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New releases last two weeks: Techno (All)
Techno (All) vinyl released in the last two weeks
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Review: Dublin's techno master steps out with a release that feels both emotionally charged and technically razor sharp for his own label Xistence. Balancing precision with heart, these tracks echo the roots of Detroit techno while reaching boldly into the future. 'The Fear Of Failing' leads with a crystalline melody that feels like it's been beamed in from another dimension. The production is slick and spacious, but there's warmth in the detail, and the main motif is hard to forget. 'Homecoming' drifts in with a deep rolling groove that's part celestial drift, part afterhours love letter. Everything about it feels smooth and elevated, like watching the sunrise from orbit. Claude Young steps in on remix duties and delivers something raw and gritty. His take on 'The Fear Of Failing' strips things down to a lean acid framework. It's a trip back to techno's skeleton while still sounding sharp in the now. 'Mirror Reaction' rounds things off with pure Detroit class. Built with intent and clarity, it's the kind of track that moves both head and body. A graceful, thoughtfully crafted EP from a producer clearly in control of his sound.
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Review: Berlin-based producer Arkan lands on SK_Eleven with four immersive techno cuts that draw tension from subtlety. 'Attraction' opens with icy, glistening percussion and a subdued, shifting groove that balances dissonance and flow with careful restraint. 'Nasty Tool' is more skeletal still-built on pulsing low-end and whispered gestures that feel almost internal, less club banger than whispered command. On the flip, 'Raubtier' brings some pressure with rolling drums and warped bell patterns, its odd claps puncturing the trance with mechanical precision. 'Up & Down' closes the set on a more introspective note, its rubbery tension and detuned chords conjuring the hazy recursion of memory. This is techno that moves less with velocity than gravity.
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Review: French-Moroccan producer Bidoben joins the Sublunar roster with six tracks of precision-tooled techno that strike a balance between hypnosis and intensity. 'Suspended Relief' opens with pounding low-end and swirling mids, laying down a floor-focused blueprint that's all control and momentum. '28-33' dials in a looping, restrained groove with subtle modulations, while 'Torment' pushes into more psychedelic terrain-acid-licked textures layered over a linear, uncoiling arrangement. On the flip, 'Unfair' hits hardest: peak-time pressure with no excess. 'Calx' trades impact for introspection, coiling inward with murky synthwork and tight, recursive rhythm. 'Snakeholes' brings it to a close with melodic shimmer and just a trace of nostalgia. It's a smart, tightly constructed EP that showcases Bidoben's ear for function, detail and emotional tone.
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Review: On Emptyverse, Italian DJ and producer Biemsix dives deep into the void and explores emptiness not as absence, but as pure creative potential. He has done similar across many great EPs on the likes of Symbolism, Eureka Milano and Execute and across this introspective release, meaning dissolves to give way to raw emotional space where transformation begins. 'Yesterday' balances the fragile tension between nothingness and emergence with hopefully pads and thudding kicks, 'Crisis (The Drill)' has spent up funk that moves you in a hurry and 'Old Patterns & Belief' is a deep space cruise that races to the next dimensions on supple minimalism. 'I Know Its Demons' (Alpha Tracks remix) shuts down as a meditative odyssey.
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Review: Biz is one of a number of Australian artists who are having a big impact on the sound of contemporary techno, and he has been playing a key role in the scene since the late 1980s. His sound mixes deep basslines with uplifting melodies and he has collaborated with a number of legends as well as releasing music on labels like Transmat and COD3QR. Now on Acquit, he explores the outer edges of our galaxy with celestial synth lines, sci-fi melodies and deep, Detroit-inspired techno grooves that are brilliantly cinematic and evocative. 'Soul Within' is our favourite with its widescreen synths and floating pads.
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Review: Birmingham's Jossy Mitsu and Bluetoof join headsy forces on their new collaboration for Tempa, colliding the former artist's rinsed, globetrotting UK-troit DJ sets the world over and the latter's "drum specialisms" formerly lent to labels the likes of Shall Not Fade. Transcending the one-forties for a deeper-shades descension, 'Metamorphic' and 'Acid' establish a mood of nightclub meets human biostasis facility, as sci-fi zaps meet brooding, high-sustain bass cues. 'H20' is the sole tune to heighten the mood, its stop-start rollerblade bass and necksnap 808s proffering a jammier digestif.
