搜索结果

Notes: An advanced, feature laden, stereo overdrive and distortion pedal with a broad range of options and controls. With the Operation Overlord - whether you play keyboards, guitar, bass or pretty much any electronic instrument - dialling in great drive sounds is fast and fool-proof. Active, Treble, Mid and Bass controls, a foot-switchable Boost mode and a dry blend deliver superlative sound shaping. It even features two independent channels for use with stereo setups. Whatever your rig, the Overlord is your indispensable ally.

Notes: EHX has grafted technology found in keyboard and modular synthesizers into a pedal designed for guitarists and bass players. The Blurst modulates an instrument's sound like an envelope filter, but instead of the filter's response being controlled by playing dynamics, it's controlled by an internal oscillator. The Blurst is a must have for the adventurous player who wants to explore new sonic territory!

Introducing the Blurst, a radical modulating filter. It's an effect often used on synthesizers, but we've designed the Blurst especially for guitar players and bassists who want to explore new sonic territory.

It features an analog, low pass filter with adjustable resonance, three modulation waveform shapes, tap tempo with tap divide and EXP control over Range, Rate or Filter. An EHX 9.6DC/200 AC adapter is included.

The Blurst is a must have for the experimental musician and works well with an expression pedal, the EHX 8-Step Program and other control voltage sources. Whether used alone or with other effects, the Blurst's hypnotic effects are spellbinding!

Notes: 44 watts of clean and natural power in a pedal-sized package!

The EHX 44 Magnum Guitar Power Amp head delivers 44 watts of clean and natural power but can also deliver a true amplifier overdrive at the turn of a knob. From your pocket to the stage, the 44 Magnum is the perfect gigging and practice solution. Despite being described as a "guitar head" the 44 has the character and control to work with any electric instrument. Flip the brightness switch for a more defined top end. The sweet tone with an extra power edge that can sit in any backline.

44 watts of power into 8 or 16 ohms
Tone switch toggles between a neutral, flat setting and a Musical top end boost
Maximum headroom potential
Can be driven to a natural, true amplifier saturation
Fits in the palm of your hand
Power adapter included

SPECIFICATIONS
Circuit
Analog
Audio
Mono
Power Supply
24VDC-3000mA power adapter included
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
2000mA
Year Released
2010

Notes: The EHX 45000 Foot Controller makes everything faster and easier by delivering hands free operation of the key functions of the 45000 Multi-Track Looping Recorder. Choose a new track or loop without missing a beat. Get instant access to up to 100 loops per SDHC card. Record and Play new loops with ease.

The Foot Controller receives power from the 45000 and connects to it with a standard mono guitar cable. It's a must have!

The 45000 Foot Controller allows you to use your 45000 remotely, with your feet!
Provides instant access of up to 100 loops per SDHC card
Gives you access to Track Select, Record, Play, Loop Up and Loop Down
Large dual digit display indicates the 45000's current loop number
The Foot Controller obtains all of its power from the 45000 using a standard 1/4 guitar cable
No power required

Specifications:
Circuit: Digital
Audio: Mono
Dimensions (in): 5.75 x 4.75 x 2.5
Year Released: 2013

Notes: Classic mid-focused symmetrical overdrive with the edge of NYC!

The EHX East River Drive is a JRC4558 IC based pedal that's as bold as New York City. Symmetrical overdrive adds edge and gain without compromising tone. Volume and Drive take it from sweet to searing while Tone lets you dial in just the right amount of bite to cut through the mix. No matter how hard you drive it, you're always in control. True bypass and tone that is absolutely unflinching at a musician-friendly price!

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 6mA
Year Released: 2013

Notes: Capture a frozen moment and turn it into a tonally unique sonic foundation. The Freeze Sound Retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. Release the footswitch and you are again sample ready.

Three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions.

Hook the Freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard.

It's like adding an extra musician to the band.

*UK230V power adapter included*

Notes: Provides boost and definition, and improves the gain and saturation of your amp!

