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Notes: The new ADDAC220 Dual Envelope Follower + is ADDAC's latest stereo envelope follower, which can generate CV from two simultaneous envelopes, enabling the user to control any range of other instrument/module parameters. The module is an analog/digital hybrid, allowing greater precision and analysis of an incoming signal.

The level of an incoming audio signal gain can be set by using the Gain control. Then, the signal is then fully rectified and passed through an analog envelope follower with a fixed short attack and decay. The analog signal is then sent into a 12bit ADC (analog to digital converter) of an MCU (microcontroller unit), and hereafter the signal is processed digitally. Whenever the ADC detects audio clipping the Clip led will light up.

Then, the digitized signal is then passed through a Savitsky-Golay filter for noise reduction smoothing of the incoming signal, before it is slewed using the Attack and Decay controls. The MCU keeps a history of the last sampling points and detects the minimum and maximum values, which reflect the current dynamic range and maps the signal minimum and maximum amplitude to 0V and the maximum voltage detected.

This new mapped signal is then processed via the Response Curve control balacing the response like one would with a standard AD envelope with LOG/EXP control. The Envelope Gain attenuverter control goes up to x2 amplification and sets the attenuation / amplification factor of the output range, while the red LED monitors this level with precise visualization across the full output range

Notes: ADDAC released their first DMX output module ADDAC008 back in 2010 as part of the ADDAC001 VCC Series, now here's an updated solution to cover all DMX needs straight from your Eurorack frame in a simple fully configurable and versatile system.

Together with the ADDAC220 Dual Envelope Follower+ & ADDAC607 Crossover it becomes quite easy to create a system for sound to light reaction using both audio amplitude and spectrum translation. Such a system features "no" latency when compared to a digital implementation as all amplitude detection and spectrum separation is done in the analogue realm.

The 13 CV inputs can be assigned to any of the 512 DMX channels using the configuration webpage using Google Chrome:

http://media.addacsystem.com/ADDAC223

There are 30 Slots for 30 different assigns each assigns defines a CV Input and a DMX channel. CV inputs can be assigned to different DMX channels

Check the User's Guide for a more in depth description.

MIDI to DMX512

When connected to a computer MIDI can be sent to directly to the DMX Network via the module.

Sending a CC message on any of the first 4 MIDI channels will control any of the DMX 512 channels.

The DMX value will be the CC Value * 2 (as MIDI resolution is 0/127 and DMX is 0/255)

MIDI CHANNEL 1 > CC 0 to 127 --> DMX CHANNEL 1 to 128
MIDI CHANNEL 2 > CC 0 to 127 --> DMX CHANNEL 129 to 256
MIDI CHANNEL 3 > CC 0 to 127 --> DMX CHANNEL 257 to 384
MIDI CHANNEL 4 > CC 0 to 127 --> DMX CHANNEL 385 to 512

This allows for precise control of any DMX fixture in the network straight from your favorite DAW and sequence any fixture's functions just like any other midi device.
Use MAX, Pure Data, Processing, Python and these can be generated, randomized....

Make sure not to overlap DMX channels that are being controlled over MIDI and over CV.

Tech Specs:

20HP
4.5cm deep
80mA +12V
80mA -12V

Notes: Fully featured audio mixer with 6, 8, or 10 mono input channels, 2 stereo line inputs, stereo Aux input and a further minijack stereo input. Each mono mic/line channel has a combo XLR/jack input with +48V phantom power switchable in pairs for the XLR inputs. Each mic/line channel has a Gain control for matching the input source and a low-cut switch to filter out rumble or handling noise from microphones. Each mono channel also has High/Mid/Low EQ controls, Aux out level, FX level, Pan control and a 60mm channel fader.

The onboard foot-switchable DSP effects engine has 99 presets for delay, reverb and modulation effects, each of which can be adjusted using two parameter controls. An onboard Bluetooth receiver has an illuminated pairing button and independent volume control.

The USB type-A port on the top panel is for playback of audio files or can be used to record the main outputs to a USB storage device or as an external audio device when connected to a laptop. Main output is served by left & right XLR, in addition to 6.3mm monitor and headphone outputs and the Aux send & stereo return loop. The CMC-series is a comprehensively equipped mixing console for live sound engineers, project studios, and entertainment venue installations.

Notes: Fully featured audio mixer with 6, 8, or 10 mono input channels, 2 stereo line inputs, stereo Aux input and a further minijack stereo input. Each mono mic/line channel has a combo XLR/jack input with +48V phantom power switchable in pairs for the XLR inputs. Each mic/line channel has a Gain control for matching the input source and a low-cut switch to filter out rumble or handling noise from microphones. Each mono channel also has High/Mid/Low EQ controls, Aux out level, FX level, Pan control and a 60mm channel fader.

The onboard foot-switchable DSP effects engine has 99 presets for delay, reverb and modulation effects, each of which can be adjusted using two parameter controls. An onboard Bluetooth receiver has an illuminated pairing button and independent volume control.

The USB type-A port on the top panel is for playback of audio files or can be used to record the main outputs to a USB storage device or as an external audio device when connected to a laptop.

Main output is served by left & right XLR, in addition to 6.3mm monitor and headphone outputs and the Aux send & stereo return loop. The CMC-series is a comprehensively equipped mixing console for live sound engineers, project studios, and entertainment venue installations.

Notes: Since its release in 2019, OBNE's Signal Blender has become an indispensable tool for musicians looking to
create parallel signal chains, or otherwise split or combine multiple signals. Now, in collaboration with 29 Pedals, the new Signal Blender Stereo boasts many worthwhile and useful upgrades from the original version.

When 29 Pedals approached OBNE about improving the signal headroom and phase response of the original version for use in their own studio, a collaboration was born. Not content with only signal improvements, the team approached the whole new design in stereo, added trails switching and also added MIDI switching for integration into more complex rigs.


Signal Blender Stereo is a comprehensive mono or stereo parallel effects chain creator. From the input, your signal forks out into multiple paths, allowing parallel blending of two effects loops (A and B) and the original input (Clean) at the output. Experience the joys of parallel routing, or expand to other use cases, like splitting a signal to three separate outputs, or combining three unique signals into one output.

The simple, yet fully featured control set allows for grab-and-go utilitarianism.

The A and B switches engage their relevant effects loop. Tap it to latch the on/off state, or hold it for momentary action. Signal is sent at full strength through the Send jack and the volume knob determines the amount of signal coming back into Signal Blender Stereo via the Return jack. The phase invert toggle allows phase inversion on the return when the toggle is in the up position, accounting for pedals that flip the phase. The trails toggle in the up position prevents the Return from switching off, allowing time-based effects to trail after the footswitch is switched off.

In the down position, the send and return are switched on and off together.

The Clean footswitch determines whether the original clean input signal is sent to the main output and the Clean volume knob determines the volume of that signal when engaged.

By default, Signal Blender is designed to be stereo through the use of TRS cables, or mono through the use of TS cables, without the need to change any settings at all on the device. However, if mono input to stereo output is desired, just use the internal dipswitch to assign mono-in-stereo-out ("MISO"), then use a TS cable at the input and TRS cables everywhere else.

Notes: The Chromaplane is an instrument created in collaboration between KOMA Elektronik & Passepartout Duo.

The Chromaplane is played using two electromagnetic pickup coils, that are moved over its surface to listen to a cloud of electromagnetic fields produced by the instrument.These ten fields are represented by small indicators on the instrument's surface.

The Chromaplane is fully polyphonic, meaning that all ten of the instrument's analogue square wave oscillators are always sounding - this makes the instrument ideal for both sculpting complex drones, and playing agile melodies. Each field can be tuned using its corresponding adjustment screw. The oscillators are additionally organized into three rows, each with a switch that drops that row's pitch one octave.

The timbre of the Chromaplane can be further shaped using its internal VCF, a 4-pole low pass filter that darkens the instrument's sound and is also modulated by the internal audio signal, allowing for rich harmonic sounds and timbres reminiscent of frequency modulation. A lo-fi delay/echo effect with CV controlled time adds a sense of ambiance and rhythmicity to the dry signal's output.

The Chromaplane also features an external audio input, allowing the player to route other sounds to one electromagnetic field on the instrument's surface. The instrument's envelope output can also be used to modulate parameters on the instrument, or on other hardware synthesizers.

The Chromaplane includes: The Chromaplane itself, 2 pickup coils, 1 tuning screwdriver, 1 power adapter that works worldwide, 1 manual

Notes: The TSC-12 module, based on Solar-42 Ambient Machine keyboard is a performance oriented touch controller featuring 12 capacitively sensitive plates, equipped with highly accurate Volt/octave outputs, ready to connect to your modular setup also. It's touch sensitive controls offer an unprecedented level of control over your modular setup, allows for various playing styles, and boasts a sequencer, arpeggiator, vibrato, portamento, pressure control, quantizer and clock.

Notes: The TSC-12 module, based on Solar-42 Ambient Machine keyboard is a performance oriented touch controller featuring 12 capacitively sensitive plates, equipped with highly accurate Volt/octave outputs, ready to connect to your modular setup also. It's touch sensitive controls offer an unprecedented level of control over your modular setup, allows for various playing styles, and boasts a sequencer, arpeggiator, vibrato, portamento, pressure control, quantizer and clock.

Notes: The POLYVOX PF3 is a double-stereo filter module featuring two independent 12dB multi-mode filters that can be controlled by a single cutoff knob. Turning the filter into a 24dB filter, when connected in series. When connected in stereo, you can achieve interesting effects by using different modes to each channel. A noise generator is on board pre-filter and can be used separately as a source of white and pink noise. Volume as well as clean and processed signal balance per channel. Can be used as two independent filters or stereo mode.

WARNING! Before using the device, turn it on for 5-7 minutes and let it stand. The control transistor should warm up. If you overdo it. The UD1208 chips used in the filter are very sensitive and are never the same. Therefore you will not mathematically get two identical filters. Which is an advantage when using the unit in stereo.

Notes: The POLYVOX PF3 is a double-stereo filter module featuring two independent 12dB multi-mode filters that can be controlled by a single cutoff knob. Turning the filter into a 24dB filter, when connected in series. When connected in stereo, you can achieve interesting effects by using different modes to each channel. A noise generator is on board pre-filter and can be used separately as a source of white and pink noise. Volume as well as clean and processed signal balance per channel. Can be used as two independent filters or stereo mode.

WARNING! Before using the device, turn it on for 5-7 minutes and let it stand. The control transistor should warm up. If you overdo it. The UD1208 chips used in the filter are very sensitive and are never the same. Therefore you will not mathematically get two identical filters. Which is an advantage when using the unit in stereo.

Notes: The POLYVOX PF3 is a double-stereo filter module featuring two independent 12dB multi-mode filters that can be controlled by a single cutoff knob. Turning the filter into a 24dB filter, when connected in series. When connected in stereo, you can achieve interesting effects by using different modes to each channel. A noise generator is on board pre-filter and can be used separately as a source of white and pink noise. Volume as well as clean and processed signal balance per channel. Can be used as two independent filters or stereo mode.

WARNING! Before using the device, turn it on for 5-7 minutes and let it stand. The control transistor should warm up. If you overdo it. The UD1208 chips used in the filter are very sensitive and are never the same. Therefore you will not mathematically get two identical filters. Which is an advantage when using the unit in stereo.

Notes: The POLYVOX PF3 is a double-stereo filter module featuring two independent 12dB multi-mode filters that can be controlled by a single cutoff knob. Turning the filter into a 24dB filter, when connected in series. When connected in stereo, you can achieve interesting effects by using different modes to each channel. A noise generator is on board pre-filter and can be used separately as a source of white and pink noise. Volume as well as clean and processed signal balance per channel. Can be used as two independent filters or stereo mode.

WARNING! Before using the device, turn it on for 5-7 minutes and let it stand. The control transistor should warm up. If you overdo it. The UD1208 chips used in the filter are very sensitive and are never the same. Therefore you will not mathematically get two identical filters. Which is an advantage when using the unit in stereo.

Notes: The POLYVOX PF3 is a double-stereo filter module featuring two independent 12dB multi-mode filters that can be controlled by a single cutoff knob. Turning the filter into a 24dB filter, when connected in series. When connected in stereo, you can achieve interesting effects by using different modes to each channel. A noise generator is on board pre-filter and can be used separately as a source of white and pink noise. Volume as well as clean and processed signal balance per channel. Can be used as two independent filters or stereo mode.

WARNING! Before using the device, turn it on for 5-7 minutes and let it stand. The control transistor should warm up. If you overdo it. The UD1208 chips used in the filter are very sensitive and are never the same. Therefore you will not mathematically get two identical filters. Which is an advantage when using the unit in stereo.

Notes: The PlayFader 'mnml' Cr24 limited edition!

Featuring a black recycled ABS PlayCase, custom black flat keycaps and black chrome faders!

The Cr24 is a sleek re-interpretation of the classic OG Yellow PlayFader.

All the PlayFader button colours are now represented on the front panel allowing you to still use colour to learn your way around the functions.

Synesthesia is when you hear music, but you see shapes. Or you hear a word or a name and instantly see a colour. That's why Play All Day use colours and words on our panel, it makes learning click- and stick!

Inside every PlayFader you will now also get a handy laminated card with all the main menu button combos. This fits neatly into the lid so it's always with you when you need it.

The green LEDs of the main display finish off the design in style while being super-clear in the darkest and most demanding of situations.

PlayFader mnml has exactly the same functionality as the classic yellow edition and the Cr24 is currently a very limited run.

Please note, PlayFader does not ship with cables or adapters.

You can power PlayFader from any 9v Centre-negative guitar pedal power supply, or chose one of the innovative power solutions offered by myVolts, you can now chose to use USB-B or USB-C power solutions with their Ripcord and StepUp adapters.

You can also pick up 3.5mm to 5-pin Midi Type-A adapters and the awesome myVolts Modular CV Halo to Pedal (floating ring TRS to TS) cable for plugging into Expression inputs.

Supplier's notes:

PlayFader is a 2 channel CV & MIDI portable sequencer.

Each channel of PlayFader features CV and Gate outputs that are controlled by its Fader and Play button. Move the Fader to change the CV level, press the Play button to output a variable-width gate or trigger.