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High Voltage EP (translucent red vinyl 12")
Cat: FLATLTD 006. Rel: 19 Jun 25
Review: Belgian innovator CJ Bolland returns with three razor-sharp cuts that land somewhere between classic acid, metallic electro and streamlined techno. 'High Voltage' does exactly what it says on the tin: a squelching, high-intensity opener that builds tension through blistering filters and raw drum programming. On the flip, 'Venusian Storm' dials into that eerie, dystopian sci-fi mood Bolland's long masteredithink stormy pads, electro bleeps and tightly coiled 808s. 'Waves Of Derbyshire' feels like the comedown transmission, all sweeping chords and subtly shifting groove layers that still throb with club intent. For anyone who rinsed 'Camargue' or 'The Prophet', this is a reminder of Bolland's timeless touchiupdated but unmistakably his. Peak-time tackle with brains.
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Electronique (limited 180 gram vinyl 12")
Cat: ENF 002V. Rel: 13 Jun 25
Review: Break 3000 returns with his first new material in over two decades, delivering four high-torque tracks of electroclash, rave and cold wave nostalgia. Born in Germany and known for his role in Dirt Crew and the Electron Feel imprint, Break 3000 rekindles the raw DIY spirit of his early 2000s output. 'Electronique' is the centrepieceiEBM drum hits, rasping vocoder vocals and a revved-up rave bassline that harks back to his 'Fix' era. 'Continua' channels distorted filtered techno into peak-time territory, while 'Tape Recorder' leans into retro electro a la Rotterdam and Detroit, full of hissy drum machine charm and chopped vocal samples. Italian producer Marcello Giordani rounds out the EP with a slick proto-house remix of the title track, nodding to Bobby Orlando with shimmering Vermona drums and dark disco swagger. From Cologne to Parma via Berlin and Buenos Aires (the release is on Calypso's Dream), this is a cross-generational, cross-border flex that proves Break 3000 still has teeth.
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Review: Spanish techno powerhouse Andres Campo hits hard with four uncompromising club weapons for DCLTD. 'Conte Bleu' wastes no timeiit's heads-down tunnel techno with acidic flashes, reverb-drenched vocals and glimmering melodies swirling inside the chaos. 'Nuit Blanche' flips the script with a more syncopated, breaksy structure, its flickering metallic textures and jazzy FX giving way to an enormous vocal-led breakdown that manages to be both weird and raucously effective. On the B-side, 'Ligne Jaune' is all pressure and paranoia: distorted spoken samples swim through the mix as punishing percussion surges forward. 'Pois Gris' closes the set in sci-fi mode, splicing synthetic sirens, looping vocal chants and relentless stomping drums into something as dystopian as it is danceable. Designed for big systems and dim lights, this is techno with teeth.
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Review: Oblique Records offers a four-track vinyl-only selection of stripped, club-ready house cuts shaped by UKG inflections and percussive detail. Velvet Velour's 'Make It Hot' leads with a swung rhythm, vocal stabs, and a warm bassline that keeps the energy tight without crowding the mix. Eli Atala's 'Fat Albert' runs deeper, with clipped low-end and a sharper rhythmic frame. The Velvet Velour remix of the same track adds glide and bounce, pushing the groove forward while softening some of the original's edges. On the B-side, MTTY's 'Wally' closes the set with swung drums and sparse atmospherics - minimal in structure but tuned for pace. Each track is functional without sounding generic, keeping arrangement changes minimal and geared for blend. A direct, neatly cut pack of tools with just enough variation to stretch across a warm-up or mid-set.
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Review: Ukraine's Yan Cook has been at the forefront of techno in Ukraine for some time. He works in the dubbier end of the spectrum and brings more great weight to this one on his label, Cooked. 'Equinox' is an early evening mood builder that twists and turns through smeared synths and grainy lo-fi grooves. 'Syzygy' is more loopy and hard-hitting with mind-melting percussion over the cavernous low end. 'Monsoon' is as urgent as a call to action from a battalion leader on the front line and 'Headspin' is just that - a more frenzied and wonky cerebral workout for the dizzy 5 am sessions.