An exact re-creation of the original LPB-1 circuit, which ushered in the age of overdrive in 1968. Put the EHX LPB-1 in front of any effect to dramatically increase definition from its cleaner and heavier input drive. Control the gain and saturation of any amp. The LPB-1 puts impact into your tone.

True bypass
Tough and compact die-cast chassis
9V battery included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 1mA
Year Released: 2006

Notes: We took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound!

The EHX Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself!

Crushing distortion
Singing sustain with attitude
Compact, rugged nano enclosure
True bypass
Adjustable tone
9V battery included

Specifications:
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
3mA
Year Released
2013

Notes: Budget-conscious chorus pedal with amazin shimmering doubling effect!

The heritage of classic Electro-Harmonix Small Clone chorus comes full circle in an economy version. The EHX Nano Clone presents a lush, true analog chorus at a very affordable price.

True bypass
Rate knob
Tough and compact die-cast chassis
9Vbattery included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 12mA
Year Released: 2006

Notes: Delivers overdrive and distortion with impact, and the modern player in mind!

The EHX OD Glove provides a rich, overtone laden sound that doesn't get muddy. Responsive controls that take you from sparkling, clean boost through brown crunch and all the way to thick, saturated hi-gain. Advanced features like Tone Shift and selectable 9 or 18V internal voltage for surgical sound sculpting.

Versatile MOSFET overdrive/distortion
Tone Shift switch
Selectable 9V or 18V internal voltage
True bypass
Tough, compact die-cast chassis
9V battery included

SPECIFICATIONS
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
12mA
Year Released
2013

Notes: Transparent overdrive with great touch and response!

Tone aficionados kept telling Mike Matthews about a pedal that had achieved a lot of buzz because it was only obtainable at an exorbitant price. That pedal was the Klon Centaur.

A believer in bringing great tools to starving musicians, Mike tasked his trusty team to create an affordable alternative, and that is how the EHX Soul Food Transparent Overdrive was cooked up.

Its circuitry features boosted power rails to provide abundant headroom and increased definition. Best of all, you don't have to be a rock star to own one!

Transparent overdrive
Boosted power rails for extended headroom and definition
Super responsive
Compact, rugged design
Selectable true bypass or buffered bypass modes
Power adapter included

Specifications

Circuit: Analogue
Bypass: Selectable True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 22mA
Year Released: 2013

Notes: A convenient solution for a player's switching needs!

Route your signal to either output A or B, or send it to both at once. Connect a tuner or effects pedal to its dedicated Tuner output. With a fully passive audio path and active LED indication, the EHX Switchblade+ is your utilitarian sidekick.

Route your signal to output A or output B or both simultaneously
Easily switch between different pedal boards
The tuner jack is hardwired to the input jack and provides a direct output for a tuner or other effects regardless of the state of the unit
The audio path is completely passive

SPECIFICATIONS
Circuit
Analog
Audio
Mono
Power Supply
Optional 9V battery or 9.6VDC-200mA power adapter not included
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
16mA
Year Released
2011

Notes: Unlock more tonal possibilites from the legendary fuzz than ever before!

The EHX Big Muff Pi with Tone Wicker taps into the sonic power of the legendary Big Muff Pi, but creates new tonal possibilities at the flick of a switch i or two. Use the Wicker switch to open up three high-frequency filters for raspy, sustaining distortion with top-end bite, or flick on the Tone switch to bypass the tone control for unabated tonal slam. Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone. The ability to create your own personal Big Muff sound is what truly makes this the Wicked Wicker.

The Wicker switch opens up 3 high frequency filters providing a sustain that is raspy and defined
The Tone switch completely removes the tone control, providing you with a devastating broadband Big Muff slam!
With the Wicker switch off and the Tone switch on, you have the original Big Muff Pi
True bypass
9V battery included

SPECIFICATIONS
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
5mA
Year Released
2008

Notes: Delay and granular sampling combine to create unique ambience effects, creative reverbs and glitchy chaos. Hugely versatile pedal with five contrasting programs.

Supplier's Notes:
In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old, but in part very new. They are referred to as... Fable.