PlayFader also outputs 2 channels of MIDI - select from Notes, Chords, CC's and many more output options. MIDI mirrors the analogue outputs so you can control anything with a MIDI input while also controlling your analogue CV synths, pedals etc.

PlayFader runs either to its own internal clock with full transport controls and tap tempo, or loves making friends with external clocks. Sync can be by CV or MIDI, in or out.

Select from your own fully customisable user scales or smooth voltage ranges of 2, 3, 5 & 8v in addition to live transposition.

Each channel has two recording buffers which you can jump, swap and copy between.

PlayFader also has 7 FUN FX modes... for now.

Based on the TE pocket operator punchFX, there is a dedicated FUN button. The idea is that the FUN modes modulate and influence your recorded pattern contents while using the faders to change relevant parameters for the mode you're in.

All FUN modes will be addressable by the built-in accelerometer in future firmware (coming soon), which should be bonkers amounts of fun.

PlayFader has a protective lid that doubles as a stand and feels great in your hand if you want to hold it and play- this is the PlayCase.

When you're travelling, all the controls are safely protected by the lid, held in place with a handy wristband which supports LGBTQ+ equality around the world.

The lid can then be flipped onto the back of PlayFader when you're ready, giving you some grip and a bit more height, making it perfect to play all day!

PlayFader is a versatile CV, Gate and MIDI sequencer & looper that loves to make friends with modular synths, vintage synths, any synth or sampler with MIDI, guitar pedals, and anything else with CV and expression inputs. It can even be a great controller and sequencer for your DAW & computer-based workflow.

You can also read the official manual and quick reference guides and these are always instantly accessible from the QR code on the back of every PlayFader.

See below for all the technical details, what's in the box and more.

Technical Bits & Pieces

2 x 60mm-Throw Bourns Faders.
Custom Moulded Recycled Plastic Play Case with a protective Lid that doubles as a stand.
Unique Flat Keycap Buttons with Cherry MX Switches.
2 x ChromaCaps Mk2 Silicon Fader Caps.
Ultra Low Profile MultiComp Pro Jack Connectors.
5mm Perspex Laser Cut and Printed Acrylic Front & Rear Panels.
Stonewall Rainbow Wristband to hold Frame Case and Lid together for transport. All profits from sales of Stonewall merchandise go into funding their vital work for LGBTQ+ equality in UK and around the world.
2 x 3.5mm CV Outputs - Adjustable from 0-8v, Continuous or Pitch Quantised. Requires Mono Patch Cable.
2 x 3.5mm Gate Outputs - Adjustable from 3ms Trigger to 95% Duty Cycle. Requires Mono Patch Cable.
1 x 3.5mm Switchable Comms Output - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
1 x 3.5mm Switchable Comms Input - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
MIDI Type-A Communication.
Stackables will fit snugly!
MyVolts 9V Ripcord USB Power Cable included.
2 x 3.5mm to MIDI 5-pin Type-A Adapters included.
1 x 3.5mm to 1/4inch Floating Ring - CV to Expression Cable included.
4 x Knurlies 3M included.
4 x 3m Black Ultra Thin Flat Wafer Head Screws included.
Some nice stickers included, of course.

Notes: The Ohm Force Bohm is a stereo dual-voice kick synthesis and percussion module with nine different synthesis modes for all sorts of sounds, plenty of CV-modulation options and hands-on knob control over all of the key parameters. Precision sound-shaping knobs with wide sweet spots make flawless tweaks effortless. The Bohm has multiple CV ooptions for triggering the main kick voice, controlling the length and sustain.

There are two optional expanders for the Bohm, the Bohm Groove expander and the Bohm Performer expander. The Bohm Groove is a rhythm expander that adds a secondary kick voice triggered by clock divisions for rhythmic bass and percussion additions. The Bohm Performer expander adds a stereo FX input for processing, a volume fader, side-chain ducking and various DJ-style effects.

Notes: Oscar Tria packs a lot of VCO into 10HP. There are three main modes described below.

Green Mode:

A 'traditional' stereo oscillator. In Green Mode you get the usual three waveforms - saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog's 'shark tooth'. Green mode also gives you a square wave sub oscillator - one octave below the main oscillators - and a sub sub, two octaves below. Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image - or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound. Green mode also features through zero FM, and hard sync.

Yellow Mode:

Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.

Orange Mode:

This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output.

Notes: Wee Noise Makers PGB-1 is an advanced yet portable synthesizer and sequencer that allows you to craft complex musical pieces anywhere. This all-in-one, open-source, customizable device is designed to empower aspiring musicians, seasoned creators, and makers. It isn't just an instrument-it's your gateway to the world of music production and audio synths.

PGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.

Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.

PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.

With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:

All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.

PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.

PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.

By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.

Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.

Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.

Features & Specifications

Processor: Raspberry Pi RP2040

16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)

Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface

128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs

1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone

Notes: LAPS: A Multitrack Sound Design Tool

LAPS is a compact multitrack machine designed for layering soundscapes, crafting tape-style overdubs, and creating intricate sonic collages. Ideal for everything from glitchy loops to expansive, multi-layered recordings, LAPS offers a trove of creative possibilities.

Features at a Glance:

3 tracks (Laps) with up to 20 seconds of stereo recording each at 24-bit/48kHz.

Two modes: Replica (mirrored layers for melodic shifts) and Multiply (endless layering without erasing).

Stepped pitch shifting, band-pass filters, granular effects, and a tape-style "Age" effect.

Stereo in/out with on-board panning, true bypass, and high-quality A/D/A converters.

Designed for Sound Explorers

LAPS draws inspiration from Puremagnetik's Small Winters - a plugin built in collaboration with sound artist and 12k label manager Taylor Deupree. LAPS takes the concept beyond the digital realm with enhanced features and physical functionality. Whether you're sketching loops or building spacious compositions, LAPS transforms into a powerful, hands-on sound design tool.

Notes: The idea behind Eclipse is to combine the raw character of vintage analog oscillators with modern features for crafting rich, complex, and expressive sounds.

Eclipse's development started with a high-precision analog triangle oscillator that tracks accurately over 10 octaves, with all the I/O expected from a premium analog oscillator.

While looking for ways to generate complex harmonics without relying on a classic wavefolder, we came across the VCS3's waveshaper. This unique feature of the EMS synth sparked the idea to design our own waveshaper from scratch, opening up a wide range of sonic possibilities and dynamic control to bring sound to life.

During the design process, we discovered the waveshaper's unique potential for stereo processing, which led to a dedicated stereo section to spread and move waveforms across the stereo field while maintaining perfect balance at any setting.

Eclipse offers full CV control across all parameters, with smart normalization enabling global modulation from a single source. With many special features like XFM, ULFO, Stereo Pulse Array Modulation, Stereo Pulsed Saw Modulation, RM/AM capabilities, Eclipse is much more than just a VCO.

Notes: Designed for professional DJs, the M-100 PRO delivers an exceptional monitoring experience on stage. These stylish phones provide the immersive, beat-tuned audio reproduction the M-100 series is famous for, coupled with improved durability over previous models. The cushioned ear cups also feature newly developed swivel mounts, offering enhanced comfort over long sessions and easy transitions to single-ear monitoring while performing.

Since its introduction in 2012, the M-100 series from V-MODA has been loved by legions of DJs around the world for its stylish design and distinctive sonic character. The M-100 PRO carries on the M-100 legacy with evolved tuning and many improvements based on community feedback. Pro performers need top-quality headphones, and the M-100 PRO supports your creative ventures with our best sound, comfort, and durability yet.

Accurate monitoring of beat-driven music is essential for every serious DJ. The M-100 PRO features ceramic-coated drivers and bass ducts for crystal-clear reproduction of kick drums, hi-hats, and other sounds that define the groove. The closed-back design and conforming ear pads provide a wide, punchy soundstage and excellent sound isolation while performing in loud clubs and on booming festival stages.

The M-100 PRO supports hard-edged live performances and long creative sessions, thanks to comfortable memory foam cushions and a headband lined with soft PU leather. Swivel ear cups extend the comfort, providing seamless switching between stereo monitoring and one-ear listening when you want to monitor other sources and engage with audiences. Detachable coil (3 m) and straight (1.5 m) cables are included to suit different workflows and gear setups.

When touring and delivering intense performances to energetic audiences, you need a monitoring solution you can depend on. The M-100 PRO features the rugged metal frame and signature shields of previous models, enhanced for even greater durability. In addition, the ear cups are now detachable, allowing you to purchase replacements to repair or refresh your phones as needed.

Notes: Four voice paraphonic

Ripsaw contains 4 voices that can each be individually controlled with 1 volt per octave pitch CV.

Seven oscillator spread

Each of Ripsaw's 4 voices contain 7 waveforms that can be detuned from eachother in pitch to create a lush swarm oscillator sound.

Wave morph

Ripsaw's oscillator waveforms morph smoothly from classic sawtooth to square for a hollow, haunting tone when spread detune is introduced.

Super sync

Ripsaw's shift parameter offsets the pitch of a hard sync oscillator for every one of the 28 waveforms to open up a whole new timbral dimension

Hex platform

Ripsaw is only the first firmware to be released on our new 6hp eurorack hardware platform called HEX. Other firmware options that generate and process sound will be available to download and try out free of charge.

Specifications:

6hp
25mm deep
42mA on +12V, 5mA on -12V, 0mA on +5V

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Co-developed with Laidback Luke and designed for seamless integration with Algoriddim's djay Pro software, the Mixtour Pro is a compact four-deck controller with built-in audio interface. Great value and super portable.

Supplier's Notes:
The future of DJing

The Reloop Mixtour Pro exceeds expectations in the tiniest of spaces and provides a professional yet portable solution for the club and festival scene. The ultra-compact DJ controller was developed in close collaboration with legendary DJ & producer, Laidback Luke and is specifically designed to use seamlessly with Algoriddim's award-winning Djay Pro software.

Mixing with up to four decks

Despite its small size, the Mixtour Pro is capable of supporting four-deck mixing with its powerful and intuitive controls. Thanks to the illuminated transport section with dedicated coloured LEDs, users are always informed of whether decks 1 and 2 or decks 3 and 4 are currently active. The aluminium browse encoder and designated load buttons allow for efficient library navigation and instant loading of tracks.

Professional design and FX control

The Mixtour Pro's two channel strips with their trusted design are fitted with all the important controls for a modern DJ setup. Each channel features an electroplated bi-polar sound filter (LPF/HPF) with a dedicated LED indicator, in addition to gain and three-band EQ. The convenient FX paddles allow the user to trigger effects in bursts via FX Hold mode or to apply them indefinitely via FX On mode. A large, electroplated dry/wet knob controls the intensity of the effect, while the two dedicated parameter buttons offer complete control over the effect parameters. The lower performance area is fitted with 45mm Ultra Glide crossfader and line faders, for the smoothest operation in the mix.

Made for Djay & Neural Mix

The Reloop Mixtour Pro unlocks Algoriddim's Djay Pro software and incorporates their revolutionary Neural Mix™ technology into the workflow with dedicated controls. This allows DJs to isolate and manipulate individual drums, instruments, and vocals from any tracks in real time, expanding creative mixing capabilities to a whole new level. This feature is toggled easily and intuitively with the press of a button and controlled via the EQ controls of the two channel strips.

Crossfader Fusion™

The Mixtour Pro is also the first DJ controller to support Algoriddim Djay Pro's revolutionary Crossfader Fusion feature. DJs are now able to select from a range of creative transition styles that are automatically applied when mixing from one song to another, delivering a perfect mix every single time with the simple slide of the crossfader.

Flexible performance pad section

Eight performance pads with RGB lighting provide users with more creative options with a wide range of modes including Hot Cue, Bounce Loop, Pitch Cue, Instant FX, Auto Loop, Sampler, Skip and Neural Mix™. Furthermore, all eight pads can be assigned to control one channel in single pad mode, or four pads can be assigned to a channel each via split pad mode.

Full control: the transport section

The Mixtour Pro's sophisticated transport section enables a smooth and efficient workflow. It features four rubberized buttons for each channel to control Play / Pause, Cue, and Sync respectively, while the signature "Laidback Loop" button independently offers instant looping (In/Out/Exit) with a single control. This transport section also offers secondary layer functions to control Auto Loop, Key Match, Pitch Bend, and Key Shift. The transport buttons also illuminate in 2 different colours representing decks 1 and 2 or decks 3 and 4, respectively, keeping the DJ clearly informed when performing.

USB-C design for multi-platform & device support

The Reloop Mixtour Pro provides impressive compatibility options when pairing it with a device and platform. A smartphone, tablet or computer can all be conveniently bus-powered thanks to the modern USB-C architecture. The unit also houses a second USB-C PD port, capable of up to 85W to efficiently daisy-chain a power supply, allowing the device and controller to be powered simultaneously. Algoriddim's Djay Pro is available for iOS, iPadOS, macOS, Windows, and Android for even more cross-platform versatility.

Stream it!

In addition to performing with locally stored music, the Reloop Mixtour Pro together with Algoriddim Djay offers access to millions of tracks on demand via major streaming servicesj such as Tidal, SoundCloud Go+, Beatport Streaming, and Beatsource Streaming. These different sources can all be mixed together and even combined in the same playlists within Djay Pro.

Powerful audio quality

As the name suggests, the Reloop Mixtour Pro also delivers in regards to professional audio. The integrated 4x Out USB interface with high-quality D/A converters from Cirrus Logic enables first-class 24-bit sound with low latency. Direct connection is provided via gold-plated RCA outputs and a 3.5mm headphone jack.

Internet connection and a Apple Music, Tidal Premium or HiFi or SoundCloud Go+ subscription required. Tidal Premium or HiFi and SoundCloud Go+ subscriptions include access to Beatport Streaming and Beatsource Streaming.

The app's functionality may vary depending on the platform used. Only Pro functions that can be operated with the controller are activated without a subscription.

Technical data

Inputs: USB (type C) DC IN port (max. PD 85 W)
Outputs: Master RCA (unbalanced), headphones 3.5 mm stereo jack, USB (type C) data port
Dimensions: 129(W) x 310(D) x 51(H) mm
Weight: 956 g
Minimum system requirements: Please refer to the manufacturer's specifications for the system requirements of your DJ software.
Incl. USB-C to USB-C cable, RCA cable and instruction manual

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Deeper. Louder. More accurate.

iLoud MTM MKII offers sonic perfection and volume levels previously unavailable in this class of reference monitors. Maintaining its iconic form, MTM MKII sports more efficient drivers and twice the processing power under the hood to turn any space into the ideal mixing and mastering setup.