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Review: Karol Mozgawa is the Polish talent known as Deas, and one of the most expressive voices in techno. For the first one, he hooks up with the legendary Chicagoan DJ Rush on 'Geeks On Hubbard'. It's a thrilling affair with toms fluttering over the loopy kicks, menacing spoken words and fizzy, dusty synth lines. 'Cabrio' brings more frosted textures and icy cold techno raucousness, and 'Track Zero' keeps barreling on with more immovable kicks and panel-beaten loops. 'Resistance' is the most minimal of the lot - an eerie brew with precision kicks and sheet metal snares blowing in a stiff breeze.
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Review: The third release on Secretsundaze's 9FINITY imprint sees Naarm/Melbourne producer DJ Life return to the fold with another batch of psychedelic club tools, balancing UK bass pressure with trippy minimal finesse. 'Utility' jolts things into motion with snaking low-end and warped FX, slipping in and out of jagged tech shapes. The sparring synth jolts of 'Electrolyte' feel more frenetic, its thwacking groove and dubby vocal chops making for a proper headrush. On the flip, 'Breathe' trades upfront energy for depth, layering smoked-out subs beneath lattices of percussion. 'Stay Playful' edges toward tribal house but keeps its sci-fi freakiness intact. Digital bonus 'Love Sensation' eases the tension with clipped garage swings and pearly padsia welcome curveball.
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Review: Rome-based duo Donato Dozzy and Sabla reunite for a second collaborative outing-this time rooted in percussive density and minimalist form. Where 2023's Flusso cycle dealt in flow and abstraction, this follow-up sharpens its focus around rhythm and material presence. On 'Forma I', the pair strip things right back: sub-bass, skeletal drum hits, and little else. It's lean, physical, and cavernous. 'Forma II' expands that palette slightly, weaving splinters of syncopation into a staggered, off-grid structure. 'Forma III' takes a more organic path-metallic textures dissolve through reverb as if in search of their own shape. By the time 'Forma IV' rolls around, there's a sense of emergence-fluttering percussion, precise snares and forward motion suggesting rebirth from the cocoon. As ever, this is club music reimagined as architecture: subtle, studied and deeply physical.
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Review: Berlin-based producer E-Talking is back on his own, now well-established and equally well-respected Nummer Music label, with some deep and rolling progressive cuts. Drawing inspiration from late 90s and early 00s progressive trance, this outing is a heartfelt homage with forward-thinking momentum. Each track builds with hypnotic layers, sleek synths and adrenalised momentum that is always bubbling up but never boiling over, so it keeps you in joyful suspense across the long-form dancefloor trips. It's a logical and powerful follow-up to his 2023 'Cosmic Egg' EP on Love On The Rocks and is another heady affair.
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Review: New music from LA resident Fields of Mist is always worth hearing. He's previously proven to be a master of bringing a hip-hop sensibility to his work, as well as a jazzy and broken beat bone on his 2022 album Iluminated60. This latest turn to Illian Tape is another standout with a mix of dreamy, suspenseful pads and killer rhythms. 'Dreams Of The Lost Moon' isa fine example of that with its far-sighted gaze but body popping drums and 'Darkstar System M312' then gets more moody with a speedy low end and astral pads. 'Moss Nebula Tidal Dance' is another blend of deep space ambience with minimal but impactful rhythms.
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Cat: RBDC 142. Rel: 13 Jun 25
Review: Roman Flugel's 2004 banger 'Geht's Noch?' is a cheeky electro anthem that became a schoolyard ringtone staple, and now it is back for its 21st anniversary on Running Back. The original was part of a Cocoon compilation and this reissue features remixes that pay homage to its playful mood. Luca Lozano's ' 'Gehts Garage Remix' introduces UK funky elements, Peder Mannerfelt's version builds dramatic tension around the iconic riff, and Aasthma delivers a colourful, anime-inspired take. EDM bigwig Steve Angello brings some signature oversized electro maximalism to his version.
