years 1981 to present. Includes visual archives and artwork dating back to 1974.

Hardcover Collector's edition of 3000 numbered copies, signed by M. Gira

"From the Preface to The Knot: This book contains the words to every song I've written worth collecting to date from all my musical projects throughout the years. I've left out various imbecilities and feckless half-starts. Also included in this book are several previously published short stories. They're taken from the collections The Consumer and The Egg, as well as a few other hand- made limited editions of stories. In a few cases I've included excerpts rather than the entire story. This was done for aesthetic purposes, with the overall feel of this current volume in mind. There are a great many journal entries in this book. For the most part they are also, emphatically fiction. They're from an ongoing journal, not a diary. My journals are where I often allow a disembodied, fictional 1st person narrator to take over and unspool imagined events, diatribes, impossible scenarios, psychic auto-cannibalisms, and corrosive or ecstatic dreams etc. Again, these are fiction. Certain things I've written about (in fiction and in song form) seem to exist beneath the surface (in myself and others) and I find them compelling to look at and to describe. I view this as a positive act. In acknowledgment of the constricting and microscopically judgmental and censorious times we live in, the usual authorial caveats apply here. Certainly there are many purely anecdotal journal entries included in this book as well, and my presumption is that an intelligent reader would be able to differentiate one from the other. Personally, I'm very suspicious of memory (especially my own), so I can't definitively vouch for the veracity of the recounting of the literal events herein either. I have also excised material that I felt too personal to include, out of respect for the people involved as well as for myself. There are several large gaps in the journal entries over the years. This is due to lost journals of the time, and in one case a lost laptop (which, painfully, contained a great deal of writing). There are also periods where I didn't keep a journal and didn't write fiction. In any event, I've tried to include fiction and journal entries that correspond roughly to the period before and after a musical album's release and the words that were written for that music. The end section of this book consists of recently unearthed visual documents and imagery and functions here as an incidental archive. The images span the years from 1974 to the present."

Michael Gira

Notes: - Works as a messenger style bag or a backpack
- Space for cables and AC adapter
- Built-in loop for attaching the bag to a suitcase handle

*Photographed Reface unit NOT included*

Review: A deluxe reissue now available of the acclaimed 2001 album by Australian hip hop fusion act The Avalanche' Since I Left You featuring the hit single of the same name. This four disc version features several modern reworks of tracks from the LP, with notable appearances from Leon Vynehall and the late MF DOOM on the remix of 'Tonight May Have To Last Me All My Life' and 'A Different Feeling' receiving the Carl Craig Paperclip People remix among many others.

Notes: Warna is a very useful utility module that helps you to manage control voltages in the system. Crammed in just 6 hp, there are five normalled sections: two buffered mults, two inverters, and a summing mixer. Each multiple routes the input signal to separated outputs without loss in voltage. Warna is designed for unity gain - if you apply a specific voltage to any input, it remains the same on the respective outputs. Inverters are hardwired to mults and invert the polarity of the signal applied to them. Both mults are also normalled to the mixer section via inputs. Patching anything to these inputs breaks the normalization.

The top and the bottom section both are buffered 1-in-4 multiples. The input can be inverted with a switch, i.e. its polarity will be changed by 180 degrees. Four inverted copies are then available at the outputs, meaning you can use these two sections as inverter. Bi-polar LEDs display whether the signal is positive or negative: yellow = negative, red = positive. The centre section is a four-input summing stage with amplification factor 1, a so-called unity-gain mixer. The multiples are normalized to the mixer which can be deactivated by patching.