Let your storybook adventure grows with the Fable Granular Soundscape Generator. The Fable gives you five all-new programs centered around sample and chop delay algorithms to create bizarrely beautiful networks of sampled and resampled sounds. The Fable uses a powerful dual DSP architecture to combine delay programs in series with granular sampling algorithms, each with its own analogue feedback path. Find unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

So, what exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they're read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, in order to achieve different effects.

It's a powerful but complex technique and Walrus Audio created five streamlined programs in the Fable that explore different aspects of its sonic range.

Programs

I. Reverse Delay into Reverse Granular

Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

II. Forward Delay into Octave Up Granular

Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

III. Analogue Delay into Octave Down Granular

Program 3 runs a warm, dark analogue-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combine with analogue-style processing to create deep, thunderous footfalls and thick, murky ambience.

IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)

Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

V. Forward Delay into Randomized Pitch Granular

Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Germanium Filter is Death By Audio's love letter to sticking a pencil in your speaker.

Start with a console-style drive circuit, add in a dash of obsolete germanium transistors and finish it off with a super intense DBA-style filter - BLAMO! You've got a sound heavy enough to crush on and sharp enough to slice a tomato.

The Filter control is extremely unconventional - it'll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Germanium Filter will help you find the sweet spot for your instrument in any situation - at a show, in the studio, or even stranded on the side of the highway after your tour van catches fire - hey, it happens!

The Gain knob starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be cranked up to infinity-and-a-half and captured on tape by the most incredible recording engineer you've ever heard - only there's no engineer and no studio. Just you, your guitar, your amp and the Germanium Filter.

Controls

Filter: Controls the frequency response of the pedal, featuring huge low end, scooped mids, and sharp, piercing highs.

Gain: Sweeps from mild overdrive to blasted-out fuzz. Very interactive with your guitar's volume control.

Volume (internal): Controls the overall output level of the pedal.

Specifications

Dimensions: 5" x 2.5" x 2.25" (including hardware).

Weight: 10.6 oz

Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).

Current Draw: 5 mA.

Notes: The Seabee is a multi-chorus pedal that delivers the finest analogue bucket brigade chorus tones, but like any Beetronics, it goes a few steps further. By digitally controlling the chorus delay time, the Bees have created Harmochorus - a never-before-heard pitch shifting modulation that can certainly inspire new genres.

Three Chorus modes provide the classic, lush chorus and vibe sounds we all love, with each mode offering the ability to control the effect in different ways. Vary between two different speeds and/or depths, go from zero to full depth intensity, or even increase the chorus delay time for a whole new spectrum of sounds.

Three Harmochorus modes give you a unique and inspiring new approach to the effect. The easiest way to explain it's that, when clean, it sounds like angel bees are accompanying you, and when paired with some buzz, it sounds like a swarm of killer bees producing the most dangerous pitch shifting modulation are after you! You can choose between two different pitches and speeds, a combination of twelve chords and twelve different arpeggio patterns, or simply choose between thousands of random patterns.

No matter which mode you choose, the Seabee will navigate you to inspiring and creative places.

Its simple layout with only three knobs hides a multitude of possibilities with alternate controls, three ramp shapes, tap tempo, a 4-way tone filter, feedback control, and a rate that ranges from very slow to ultra-fast waves, even reaching ring modulator ranges.

There are two stereo output options, 16 onboard presets, full MIDI control, expression in, external tap and 4 input level options so you can process guitar, bass, all kinds of active pickups or synthesizers and still keep the bucket brigade in its sweetest spot?

It's hard to believe that an analogue chorus can be so complete, versatile, unique and intense - all at the same time. But get ready, because Tone Fishing is about to beecome a thing.

Analogue sound path with the finest bucket brigade chorus tones.
3 Chorus modes / 3 Harmochorus modes
Never before heard pitch shifting chorus with arpeggios and random patterns.
Truly expressive ramping gives you musical control.
16 Onboard presets, Tap Tempo, MIDI, Expression and more.
Selectable input level (supports guitar, bass, active pickups, synthesizers and more)
Hand-assembled in Los Angeles, CA.