Enjoy clear, neutral sound with the deep, controlled low end you'd expect from a speaker twice the size and linear phase response that rivals speakers twice the price. Its MTM design and precise time alignment make hours of fatigue-free listening possible while minimizing acoustic interactions, which is ideal for desktop use.

With advanced ARC auto-calibration, MTM MKII guarantees improved acoustic performance in any space in seconds. Connected to a computer, award-winning X-MONITOR software adds deep customization and breathtaking emulations of 20+ top studio monitors and other playback systems to A/B your mixes instantly for the perfect translation.

MTM MKII is like having an entire suite of precision-tuned monitoring tools.

Ultra-nearfield monitors for critical mixing

iLoud MTM MKII features a pair of 3.5" high-performance woofers and one 1" high-definition, back-chamber loaded tweeter with improved speaker drivers for superior volume and low end, plus improved clarity and articulation in the midrange. The Midrange-Tweeter-Midrange symmetrical design (D'Appolito configuration) provides ultra-precise, defined, point-source sound that can't be achieved by traditional 2-way systems at close distances, meaning you'll mix better and with less ear fatigue.

Designed to work faster in more situations

In addition to improved speaker drivers, iLoud MTM MKII maintains tight vertical dispersion, minimizing the acoustic impact of desktop placement and ceiling and floor reflections to ensure the most accurate possible sound. MTM MKII offers a wider horizontal dispersion, creating a broader sweet spot for easier mixing than other MTM designs while maintaining the smoothest in-room response. Better power efficiency and extended max SPL mean iLoud MTM MKII also offers superior performance as an FOH mixing monitor, immersive speaker or other volume-dependent tasks.

Next-generation ARC room correction

iLoud MTM MKII adds a deeper, more comprehensive ARC auto-calibration derived from IK's flagship iLoud Precision series. Connected via USB to a Mac/PC with X-MONITOR, this 4-space measurement offers an unmatched definition and reliable translation in virtually any environment, so your mixes will always sound their best. A rapid, single-point measurement option can be done anywhere without a computer. Connect an ARC MEMS microphone (sold separately) to each speaker's mic input, and you'll be up and running in moments.

X-MONITOR integration

Also inherited from IK's flagship iLoud Precisions, iLoud MTM MKII now offers full X-MONITOR integration. This exclusive, award-winning software gives you complete control over every speaker element beyond the rear controls. Also, it allows for precise delay compensation between units for improved stereo imaging.

A single solution to A/B mixes

In addition, X-MONITOR allows you to switch between virtual monitoring voices, emulating the frequency and phase response of other top studio monitors and reference systems. With 4 buttons to quickly recall various voices, X-MONITOR with MTM MKII becomes an entire reference monitoring system in one elegant solution.

Stereo to immersive sound anywhere

IK Multimedia packed all this technological sophistication into a compact format that takes up 30% - 50% less space than comparable designs and weighs just 5 pounds. With tilting desktop mounts included, it's the ideal desktop solution for home, project or mobile recording. There's also an included isolation pad for horizontal placement wherever needed.

Bottom mic stand mounts securely position iLoud MTM MKII behind a console for studio or FOH use or even on boom arms to create immersive setups anywhere quickly with no tools required. A custom mounting bracket is also available to easily install MTM MKII as overheads or wall speakers in any studio.

The ideal immersive audio solution

All these amazing features, plus a selectable 80 Hz low-frequency cutoff, also make iLoud MTM MKII the ideal monitor for today's immersive studios.

Specs

iLoud MTM MKII Specifications
Type: 2-Way/3-speakers bi-amped, digitally controlled studio monitor
LF drivers: 2 x 3.5" composite cellulose fiber, custom-made mid-woofers
HF drivers: 1" low distortion, back chambered silk dome tweeter
Acoustic design: DSP tuned bass reflex
Number of amps per speaker: 2
Amplifiers type: High efficiency Class-D
Total power: 100 W RMS
LF power: 70 W RMS
HF power: 30 W RMS
Crossover type: Digital, linear phase
Crossover frequency: 2.8 kHz
Frequency response: 48 Hz to 28 kHz +/- 2 dB, 36 Hz to 32 kHz @ -10 dB
Phase response: System remains coherent within +/- 15- from 200 Hz to 20 kHz
Sensitivity at +4 dBu: -6 dBu signal generates a 94 dB SPL @ 1 m
Sensitivity at -10 dBV: -17 dBu signal generates a 94 dB SPL @ 1 m
Continuous, long term SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 97 dB
Peak SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 110.5 dB
Peak SPL, half space, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 112.5 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position
LF extension switch: Sets -3 dB point of the frequency response at 40, 50, 60 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -4 dB at 160 Hz and +1 dB at 1.8 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Total Latency (TOF): 2.44 ms
Connectors: 1x combo XLR-1/4" TRS balanced input; 1/8" TS ARC microphone input, 1 x USB type-B, AC POWER socket
Power requirement: 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 120 W max power consumption

Dimensions

Size: 264 mm/10.39" x 160 mm/6.3" x 130 mm/5.12"
Weight (per speaker): 2, 5 kg/5.5 lbs (speaker + foot)

Package includes

1 x iLoud MTM MKII monitor
Power cord
Tilting stand
Horizontal support feet
Locking key
USB-B to USB-A 2.5 m/8.2 ft. cable

Notes: Breakout for the ISE-NIN Voice

Extensive outputs, open-ended Functionality

The output section of the ISE-NIN BREAKOUT is a perfect match for the voice. Each waveform for each oscillator has its own independent instrument, as does each envelope and the inverse of envelope 1, each filter and slope, each LFO waveform, noise and low noise, and mix. There's also a dedicated headphone output so you can enjoy ISE-NIN without waking the neighbours. You'd be hard pressed to find as much tonal range, as many distinctive vintage Japanese tones, or as much expandability with as much horsepower as ISE-NIN VOICE and its BREAKOUT.

Notes: Killer value from DJ brand Reloop. Classic SL1200-inspired design with solid build quality, accurate sound reproduction plus modern features like a 50% pitch option and reverse button.

Supplier's notes:
With the RP-7000 MK2, Reloop has built a turntable that caters to the high demands of professional DJs and modern nightclubs. With its powerful direct drive motor and rugged construction we were able to develop a sturdy and indestructible turntable that can take on harsh everyday life with ease.

Sturdy Casing Construction:

By using a combination of metal, rubber and synthetic materials, the RP-7000 MK2's housing is more reinforced and heavy than ever before. This results in a turntable that is extremely resistant to vibrations that can be caused by heavy bass sounds in DJ booths and its shock-absorbing feet help to further improve isolation. The surface is coated with a scratch-resistant high-quality deep black or classic silver metallic finish.

Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:

The RP-7000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).

Dual Start/Stop Buttons, Precise Motor Control and Reverse Function:

As well as the above technical innovations, the RP-7000 MK2 is equipped with a few functions that will make any DJ's life much easier. The newly developed aluminium LED target light is freely moveable to help you find the stylus position in dark surroundings. The target light is also removable and easily exchanged. An additional start/stop button has also been integrated to facilitate a vertical setup (battle position) and by using the buttons on the RP-7000 MK2's top panel, you can switch between the three motor speeds (33 1/3, 45 & 78 rpm). Dedicated buttons for forward and reverse mode allow for further creativity in your mix.

High-Resolution Pitch Section with Digital Fader:

Using the high-resolution pitch fader you can adjust the platter speed in the classic turntable pitch range +/-8%. However, the RP-7000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch. This allows for increased creativity when modulating the playing record's tone. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).

High-Quality Connections and Integrated Phono Pre-Amp:

Thanks to the recessed rear connection panel, the RP-7000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. The switchable integrated phono pre-amp makes it is possible to use the gold-plated RCA connectors for both phono and line output signals. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.

Powerful Motor with Extensive Adjustment Possibilities:

The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes it an extremely smooth running turntable with wow and flutter of just 0.01% WRMS*. Furthermore, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration reducing rubber to eliminate unwanted vibrations and resonance.

Notes: A creative new approach to sampling, the first release from Teenage Engineering's EP Series is an evolution of the PO-33 K.O! Pocket Operator. Sample, program, sequence and produce in one comapact, retro box.

*** OS 2.0 firmware update- April 2025 ***

Resampling
Song mode
Sidechain
More polyphony
More MIDI

K.O. II just got its first major OS update! Teenage Engineering have managed to pack a ton of new knockout features like resampling to remix and chop sounds, sidechain for groove control, song mode to arrange tracks of up to 9,801 bars, an optimized playback engine with increased polyphony, plus extended MIDI support.

Resampling

Sample any sound source on or off the K.O. II, process it through effects and make a brand new sample from it.

Song mode

Song mode adds the ability to chain scenes and create longer, more structured track arrangements.

Sidechaining

Sidechain allows one sound to control the volume of another, perfect for kick and bass groove control.

More polyphony

Teenage Engineering have managed to increase K.O. II's voice count, now supporting 16 mono or 12 stereo voice polyphony.

More MIDI

Pass notes between units with MIDI thru, keep your gear in sync and pair up to16 devices simultaneously.

Supplier's Notes:
Get ready for Round 2

Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. Introducing a workflow that lets you go from idea to track faster than ever. It's pocket operators gone pro.

The champ is here

A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted.

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.

Sequence your samples and loops. Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.

Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

Knock out features

9 projects each with 80,000 notes
Projects contain 4 groups, each with 99 patterns
Patterns have 12 tracks for samples and midi
Variable pattern length per group (1 to 99 bars)
12 mono / 6 stereo voice polyphony
Use groups to mix and match patterns on the fly
Record and automate all 12 fader assignments
Sequence in free time or quantized with swing
Assign any pad to one of 16 midi channels
Loop mode from OB-4 with length and slide
12 pressure and velocity sensitive pads
Instantaneous time correction and erase
Slice samples live or automatically
Stereo / mono sampling at 46.875 kHz / 16-bit
Punch-in 2.0: effects (pressure sensitive)
Arrange quickly using the instant commit feature
32-bit float signal chain, 24-bit ADC/DAC
Sync io for ext. Gear. 8th, 16th note or sync24
6 built-in send FX and a master compressor
Drag and drop samples using the sample tool

The sequencer engine of the K.O. IIO provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing.

Built-in mic and speaker
USB-C
Midi output
Midi input
Sync output
Sync input
Audio input
Audio output
4x AAA batteries

One-two punch

Vintage style keys with a modern touch, combining tactility with pressure sensitivity.

10" EP format

Comes in a limited edition 10" collector's box

Tech specs:

K.O.II highlights

Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
999 sample slots
64 mb memory
Preset samples
High resolution sequencer
Built-in FX
Fader and pressure sensitive pads
Six stereo voices, twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C

Dimensions and weight

240 mm x 176 mm x 16 mm
9.45" x 6.93" x 0.63" inches
620 g / 22 oz

Stereo input

24 bit
SNR: 96 dba
Analogue gain: 0 - 12 dB
Max level: 8 DBU, 2.0 VRMS

Stereo headphone/line output

24 bit
SNR: 98 dba
Max level: 5 DBU, 1.4 VRMS

MIDI input and output
TRS type A, MMA compliant

Sync input and output
Sync 8 ppm, 16 ppm, 24 PPQN
Start / stop

Notes: A premium take on the classic portable turntable concept, the Handytraxx solid playback and compact design, plus contemporary features including digital effects, looping and a built-in fader for scratching.

Supplier's Notes:
Handytraxx Play

Portable vinyl performance, perfected.

The Handytraxx Play reimagines the classic portable turntable with modern innovation. Designed for DJs, vinyl enthusiasts, and creative performers, it combines portability with cutting-edge features, including unique Korg digital effects, a built-in audio looper, and a high-quality fader optimised for scratching. Developed in collaboration with Toshihide Nakama, co-creator of the original Handy Trax, this redefined turntable blends tradition and technology, delivering a truly unparalleled experience for music lovers on the go. Whether you're spinning at home or showcasing your skills anywhere, the Handytraxx Play is your perfect companion.

Key features

A portable player that lets you enjoy playing records and performing as a DJ, wherever you go
Unique Korg digital effects.
Audio looper for a wide range of musical expression and creativity
High-quality fader optimized for scratching
Custom-designed tonearm and motor control circuit
Developed in collaboration with Toshihide Nakama, former President of Vestax Inc.

The Handy Trax, originally created by Vestax, redefined portable turntables by giving users the freedom to play and scratch records anywhere. Beloved by DJs and vinyl enthusiasts alike, it helped spark the rise of "portablism".

Now, Korg proudly reinvents this iconic turntable with the Handytraxx Play. Developed in collaboration with Toshihide Nakama, former President of Vestax and co-creator of the Handy Trax, the Handytraxx Play retains the essence of the original while introducing exciting new features. These include cutting-edge digital effects, a built-in looper, and high-quality controls that make it possible to physically "play" with records on the go. Combined with unique customisation options, the Handytraxx Play delivers an unparalleled portable turntable experience. Perfect for casual vinyl lovers and hardcore portablists alike.

Honouring Toshihide Nakama

The Handytraxx Play is the result of a collaboration between Korg and Toshihide Nakama, the former President of Vestax and co-developer of the original Handy Trax. Developed closely with Nakama as an all-new kind of record player, the Handytraxx Play leverages Korg's unique digital processing and audio technologies while staying true to the spirit of the original Handy Trax. Tragically, Nakama passed away during the development of the Handytraxx Play on June 10th, 2023, but his vision and philosophy live on through this product, carrying his legacy to music lovers worldwide.

Optimised for scratching

The Handytraxx Play has been meticulously designed to provide an exceptional scratching experience. The high-quality fader, developed under Nakama's guidance, offers super smooth, precise motion and minimised silent zones for effortless cuts and transitions. Beginners and seasoned portablists alike will appreciate the responsive feel and the ability to reverse scratch by swapping crossfader channels. Every detail of the fader has been optimised to enhance performance while maintaining the portability that defines the Handytraxx Play.

