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Back catalogue: Minimal House/Tech House
Juno's full catalogue of Minimal House/Tech House
单曲
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Review: With nearly 20 releases under his belt, this seasoned German producer delivers a strong techno EP that fluidly bridges multiple styles while maintaining a cohesive, forward-facing vision. Drawing from techno, tech house, electroclash and even breakbeat house, the EP moves with confidence and a subtle experimental streak. 'Klobb' starts with a sleek and sleazy futuristic edge. Its dark, pulsing rhythm and eerie melody create a fun-but-serious mood. 'You're Slipping Away' follows, diving deep into EBM and darkwave-inflected territory. It's a relentless and commanding track. 'Hush' flips the energy on its head, a welcome slowdown that leans into downtempo vibes. The B-side has 'Am I Making Sense', a bold techno cut with pristine sound design and a sense of urgency. It's big and atmospheric, with drums that punch through the mix cleanly. The EP closes on 'Rana Temporaria', a track that combines dynamic groove work with melodic tension and a slightly edgy twist. An ideal closer for a set or a record that resists easy categorisation. A confident, genre-fluid EP with some versatility too.
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Review: Wiremu popped up back in 2018 on Pathway Traxx, and now the wriggly minimal upstart is back with another crafty workout for those who like their stripped-down club gear a bit on the wonky side. 'The Subtle Hustle' has a springy, playful funkiness which calls to mind the mid-00s era of labels like Trimsound and Minibar, where there was space for a little jazziness in the miniscule samples darting around the drums. It's a quality which follows through the whole of this standout EP, which is teeming with detail and soul in equal measure.
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Review: All we really know about this one is that The Wolf is an artist based in Berlin. He has started his own label here to serve up his latest studio concoctions and this first one is all about slamming minimal cuts. All of them are untitled in true underground minimal fashion, of course and the first one pairs rickety lines with under-lapping bass and dreamy chords. The second one heads to the stars with Detroit style pads smeared about the mix over punchy but stripped back rubber kick patterns and last of all is a more thumping deep house groove with more liquid pad work and a sense of serenity.
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Tia (reissue) (limited 180 gram purple vinyl 12")
Cat: RV 04P. Rel: 06 Jun 25
in stock $17.67
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Review: In the formative years of his career in the late 1990s and early 2000s, Ricardo Villalobos frequently utilised a handful of alternative production aliases - first Minta Spacew (one EP way back in 1993) and then more frequently Richard Wolfsdorf. Tia, first released way back in 2000, was the Chilean minimal maestro's second outing under that alias and has become a sought-after EP in recent times - hence this Rawwax reissue. A-side 'Echt Rot' is typically Playhouse-era Villalobos, with cut-up vocalisations, odd noises and spaced-out electronic snippets riding a crunchy minimal-house beat and looped, mind-mangling TB-303 bassline. Title track 'Tia' features simmering orchestral samples clustering around a typically wonky, stripped-back beat, while 'Feurwasser' sounds like the blueprint for many of his later minimal techno workouts.
… Read morePlayed by: James Reid, Juno Recommends Minimal Tech
in stock $16.54
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Review: Teddy Wong takes charge with his second outing on Hot Creations with 'Mueve Los Dos Pies'. Hailing from Los Angeles and shaped by the vibrant sounds of Mexicali, Wong has turned heads over recent years; after a successful label debut last year in collaboration with Andre Salmon and Jorge Andrade, November now welcomes this second outing on Hot Creations; 'Mueve Los Dos Pies' seamlessly blends energetic, rave-ready beats with a low-slung arrangement, followed by 'The Man Who Travelled In Time' which heads into late night territories with sonic stabs and alluring echoes for a hypnotic trip. Closing out is 'Believe In Yourself', combining playful vocal loops and vibrant percussion over a funky bassline.