Packaging Dimensions: 15.2 x 13.7 x 7.6 cm
Weight: 0.49 kg

Notes: The BETA-V from SolidGoldFX is a Bass Preamp pedal that kicks! This latest incarnation of SGFX's top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today's modern bass amplification.

Yes, we all know the convenience of a lightweight "sub 10 lbs" bass head that pumps out 500 watts and a neo cab that doesn't require a roadie crew or chiropractor is great, but there is something extremely satisfying in the way that big, old Ampeg-style tube setups compress, clip and round out your signal. However, with the BETA-V you can finally have the best of both worlds - bone-shaking mojo-packed dirt, all wrapped up in modern and easy to use convenience.

Solid Gold FX's classic Beta bass architecture has been reworked and expanded, delivering a wider range of tones. The low-pass filter now has 2 settings for bumped or scooped-mids as well as a centre bypass setting for a more transparent experience. Plus, the Drive control has been reworked for lower gain applications or hotter basses.

Most importantly, the BETA-V sports an active 2-band post gain EQ allowing you to boost or cut your highs and lows with a flat response in the centre. Dialling in anything from punchy overdriven Lemmy tones to the fattest, deepest soul shaking dub is only a few knob twists away. Complete with top-mounted jacks, soft touch true bypass switching and 9-18 V DC operations, the BETA-V is a true thump machine, ready to rock your world.

Notes: Mar Karit is a tube pedal preamplifier.

It contains 2 tubes, one NOS EF86 for the preamp section and one 6J1P (6ak5) for the buffer output. It is an all tube Preamp.

It runs on a 9V power supply (center positive) - and operate internally at 35volts. Furthermore, it produces a warm, rich, and full-bodied sound, and can capture both the softest and loudest sounds with great accuracy and clarity.

Pushed a little too far, it can produce pleasing harmonic distortions and warm saturations. The two volume knobs control the level of each stage.

All tube preamp
EF86 and 6J1P
High end components (Nichicon, Panasonic caps, Alpha pots and Switch, Rean Jacks...)
Made in France
True Bypass
9V DC / input power supply positive tip

Notes: Kruel is a Fuzz built with mostly vintage components, around 2 Germanium NPN transistors.

The Pedal is pretty versatile with tone correction and a master volume. Thick and voluptuous tones can be achieved, and it can add warmth, sustain, and character to a guitar's tone... Great for power chords and for guitarists looking to add depth and texture to their playing.

NPN Germanium Colored Fuzz
True Bypass
NOS components
Made in France

Notes: Analogue tones are on the menu with this beautifully designed bucket brigade chorus/vibrato. Warm, organic sound with lots of modulation options and expression pedal input.

Supplier's Notes:
The Tempest features a full analogue pitch shifting circuit designed around a BBD chip

Offers digital control and 4 different RAMP options over Rate, Depth or Blend.

Expression or Ramp are selectable via firmware, and the expression jack can be used for external tap/ramp & engage control.

Lag Control
4 different wave shapes
Tone control
Blend 100% dry CCW, 100% wet CW and rich lush chorus at 50%
Rate, Depth and Blend ramping engine
Tap tempo w/subdivisions
Ramp up, Ramp down, bounce up&down, bounce down/up
EXP or CV input jack to control over ramp parameters
Soft switch with relay bypass, momentary & latching operation
Top mounted jacks

Notes: Dual channel analogue overdrive with real tube-like compression featuring 3 clipping options with carefully hand picked germanium diodes, smooth and sensitive to picking strength.

3 different gain levels from clear boost with a touch of dirt to high gain overdrive, full EQ with air control to manipulate the presence of your pickups, a MOSFET boost circuit lets you push your amp into natural breakup.

Order toggle switch to add volume or an extra gain stage.
Side A: BB style circuit with bass, air, treble, drive and volume control
Ge, Si and LED asymm clipping toggle
3 level gain toggle.
Side B: MOSFET boost +20dB with level control
A > B or B > A stack order toggle
Top mounted jacks

Notes: True bypass studio-grade compressor in small form factor offering full control of your overall tone. OTA based parallel compression with variable output current, input voltage controlling a carefully designed envelope circuit. Optimized for low noise operation.