Unique digital effects

Korg's expertise in digital audio processing brings powerful effects to the Handytraxx Play, elevating its creative potential.

Three types of filters

The Handytraxx Play offers three versatile filter types, each designed to provide dynamic control over your sound. The DJ filter seamlessly blends low-pass and high-pass filters, allowing smooth transitions. The EQ filter with a low isolator enhances bass frequencies for deep, impactful tones. Lastly, the peaking wah filter with modulation adds a unique, expressive touch, letting you shape bold experimental sounds or subtle nuanced effects in real time.
Delay
In addition to filters, the Handytraxx Play features a built-in delay effect that expands your creative possibilities. From creating spacious, ambient soundscapes to bold, metallic echoes, the delay effect can be controlled intuitively using the vertical fader for precise level adjustments.

This seamless integration of effects makes the Handytraxx Play an essential tool to enhance any DJ performance.

Built-in audio looper and versatile playback control

The Handytraxx Play includes a built-in looper that redefines creativity for DJs and vinyl enthusiasts. With its variable speed control switch, the looper lets you capture and replay live playback of a record's sound-a feature known as live looping. This capability allows you to craft unique DJ mixes by adding scratches to a looped beat, recording your favourite sounds to use as a sampler, or even swapping records while the loop continues to play seamlessly. The looper's versatility makes it an essential tool for both experimentation and live performance.

The variable speed control switch provides intuitive options for adjusting playback speed, a fundamental requirement for DJs. You can effortlessly switch between 33 and 45 RPM or fine-tune the variable speed ratio to match your creative needs. This adaptability extends to layering recordings over existing loops- for instance, playing back a beat loop at your chosen speed and overlaying scratching sounds on top. The Handytraxx Play's looper opens new possibilities for musical expression, offering endless opportunities to innovate and perform.

Precision craftsmanship

Every component of the Handytraxx Play has been crafted for superior performance. The custom-designed tonearm offers high-level tracing performance, minimising needle skipping during playback and scratching. A belt-driven motor with digital rotation correction ensures stable platter rotation and quick recovery for incidental effects that sound natural. Refinements to the turntable mechanism further reduce skipping, allowing for consistent, reliable performance during even the most demanding scratch play.

Groove on the go

Designed for ultimate portability, the Handytraxx Play can be powered by the included AC adapter or six AA batteries, giving you the flexibility to take your music anywhere. The built-in 2.5W speaker delivers impressive sound with rich bass and clear playback, whether you're connected to external speakers or not.

Flexible customisation

A redesigned headshell supports both ceramic and MM cartridges*, offering flexibility for various playback styles. Users can replace the scratch fader or reorient the control panel for right- or left-handed use, ensuring comfort and adaptability for every DJ. These thoughtful customisation options make the Handytraxx Play a truly personal and versatile tool, perfect for creating and performing.

* Basic soldering skills are required for replacing ceramic and MM cartridges.

Specifications

Drive system: Belt-driven (with digital rotation correction)
Drive motor: DC servo motor
RPM: 33-1/3, 45 or 78 revolutions per minute
S/N (signal-to-noise) ratio: Less than 60 dB (DIN-B)
Cartridge model: Stereo ceramic cartridge included (MM supported)
Maximum input level: AUX IN: 2.5 Vp
Maximum output level: LINE OUT ? 2.3 Vp, THD 1%, PHONO OUT: 300 mV (1 kHz, 5cm/sec)
PHONO preamp gain: Standard value: 34.5 dB; equalizer characteristics: RIAA
Digital signal processing
A/D, D/A: 44.1 kHz@16-bit, stereo
Crossfader: 44.1 kHz, 32-bit float, stereo
Mix: 44.1 kHz, 32-bit float, stereo
Looper: 44.1 kHz, 16-bit, stereo; max. recording time: approx. 20 sec
Filter: 44.1 kHz, 32-bit float, stereo; type: OFF, FILTER1, FILTER2, FILTER3
Delay: 44.1 kHz, 32-bit float, stereo; feedback (0%-80%), time (1,000 ms-10 ms)

Power consumption: 2.35 W
Power supply: AC adapter (included), six AA batteries (alkaline or nickel-metal hydride) Weight: 2.3 kg/5.07 lb
Dimensions: 370 x 280 x 84 mm/14.57? x 11.02? x 3.30?; with cover on: 370 x 286 x 87 mm/14.57" x 11.26" x 3.43"
Included items AC adapter, AC adapter replacement plug (5 types), dust cover, slip mat, EP adapter, Quick Start Guide

Notes: The best value rotary mixer on the market. Entry-level rotary option from German brand Omnitronic offers similar features and sound to boutique mixers three or four times the price.

Supplier notes:
The TRM-202 MK3 by Omnitronic with its classic ALPS potentiometers (Blue Velvet RK27) and the integrated 3-band frequency isolator offers the classic features of a rotary mixer.

Due to its high quality components, the sound pattern is good and appealing. The large potentiometers of both input channels allow very smooth transitions, hardly realizable with a conventional mixer. Both input channels can be switched between line and phono. A microphone input is also at hand. The kill characteristic provides a total erasure of basses, mids and highs and so enables creative mixing. Due to its booth output and a separate volume control, the TRM-202 MK3 can also be used in clubs without a problem. Thanks to the record output, it is also possible to record own's DJ set.

*** Please note: the 3-pin adapter is not included. ***

Notes: Exceptional value here. Cre8's analogue drum machine is based on Pittsburgh Modular audio circuits, offering true old-school-inspired drum synthesis and hands-on control at an excellent price.

Supplier's notes:
Introducing Boom Chick, a revolutionary analogue drum machine built on the warmth and character of Pittsburgh Modular's newly designed analog drum circuits. These powerful, expressive percussion voices are paired with an advanced sequencer designed for intuitive creativity and deep rhythmic exploration. Inspired by the hands-on performability of iconic analog drum machines, Boom Chick redefines analogue percussion with exceptional flexibility and sonic precision, tailored for modern musicians and producers.

Compact yet incredibly powerful, the Boom Chick ensures frustration-free jamming and tweaking through its intuitive knob-per-function layout and straightforward interface conventions. It's hands-on, immediate, and built for musicians who want a drum machine that feels alive. Turn up the dirt, push the limits, and make some serious noise.

Created by the Pittsburgh Modular Synthesizers team, Boom Chick features five meticulously crafted drum voices, each designed for maximum flexibility and expressiveness. The sounds are raw, dynamic, and laser sharp, built to drive and slice through any mix. The electricity creating the analog sounds is directly shaped using the knob-per-function interface. No menus, no hassle, just pure, tactile beat-making analogue magic at your fingertips. By focusing on creative, new analogue designs, Pittsburgh Modular ensured that Boom Chick doesn't just mimic the past, but kick starts a new future of analogue beats.

Every voice has been meticulously engineered for maximum sonic impact, making Boom Chick a true drum synthesizer, not just a drum machine. Starting with a massive bottom end, the Kick drum sculpts a specialized sine-wave oscillator using gritty overdrive, pitch manipulation, and a precise, percussive envelope allowing you to dial in everything from low and long or clean and punchy rhythms to aggressive, overdriven beats. The Snare drum showcases the power of modern analog with powerful snare hits that can mimic a physical snare drum or venture into creative new territories. Drum channels 1 and 2 offer even deeper sound-design possibilities. By utilizing two oscillators, wave shaping, frequency modulation, and noise you can generate everything from subtle nuanced percussion to wild, expressive sonic textures. Toms, claps, snares, kicks, cymbals, rim shots, cowbells, congas, claves, space sounds, and outer space sounds can all be dialed in and reimagined. Hats utilize a custom oscillator noise matrix to create crisp, bright metallic tones ideal for intricate rhythmic patterns.

Boom Chick's sequencer is designed to offer profound depth while maintaining intuitive simplicity. It features two powerful modes: Step Mode, for meticulous programming of each drum step, and Live Mode, allowing real-time rhythm creation and expressive performance. Tools such as Step Shift enable quick and precise timing adjustments for intricate rhythmic patterns, while Step Roll and Chance introduce engaging complexity and variation. Timing functions like Humanize, Swing, and Quantize provide refined control over groove and rhythm, allowing for perfectly locked or naturally loose-feeling sequences. Swing adds groove by shifting even steps slightly behind the beat, while Humanize introduces subtle timing variations to simulate natural playing styles. With up to 64-step sequences and polyrhythm capabilities, Boom Chick encourages experimentation by removing the boundaries to live performance and making beats.

At the heart of Boom Chick is a 6-track sequencer that gives you deep rhythmic control while staying easy to use. With design inspiration taken from Pittsburgh's Voltage Research Lab 2, Boom Chick's sequencer will take you from quick jams to mind-bending polyrhythms. This sequencer is not only designed to keep up with you, but also propel you to new territory.

Boom Chick is modular-friendly, MIDI-capable, and performance-ready. This makes it a perfect addition to any studio or live rig. Individual trigger inputs and individual drum outs allow each drum to be sent to a mixer or DAW separately for external processing or recording. MIDI in and out to send and receive clock, trigger drums, or sequence external percussion. Analog clock in and out allows Boom Chick to easily integrate with Eurorack setups and other gear. Separate Line and Headphone outputs make personal jams, recording, or live performances easy.

Notes: Another innovative groovebox from Polyend, the Synth allows you to sequence and perform up to three synths from eight different synth engines. Unique Smart Grid feature allows single-button chords and note followers.

Supplier's Notes:
Compact Design. Massive Sound. Unmatched Innovation.

Easily Play 3 Synths at Once

The power of three synth engines is at your fingertips, all running together seamlessly. Whether you're in the studio or performing live, you can juggle between different engines, adjust parameters on the fly, and layer effects with ease. The built-in sequencers, arpeggiators, and all new smart grid system keep everything flowing smoothly, letting you focus on creativity without interruption. With instantly recallable scenes, you can save and recall every detail of your setup.

Eight Synth Engines to Explore

Dive into a world of sound with eight distinct synth engines, each offering its own unique character. Whether you're drawn to the classic analogue warmth of FAT or the evolving textures of GRAIN, you'll find the sound to shape your creations exactly the way you want:

PHZ: A modern take on phase distortion synthesis with options for both retro and cutting-edge tones.
PMD: Physical modelling technology that simulates realistic instruments or creates entirely new sonic expressions.
GRAIN: A granular engine with two modes, burst and cloud, ideal for rhythmic textures or sweeping ambient layers.
WAVS: Morph between wavetables with intricate control over scanning and phase shifting to create evolving textures.
VAP: A dual-oscillator polysynth that draws inspiration from the classics, offering rich, lush pads and detailed soundscapes.
FAT: Massive sound with three oscillators and vintage ladder filters for deep basses and expressive leads.
ACD: The ultimate recreation of iconic vintage monophonic synths, but with increased customization.
WTFM: A unique FM synthesis engine that uses wavetable-based oscillators for complex sounds without the usual FM complications.

Three Customizable Effects

Take your sound to the next level with three onboard effects, each fully customizable to suit your style:

MOD: This versatile modulation engine can take you from subtle choruses to wild, feedback-heavy flanging.
DEL: Dual delay lines with five unique models, giving you the flexibility to sync with your track or create complex delay effects.
REV: Three reverb modes - Natural, Plate, and Warp - let you add anything from subtle space to massive, otherworldly reverbs.

Reimagined Rhythms

Unlock your full creative potential with three independent sequencers and arpeggiators. Control every aspect of your rhythm, from swing to groove, transposition, and more. Whether you're building tight, rhythmic patterns or sweeping melodies, this system adapts seamlessly to your music.

For Performers, Sound Designers, and Innovators Alike

Always Musical Smart Grid for Live Play

Stay in control even during the most chaotic performances. The customizable Smart Grid ensures every note and chord stays in the desired scale, while making live performances smoother and more intuitive.

Scenes on Demand

Imagine having every setting - from synth engines to sequences - saved in one easy-to-recall Scene file. Build entire live sets and instantly access them with a touch. Plus, share your unique setups with the community

Combo Knobs for Quick Tweaks

Create dramatic builds or subtle shifts with customizable combo knobs. Whether controlling one or all three synths at once, adding movement and dynamics to your sound has never been easier.

Polyphonic Aftertouch

Express every nuance of your performance with polyphonic aftertouch. Adjust multiple parameters with just the pressure of your fingers, allowing for truly expressive, dynamic control over your sounds.

A Dream for Sound Designers

Intuitive 3x3 Knob Matrix

Designed for hands-on control, the 3x3 knob matrix lets you quickly access and tweak key parameters. No need to dive into endless menus - everything you need is right in front of you, ready for real-time adjustments.

Real-Time Visual Feedback

Every adjustment you make is instantly reflected in the visual interface, giving you clear, real-time feedback on how your sound is evolving. Whether you're tweaking filters, modulating oscillators, or adjusting LFOs, you'll see the changes happen as you hear them.

Endless Customization

Expand your creative palette with SD and USB storage. Easily load new wavetables, presets, and entire setups, or share your creations with others. With endless possibilities, this synth is designed to grow with you

Notes: Incredible value all-rounder from Zoom, the L-6 combines recording, mixing and performance features, with 10 studio-quality audio tracks, effects, MIDI and real-time sampling.

Supplier's Notes:
Small Just Got Very Big

The LiveTrak L6 is Zomo's most compact and portable digital mixer / recorder. With 10-tracks of studio quality audio, effects, MIDI, and sound pads, it's perfect for bands, synth players, live streaming, and more.

Full Featured Mixer

Don't let its size fool you. The L6 is designed with big mixer capabilities; a full channel strip for each track including aux sends, pan, effects, and a 3-band mid-sweepable EQ.

Powerful Multi-Track Recording

The L6 records 10 discrete tracks plus the full stereo mix on microSD cards up to 2TB. Share the live mix, or transfer your stems to your favorite DAW for editing and mixing.

MIDI Connectivity for Synths and Keyboards

Connect, program, and sync the L6 to your outboard gear via the 3.5mm MIDI I/O, or to a computer via USB.

