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Back in stock: All genres
All genres vinyl represses and restocks
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Live: Perpetual Change (Deluxe Edition) (2xCD + DVD with obi-strip)
Cat: MIZF 70030. Rel: 27 May 25
Progressive Rock
in stock $54.03
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Cat: AQU 012CD. Rel: 12 Jun 25
Broken Beat/Nu Jazz/Nu Soul
Review: Just three months after its predecessor was released, the second and final part of Joe Armon-Jones' epic All The Quiet album series lands in stores. Entirely written, produced and mixed by the man himself - with a few friends and high-profile guests popping up to add instruments or take to the mic - the set offers atmospheric, immersive and perfectly-pitched musical fusions rooted in his various sonic influences (think jazz, funk, soul, hip-hop and dub). Highlights are plentiful, from the deep and dreamy jazz-soul shuffle of 'Another Place' (featuring significant contributions from vocalists Greentea Peng and Wu-Lu), to the warming, dubbed-out soul of top-tier Yazmin Lacey collaboration 'One Way Traffic'.
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Swingin' At Sugar Ray's
Goin' Down
Whatever Lola Wants
Face To Face
Somethin' Strange
High 'N' Low
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Your Mother Should Know : (take 8 - 22nd-23rd Aug 1967 - Chappell Recording Studios, London Time Unknown)
I Am The Walrus : Take 17 / Bass Overdub (6th September 1967 - EMI Studio 2, London 7:00 PM - 3:00 AM)
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Review: Given that Paul "Mudd" Murphy, Ben Smith, Ursula Major and krautrock legend Holgar Czukay debuted their Bison project back in 2010, this debut album has been a long time coming. Happily, it was worth the wait. Recorded at Czukay's legendary Cologne studio and featuring mix-downs from Conrad Idjut, Travellers is a particularly dubwise trawl through hazy, krautrock-influenced disco and horizontal Balearica. By anyone's standards, it's a deliciously intergalactic concoction; a fearlessly atmospheric blend of low-slung grooves, delay-laden horns, quirky percussion, stargazing electronics and mesmerizing, eyes-wide-shut vocals. Pleasingly, this CD version also includes a pair of fine extended versions of former single "Mandy" by Mudd, of which the intoxicating Dub is particularly potent.
… Read morePlayed by: Juno Recommends CD Albums, I Love Disco!
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Cat: LLCD 1008. Rel: 09 Jun 25
Rock
in stock $7.11
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Review: William Bevan has now been operating long enough under the Burial alias to be awarded a celebratory "best of" compilation by Hyperdub, the imprint he's been releasing on since 2005. This is no ordinary retrospective, though. It deliberately ignores the celebrated early portion of his career, with the artist choosing to focus not only on tracks made and released in the last eight years, but also those tucked away on B-sides and the darker corners of his EPs. It offers a fine snapshot of the subtle evolution of his sound, quietly creeping between the hushed field recordings and glacial synthesizer lines of "Nightmarket", the intensely up-beat breakbeat madness of "Rival Dealer", the haunting, near 14-minute melancholy of "Rough Sleeper" and the future garage rush of recent single "Claustro".
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Review: While not the band's final album, there's a solid argument to be made that 1995's Worry Bomb was Carter USM's last hurrah - a top-ten set that marked the beginning of the end for the distinctive South London duo. This expanded 30th anniversary edition pairs a remastered version of the original album -which boasts typically gritty, soaring and powerful classics such as 'Young Offenders Mum', the punky 'Airplane Food/Airplane Fast Food' medley, the riotous 'Me & Mr Jones' and the introspective 'My Defeatist Attitude' - with a disc of B-sides and rarities and, most excitingly, a previously unreleased live album of their performance at the 1994 Pheonix Festival. Throw in a DVD featuring videos, Top of the Pops appearances and freshly recorded interviews, and you have an essential item for Carter fans.
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Review: Nearly half a century after The Glow Of Love lit up dancefloors from Bologna to New York, Change return with Embrace: a sleek continuation of their post-hiatus revival, carrying the modern Italo dance group's name after early designs to release it as a Tanya Michelle Smith solo project. Produced by Stefano Colombo with input from founding maestro Mauro Malavasi, who also oversaw the title and artwork, the record builds on 2018's Love 4 Love with a dozen tracks folding disco, soul, and modern boogie into a freshly polished polygon of sprightly designer disco. While just 500 copies of the vinyl edition exist, the CD edition here exists in droves, and is sure to set any missed trick right.