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Review: No, silly, not that British-American rock band Foreigner, but rather Aussie electronic producer Willis Anne under his new guise. He channels a live, jam-based energy into his machine-driven sounds so that they are raw and direct, with spontaneous motion ever present. From the sweeping synth drama of 'Last Peoples' to the rhythmic complexity of 'Visible,' Anne lets ideas breathe rather than overworking them. As such, there's a clarity and directness in his sound that sets it apart and aligns it with Livity Sound's brilliantly adventurous, minimal-leaning catalogue. 'Desintegration' is our favourite with its ticking hi-hats and gloopy but dynamic low ends all topped with suspenseful, ever-shifting chords.
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FBI 004 (white vinyl 12")
Cat: FBI 004WHITE. Rel: 09 Jun 25
Review: FoxBam Inc returns with its fourth EP featuring a powerful mix of floor-shaking productions. The release includes contributions from Gez Varley, best known for his work with LFO and classic tracks like 'Quo Vardis' alongside Italian acid producer Vikkei and label founders Foxtrot and Egebamyasi. This new one opens with the acid-heavy 'Battle Scars' while Vikkei delivers the hard techno 'Hip 'n' Crack.' Egebamyasi explores bass-driven wobbly dubstep with 'Mandubchester' and Varley's 'Saturn One' brings cinematic vibes to his signature techno style. Launched in 2023, FoxBam Inc is already becoming a key player in the underground.
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Deadly Valentine (1-sided 12")
Cat: DC 324. Rel: 10 Jun 25
Review: Two new Drumcode signees from Sweden team up for the first time ever on 'Deadly Valentine', a gothic x-marks-the-spot in big-cheese techno. The first joint single outside of compilation or album formats, Giordani's flair for melodic structure and genre blur rubs against sonic streamliner Skils' skills, repurposing a vocal line Giordani stumbled on during a Spotify deep dive, and which now comes anchored by gladiate grooves and ghostly dual-language lyrics, tossing over sincerity and satire. Skils handled the initial structure, though the pair refined it across versions and sessions before locking in the final cut.
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Loxton EP (12" limited to 100 copies)
Cat: TOS 010. Rel: 16 Jun 25
Review: Sub Basics's Temple Of Sound is back with new music from Henry Greenleaf who appears under his new moniker, Greenteeth. It is a project he is clearly using to cook up smart back room minimal sounds going off this evidence: 'Loxton' is a slow motion and prowling groove but one with deep, menacing bass and nice louche percussion. 'Jungle Love' is another subversive sound with a snaking rhythm and dubby low ends, dusty hi hats and late night mischief. Last of, 'On & On & On' plays out over all of the flipside with shuffling drums that are light and airy and topped with wispy drones. It's delightfully hypnotic.
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Review: Back on his own Somov Records, Amsterdam native Ignez shares a quartet of tightly wound, emotionally-charged techno lapsers, polarising stripped-back propulsion and moments of spectral calm. Since launching the label in 2019, he's explored a range from full-bodied percussion workouts to spacious ambient drift, and this latest four-track drop continues in that mode, club-focused but spiritually canted. The release trades in memory and atmosphere, evoking the echo of shared moments rather than spelling them out: 'Satindancer' and 'Skies We Share' make literal titular allusions to fabric and atmosphere, evidencing the acuity and sensitivity of the artist to ideas of both materiality and spirituality.
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Review: Melbourne's Tim Jackiw brings a retro future vision to this latest sweaty workout on the Physical Education label. 'Manifestation' is a full singlet on, socks up, headband in place, striding forward electro jam with nice cosmic energy and 'Multi Pass' then brings wistful Detroit synth work and sleek grooves designed for heady escape. 'House Wine' keeps the deep and driving dynamic flowing with more dusty drum programming and meaningful synth work and 'Unseen Forces' then gets more raw and percussive. Last but not least, 'Taking Measures' shuts down with some reflective moods and slower tempos.