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Review: While their output has understandably become less frequent in recent years, Kyiv-based Artreform continues to do its best to showcase a new generation of Ukrainian producers. Label boss JOSS is at it again here, offering up a debut EP from previously unheard local talent Wonkie. In its' original form, 'I Meet Somebody' is a ten-minute slab of mind-mangling tech-house complete with fizzing TB-303 motifs, ghostly pads, distant-sounding melodies and deep, evocative bass. Kyiv scene stalwart Io Mulen remixes, wrapping choice elements of Wonkie's original around a shuffling, breakbeat-goes-tech-house beat. Turn to the flip for something rather unusual (but pleasingly good) - a stretched-out tec-house interpretation of Mike Oldfield's 'Tubular Bells', where flashes of the famous melody bob and weave around weighty bass, trippy electronics and crunchy beats.
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Review: The Worm burrows deep with this evocative new outing on Deep Cub label, which continues to turn plenty of heads before it has even got to release number 10. '12 Days Of Squirm' is dubby, mid tempo and slow motion techno for early evening warm ups. 'Lisa' brings a more cid laced and percolating sound to up the energy levels and '808 Verb Talk' is darker, more heavy, with bright acid leaving a menacing mood in its wake. 'Pytch1' is another deft and atmospheric wedge of slow, purposeful techno.
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Review: The second release on X Files. This waxy, splattered green and black 12' features 'two extremely dangerous peak time recordings that have been causing destruction on dancefloors the world over.' On the A-side, there's some proper heads down tackle in the form of bass-driven minimal cut 'Txxic' which samples a particular pop princess' hit track - guess which one? Over on the flip, the Rominimal vibes continue, well into the afterhours of course, on druggy microhouse cut 'Itta'. Tip!
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Sol Inspired (180 gram vinyl 12" limited to 200 copies)
Cat: REDDC 002. Rel: 07 Dec 23
in stock $18.78
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Review: Five years in, are we any closer to working out who exactly is behind Yama Music? All we know for sure is they deal in reductionist grooves with one eye on the Berlin after hours scene, and beyond that it's all down to the music. The eighth drop in the series deals in some absolute gold, leading in with the freaky, finely chiseled beat track 'Monomeros' which sounds like it was carved from a huge tree stump and set to work propping up the dancefloor. 'Oddies' meanwhile deals in smudged and surreal sounds from the outer edges of minimal house, with some cheeky synth flex adding some colour in between cloudy pads in the middle distance and plenty of dirt on the drums. 'Hide & Seq' slips into something slinkier as a comparatively crisp, bouncing beat worms its way into your subconscious accompanied by faint wisps of late morning melodies - true magic for discerning heads at the roll-on.
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Review: Yamen & EDA return after two years with a five-track offering that pushes minimalist house to its most refined form. The 'Giseigo EP' opens with 'Possibly Possible', a buoyant yet minimal track that relies on its sharp synth work and punchy rhythm to set a forward-driving tone. It's upbeat, understated, and perfectly designed to get the feet moving without needing too many layers. Then comes 'Technologie Tropicale', a funkier number, cleverly stitched together with playful sound clusters and effects that give it a quirky, infectious energy. It's a groove-heavy selection that feels tailor-made for those laid-back but still energetic sets, where simplicity wins over complexity. Flip to the B-side and 'Tournure 2000' delivers a soft, soothing melody. The beauty here is in its restraint, with just the right balance of elements to keep it light and breezy while still anchoring itself in the groove. This one's all about feel - simple yet captivating. 'Mickey Mousse' is the heavyweight of the release, with its chugging bassline and direct appeal to the dancefloor. It's a bass-driven force that stands firm without feeling overbearing. Wrapping it up is 'Clicker Of The Year', where funky basslines meet acid undertones, creating a track that plays with texture and depth without ever losing its cool. There's a laser focus on keeping things stripped-back, yet each track is detailed enough to hold its own. For anyone dialled into the nuances of minimal house, this EP has all the subtle power needed to carry a dancefloor without ever showing off.
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Review: Lviv native Yaroslav M helps Chat Noir launch its newest V/A series in full force, bringing four acid house vinyl slab-segments to their so far alkaline, and thus wanting, repertoire. Somewhere in the gap between dark tech house and new-beatific trance come 'Hit It' and 'Affairs', whilst the anime namesake 'Champloo' is a comparatively bleepy one, easing up on the human side of things, and letting the automatons run their course, by way of more arpeggiations and cyberspatial FX. Finally, 'Things Between' rounds things off on a dark acidic prance-off.