… Read more in stock $19.63
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in stock $13.08
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Cat: ROC 296. Rel: 19 May 25
Funk/Reissues
in stock $17.64
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Cat: TR 575CD. Rel: 09 Jun 25
Indie/Alternative
in stock $15.36
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See Them A Come: The Joe Gibbs Singles Collection (unmixed 2xCD)
Cat: DB2CD 164. Rel: 13 Jun 25
Roots/Lovers Rock
Review: This first-ever CD anthology of Culture's earliest singles captures the trio in their purest, most incendiary form. Formed in 1976 by lead singer Joseph Hill, with Albert Walker and Roy Dayes, the Jamaican group emerged under the name The African Disciples before becoming Culture and signing with Joe Gibbsione of Kingston's most revered producers. What followed was a run of revolutionary 7"s and 12"s, including the seismic 'Two Sevens Clash', whose apocalyptic prophecy shook the reggae landscape. These recordingsinow collected in full, dub sides and allichart the group's 1977 to 1981 run with Gibbs, a period widely regarded as their peak. Tracks like 'Zion Gate' and 'See Dem a Come' show their power not just as writers of militant roots reggae, but as spiritual messengers, blending dread prophecy with hypnotic riddims. Even in dub form, these versions retain urgency and weight, anchored by Hill's unshakeable vocal tone and Gibbs's rich, bass-forward production. Later work with Sonia Pottinger would push their sound further afield, but what's here is raw, righteous and definitive. Eight tracks make their CD debut, finally doing justice to an era of singles that shaped both Culture's legacy and the wider trajectory of roots reggae itself.
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Review: Robert Smith has always treated remixing less like revision, more like ritual i a habit that's followed him since his days in Crawley, West Sussex and then surfacing officially on the first Cure remix album, 1990's Mixed Up. This triple-disc release of reworkings from the band's latest LP Songs of a Lost World feels assembled with obsessive care, mapping out every possible mood lurking beneath the surface. There are club-ready flips, yes i Sally C, Danny Briottet and Gregor Tresher all push the rhythm forward i but they sit beside glacial pieces that feel more like haunted sketches than reworks. Mura Masa's take on 'All I Ever Am' is disintegrated almost beyond recognition, its vocal a flickering memory. Mogwai's 'Endsong' feels like the end of the world in slow motion. Even Chino Moreno turns in something striking i 'WarSong' morphs into a sludgy howl with heat-warped edges. But it's the sequencing that surprises: these aren't bolted together, but grouped in arcs, as though Smith were arranging the bones of an old idea into something still alive. Four Tet's version of 'Alone' is a high point i deeply textured but featherlight. Like all The Cure's output, what really matters is the feeling of being drawn somewhere, and Smith's hand never letting go.
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101 (Deluxe Edition) (limited 2xCD + 2xDVD + Blu-ray box set + poster + booklets + MP3 download code)
Cat: 194399 02039. Rel: 03 Dec 21
Coldwave/Synth
Depeche Mode - 101 (DVD1)
Depeche Mode - 101 (DVD2)
Depeche Mode - 101 (Blu-Ray)
in stock $109.19
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Cat: LHC 023. Rel: 01 Jan 90
Psych/Garage Rock
in stock $23.31
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Cat: CDMH 8310. Rel: 23 May 25
Soundtracks
in stock $15.36
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Review: Brian Eno and Beatie Wolfe join forces on a dual release infusing two distinct musical visions rooted in shared environmental concern. Their new joint release unfolds across two sides, with Luminal offering a vocal-led collection leaning into alt-pop ambiances and timbres, before Lateral rears itself in counterpart as a seamless ambient composition, making up a study in contrast and connection. Recorded in London, the project reflects Eno's lifelong exploration of mood and atmosphere, alongside Wolfe's ongoing push to blur the lines of digital innovation and tactile experience. The project builds the activist art works of Wolfe, a British-American concept artist based in Los Angeles, named by WIRED as one of "22 people changing the world," and tracks the expression of music beyond language or form.
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Discovery (CD1: Time & Bass)
Kinetic Pioneers
Spirit Catcher
I Want To Believe
Shake The Ghost
Carla's Dream
Bad Joss
The Journey
Journey's End (Polyphony)
Conditions For Living (CD2: Conditions For Living)
33:45
Remote Viewing
Omerta
7 Year Hex
Praha
Karma
Exit Rush
Moog Rd
Conditioned For Living
Sonic Drift (CD3: singles & bonus tracks)
Voodoo Sound
Strange Fever
Discovery (Lo-fi dub)
Karma (Click & Cycle mix)
Remote Viewing (Future Engineers mix)
Arizona Sky Sky
Darwin Sound
Shake The Ghost (live version)
in stock $63.69
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Playing The Fool: The Complete Live Experience (2xCD in hard-back book sleeve)
Cat: ALUGG 087. Rel: 22 May 25
Progressive Rock
in stock $26.73
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Cat: ECLEC 22904. Rel: 29 May 25
Progressive Rock
in stock $15.07
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