Notes: Poti II expander notable features:

- per-channel input and output attenuation for the SINE and ASSGN outputs
- per-channel shape modulation with switchable destination (wave folding, shape switching, PWM)
- stores settings during a power cycle
- LED indication of the discrepancy between the stored setting and current pot position
- 4HP
- +10/-0mA from Batumi II

Review: This comprehensive selection brings fourteen bangers (no small fort-tune!) from L'Entourloop to our ears. This duo of hip-hop beatmakers and DJs has boasted an original and unifying sound from day dot, combining two musical confluent cousins we know work all two well: hip-hop and reggae. Now bringing several of their classics as well as a crock of original gems to an unusual but, for that reason, welcome 4x7" bundle for your listening pleasure, that's slated, in the artists' own words, to transform your evenings into a 'cheerful mess'.

Review: When it was first released a quarter of a century ago, the Buena Vista Social Club album - a conceptual album produced by Ry Cooder and Juan de Marcos Gonzalez, featuring veteran Cuban musicians recreating music that had been popular on the island nation in the 1940s and '50s - had a huge cultural impact. Not only did it sell like hot cakes around the World, leading to a US tour and documentary film, but it also raised interest in Cuban music, something that has sustained to this day. This 25th Anniversary edition, then, is fully justified. It boasts fully remastered vinyl and CD versions of the original album, each with bonus tracks, as well as partner discs entirely made up of previously unheard songs and alternate takes.

Review: Clutch's cult and debut recording back in 1993 has never before been available on vinyl, but it is now thanks to Weathermaker Music who have pressed it up to a limited 180 gram sea glass blue vinyl and included a numbered and autographed insert. Transnational Speedway League is a great work from the band's Tim Sul and it comes with great artwork which has been redesigned by Dan Winters and Sult. The limited pressing is a must-own for fans that reminds of the band's very earliest sonic roots, raw riffs and guttural vocals that all make for an intense and arresting album still now all these years later.

Review: Those interested in Japanese cartoons should know Space Adventure Cobra. First broadcast in 1982, it is now considered one of the country's finest animated TV series. This triple-vinyl box set celebrates Kentano Haneda and Yuji Ono's music from the series, combining compositions featured on the show with unheard extended versions and tracks that never made the cut first time round. Musically, it's a mix of Japanese disco, sax-sporting lounge jazz, jazz-funk, neo-classical movements and eccentric interludes, all doused in layers of cosmic dust and stargazing colour. The release also comes packaged with a 12-page booklet telling the story of the series and the making of the appealing, endlessly entertaining soundtrack.

Review: Baki is one of the best-selling Japanese anime and manga series of all time; the story centres on a quintessential shonen coming-of-age trope, funnelled into the character of Baki Hanma, who tirelessly trains and tests his fighting skills against a variety of different opponents in deadly hand-to-hand combat, with the ultimate hope of becoming a powerful warrior like his father. Kenji Fujisawa's original soundtrack for the anime series, now streaming on Netflix, is the perfect translation of this always-affecting theme; a whopping 60 tracks are spread across 3 vinyl discs in respective illustrated sleeves; Fujisawa's tense, eye-of-the-tiger timpani-bangers, which mesh well with NIN-style industrial rock, are perfect for the invocation of Baki's constant sense of confrontation and self-becoming. This record also comes with ane exclusive shikishi art print, as well as a four-page booklet.

Review: Franz Waxman's contributions to the history of cinema, and its scores, cannot be understated. Having provided music for movies including Sunset Boulevard, Stalag 17, and Rear Window, he was working at the top of his game right through to around a year before his untimely death, aged 60, garnering 150 credits in total, with 12 Academy Award nominations and two Oscars to his name. The Bride of Frankenstein was one of the nominated titles, and it's certainly an evocative listen. Written in 1935, it's packed with the kind of tense string arrangements that once helped create brooding atmospheres from black and white early talkies. Grand at times, in other moments teetering on the brink of explosive cacophony, or poised on a knife edge.

Review: Surely one of the greatest horror films of all time, Dawn Of The Dead transcended the zombie format to make some incisive points about human society with more than a few laughs thrown in for good measure. The score is just as brilliant as the on-screen action, made up of cues from the De Wolfe library and peppered with some stand-out tunes like The Pretty Things' 'Cause I'm A Man'. Those songs have been included in this deluxe, triple-vinyl edition housed in a gatefold sleeve featuring artwork from Ruiz Burgos and packing extra booklets, essays and all the high-end extras you expect from a Waxwork reissue.