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Review: UK-New Zealand producer Keepsakes delivers five tracks that swing between industrial techno and pointed satire. 'Impossible (Eating the Sun)' opens with slamming percussion and detuned stabs, sequenced with just enough space to avoid overload. 'Bongo Funeral' leans on polyrhythmic loops and off-centre sample placement, loose but deliberate. 'Snacks at Waco' stretches into heavier territory, its low-end distortion tempered by clipped FX and a mid-tempo drag. 'Parasocially There for You' takes a slower approach, pulling from broken rhythm structures and uneasy atmospheres. Closer 'Nimby Orgy' brings the most cohesion, a locking groove underneath flickering edits and slow-filtered synth noise. The production remains dry and forceful, with few embellishments beyond structure and tone. It's not aiming for range i more a focused, well-tuned set of club tools with just enough personality to stand apart. Keepsakes keeps things loud, functional and self-aware, which feels like the point.
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Cat: SLASH 011. Rel: 20 Jun 25
in stock $17.90
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Review: Celebrating its tenth anniversary, Sofia Records distils its now well-honed sonic spirit into a powerful EP that pairs the veteran pBPM crew and rising talent Impe?rieux. Prolific Bulgarian synth wizard KiNK leads with 'Let The Bass Kink,' a raw, kinetic dancefloor banger, and KEi follows with the emotionally charged, hypnotic 'Killing God Theme,' while Tegav, which is an alias of pBPM founder Kalin Baychev, delivers 'Stomper,' a percussive and edgy groove. Impe?rieux closes the EP with 'Jarka,' a playful leftfield track pushing dance boundaries with a blend of legacy and innovation. Now a decade strong, Sofia Records marks this milestone by looking boldly ahead.
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Review: This EP is the first of a planned trilogy and it introduces Confusion is next to Happiness, a label and party series embracing total freedom to unite unique, diverse sounds, in arresting fashion. Duo Lucas Brell and Marvin Uhde, aka Kinzua, present three minimalist, richly textured tracks filled with their own haunting ambience. Their music balances intensity and transcendence, creating a trance-like atmosphere that draws you deep into the subtle modulations. The slow motion churn and distant throngs of 'First Row, Full Circle' is our favourite on what is a solid first EP.
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Review: Dublin-born, now Manchester-based, Krystal Klear returns to Running Back with six club tools steeped in nostalgic shimmer and functional bite. Known for his arpeggiated anthems and deep-dive devotion to the dancefloor, this batch hits a familiar sweet spot-melodic, muscular, and tinged with longing. 'Pancake' sets the tone with glassy synths and driving drums, while 'Hammeroid' and 'Detol Samba' veer into tougher, trippier terrain with twitchy percussion and ravey chord stabs. The italo-flavoured 'Offenbach' glows with bittersweet pads, before 'Deathlagg' and 'Celtic Samba' close in more dramatic fashion-euphoric, strange and full of motion. These aren't reinventing the formula, but they don't need to. It's dance music for dancers: unpretentious, dialled-in, and built to last until the lights come on.
… Read more in stock $15.34
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Mads House EP (maroon marbled vinyl 12")
Cat: COLORCODE 006C. Rel: 24 Jun 25
in stock $19.31
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Review: More than 20 years ago, Mark Willing & Ellis Gardner hooked up as Loft 55 and enlisted vocals from 5of9 aka Kerry Ann Willing for 1-800-Gigilo, which is one of only two EPs they ever dropped. It has become a cult classic over the years and now finding an OG copy is hard enough, let alone damned expensive. However, some mint copies have turned up, which means a lucky few will be able to cop these for a more reasonable price. 'Porn School' has bumping kicks and broken beats with taught synth stabs and sleazy vocals. 'Butterfly Lips' is deeper, warmer, a more sensuous sound for late-night back rooms.
… Read more! low stock $17.03
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Review: In the mid-90s, DJ Steve aka Pasquale and Luca Lozano, bonded over skateboarding, East Coast hip-hop giants Mobb Deep and boombox freestyles, long before clubs and synths took over. Decades later, a chance reconnection before lockdown reignited their friendship and sparked a new musical adventure. Studio sessions turned shared memories into the sonic fusion that is Closed Circuit, a raw blend of electro grit, B-boy swagger, Warp-inspired house and dusty vocoders. Roman Flugel adds his own sharp remix, while the sleeve features nostalgic photos from Lozano's early 2000s London rave days. Proper tackle, this.
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Derniere Danse Part 2 (white vinyl 12" + MP3 download code)
Cat: MKNK 02. Rel: 19 Jun 25
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