… Read morePlayed by: DJ Mau Mau
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Review: Yatut's Vahue EP on Minor Notes Recordings is a nostalgic journey through early 90s techno and breakbeats, capturing the essence of a vibrant era. Side-1 opens with 'Vitamin,' delivering a classic UK techno sound that transports listeners back to the golden age of rave culture. Its pulsating beats and retro vibes set the tone perfectly. Following this, 'Learn The Code' continues the homage with melodic techno reminiscent of early 90s UK scenes, blending harmonious layers with driving rhythms. Side-2 begins with 'Natural,' a standout track that fuses early 80s electro rhythms with rave elements. This unusual combination works remarkably well, creating a unique and engaging soundscape. The EP closes with 'Yokamon,' an uptempo house track interwoven with breakbeats. Its sweeping, breezy melody makes it a perfect end-of-the-night anthem, leaving listeners on a high note. Vahue EP showcases Yatut's skill in blending nostalgic influences with modern production, making this a gem for fans of classic techno and breakbeats.
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Review: TRMNL takes you to the end of the line once more with a barrage of high impact tech house from Yaya. Title cut 'Para Siempre' opens up this red slab of wax with irresistibly fulsome and bouncy kick drums under raw perc. 'Umbrella Corps' is another funky thumper with a smattering of congas and toms tumbling down loosely up top. It's a sweat inducing cut that will lock in any hungry crowd. On the flip is a tightly coiled and bubbly Fabe remix that is full of liquid synths and elastic bass and a Vito remix of 'Umbrella Corps' that is prickly, and kinetic future tech.
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Review: Martin Muller originally dropped PPPPP as a 12" on Rhythm Cult back in 2016, as youANDme was hitting a level of omnipresence in the tech house sphere. The track was always destined to be a hit, making great use of an iconic Loletta Holloway sample and strapping it to a more modern kind of club cut. Now that record is being revisited with this remix package, featuring one of the original 'Diva' mixes backed up by versions from certified legends Ian Pooley, Cinthie and Yotam Avni. With these kinds of ingredients, each version is a surefire crowdpleaser which ever particular slant you're craving, with enough production heft to move a big room as much as a basement club.
… Read morePlayed by: Carlos Nilmmns, Evan Michael
in stock $16.25
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Healing Paradox EP (black marbled vinyl 12")
Cat: DOD 888. Rel: 13 Jul 23
Review: Young Adults hails from The Hague and is a dizzyingly good new talent with a sound that blends breaks, and electro, techno and house into something that has been sent back from the future to make you dance. 'Healing Paradox' is an irresistible one to start - silky neon synths and scurrying bass with kinetic drum kicks. 'Gabagabagool' gets more twisted with its rumbling drums and warped leads while the David Motor City rework of 'Healing Paradox' ups the ante and is constantly shifting. The epic eight minute closer 'Therapeutic Tool' is a gargling, gurgling mix of gritty synths and raw snare patterns that never lets you settle.
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WITNESS 07 (12")
Cat: WITNESS 07. Rel: 27 Mar 25
Review: One Eye Witness rounds up another four acts for their periodic V/A series, spewing forth four breaks-driven whooshers crossing into progressive techno territory. The Hague duo Young Adults nod to a 1997 Loveparade anthem with 'It's Only Temporary', while breaks and kick implants converge on Christopher Ledger's 'Change That', a track which sounds like the starting firings of an interplanetary expedition pod after years of disuse. Joely brings cosmic chug on the cocooning B1 'Transitional', while the Samesame closer 'Novel End' is just that, traversing a noxious atmosphere with a flexoskeletal electro beat.
… Read morePlayed by: Alexis Le-Tan
in stock $15.14
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Review: Since 2016, Italian producer Younger Than Me has been a rising force with an ever-growing fan base after releasing on top labels like Bordello a Parigi, Tusk Wax and Dischi Autunno. He is someone who blends trance, breakbeat, techno, and progressive house in his own unique way and that has earned him widespread recognition alongside sets at venues like Berghain and Hor Berlin. His latest EP comes on Skylax and features six tracks including collaborations with Kiara Scuro on 'Ghost in the Rave' and remixes by Mahkina and G?eg. This is another great window into his genre-defying sounds.