Map parameter controls such as volume, pan, and EQ to outboard gear
Trigger sound pads and scene switching
Tempo sync delay and echo

Features

10-channel ultra-Compact digital mixer
2 XLR/TRS Combo inputs + 4-Stereo inputs
12-track simultaneous recording
MIDI In/Out for mixer control and USB MIDI interface
3 Scene memory for storing mixer and tempo setting
32-bit float multi-track recording to micro SD card
5 Internal Send Effects
2 AUX send outputs
4 Assignable sound pads (sample player)
3-Band EQ with MID freq control for each channel
Headphone output + Master output
Eurorack compatible
12-in / 4-out Audio interface
4 AA battery power operation or USB power

Specs
Input and output channels
Inputs MIC/LINE (mono) 2
LINE (stereo) 4
Outputs
AUX SEND (mono): 2
MASTER (stereo): 1
MONITOR (stereo): 1

Inputs

MIC/LINE:
Connectors: 2 XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance:XLR: 3.8 kO or more, TRS: 39 kO or more
Maximum input level XLR: +4 dBu, TRS: +24 dBu
Phantom power: +48 V, Channel total of 10 mA or less

LINE

Connectors: 8 TS phone jacks (unbalanced)
Input impedance: 10 kO
Maximum input level: +9 dBu

Outputs

AUX SEND
Connectors: 2 TRS phone jacks (impedance balanced)
Maximum output level: +9.5 dBu
Output impedance: 147 O

MASTER
Connectors: 2 TRS phone jacks (balanced)
Maximum output level: +15 dBu
Output impedance: 147 O

MONITOR
Connector: TRS phone jack
Maximum output level: 50 mW + 50 mW (63 O load)
Output impedance: 14.7 O

Buses

MASTER: 1
AUX SEND: 2
SEND EFX: 1

Channel strip

3 BAND EQ:
HIGH: 10 kHz, +/-15 dB, shelving
MID: 100 Hz - 8 kHz, +/-15 dB, peaking
LOW: 100 Hz, +/-15 dB, shelving

Level meters: 6 segments
Send effects: 5 types

Recorder

Maximum simultaneous recording tracks: 12
Maximum simultaneous playback tracks: 2
Recording formats: 48 kHz, 32-bit float, mono/stereo WAV
Recording media: microSDHC memory cards (Class 10 or higher), microSDXC memory cards (Class 10 or higher)

Audio interface

Input and output channels: Input: 12 channels, Output: 4 channels
Sampling frequency: 48 kHz
Bit depth: 32-bit float / 24-bit
Interface: USB 2.0

Card reader: Mass storage class USB 2.0 High Speed
Sampling frequency: 48 kHz
Frequency response: 20 Hz - 20 kHz / -1.0 dB
Equivalent input noise: -120 dBu or less (IHF-A) at 150O input

Power
4 AA batteries - Alkaline, Lithium, or Rechargeable NiMH
AC adapter: ZOOM AD-17 : DC 5V/1A
USB bus power is supported.

Estimated continuous recording time using batteries
Alkaline batteries: About 3 hours
NiMH batteries (1900 mAh): About 3.5 hours
Lithium batteries: About 7 hours

12-track recording, phantom power off, headphones used (63O load), no MASTER output connections
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.
They will vary greatly according to use conditions.

Power consumption 5 W maximum
Dimensions: 223 mm (W) × 114 mm (D) × 46.5 mm (H)
Weight (main unit only): 526 g
Weight (including batteries): 618 g
Note: 0 dBu = 0.775 Vrms

Notes: KeyLab mk3 is a fully-featured MIDI controller that offers unparalleled control of software and hardware instruments.

Engineered for intermediate and advanced producers and experienced music makers alike, it fits perfectly into any setup with comprehensive DAW integration, advanced performance features and an enhanced keybed and interface; all integrated seamlessly within a robust wood and aluminum casing.

Whether sculpting a studio masterpiece or channeling the raw energy of a live performance, KeyLab mk3 removes every creative obstacle and offers intuitive, comprehensive controls that ensure musicians can find their expression.

Deep integration

The most advanced DAW integration of any controller. KeyLab mk3 can use MCU and HUI protocols as well as smart mapping technology. This, coupled with the seamless integration with Arturia software, and advanced user programs, makes KeyLab mk3 a must have tool for demanding musicians and producers.

Superior playability and finish

KeyLab mk3 combines excellent design with high-quality wood and aluminium components. The enhanced keyboard and robust construction ensures reliability and durability - meeting the demands of professional use.

Full creative control

Alongside its high quality, touch-sensitive controls, KeyLab mk3 is also fully customizable and easy to navigate with its full colour display. Adjust settings directly on the unit, or via the included software, for a personalized experience that adapts to all creative processes and performance styles.

Advanced creative features

KeyLab mk3 includes innovative tools like Scale, Arpeggiator, and Chord modes, enhancing your creative capabilities. These features allow musicians to explore new musical ideas and create advanced compositions effortlessly, making it a powerful ally in both the studio and live performances.

NEW enhanced keybed - Have greater control of synth and piano sounds with a full rework of keyboard balance, weighting and spring tension.

NEW visual interface - Have full control of settings, parameters and custom mappings with a 480x320px screen controllable with 8 contextual buttons.

NEW touch-sensitive potentiometers and faders - Have a greater degree of control with nine 360- rotary potentiometers and nine faders.

NEW creative features - Take your expression further with inspiring creative tools including a new Scale, Arpeggiator and Chord mode.

NEW pad capabilities - You can now harness a total of 4 Pad Banks of 12 pads for finger drumming, clip launching and endless mapping possibilities.

NEW software bundle - Kick-start your creative journey with pro software included: Analog Lab Pro, Mini V, Piano V, Augmented Strings, Rev PLATE-140, Ableton Live Lite, NI The Gentleman, Loopcloud & Melodics.

Included Software

Analog Lab Pro (2000+ sounds)
Mini V
Piano V
Augmented Strings
Rev PLATE-140
Ableton Live Lite
NI The Gentleman
2-month Loopcloud subscription
Melodics subscription with dozens of lessons

Box content

Quick Start
Registration card
USB Cable (C/A)

KeyLab 61 mk3

Dimensions

Weight/Size

Gift Box: 8.5 kg / 17.41lb
968 x 369 x 148 mm / 38.11x14.52x5.8 in

Product: 6.8 kg / 14.99 lb

873x278x74 mm
34.37x10.94x2.91 in

Notes: Co-developed with Laidback Luke and designed for seamless integration with Algoriddim's djay Pro software, the Mixtour Pro is a compact four-deck controller with built-in audio interface. Great value and super portable.

Supplier's Notes:
The future of DJing

The Reloop Mixtour Pro exceeds expectations in the tiniest of spaces and provides a professional yet portable solution for the club and festival scene. The ultra-compact DJ controller was developed in close collaboration with legendary DJ & producer, Laidback Luke and is specifically designed to use seamlessly with Algoriddim's award-winning Djay Pro software.

Mixing with up to four decks

Despite its small size, the Mixtour Pro is capable of supporting four-deck mixing with its powerful and intuitive controls. Thanks to the illuminated transport section with dedicated coloured LEDs, users are always informed of whether decks 1 and 2 or decks 3 and 4 are currently active. The aluminium browse encoder and designated load buttons allow for efficient library navigation and instant loading of tracks.

Professional design and FX control

The Mixtour Pro's two channel strips with their trusted design are fitted with all the important controls for a modern DJ setup. Each channel features an electroplated bi-polar sound filter (LPF/HPF) with a dedicated LED indicator, in addition to gain and three-band EQ. The convenient FX paddles allow the user to trigger effects in bursts via FX Hold mode or to apply them indefinitely via FX On mode. A large, electroplated dry/wet knob controls the intensity of the effect, while the two dedicated parameter buttons offer complete control over the effect parameters. The lower performance area is fitted with 45mm Ultra Glide crossfader and line faders, for the smoothest operation in the mix.

Made for Djay & Neural Mix

The Reloop Mixtour Pro unlocks Algoriddim's Djay Pro software and incorporates their revolutionary Neural Mix™ technology into the workflow with dedicated controls. This allows DJs to isolate and manipulate individual drums, instruments, and vocals from any tracks in real time, expanding creative mixing capabilities to a whole new level. This feature is toggled easily and intuitively with the press of a button and controlled via the EQ controls of the two channel strips.

Crossfader Fusion™

The Mixtour Pro is also the first DJ controller to support Algoriddim Djay Pro's revolutionary Crossfader Fusion feature. DJs are now able to select from a range of creative transition styles that are automatically applied when mixing from one song to another, delivering a perfect mix every single time with the simple slide of the crossfader.

Flexible performance pad section

Eight performance pads with RGB lighting provide users with more creative options with a wide range of modes including Hot Cue, Bounce Loop, Pitch Cue, Instant FX, Auto Loop, Sampler, Skip and Neural Mix™. Furthermore, all eight pads can be assigned to control one channel in single pad mode, or four pads can be assigned to a channel each via split pad mode.

Full control: the transport section

The Mixtour Pro's sophisticated transport section enables a smooth and efficient workflow. It features four rubberized buttons for each channel to control Play / Pause, Cue, and Sync respectively, while the signature "Laidback Loop" button independently offers instant looping (In/Out/Exit) with a single control. This transport section also offers secondary layer functions to control Auto Loop, Key Match, Pitch Bend, and Key Shift. The transport buttons also illuminate in 2 different colours representing decks 1 and 2 or decks 3 and 4, respectively, keeping the DJ clearly informed when performing.

USB-C design for multi-platform & device support

The Reloop Mixtour Pro provides impressive compatibility options when pairing it with a device and platform. A smartphone, tablet or computer can all be conveniently bus-powered thanks to the modern USB-C architecture. The unit also houses a second USB-C PD port, capable of up to 85W to efficiently daisy-chain a power supply, allowing the device and controller to be powered simultaneously. Algoriddim's Djay Pro is available for iOS, iPadOS, macOS, Windows, and Android for even more cross-platform versatility.

Stream it!

In addition to performing with locally stored music, the Reloop Mixtour Pro together with Algoriddim Djay offers access to millions of tracks on demand via major streaming servicesj such as Tidal, SoundCloud Go+, Beatport Streaming, and Beatsource Streaming. These different sources can all be mixed together and even combined in the same playlists within Djay Pro.

Powerful audio quality

As the name suggests, the Reloop Mixtour Pro also delivers in regards to professional audio. The integrated 4x Out USB interface with high-quality D/A converters from Cirrus Logic enables first-class 24-bit sound with low latency. Direct connection is provided via gold-plated RCA outputs and a 3.5mm headphone jack.

Internet connection and a Apple Music, Tidal Premium or HiFi or SoundCloud Go+ subscription required. Tidal Premium or HiFi and SoundCloud Go+ subscriptions include access to Beatport Streaming and Beatsource Streaming.

The app's functionality may vary depending on the platform used. Only Pro functions that can be operated with the controller are activated without a subscription.

Technical data

Inputs: USB (type C) DC IN port (max. PD 85 W)
Outputs: Master RCA (unbalanced), headphones 3.5 mm stereo jack, USB (type C) data port
Dimensions: 129(W) x 310(D) x 51(H) mm
Weight: 956 g
Minimum system requirements: Please refer to the manufacturer's specifications for the system requirements of your DJ software.
Incl. USB-C to USB-C cable, RCA cable and instruction manual

Notes: KeyLab mk3 is a fully-featured MIDI controller that offers unparalleled control of software and hardware instruments.

Engineered for intermediate and advanced producers and experienced music makers alike, it fits perfectly into any setup with comprehensive DAW integration, advanced performance features and an enhanced keybed and interface; all integrated seamlessly within a robust wood and aluminum casing.

Whether sculpting a studio masterpiece or channeling the raw energy of a live performance, KeyLab mk3 removes every creative obstacle and offers intuitive, comprehensive controls that ensure musicians can find their expression.

Deep integration

The most advanced DAW integration of any controller. KeyLab mk3 can use MCU and HUI protocols as well as smart mapping technology. This, coupled with the seamless integration with Arturia software, and advanced user programs, makes KeyLab mk3 a must have tool for demanding musicians and producers.

Superior playability and finish

KeyLab mk3 combines excellent design with high-quality wood and aluminium components. The enhanced keyboard and robust construction ensures reliability and durability - meeting the demands of professional use.

Full creative control

Alongside its high quality, touch-sensitive controls, KeyLab mk3 is also fully customizable and easy to navigate with its full colour display. Adjust settings directly on the unit, or via the included software, for a personalized experience that adapts to all creative processes and performance styles.

Advanced creative features

KeyLab mk3 includes innovative tools like Scale, Arpeggiator, and Chord modes, enhancing your creative capabilities. These features allow musicians to explore new musical ideas and create advanced compositions effortlessly, making it a powerful ally in both the studio and live performances.

NEW enhanced keybed - Have greater control of synth and piano sounds with a full rework of keyboard balance, weighting and spring tension.

NEW visual interface - Have full control of settings, parameters and custom mappings with a 480x320px screen controllable with 8 contextual buttons.

NEW touch-sensitive potentiometers and faders - Have a greater degree of control with nine 360- rotary potentiometers and nine faders.

NEW creative features - Take your expression further with inspiring creative tools including a new Scale, Arpeggiator and Chord mode.

NEW pad capabilities - You can now harness a total of 4 Pad Banks of 12 pads for finger drumming, clip launching and endless mapping possibilities.

NEW software bundle - Kick-start your creative journey with pro software included: Analog Lab Pro, Mini V, Piano V, Augmented Strings, Rev PLATE-140, Ableton Live Lite, NI The Gentleman, Loopcloud & Melodics.

Included Software

Analog Lab Pro (2000+ sounds)
Mini V
Piano V
Augmented Strings
Rev PLATE-140
Ableton Live Lite
NI The Gentleman
2-month Loopcloud subscription
Melodics subscription with dozens of lessons

Box content

Quick Start
Registration card
USB Cable (C/A)

Dimensions (Weight/Size)

Gift Box:

7.9 kg/17.41 lb
882x369x148 mm / 34.72 x14.52x5.82 in

Product:

6.1 kg / 13.44 lb
30.98x11.02x2.83 in / 787x280x72 mm

Notes: One of our favourite DJ turntables. Clearly inspired by the classic Technics SL-1200 but clocking in at a more affordable price point. Direct drive motor, decent build quality and a few nice bonus features like adjustable pitch range.

Supplier notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.

Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.

Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.

