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Four Weeks: All Genres

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Items 1 to 12 of 12 on page 1 of 1
Captured Through Time (hardback book + prints)
Cat: 734105 Rel: 04 Jun 19
 
Limited hardback book featuring over 100 images of Pink Floyd + 3 photo prints
Notes: Spanning more than half a century Pink Floyd has rightly earned its place as one of the greatest rock bands of all time. From the early, experimental and often whimsical days with band leader Syd Barrett to the more expansive style with Dave Gilmour onboard, leading to the masterpiece Dark Side Of The Moon that elevated Floyd into the stratosphere. But success came at a price as personal relationships suffered, culminating in break-ups as eventually Roger Waters departed. But stadiums and huge arenas continued to welcome Floyd through the eighties and nineties with a brief reunion with Waters for 2005's Live 8 event.

Captured Through Time is a photographic celebration of this truly iconic band that takes you on a journey from the psychedelic, avant-garde sixties to the present day including off stage shots of all band members during the 2000s including Syd Barrett!

Many of the photos have never been published in print before, including a sequence of shots from the Animals tour in 1977 that have only just been developed from the original negatives and digitally restored for this publication.

In total, over 100 glorious images of Floyd both on and off stage through the decades are included in this large format hardback book. Housed in a bespoke, custom-made, buckram presentation box with holographic block foil, it also includes 3 prints, ideal for framing and is strictly limited to 500 worldwide.

Hardback: 297 x 210 mm, 128pp, in a custom-made, holographic block foil presentation case with a set of 3 prints.
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 2 in stock $81.44
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Cat: 735368 Rel: 11 Jun 19
 
Compact mixer with USB/Bluetooth
Notes: Compact format audio mixer with 2 mono input channels and a stereo line input. Each mono channel has a combo XLR/jack input with individually switchable mic/instrument impedance and +48V phantom power for the XLR. Input channels have High/Low EQ and Pan controls and mono channels also have Effects level to vary the amount of internal digital delay effect added for vocals or instruments. An internal player/recorder with backlit display can accept a USB memory stick containing compressed audio files in various formats or alternatively connect to a smart phone via Bluetooth for wireless link. Output is delivered on a pair of balanced XLR connectors and offers very low noise operation for high quality studio or live performances.
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 2 in stock $65.47
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Cat: 735370 Rel: 11 Jun 19
 
Compact mixer with USB/Bluetooth
Notes: Compact format audio mixer with 4 mono input channels and a stereo line input. Each mono channel has a combo XLR/jack input with individually switchable mic/instrument impedance and +48V phantom power for the XLR. Input channels have High/Low EQ and Pan controls and mono channels also have Effects level to vary the amount of internal digital delay effect added for vocals or instruments. An internal player/recorder with backlit display can accept a USB memory stick containing compressed audio files in various formats or alternatively connect to a smart phone via Bluetooth for wireless link. Output is delivered on a pair of balanced XLR connectors and offers very low noise operation for high quality studio or live performances.
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 2 in stock $80.92
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Cat: 577753 Rel: 06 Jun 19
 
12dB multi-mode filter - 8HP
Notes: Module A-106-5 is a 12dB multimode filter that is based on the filter circuit of the Oberheim SEM module.

The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates.

The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

The module generates a distorted audio signal if the level control is set to about 50% (i.e. centre position) or more with A-100 standard signals like VCOs.
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 2 in stock $78.26
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Cat: 731938 Rel: 10 Jun 19
 
Noise/random generator - 4HP
Notes: Module A-118-2 is the slim version of module A-118-1 and offers essentially the same features as the A-118-1. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-118-1. The module is primarily planned for applications where only limited space is available. The functional difference between A-118-1 and A-118-2 is the additional T&H/S&H unit which is not included in the A-118-1.

The module generates the signals white noise, coloured noise, continuous random voltage and stepped random voltage (derived from the continuous random voltage by means of a S&H/T&H unit).

The noise signal is generated 100% analogue by amplification of the noise of a transistor. White and coloured noise are usually used as audio sources. The random voltages are normally used as control voltages (e.g. for filter frequency or any other voltage controlled parameter).

The A-118-2 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the coloured noise output.

For the continuous random voltage the rate of change (Rate) and amplitude (Level) of the random voltage can be adjusted. The continuous random voltage is derived from the coloured noise signal by low pass filtering. Consequently the settings of the controls for the coloured noise (Blue, Red) affect the behaviour of the random voltage! A dual colour LED (red = positive / yellow = negative output voltage) indicates the continuous random voltage.

The continuous random voltage is used as source for the S&H/T&H unit. The type of operation can be set to S&H (sample and hold) or T&H (track and hold). When T&H is chosen the output signal follows the input signal (= continuous random voltage) as long as the Clock input is "high". As soon as the clock signal changes to "low" the last voltage is stored. When S&H is chosen the input signal (= continuous random voltage) is sampled at the rising edge of the Clock signal.