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Review: Lo Fidelity Music is back with more high-quality tuneage. This time it is the Rave Invaders series helmed by Lennard Ypma that gets us dancing with a bonkers mix of brilliance including a remix from the unique mind of Legowelt. His take on 'Wolf Men' is spaced-out house music with a midpoint morph that brings on utter carnage. It's a heavy weapon to keep up your sleeve, for sure. Elsewhere there is serrated acid madness on '818313', caustic cosmic stompers like 'Matig Modern' and electro acid vibes on 'Wolf Men.' A fierce collection of fresh electro, for sure.
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Review: .Zurich has a small but well formed scene that now bears fruit in the form of this new label, alt?r:alt?r. Zefzeed takes the reins of the first sonic statement with four tracks of sophisticated and deep house and tech. 'A Well Watered Fern' is brain cleansingly smooth with buffed metal synths and liquid grooves. There is a darker minimal march to 'Save The Day' that reminds of Melchior and a sweaty pump to 'Farm That Face' that makes it a standout. 'Fishbed Touring' swings low with tripped-out designs and melted synths.
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Review: Zendid takes the reins of this Romanian label's talents and shows plenty of studio guile and versatility. There's a nice breezy quality to opener 'Fradpause' thanks to the way the pads swirl around so expansively while the nice mid-tempo drums move onwards. 'Panama Panthers' then ups the ante a little more pressure in the drums but still a nice heady feel to the roomy pads. Last but not least, 'Nature Peinture' takes on a menacing edge with the snippets of vocals that pan about the mix amongst eerie pads and groaning sound effects. Splendid, or should we say Zendid, stuff.
… Read morePlayed by: Juno Recommends Minimal Tech
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Review: ZKY who minimal fans will know as one half of Cab Drivers now finds himself on fine French label Phonogramme with a new EP that offers up his lovely and warm analogue house jams. 'Love Train' kicks off with a nagging, wobbly baseline between silvery drum loops and fleshy bass. 'Instant Delight' has the sort of synths that bring to mind deep Detroit techno and they're paired with over sized hi hats and a serene sense of futurism. Last of all is the most playful - 'Punky Music' with James Brown samples, smeared chords and steamy vocals.
… Read morePlayed by: Marcelo Tavares(Deep Space Podcast)
in stock $17.39
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Review: Relative but strong newcomer ZKY, lands their New Standards EP on the fantastic French label Bass Culture. The EP includes four house standouts that are reminding us of gems that you would find on Nu Groove or Strictly Rhythm. 'Zycho' is a spirited tech house track that is as exciting as it is deep while 'Floating Phonk' adds a robotic funk to the mixture of deep and fun dance music. For the second side, 'Sonar Train' is a more futuristic ride that becomes an addictive workout quickly. 'Feeling RG' wraps up the EP on a soulful mood with this strong end of the nighter. ZKY is making waves in the scene and should be a producer we can look forward to hearing more from. We really like these mid 90s house sounds - not to be overlooked.
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Review: Zon Records has released music digitally before, though this is the first time the wilfully eclectic Belgian label - and the producers behind the label, also called Zon - has made it onto wax. As vinyl debuts go, it's pretty good. They set their stall out with title track 'Keys For Days', a warming and sun-splashed slab of tech-tinged deep house peppered with warming chords, jazzy synth-bass and subtle TB-303 motifs, before diving into deeper, more immersive territory on the gorgeous, sunrise-ready 'Spring Break' (featuring vocalisations from Lotte Sarembe). Over on the reverse, 'Upon Us' is an analogue-rich chunk of deep tech-house, while Ukrainian producer Kirik's remix of the same track is a far more bass-heavy, tactile and otherworldly affair.
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Review: Zoo Brazil follows up the digital release of 'Stand Alone' with a fresh new wax edition on Housewax. Bringing together spitting snares, illiquid FM basses and shimmyingly panned plucks, 'Faceless' moves like a cyclical upward ascent to heaven, yet the movement is still towards a set of pearly gates that we can never quite reach. Then comes the spiritually dragged disco-drive of 'It's You', which assures us of our importance as we gaze into a future soothsaying font, the track's asynchronous voice calling out to us from without. Finally, 'The Night' brings an ultra-clip-distorted experiment to our ears, in true curveball fashion, an unusual bucking of the trends of the minimal techno world.