Notes: Bartender is the centerpiece of the mixer system. Four stereo channels, with two stereo aux send and two stereo returns. Each channel can be used in a mono mode where both channels are mixed. If you want to do eight channels of mono, you can put the channels in stereo mode (I know it feels backwards) and then use the pan control to control the crossfade between each channel, and then take the mono output. There is a built in cueing system so you can monitor channels in your headphones and control the blend with the main output. You can expand a Bartender with both a Barback and/or another Bartender. When connecting two Bartenders, the main level control on the 'expander' Bartender acts as a group control.

Notes: The Wireless PRO is the ultimate wireless microphone, packed full of powerful features that offer incredible flexibility for recording pristine audio for your content. Never lose a take with 32-bit float on-board recording, keep all your video and audio flawlessly synchronised with timecode, and capture incredible-sounding content effortlessly with intelligent GainAssist technology. The Wireless PRO delivers everything you could possibly want from a compact wireless microphone system, and much more.

RODE offers a 5-year warranty on this product.

This warranty will function just like any other RODE product warranty and the claim process remains unchanged - as long as the customer purchased an eligible product from an authorised dealer and can present proof of purchase, they can make a warranty claim within 5 years of the date of purchase.

State-of-the-art Wireless Audio

RODE pioneered the ultra-compact wireless microphone category with the original Wireless GO and this legacy carries on with Wireless PRO. Utilising state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, it delivers crystal-clear, incredibly stable audio with a range of up to 260m. Wireless audio you can rely on in almost any recording application.

Never Lose a Recording

There's nothing worse than pulling your audio into your editing software and realising your recording clipped and can't be used. With the Wireless PRO, this is a thing of the past. 32-bit float on-board recording means your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too loud or too quiet. Never worry about setting your gain perfectly again. Gamechanger.

Audio and Video, Perfectly in Sync

With the Wireless PRO's timecode capability, you can perfectly synchronise your audio and video with ease - no need for complex and expensive external timecode systems.

Pristine Audio in Any Situation

In addition to its 32-bit float on-board recording, the Wireless PRO offers a plethora of features that promise pristine audio in any situation. Ensure your audio is smooth and balanced with intelligent GainAssist technology. Precisely match your mic to your camera with flexible gain controls and tailored presets. Add an extra layer of protection with the safety channel. Perfect recordings, every time.

The Ultimate Pro Recording Kit
The Wireless PRO comes with everything you need to get set up and recording wireless audio right out of the box. Included are two professional Lavalier II microphones that are perfect for recording on-screen talent, as well as furry windshields for outdoor use, a pair of MagClip GO to attach your transmitters anywhere, a smart charging case and a handy accessory pack to store your lavs, cables and clips.

Connect to All Your Devices

Thanks to its analogue (3.5mm) and digital (USB-C) outputs, the Wireless PRO is universally compatible with cameras and other audio devices, both iOS and Android smartphones and tablets, and Windows and Mac computers.

Easy Configuration and Control

Check your audio levels at a glance with the bright LCD display and configure settings on the fly with dedicated controls for everything from gain adjustment to triggering recordings. Customise the system to your needs anywhere using your computer or smartphone with the RODE Central app. Complete control over your setup, so you can be ready for any recording situation.

Monitor and Record

Monitor your audio in the field with the Wireless PRO's high-power headphone output, complete with on-board level control, or connect a headset or narrator microphone such as a lavalier to capture a third audio track. Ultimate versatility.
Specifications Acoustic & Electrical (Wireless PRO)

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dB SPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5m TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 10.15 above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Acoustic & Electrical (Charge Case)
Mechanical
Battery Capacity: 4200 mAH
Power Requirements: 5V/3A via USB-C
Charging Time: 2.5 hours
Charge Current: 2A (maximum)
Total charges (TXs and RX): 2 complete charges
Connection Type: USB-C (SuperSpeed USB-C cable required for optimal data transfer speeds)

Mechanical
Weight (grams)
TX: 35RX: 36
Charge Case: 177
Total: 284

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
Charge Case: 101 (W) x 82 (L) x 70 (D)

What's in the Box:

Wireless PRO TX
2 x Transmitter
30cm USB-C Lightning Cable
1 x SC21
30cm USB-C to USB-C Cable
1 x SC22
Premium Lavalier Microphone
2 x Lavalier II
Magnetic Clip for Wireless GO
2 x MagClip GO
Furry for the Wireless Go II
3 x Furry
Wireless PRO Receiver
1 x Receiver
Wireless PRO Charge Case
1 x Charge Case (PRO)
Wireless PRO Accessory Case
1 x Accessory Case
SC34 USB-C to C SuperSpeed Cable
1 x SC34
3.5mm TRS Patch Cable
1 x SC2

Notes: Black version of this vintage-inspired 12-bit sampler from Sonicware. Inspired by 80s sampling workstations, and including over 2,500 samples to get you started, the Lofi-12 is a creative powerhouse.

Supplier's Notes:
Key Features

1) 12/24kHz Early-Digital Sound Sampling

Experience true 12kHz/24kHz sampling combined with the 12-bit Sampler mode, which transforms any sound into a pleasant Early-Digital sound, much like the legendary 12-bit samplers of yesteryear.

Each sample can be up to 40 seconds in length, and you can store as many samples as your SD card capacity allows. From these, you can load up to 256 samples (64MB) into a single project, seamlessly switching between samples during playback.

Samples can also be played using PAD mode, utilizing all 15 pads as a keyboard for chromatic/scale play. You can also chop samples to create and play individual slices within a single track.

2) Intuitive & Non-stop Beat Making

The powerful 8-track sequencer supports un-quantized recording and non-stop editing, allowing you to create tracks and beats in real-time as you hit the pads.

With parameter locking, dynamic parameter recording is a breeze - simply press the REC button and tweak the knobs. You can also input exact values directly using the step buttons.

Using the D-pad Roll, you can choose between 7 re-trigger divisions from 8th to 64th notes, while controlling velocity by a pad pressure.

A single project consists of 128 patterns and 16 songs. It can be used not only for song production, but also for long live performances by connecting songs with non-stop editing and various MUTE modes.?

3) Powerful Signal Processing & Extensive Sample Libraries

Simultaneously utilize 8 track effects, delay, reverb, and master compressor to craft diverse sounds.

Track effects can be selected from 22 effect types, and the master compressor can be side-chained. (Can be switched to the master filter for performance.)

The included SD card contains 2,500+ samples from legendary drum machines like TR-808/909, LM-1, linndrum, DMX, Drumulator, SP-12, Drumtraks and TOM*, to ready-to-use the Early-Digital Sound samples.

4) Effortless Background Mix-Tape Recording

The Mix-Tape recording feature continuously captures all your performances in the background up to three hours.

Recording quality can be selected from six levels, from the lo-fi recording quality of a micro-cassette tape to high quality recording at 48 kHz-16 bit, the same recording quality as DAT.

Whether you're mixing down tracks, recording live performances in their entirety, or extracting choice beats and phrases from your daily jams, you will have a continually expanding resource of your sounds and music at your fingertips.

5) Versatile Connectivity with Other Devices

Import and export audio files via USB or SD card. The Lofi-12XT's unique file convert feature ensures typical audio files with differing sampling bit/rates are transformed into the signature Lofi-12 Sounds.

Connect a wide variety of audio sources, from dynamic microphones, electric guitars/bass, synthesizers, and even USB audio sources from PC/Mac or Smartphones.

With TRS analogue inputs and outputs, digital outputs via USB, and tempo sync through MIDI or audio sync, the Lofi-12XT seamlessly integrates with DAWs and various other devices.

Specifications

Sampler: 12kHz/24kHz-16bit (mono) with 12bit mode
Recording time per sample: Up to 40 seconds
Max. number of samples: Up to SD card limit (Up to 64MB - 256 samples can be loaded into each project)
Sample editing: Realtime
Sample slicing: User slice markers
Slice choke groups: Yes
Sample file import: Yes (USB and SD card)
Amplitude modulation: ASR/AR envelope
Filter modulation: ASR/AR envelope
Pitch envelope: Sweep envelope
LFOs: 2 per track
Polyphony: 20 voices internal + USB & External audio
Number of tracks: 8
Track types: 1 (various voice modes)
Sequencer: 128 patterns- 16 songs x 256 projects
Note(Step) length: 1/1 to 1/64
Steps per pattern: 128
Non-Quantize recording: Yes (with MicroTiming edit)
Parameter lock recording: Yes
Drum roll/Note repeat: Yes
Effects: 26 types
Simultaneous effects: 11 (1 FX per track + 2 send FX + 1 master FX)
Background mix-tape recording: Yes
Pads/Keys: 15 velocity-sensitive pads with RGB LEDs
Display: 1.5" OLED
Built in mic: Yes
Audio inputs: 6.35mm TRS, USB audio
Audio input types: Line In, Dynamic Mic, Guitar
Audio outputs: 6.35mm
Headphones: 3.5mm
Midi connectivity: DIN MIDI + USB MIDI

Hardware specifications

Pads: 15 velocity-sensitive pads with RGB LEDs

Controllers: Control knob x 5, Directional pad with 2 button controls 1.5 inch OLED display
Mono x 1 (Omni-directional, 94dBSPL)
Display: 1.5 inch OLED display
Built-in Mic: Mono x1 (omnidirectional, 94dBSPL)
Built-in Speaker: Mono x 1 (1.5W 402)

Audio Inputs

INPUT L / Guitar (Switchable 10k and 1MQ impedance)
[LINE Gain] PAD: -20dB
[Hi-Z Gain] LOW: 0dB, NORMAL: +10dB, HI: +20dB
INPUT R / Dynamic Microphone
[LINE Gain] PAD: -20dB
[MIC Gain] LOW: 0dB, NORMAL: +28.8dB, HI: +50dB

Audio Outputs

STEREO LINE OUTPUTS (Max +6.5dBV)
*The above jacks are all balanced 1/4" TRS Jack Connectors
PHONES jack (stereo 3.5mm mini jack type)

USB port: micro USB Type-B

MIDI ports
[USB Audio] USB 2.0 Full Speed, 48kHz-16bit
Input: 2 channels
Output: 2 channels
[USB MIDI]
[Mass Storage Class] USB2.0 High Speed
*For iPhone, Apple Lightning to USB Camera Adapter required separately MIDI IN connector (5-Pin DIN type)

MIDI ports
MIDI IN connector (5-pin DIN type)
MIDI OUT connector (5-Pin DIN type)

Other connectors
SYNC IN jack (mono 3.5mm mini jack type)
SYNC OUT jack (mono 3.5mm mini jack type)
SD card slot (Standard size *Supports SDHC cards up to 32 GB)
DC IN connector

Bottom side hole: 1/4-20UNC screw for tripod mount

Size and weight
Width: 147mm | approx. 5.8 inch
Depth: 175mm | approx. 7.8 inch
Height: 46mm | approx. 1.8 inch
Weight: 550g | approx.1 lbs 3.5 oz

Power supply

DC12V output AC adapter (500mA, Inner Diameter: 2.5mm, Outer Diameter: 5.5mm, Polarity: Center +)
Ni-MH AA SIZE Rechargeable Battery or Alkaline AA SIZE Dry Battery x 6
(Alkaline dry batteries life: approx. 4 hours)
*Batteries sold separately

Accessories
32GB SDHC card incl. 2,500+ samples
Power Supply Unit: Warranty
*USB cable and the other connection cables sold separately

Notes: Second-generation version of the 'noodler' device from Conductive Labs, the NDLR v2 aims to simplify music theory and unlock creative ideas, making it easy to create and perform arpeggios, drones, chords and other patterns. Hook up to your synths and software over MIDI, USB or analogue clock.

Supplier's notes:

Conductive Labs have turned complex music theory into a killer synthesizer jamming MIDI controller. With four parts that can play up to 8 synths, you can make fantastic electronic music, such as soundscapes, electronica, ambient, electro, or techno to name a few. Whether noodling in your music space after work or jamming with friends, The NDLR can take your music to amazing places!

Press one of the seven chord buttons, and the two arpeggiators and drone follow the chord notes while your polyphonic synth sings with pads.

There are start and stop buttons for each of the four parts, and a button to start/stop all parts. And there's a "panic" button to stop all MIDI notes.

A colour LCD screen shows you everything that's going on. A very flat menu structure keeps menu diving to a minimum.

Pick a key, a mode and control the BPM of The NDLR's MIDI clock.

With two sets of 5 pin DIN MIDI inputs and outputs, and four USB MIDI virtual ports you have lots of ways to connect your MIDI devices. There is also CV clock in and out connectors to sync with your Korg Volcas, modular or semi modular synths.

It works with MIDI hardware synths, and your DAW or tablet, if that's your thing.

Once you master the basics, dive into the 8x modulation matrix. It lets you animate most of The NDLR's parameters. You can even send LFOs to your MIDI gear.

The NDLR includes a Pattern editor to make arp and modulation patterns, a rhythm editor and now a Chord Sequencer too! Once you have your perfect piece, you can save your patches.

What's new in The NDLR (v2)?
By popular demand, a soft-power button has added. The NDLR (v2) is powder coated with a black faceplate and beautiful red base. And the internals were modified for a new, faster microcontroller. The feature set remains the same, though there are some surprises waiting to be discovered in the menus. So far, new features are being back ported to the original The NDLR via firmware updates, as long as it does not require the faster processor.

The Four Parts


The PAD part is a polyphonic chord player for getting beautiful PADs out of your favourite poly synth. Like all of the other parts, the PAD plays notes based on the selected global chord. When you press a chord button the notes stay on until you press the next chord or stop the part, so you can twist knobs on your synths or play a lead part on guitar. Change or modulate the chord octave position, note range, spread, and strum.

A really cool feature of the PAD part is the "Interleaved Poly-Chain". When enabled, this will send the chord notes to up to 4 MIDI channels in a round robin fashion. Really great for ethereal evolving patches on a multi-timbral synth, or for turning multiple mono-synths into a poly synth! Six voices from 2 Volca FMs? Sure!

There are two "Motifs" which are extremely versatile sequenced arpeggiators. Select a pattern for each one and press Play! Independently tweak on clock division, pattern length, octave position and more. You can create your own patterns with the onboard pattern editor, and add rhythm with the onboard Rhythm editor. The motifs play the notes contained in the currently selected chord, so you don't need to pick notes on a keyboard. The NDLR supports a 10 to 300 BPM clock so play as fast or slow as you like, or use an external clock source.