Notes: Show off the cover of the record you're spinning.

Now Playing album cover stand by WAXRAX provides a full view of the album cover you're spinning.

Skillfully crafted from solid hardwood and hand worked brass.

Album cover rests gently in an extra wide slot fully supported by the brass rail without stress or flex to the record cover itself.

Choose from solid Walnut or Maple hand finished with Danish oil.

Designed to show off both LP, EP and 45 sleeves, the Now Playing by WAXRAX is the stylish way to display your album art while spinning vinyl.

Made in the USA

*** Record not included, this is for demonstration purposes only. ***

Notes: Featuring the AS3360 IC (based on the classic CEM3360 IC), this linear response VCA (Voltage Controlled Amplifier) is suitable for both audio and CV signals.

It would also be the ideal match with a modulation source such as an exponential envelope generator.

Specifications

Format: Eurorack
Width: 8hp
Depth: approx. 25mm
Power consumption:
+12V: 30mA
-12V: 30mA
+5V: 0mA

Notes: This mixer has three DC-coupled inputs, making it perfect for mixing both audio or CV signals from sources such as VCOs, LFOs and envelopes etc.

Each channel features a unity-gain, linear attenuator.

Specifications

Format: Eurorack
Width: 8hp
Depth: approx. 25mm
Power consumption:
+12V: 10mA
-12V: 10mA
+5V: 0mA

Notes: This mixer has three AC-coupled channels, each with a logarithmic unity-gain attenuator; suitable for mixing audio signals from modules such as VCOs etc.

Specifications

Format: Eurorack
Width: 8hp
Depth: approx. 25mm
+12V: 20mA
-12V: 20mA
+5V: 0mA

Notes: This mixer has six DC-coupled inputs, making it perfect for mixing both audio or CV signals from sources such as VCOs, LFOs and envelopes etc.

Each channel features a unity-gain, linear attenuator.

Specifications

Format: Eurorack
Width: 12hp
Depth: approx. 25mm
Power consumption:
+12V: 10mA
-12V: 10mA
+5V: 0mA

Notes: This module is a four-quadrant multiplier that produces distinct alien and bell type sounds.

It features standard carrier (X) and modulator (Y) inputs; each with their own attenuator.

The balance and offset of the output signal is also adjustable.

Specifications

Format: Eurorack
Width: 5hp
Depth: approx. 40mm
Power consumption:
+12V: 20mA
-12V: 20mA
+5V: 0mA

Notes: Attenuverter (AV) is one of Wavefonix's most versatile modules; allowing the polarity of an input source such as an envelope or a ramp wave from an LFO to be inverted.

Additionally, an offset voltage between approximately -10V to +10V can be applied to the input source. The module can also act as an independent CV source when there is no input.

Specifications

Format: Eurorack
Width: 5hp
Depth: approx. 25mm
Power consumption:
+12V: 30mA
-12V: 20mA
+5V: 0mA

Notes: Wavefonix's Logarithmic Attenuator (AT) features three logarithmic unity-gain attenuators; especially suitable for attenuating audio signals. However, it can also be used to attenuator CV signals.

It is also a passive module; meaning that no power is required for it to function.

Specifications

Format: Eurorack
Width: 5hp
Depth: approx. 15mm
+12V: 0mA
-12V: 0mA
+5V: 0mA

Review: 20 years is a long time in clubland, but Watergate has embodied the age old phrase that time flies when you're having fun. The Berlin institution has represented a catchy end of the tech house sound throughout its tenure, both on the dancefloor and through its long-standing in-house label. Now they celebrate their big birthday with a cute compilation taking in such massive names as Henrik Schwarz, Sasha and Anja Schneider alongside the more niche names who made major breakthroughs thanks to the club's support. Pressed on three records and featuring a mammoth 18 tracks, there's a lot of bang for your buck if you can't get enough of that Watergate sound.