… Read morePlayed by: Robert Drewek
in stock $15.99
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Review: PMLD Records describe Zorak as a 'ghost producer', though what they exactly mean by this is up in the air. But this, of course, lends to the mystery. Does Zorak work nights as a hack hand for stadium-packing EDM artists, or are they (the likelier scenario) simply an enigmatic name on the much vaunted international disco edits scene? Whatever the case, we buy the hype. Our psychic investment is certainly helped along by the content of this slick blue-vinyl variety-hour; A-sider 'Jackie' channels a dubby boogie-house temperament, risers and eighthy vocal gates aplenty, while 'Mystery' pulls no punches in working the odd amen break hit between each kick and clap.
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专辑
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Review: Carebears have been issuing sublime, deep diving 4/4 gear for some five years on their self-titled label now. The quality richens with every release, and now they're notching up a drop on Irenic which takes things even further out to sea with the gorgeously hypnotic 'Auri'. The beat is steady, shuffling but overall subtle, while the pads have a barely-there quality which actually draws you deeper into the track. By way of contrast 'Tame' lets the beats bounce a little further forwards in the mix, but overall this is still stealth mode tech house for those who favour the deeper path.
… Read more in stock $15.42
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Review: Amsterdam-based record label and community Pintai returns with a deeply textured EP from local producer and live artist Hame, who's adept at blending emotional depth with dancefloor energy. Here he delivers a more club-focused offering packed with rich pads, driving grooves and warm low-end textures. The EP opens with the dreamy 'Dear Sammy' followed by the dub-inflected title track 'Set Me Free.' On the B-side, 'Love Touch' explores hazier, deeper terrain while 'Take Your Time' closes with swirling synths, organic percussion and a hypnotic arpeggiated bassline. It's a cohesive and atmospheric release designed for immersive dancefloor moments that once again shows Pintai is one to watch.
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Review: Known for his hypnotic dance music, Southern Italy's Lomonte delivers three tracks rich in deep disco soul and tinged with a psychedelic shimmerisounds that have already caught the attention of dancefloor icons like Ricardo Villalobos. Attitude Records is his new label and the 'Attitudes' EP, a record that sidesteps passing trends in favour of crafting music with true staying power is it's first release. Opening the Side-A, the title track 'Attitudes' highlights Lomonte's remarkable touch for layering dynamic, textured rhythms into a groove that unfolds naturally, pulling the listener deeper with every bar. Over on the Side-B, 'Can't Get Enough' and 'Summer Vibes' reflect his talent for channeling uplifting moods without ever losing the music's subtle complexity. Rather than chasing ephemeral sounds, Lomonte commits to an honest emotional resonanceihis work feels timeless, not tied to any particular moment or movement. With nearly 20 EPs already under his belt, he demonstrates here why he's become such a respected name: each track glows with warmth, soul and an understated finesse.
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Review: It has been some years now since Nail came back from the wilderness after one of his early EPs was re-released by Fear of Flying. Since then he has turned out plenty of new material as well as digging deep into his vast and vital vaults to serve up the sort of lo-fi but kicking house sounds that made him and his Nottingham crew such a driving force back in the 90s. And that's what we get here on For Those That Knoe - no fewer than eight masterfully stripped-back cuts of deep house. Some are laced with dreamy melodies, some roll deep for days, some are raw and textured pumpers and some are jazzed-up bangers with charm to spare. Essential stuff.
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CBLVA 001 (12")
Cat: CBLVA 001. Rel: 14 Apr 25
Review: Cabale Records is a Parisian label that has, for the last few years been exploring the minimal techno world. It now branches out with its first various artist release featuring some tasteful tune makers starting with Pheek. He brings some loose percussive energy and wonky drum funk to his opener then Mod303 layers in dreamy and immersive pad work to deft, subtle drums on 'Paris City Zoo.' Night No Tori Vs Hubble keeps it deep and dubby with the late-night introspection of 'Deja Vu' then Sten's 'Slope' is a trippy afterhours sound with tumbling synth smears and percolating dub tech beats.
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