The Drone part can play a single continuous note like a traditional drone does... or choose from various retrigging options, such as having the note retrigger on a chord change, the down beat, every beat, up beat, etc. You can also choose to add a 3rd and/or 5th note to the root note for a polyphonic drone. Or have the drone play a thundering kick drum if you want to.

Hardware

Requirements:

USB Power Supply not included; The NDLR (v2) runs on 5V DC, 140mA. The original is 90mA.
The NDLR comes with a 6 foot USB cable. You can purchase longer or shorter cables as needed, with USB A to USB B connectors. Users of newer Macs may need to purchase a USB B to USB C cable or use an adapter.
MIDI Synthesizer(s); The NDLR is a MIDI playing device, it doesn't make any sound on its own, it sends MIDI messages to your MIDI sound modules. It can play most anything with MIDI input including vintage synths, modern synths, mono and polyphonic synths, software synthesizers, on an iPad, PC, stand-alone or VSTs in a DAW. Note that some vintage synths or synths with poor MIDI implementations may be prone to getting stuck notes. Use the Panic button on The NDLR when needed.
To connect many synths, and for the best MIDI timing we recommend using an active, 1 input to 4 or more outputs MIDI thru device or MIDI router, such as the MRCC.
The NDLR has rich velocity controls if your synths support velocity, not all do.
The NDLR can be controlled with an external MIDI controller or sequencer. See The NDLR Setup Examples in The NDLR User Manual for details.

Physical Layout:
Dims: Size 9"W x 6.3"L x 2.8?H (22.8 x 16 x 7.1cm)
Color LCD Screen 1.8" (128×160)
8 Rotary Encoders w/ switch
7 Chord Buttons (degree / type)
4 Play/Pause Buttons (PAD, Drone, Motif 1, Motif 2)
Motif 1 or Motif 2 Select
Global Play/Stop Button
Shift & Menu Buttons
Recessed Firmware Update Button (upgrades via USB)

Physical Input/Output:
2x MIDI 5-Pin Inputs
2x MIDI 5-Pin Outputs
1x USB w/ 4 Virtual USB MIDI I/O ports + Power
1x Clock Out 1/8th inch jack
1x Clock In 1/8th inch jack
Limited Warranty:
The NDLR comes with a limited warranty to the original owner for 1 year (or the minimum time required by law in your country) from the time you received it.
Consumables, such as the USB cable and accessories have a 90 day limited warranty.

MIDI

MIDI-in Options:
Connect a MIDI keyboard or sequencer and The NDLR selectable transpose MIDI channel to transpose from the key of "C" to the current NDLR key & mode.
Use a MIDI keyboard or sequencer to select chords. Choose The NDLR "Control-In" MIDI channel. The white keys map to chord degrees I-VII. Optionally black keys map to the chord type. Sonority is automatic based on key & mode.
Most features of The NDLR can be controlled by inbound CC messages.
All notes and CCs pass thru except for The NDLR control channel.
With 2 MIDI 5 pin and 4 USB MIDI in and outs, The NDLR is a MIDI merger and a MIDI splitter. See the manual for details.
MIDI-out Options:
Selectable Drone MIDI-out channel (Off, Pad, 1-16). Pad choice means same as Pad channel.
Selectable Pad MIDI-out channel (1-16). Poly-chains play on next successive MIDI-out channel(s). Example: Pad MIDI-out ch = 4. Polychain = 1 - all pad notes on ch 4. Polychain = 2 - every two notes plays on channels 4/5. Polychain = 4 - every 4 notes plays on channels 4/5/6/7. If you are playing 6 notes with Polychain = 2, note1->ch4, note2->ch5, note3->ch4, note4->ch5, note5->ch4, etc.
Selectable Motif 1 MIDI-out port and channel.
Selectable Motif 2 MIDI-out port and channel.
MIDI out ports are USB 1 thru 4, and 5 pin din MIDI A and MIDI B.

Notes: mioXL- The MIDI interface redefined

mioXL is iConnectivity's flagship MIDI power-house, packed full with the very best technology and innovations. With mioXL it's never been easier to get huge amounts of MIDI gear connected and talking to each other. Harness the power of iConnectivity's advanced computer and network connectivity and experience why mioXL redefines what a flagship MIDI interface can and should do.

Connect all your MIDI devices (USB-MIDI, DIN-MIDI, RTP/Network-MIDI) and Mac, PC, and iOS computing devices to each other, and let this rugged, versatile interface put you in control of your MIDI devices and workflow.

On stage or in the studio, RTP/Network-MIDI capability means you are no longer constrained by cable length or limited USB ports. Stack multiple interfaces and computers on a network for ultimate scalability and flexibility.

With mioXL you're able to streamline and expand your MIDI setup, no matter how massive and demanding. Even though it's iConnectivity's most powerful MIDI interface, mioXL is still accessible to all users, allowing you to do whatever you want with MIDI faster, better, and in creative and exciting new ways.

What makes mioXL unique? The iConnectivity difference.

Next-gen Ethernet RTP MIDI adds massive capability and flexiibily

iConnectivity's next generation RTP/Network- MIDI capabilities, and what they'll do for you.

Ethernet connectivity means MIDI is on the network wherever you need it. Regular USB connectivity limits you to keeping your interface within 15ft of your computer. Ethernet connectivity gives you up to 330ft / 100m connection between you and your interface. Drop an interface in every room of your studio, or place an interface virtually anywhere in a venue.

RTP/Network-MIDI is not bound by some of the same restrictions as USB-MIDI.

Easy renaming of network ports - have them show up the way you want them to in your DAW.

Access to more than 22 ports per interface.

iConnectivity's unique network technology is as easy to use as USB! Enjoy your new-found MIDI power without extra headaches.

Use your 22 network MIDI ports anyway you want. Connect each of the 22 RTP-MIDI sessions to any combination of physical or virtual I/O ports. Almost any combination is possible.

Configuring mioXL:
Introducing a new version of iConnectivity's Auracle control software: taking the simplicity of workflow that the original Auracle introduced but now with the added deep configuration functionality that iConnectivity are known for. All the deep configuration options you asked for: MIDI merging, filtering, remapping, and deep routing are all there and super easy to use.

mioXL's display, rotary encoder and capacitive touch controls make navigating presets and monitoring MIDI traffic easy

Presets onboard:

Need to configure your MIDI setup in multiple ways? No problem!

New to mioXL : store and recall up to 32 presets directly on the interface, without even needing a computer!

Easily store and recall unique MIDI routing, filter and merging setups to preset scenes, and recall them all directly via the mioXL front panel.

mioXL's OLED display and encoder wheel gives you a crisp clear way of monitoring MIDI traffic, viewing, and selecting presets.

mioXL makes you the master of your MIDI domain. The MIDI interface: reinvented.

What's in the box:

1x mioXL
1x USB Cable.
1x Ethernet cable
1x mioXL 12V 36W Power Supply with interchangeable blades (NA, EU, UK and AU (Australia only)).

Device Specifications:

Width: 482.6 mm/19 in
Height (1U): 44.45 mm/1.75 in.

System Requirements

Macintosh
Mac OS X 10.11 or greater
1 free ethernet or USB port

Windows
Windows 10 or greater
1 free ethernet or USB port

iOS
iOS 8 or greater with Camera Connection Kit (CCK)*
CoreMIDI compatible app

Notes: Polyphonic sequencing from Elektrofon, the Klang allows you to program and perform chords and multi-layered harmonies. Circular clock-style display gives visual feedback and real-time indication of chord progressions.

Supplier's Notes:
«Klang» is a 4 voice polyphonic controller. It stores, traverses and manipulates chord progressions.

Overview

«Klang» is a unique take on polyphonic control within Eurorack.

Displaying chords in a circular clock-like display, and giving the user immediate control over every aspect without "menu diving" makes for an easy to use and inspiring module.

The module can store up to 99 chords, where each chord is made up of 4 voices.

Each voice is represented by a colored indicator on the clock-face which in turn is controlled by an encoder.

The indicators points to notes on the chromatic scale drawn in 360- around the clock-face.

Interface

The big grey encoder in the middle of the module lets you browse the chords - the active chord and total chord count is shown just above the encoder on the display.

The + button lets you ad a new chord. The new chord is added after the currently active chord, and the new chord is then set as the active chord.

The - button removes the current chord.

Inputs

The module has 3 inputs - 1 trigger input and 2 bipolar CV inputs.

Trigger input

The trigger input triggers a chord change.

If the direction input is unconnected, a single trigger results in a single step in the forwards direction.

Direction input (+-5V)

The direction input normalizes to a single step in the forwards direction.

You can feed this input a bipolar CV (+-5V).

Direction maps the total chord count to 5V. This means that +5V results in a single trigger progressing +n steps, where n is the total chord count.

A negative voltage will do exactly the same but resulting in backwards stepping.

0V equals no movement.

Transpose input (+-5V)

This bipolar CV lets you transpose the current chord up or down within 1 octave.

It is therefore a 5V/oct input.

The reason for this is that it is intended to be used with an analoge voltage source like the Pressure Points from Make Noise, or any other analoge sequencer.

It is much easier to fine tune a 5V/oct signal with a regular potentiometer than a 1V/oct signal.

Outputs

Each voice has a separate color coded 1V/oct CV output.

Notes: Amazing all-rounder from one of the most creative brands in the controller market. Compact 37-key format packs in polyphonic sequencers, MIDI and CV outputs and great performance options.

Supplier's notes:
If you prefer keys to pads, you're in for a treat. KeyStep Pro features a great-feeling 3 octave keyboard with velocity sensitivity and aftertouch. Letting you fully articulate your musical ideas, this expressive little sequencer truly puts the power at your fingertips.

KeyStep Pro works the way you want it to, and removes the barriers between you and the music you want to create.

Version 2.0 of the free Firmware update (July 2021) has these enhancements:

Global transpose - Transpose multiple melodic tracks at the same time

Global value offset - Apply a relative offset for any of the 5 main controls for every step across the selected track pattern

Recording Arpeggios in sequences - You can now record arpeggios into a sequence

Recording Chord Mode - You can now record 'Chord Mode chords into a sequence

Arpeggios while stopped - You can now create and play arpeggios while KeyStep Pro isn't playing

MIDI Thru - MIDI Out 2 can now be set to Thru mode

Mono Mode: The mono mode has been refactored for a smoother experience

Arpeggio swing - You can now add swing amount to arpeggios using Shift

Step Listen - Trigger sequence steps without playing a sequence so you can preview your notes

Various workflow and UX improvements

Bug fixes - Various improvements to workflow and functionality

Notes: ALM Eurorack cases are available in a range of sizes all including an integrated powered bus boards.

The cases all feature anodised aluminium construction, an on/off switch, rubber feet, and high quality switched powered bus boards with numerous keyed headers and ample power capacity.

These are simple and compact Eurorack cases, perfect for small, focused systems, taking along on travels, or as a tabletop addition to a larger setup.

Cases are available in 4 sizes; 3U 84HP / 6U 84HP / 3U 52HP / 6U 52HP sizes. They all offer 1 Amp on both the -12V and +12V rails per row.

Great modern cases

The ALM powered Eurorack case was originally designed for the System Coupe. Wider interest has seen it evolve into a range of different sized cases being made available by themselves.

A fixed solid bus board provides quality ample power and plentiful keyed power connectors. The shielded DC/DC power converter is low noise and includes overload and short circuit protection. Fixed, quality mounting rails are used over sometimes frustrating sliding nuts. The case has a great looking all anodised aluminium construction that is both strong and light.

The case proportions are designed to look great on a table or desk (not too deep, just enough) and also be easy to fit in a bag and transport.

Decksaver case covers are available currently for the 3U/84HP, 6U/52HP, and 6U/84HP cases.

3U / 52 HP

Provides up to 1 Amp power on each -12V & +12V rails.
Connections for up to 9 modules.
Includes 2 Amp power 'brick'

Notes: KeyLab mk3 is a fully-featured MIDI controller that offers unparalleled control of software and hardware instruments.

Engineered for intermediate and advanced producers and experienced music makers alike, it fits perfectly into any setup with comprehensive DAW integration, advanced performance features and an enhanced keybed and interface; all integrated seamlessly within a robust wood and aluminum casing.

Whether sculpting a studio masterpiece or channeling the raw energy of a live performance, KeyLab mk3 removes every creative obstacle and offers intuitive, comprehensive controls that ensure musicians can find their expression.

Deep integration

The most advanced DAW integration of any controller. KeyLab mk3 can use MCU and HUI protocols as well as smart mapping technology. This, coupled with the seamless integration with Arturia software, and advanced user programs, makes KeyLab mk3 a must have tool for demanding musicians and producers.

Superior playability and finish

KeyLab mk3 combines excellent design with high-quality wood and aluminium components. The enhanced keyboard and robust construction ensures reliability and durability - meeting the demands of professional use.

Full creative control

Alongside its high quality, touch-sensitive controls, KeyLab mk3 is also fully customizable and easy to navigate with its full colour display. Adjust settings directly on the unit, or via the included software, for a personalized experience that adapts to all creative processes and performance styles.

Advanced creative features

KeyLab mk3 includes innovative tools like Scale, Arpeggiator, and Chord modes, enhancing your creative capabilities. These features allow musicians to explore new musical ideas and create advanced compositions effortlessly, making it a powerful ally in both the studio and live performances.

NEW enhanced keybed - Have greater control of synth and piano sounds with a full rework of keyboard balance, weighting and spring tension.

NEW visual interface - Have full control of settings, parameters and custom mappings with a 480x320px screen controllable with 8 contextual buttons.

NEW touch-sensitive potentiometers and faders - Have a greater degree of control with nine 360- rotary potentiometers and nine faders.

NEW creative features - Take your expression further with inspiring creative tools including a new Scale, Arpeggiator and Chord mode.

NEW pad capabilities - You can now harness a total of 4 Pad Banks of 12 pads for finger drumming, clip launching and endless mapping possibilities.

NEW software bundle - Kick-start your creative journey with pro software included: Analog Lab Pro, Mini V, Piano V, Augmented Strings, Rev PLATE-140, Ableton Live Lite, NI The Gentleman, Loopcloud & Melodics.