Review: One of the most important albums of the 20th century, Pink Floyd's 'Dark Side of the Moon' gets a 50th anniversary specially packaged edition. Pressed exquisitely on clear 2x12 180-gram vinyl. 2x12 you ask? Well, each first side features the music while each second side has special accompanying UV enhanced artwork. This makes for a beautiful and unique special edition that sets itself aside from many reissues. This comes complete with full cover slipcase for the gatefold to reside in plus a poster as well! This album deserves a groundbreaking packaging and Warner Brothers sure gave it the proper tribute. Act quickly!

Review: The Spotlight Kid was Captain Beefheart's sixth studio album and one, landing a mere three years after the legendary Trout Mask Replica classic, sees him continuing his avant-garde brilliance. Initially released in 1972, it stands out as the only album credited solely to Captain Beefheart, even though it does feature much of his Magic Band prominently. The material, integral to the band's repertoire, highlights Beefheart's eclectic musical vision and experimental spirit, taking raw blues as its starting point but then twisting into it hithertoo unrecognisable shapes and psychedelic distortions. Reissued for Record Store Day 2024 as a deluxe double LP set in a gatefold jacket with milky clear vinyl, this edition revitalises the album's enigmatic charm for contemporary audiences and reminds us all of its magnificent blend of blues, rock and avant-garde elements.

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Review: Red Hot Chili Peppers are back with their twelfth studio album, and most significantly it welcomes back John Frusciante to the fold after he amicably departed the band back in 2009 to focus on his electronic music production. Rick Rubin is in the production seat, and overall it's the sound of the Chili Peppers doing what they do best, with all the classic ingredients. From the epic anthem 'Black Summer' to moody ballad 'Not The One' and the playful funk of 'Poster Child', there's everything you could want from the band as they stride into their fourth decade of active service.

Review: We've had more Neil Young compilations thrown our way over the years than many of us care to remember, but only one really sticks in the mind, and it's this one. Originally released in 1977 and chronicling the period in which Young went from being a simple member of Buffalo Springfield to one of the most heralded North American songwriters of the late century, and comprising work from that band alongside Crosby Stills Nash and Young, it's studded with delights aplenty. From the extended guitar sprawl of 'Down By The Ocean' and 'Cortez The Killer' to poignant balladry like 'After The Goldrush' and 'Helpless', no-one captured the dreams and hopes of the hippie generation in quite the way Young did, and this collection is a magnificent testimony to his most fertile and heartwarming era.

Review: Now celebrating its landmark 50th anniversary, Pink Floyd's seminal The Dark Side Of The Moon remains a timeless masterpiece and is a groundbreaking fusion of progressive rock and psychedelic soundscapes. This iconic album, known for its conceptual brilliance and sonic innovation, continues to captivate with its introspective lyrics and haunting melodies half a century on and this 50th Anniversary Edition pays homage to the monumental work on some very special vinyl pressings and packaging. With its celestial tapestry of sound and thought-provoking themes, his record is often cited as one you need to hear before you die, and you really do.

Review: Being the album that contained the kings of second wave 80s progressive rock's breakthrough single 'Kayleigh', this, their third studio album, divided hardcore fans but opened the Aylesbury band up to the kind of mainstream acceptance that's seen them able to carry on well into the 21st century. Not to mention rack up 15 million in album sales. This deluxe edition is truly deluxe, with a remastered version of the album itself, undoubtedly more immediately palatable and less obviously 'prog' than its predecessors but still noticably Marillion in flavour, plus a Live In Utrecht bonus LP and a disc of bonus mixes, B-sides and rarities. The blu ray disc, meanwhile, contains more goodies including a documentary and a 5.1 mix of Misplaced Childhood. Plenty to keep even the more 'Kayleigh'-phobic purists happy, we'd wager.