For the Clock signal a "digital" signal (e.g. Clock, Gate, rectangle output of an LFO) is required. It does not work with slowly changing continuous CV signals. Another dual colour LED (red = positive / yellow = negative output voltage) indicates the stepped random voltage.
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 2 in stock $79.32
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Cat: 731940 Rel: 11 Jun 19
 
Compact two-channel VCA - 4HP
Notes: Module A-130-2 is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

The module is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

- Gain: manual gain control (Initial Gain) in the range 0...1
- CV: attenuator for the CV input
- Lin/Exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)

Inputs and outputs (for each of both units):

- CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
- In: signal input, max. 16Vpp (+8V...-8V) without distortion
- Out: signal output
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 1 in stock $79.32
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quote 731940
Cat: 731951 Rel: 11 Jun 19
 
Quad passive switch - 4HP
Notes: A-182-2 is a simple passive module that contains four changeover switches, which are used to connect or disconnect the sockets of the corresponding socket triplet:

- In the upper position of the switch the upper socket of the corresponding socket triplet is connected to the centre socket
- In the lower position of the switch the lower socket of the corresponding socket triplet is connected to the centre socket
- In the centre position of the switch the sockets are not connected

Each unit of the module can be used to switch between two signals or to interrupt/connect a signal. In the last case the third socket of the triplet is not used.

The module is fully passive and both audio or control signals can be switched.
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 1 in stock $68.74
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quote 731951
Cat: 577762 Rel: 06 Jun 19
 
4 channel mixer - 8HP
Notes: Module A-138 is a four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator, and there's a master attenuator, so that the mixer can be used at the end of the audio chain - i.e. it can be used to interface directly with an external mixer, amplifier, etc.

The A-138a version features potentiometers with linear response, so especially suitable for control voltage mixing.
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 1 in stock $56.05
Cat: 577792 Rel: 06 Jun 19
 
Electronic switch with up to four steps - 4HP
Notes: Module A-151 (Quad Sequential Switch) is like an electronic four-position rotary switch.

It includes trigger and reset inputs, four in / outputs, and a common out / input. Each time a pulse is received at the trigger input socket, the common out / input is connected to the next in / output. After the fourth in / output, the next trigger makes it step back to the first again, and so on. A positive pulse at the reset input switches the out / input immediately back to the first in / output (see Fig. 1). Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Four LEDs indicate the active in / output (i.e. the on that is connected to the out / input at any particular time).
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 1 in stock $56.05
Cat: 720431 Rel: 28 May 19
 
MIDI interface for the TRAX! sequencer - 3HP
Notes: The MIDI BUS was designed to be a MIDI interface for the Eurorack system, and more specifically to offer MIDI inputs and outputs for the TRAX performance sequencer.

This device provides opto-isolation of the MIDI input and buffers all MIDI signals.

The MIDI BUS provides MIDI IN/OUT/THRU inputs and outputs on 3.5mm TRS jacks. Three 3.5mm to 5-pin DIN MIDI cables are included with each MIDI BUS product. These MIDI cables conform to the TRS MIDI B Spec Class, currently supported by Arturia, Novation, and 1010 Music devices.

The MIDI BUS uses the power bus cable to receive and transmit MIDI at the +3.3 volt standard. In order to do this, the MIDI BUS repurposes what the Eurorack standard defines as the INT GATE line of the power bus for MIDI IN signals, and the INT CV line of the power bus for MIDI OUT signals.

To prevent conflicts with other signals that may be using these lines of the power bus, we recommend using the special MIDI BUS power cable provided with this unit, or our optional Flying Bus power cable when using the MIDI BUS with the TRAX product or any other products using this new MIDI standard.

The MIDI BUS power cable that is provided with your MIDI BUS will allow only a single device in your system to send and transmit MIDI.

The optional Flying Bus power cable allows multiple modules connected to this cable to share MIDI data with one another and also receive the proper power from the system, without connecting MIDI signals to other modules in your system.
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 1 in stock $68.74
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quote 720431
Cat: 731217 Rel: 18 Jun 19
 
Expander for Quad Operator's algorithm functionality - 4HP
Notes: Where the unexpanded Quad Operator maintains a one knob per function design discipline, we nevertheless recognized the value of some more advanced algorithm-oriented functionality.

The Algo expander for the Quad Operator provides:

- Saving and loading of modulation send knob positions for FM algorithm design reuse

- Crossfade between pairs of saved algorithms, or a saved algorithm and the live knob positions
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 2 in stock $97.30
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quote 731217
Full Circle (4xLP)
Cat: INFRALTDLP 001. Rel: 01 Jun 19
Drum And Bass
  1. Serenity (6:34)
  2. Hold You (4:33)
  3. Meridian (5:41)
  4. Red Moon (6:20)
  5. Escape From Lando (feat Sense) (6:16)
  6. Point Of Return (5:13)
  7. The Crow Knows (5:00)
  8. Codebreaker (5:51)
  9. Full Circle (6:32)
  10. Eclipse (5:50)
Review: While he may have released a multitude of singles since making his debut on Metalheadz way back in 1995, "Full Circle" is only James Spratling AKA J Majik's second album (his debut full-length, "Slow Motion", was released in 1997). It's a fitting title, all told, because the majority of the ten tracks on offer recall the kind of punchy-but-dreamy jungle/early D&B fusion that marked out Spratling's earliest releases. That means a succession of killer cuts that wrap deep space chords, ambient synths and heady electronic melodies around bustling, jungle style breakbeats and booming, mind-altering basslines. It's a giddy, unashamed blast from the past, but one that's certainly in keeping with the D&B scene's current wave of misty-eyed nostalgia.
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Played by: Soul Intent
 in stock $52.88
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