Included Software

Analog Lab Pro (2000+ sounds)
Mini V
Piano V
Augmented Strings
Rev PLATE-140
Ableton Live Lite
NI The Gentleman
2-month Loopcloud subscription
Melodics subscription with dozens of lessons

Box content

Quick Start
Registration card
USB Cable (C/A)

Dimensions (Weight/Size)

Gift Box:

7.9 kg/17.41 lb
882x369x148 mm / 34.72 x14.52x5.82 in

Product:

6.1 kg / 13.44 lb
30.98x11.02x2.83 in / 787x280x72 mm

Notes: With Mantis, Tiptop took their years of experience with Eurorack to create a low-cost case that makes the Eurorack modular synthesizer look, work, and feel like a professional instrument. Mantis is an instrument that is at home on stage, touring, or in the center of the studio.

Mantis has two rows of 104HP for you to rack your modules. It comes fully powered and assembled, just drop in your modules and play.

Using its sophisticated leg mechanism, you can set it to three different positions: 0, 45, and 90 degrees.

Power Power and more Power! With Mantis, say bye-bye to the tedious, never-ending calculation of current consumption for the i12V power. Mantis comes with a juicy Zeus power supply that delivers plenty of power both now and for the future.

Mantis is beautiful and the color contrast between legs and body gives it its identity. Legs are offered in 4 different colors so anyone can find the right look.

Mantis comes with real Z-Rails made according to Eurorack enclosure standards. No sliding nuts or wrong spacing! It also has keyed power connectors to help protect your modules from damage from plugging the power in in reverse.

Using the optional bracket accessory Mantis can be doubled up to 416HP! Multiply your Mantis and watch your studio setup grow...

Weighing only 3kg/6.5lb, Mantis is so light, traveling has never been so relaxed.

The Dual Mantis Studio Brackets pair lets you connect two Mantis together in a robust and elegant solution. This setup is fixed and is recommend mainly for studio use. The brackets are cut precisely by laser from a sturdy metal and then coated twice for a nice smooth finish that matches the Mantis light gray color. They come with sixteen screws and special washers that help hold the screw in place during assembly and keep a tiny gap between the brackets and the Mantis. Installation is fairly simple and takes about 30 minutes to complete.

***UPDATE - MAY 2021 ***
As of May 2021, all Mantis cases shipped have a small update to the design. The connector for SyncBus is no longer included. This connector was never used as Tiptop didn't develop the cable for it, and the connector is no longer in production by the manufacturer so it was removed. The Mantis still has the same power supply and functions as before.

Notes: Bluetooth-equipped version of Audio-Technica's excellent LP120 turntable. Built-in USB connection allows you to hook directly up to a PC for recording vinyl. Great value.

Supplier's Notes:
This version of Audio Technica's critically-acclaimed AT-LP120X USB, now features full wireless Bluetoothr 5.0 connectivity, allowing you to enjoy your favourite vinyl records on the latest Bluetoothr speakers and wireless headphone technology.

The LP120XBT-USB can be plugged into PC, Linux or Mac allowing you to record and convert your vinyl collection to digital tracks, while the fully manual tonearm puts you in control, allowing you to position and set playback wherever you like.

Taking Your Vinyl to the Next Level

Crystal Clear Bluetooth Wireless Audio

Compatible with most Bluetoothr speakers and headphones, the LP120XBT-USB pairs seamlessly to your devices. Simply press the Bluetoothr button, located next to the tonearm, for 4 seconds and connect to your chosen speakers, it's that simple.

You can also connect to Bluetoothr wireless headphones, giving you the flexibility to enjoy your vinyl records without the clutter of wires or having to be near your turntable and music setup. Sink into your comfiest chair and wirelessly enjoy over half a century of Japanese audio engineering and sound excellence.

Bluetooth 5.0 Technology

USB and Analogue Output

Plays 33-1/3 RPM, 45 RPM and 78 RPM Records

AT-VM95E Dual Magnet Phono Cartridge

Multiple Connectivity Options

Plug and Play

The LP120XBT-USB is designed to give you a high-quality listening experience that's easy to enjoy right out of the box. A built-in preamp means the LP120XBT-USB can be plugged directly into your existing speakers, or, with the simple press of a switch, connect wirelessly via Bluetoothr 5.0 to any Bluetooth-compatible speaker, supported home assistant or wireless headphones. Space saving with no external amps, no clutter and no mess; just incredible sound and reliable features designed with over half a century of Japanese audio innovation.

The LP120XBT-USB can also be plugged directly into your computer, for audio playback via your PC speakers or for simple and easy backup and transfer of your vinyl records to playback on your smart devices when on-the-go.

Over 55 Years of Analogue Excellence

Iconic Sound Loved The World Over

The LP120XBT-USB and LP120XUSB line are some of the best-selling turntables around the world, with over 2,500 5-star reviews on Amazon and consistently high feedback from beginners, music lovers, professionals and audiophiles. Audio Technica designed the LP120XBT-USB with you in mind, eliminating the need for expensive amps or convoluted speaker setups.

Based on the iconic DJ turntables and almost 60 years of Japanese audio innovation, the LP120XBT-USB lets you plug directly into your favourite speakers, or enjoy your vinyl collection wirelessly via Bluetoothr to your smart speakers or wireless and truly wireless headphones.

Specifications

Turntable
Type: 3-speed, fully manual operation
Motor: DC servo motor
Drive Method: Direct drive
Speeds: 33-1/3 RPM, 45 RPM, 78 RPM
Turntable Platter: Die-cast aluminum

Notes: Derived from the excellent Lyra-8, the Lyra-4 features a similar 'organismic' approach to synthesis. Four-voice non-linear architecture offers unique tones in a compact, portable format.

Supplier's Notes:
Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.

LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into two pairs (12, 34), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-4 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg

What's included:

LYRA-4 - 1 pc
Power supply - 1 pc

Notes: Another cracker from Xaoc, the Timiszoara is a take on digital multi-effects with stereo in and out, an intuitive interface and CV control of effect parameters. Big power with 176 factory programs.

Supplier's Notes:
Timiszoara is a stereo, Eurorack compatible, voltage-controlled multi-effect signal processor based on the popular Spin Semiconductor FV-1 DSP chip. It features a full stereo signal path with two adjustable audio inputs, two outputs, and a stereo voltage-controlled wet/dry mixer. In addition, there is a microSD memory card slot on the front panel that allows for loading factory and custom effects without any restrictions or copyright protection, which means you can use many effects available on the Internet and even create your own.

Effect programs are organized in banks of 8 and can be selected using a rotary encoder, as well as CV and trigger signals. Timiszoara features a crisp OLED screen that displays the program parameters and its name. It also facilitates navigating the list of banks. Up to three parameters per effect can be controlled from the front panel with illuminated slider potentiometers and dedicated CV inputs.

Xaoc Devices have prepared quite a few banks of algorithms (176 in total) that cover most effects needs: delays, reverbs, filters, modulation effects (such as choruses and flangers), pitch shifters, and, of course, shimmers (no multi-effects unit would be complete without its share of those). However, Xaoc Devices wanted to ensure that users had access to some more adventurous programs, so some special banks have been created to allow you to take a walk on the wild side.

For detailed description, please refer to the manual.

Technical details:

10hp, skiff friendly
Current draw: +120/-45 mA
Reverse power protection

Notes: Clever sequential signal processing from Joranalogue, capable of a range of functions including toggling signal muter/attenuator, clock divider, rotating shift register or programmable voltage bank.

Supplier's Notes:
Sequencers, sequential switches, counters, analogue shift registers... Modular synthesisers provide a wealth of creative sequential functions for controlling and processing signals. Choosing which of these to include in a system can be a bewildering task.

Except when you don't have to choose. Step 8 represents a new type of modular building block: a sequential tracking/sampling register, which can be configured to provide any of these functions, and many more.

At its heart lies an analogue 1-to-8 signal switch feeding an octet of high-stability track/sample-and-hold stages. Each of these has its own analogue output with an attenuation slider, in addition to a gate output. LEDs visualise the status of each stage in real time. The switch can be controlled sequentially using the built-in 8-step counter, or addressed directly by an analogue control voltage (CV).

Numerous advanced circuit techniques are used to avoid the issues that often plague analogue switching and memory modules. The result: totally transparent signal paths with low noise, distortion and voltage 'droop', yet high bandwidth and precision.

Add to this the ability to 'mute' the inactive stages, pause the counter, reset it, change its direction or even shift the stages on each step, and the possibilities quickly become near-endless. A scanning output takes things even further, particularly making sequencer or addressed voltage source use easy and intuitive.

For those who are feeling adventurous, there are always more applications to try: configurable voltage mapper, hocketing controller, clock divider, graphic waveshaper, multi-output analogue downsampler... Discover a new world of sequential synthesis with Step 8.

16 HP
+12: 110 mA, -12: 45 mA

Notes: Serious versatility from AJH here. Based on the circuits from the Oberheim Matrix 12, the Matrix VCF offers a whopping 16 different fully analogue filter modes, each with two different resonance models. All bases covered.

Supplier's Notes:
Presenting the new AJHSynth Matrix VCF - this may well be the most versatile Eurorack VCF ever.

This amazing multimode filter and VCA offers sixteen different filter types, and two different resonance models on each, totalling an incredible thirty two assorted resonant filters to choose from. AJH Synth have also included manual and CV control of filter type selection, along with 16 LED's that give a clear visual indication of which filter type is currently selected.

The filter core circuitry is based on that of the rare and highly sought after Oberheim Matrix 12 synthesiser, and of course has an all analogue signal path. The Matrix 12 VCF originally offered fifteen filter types, however AJH Synth have expanded this to 16 with the addition of AP4, a full four pole all pass phaser mode.

AJH Synth have added a unique P-Vox resonance distortion and overdrive circuit that changes the character of the resonance completely, and can force all of the filter modes into self oscillation. This effectively doubles the filter variants and hugely broadens what is already a very impressive sound pallet.

Other features include an inbuilt VCA with Input and Output Level controls, a Peak level LED, CV control of resonance, and of course the legendary AJHSynth build quality.

The Matrix VCF in depth

After two years of development AJH Synth have finally released what they consider to be the most versatile Eurorack VCF & VCA ever. Like many other AJHSynth modules it uses the very best vintage analogue circuitry as the starting point for the design, and in this case, the filter was chosen from the rare and very desirable Oberheim Matrix 12 synthesiser. AJH Synth expanded this from the original fifteen filter compliment to sixteen distinct filter types by adding in a really useful four pole phaser!

So, behind the compact 14hp front panel lies sixteen distinct filter types, including all of the favourites: Low Pass filters with a choice of one, two, three or four poles, Band Pass filtering with two or four poles, High Pass filtering with one, two or three pole options, along with Notch filtering and four complex, combination filter types. Finally, a four stage phaser with two types of emphasis that can be forced into tuneful self-oscillation!

However, this is far from the end of the story. AJH Synth decided to use their design expertise to add in some crazy resonance distortion circuitry, that could be switched on from the front panel. This was inspired by the filter from the Soviet Polivoks synthesiser, but again the implementation used here is considerably changed, improved, and best of all this can be applied to all filter types! This completely changes the filter character when engaged, and it forces all of the filters into self-oscillation at higher resonance settings. Better still, the oscillation waveforms are more harmonically rich than the usual sine waves - everything from gloriously fat to screaming and angry! Best of all, this takes the number of different filters up to a massive thirty two variations!

AJH Synth put a lot of thought into the ergonomics and how to select the individual filter type. Filter type can be changed either with the front panel Mode knob, or by using a control voltage patched to the MODE CV input. The selected filter mode is displayed by the LED next to the filter in use. This is also very helpful when using a step sequencer to change filter mode as it gives a real time display of the filter chosen as you take the step CV voltage up or down, while setting up each individual step.

Lastly, AJH Synth have also included a VCA hard-wired to the output - simply patch an envelope or an LFO to the VCA input, connect a VCO to the audio input and you have a synth voice (with a choice from 32 different filters!) using only three modules!

Thirty two Eurorack VCF's and a VCA would most certainly take up a lot of rack space - AJH Synth have got all of this into 14hp and managed to have a really finger-friendly user interface, without it feeling cramped.


Sixteen distinct filter modes to choose from

Here's a list of the different filter modes that are available:
1 - Four Pole Band Pass
2 - Three Pole High Pass combined with One Pole Low Pass
3 - Three Pole All Pass combined with One Pole Low Pass
4 - Two Pole Notch combined with One Pole Low Pass
5 - Two Pole Low Pass
6 - Four Pole All Pass (Phaser)
7 - Four Pole Low Pass
8 - Two Pole Band Pass
9 - Two Pole High Pass combined with One Pole Low Pass
10 - Three Pole High Pass
11 - Three Pole All Pass
12 - Two Pole Notch
13 - One Pole Low Pass
14 - Two Pole High Pass
15 - Three Pole Low Pass
16 - One Pole High Pass

All of the above filter types can be further altered by switching in P-Vox mode, this doubles the list up to thirty two different filter variants!

P-VOX MODE

Transforming the resonant character of every filter type

This magical switch completely transforms the resonance of the filter core by overdriving it in a similar fashion to the filter from the Soviet Polivoks synthesiser, which was renowned for it's powerful, aggressive character.
In common with the Oberheim Matrix 12 VCF, some of the sixteen filter types will not normally go into self-oscillation, however when you switch on P-Vox mode all sixteen filter types can be forced into self-oscillation at higher resonance settings. But that isn't the only change, the self-oscillation waveform is not the usual sine waveform, it is a rather more interesting and harmonically rich waveform that varies according to the filter type chosen - generally Low Pass modes produce the nearest to regular sine waves, whereas other filter types can produce very much more complex waveforms as can be seen in the diagrams below. It does not require any audio input for this, it can be a stand alone oscillator. Most of the filter types will track 1V/Oct reasonably well over a three to five octave range, so it can be used as a VCO with a few interesting waveshapes!

Of course, P-Vox mode isn't just useful for self-oscillation, it adds lots of character to any audio signal as P-Vox resonance is switched in.

Module Width: 14hp
Module Depth: 29mm (Including power lead)
Current Usage: 56mA Positive, 36mA Negative