Analogue compressor with OTA topology
Controls: Ratio, Threshold, Release, Attack, Brite (high cut), Level (compressed signal), Blend
Soft switch with relay bypass, momentary & latching operation
Top mounted jacks

Notes: Seeking to unapologetically tear apart the definition of a chorus pedal, Old Blood Noise Endeavors have created the BL-82 Chorus. An ode to delay time, this is a device with a variable clock control to shift between recognizable shimmering chorus and chaotic modulated delays.

Two delay lines, modulated by opposite synchronized LFOs, are combined in parallel and the timing of the delay lines, as well as the speed and depth of the LFOs, are all determined by one tactile slider. This allows you to instantly open up the modulated floodgates on the fly and go from well-known waves, to deeply unknown oceans of sound.

BL-82 is a chorus pedal, technically. It creates a swirling shimmery sound somewhere between chorus and flanger from a mono instrument signal. Its two delay lines are stretchable, and that's where the pedal's genre blurs from chorus into modulated delay into trailing pitch bending uncertainty.

The control set for BL-82 is dead simple. A Clock slider sets the timing of the entire system. The sample rate that determines signal fidelity, the centre delay time and the speed of the delay modulation are all affected as the slider slides. The interface is rounded out with feedback, volume, and mix add to an immediate experience that breaks open the boundaries of what it means to be a chorus and allows you to further craft the undulations of this mesmerizing device.

Notes: The Fundamental Tremolo is a classic optical tremolo, giving you that iconic chewy movement. With three wave shapes to select from, you can get sounds from smooth and soothing to glitchy, wild, and crazy.

Use the Rate slider to set how fast or slow the LFO is oscillating. A lower rate gives a gentle wavering texture, while a higher rate gives a rapid pulsating effect.

The Depth slider controls the strength of the tremolo effect. Move the slider to the left for subtle tremolo or to the right for maximum chop.

The Volume slider sets the overall output volume of the pedal.

The slide switch allows you to change between three distinct oscillator waveforms:

Sine: Gradually adds and decreases volume smoothly for a easy and subtle tremolo.
Square: Much more pronounced than sine, square wave has a more on-off pattern.
Random: Uses sample and hold that picks new random values at an interval set by the rate control.

For the Fundamental Series, the team at Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three sliders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in Oklahoma City, USA.

Notes: Expanding on Electro Harmonix's first homage to the tone that launched a thousand riffs, the EHX Satisfaction Plus delivers a wide palette of tones from classic '60s snarl to creamy lead tone to thick, earth-shaking sludge!

Where the original Satisfaction Fuzz circuit was a focused tribute, the Satisfaction Plus Fuzz treats the classic tone to a modern control set that includes a FAT/NORM mode switch, Bias control, and Tone knob. The added FAT mode features a tone that is bigger and warmer than the NORM mode for woolly leads and giant wall-of-thunder riffs. The Tone control is an active tilt-shift EQ that inversely controls both the treble and bass of the fuzz for broad tonal shifting. Set the Bias control to dial in the fuzz character from balanced and open to gated and snarly.

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (inches): 4.5 x 2.75 x 2.1
Current Draw: 5mA
Year Released: 2023

Notes: With its take on the cult-classic, chainsaw distortion pedal, the EHX Hell Melter takes distortion to its extremes. The Hell Melter features expanded controls and tonal capabilities, allowing the already in-your-face sound of the pedal to broaden by switching to more open clipping options and boosting the internal voltage for increased headroom, less compression, and more attack.

Originally designed as the ultimate in high-gain tone, this world-famous distortion circuit is known for the death metal sounds of Sweden's Entombed and the shoegaze wash of My Bloody Valentine. It's even found a home in the rig of David Gilmour!

The EHX Hell Melter's expanded control set includes Gain and Level controls, and a powerful active EQ featuring with parametric mids for improved versatility. The Dry level control allows for blending your input signal for improved low-end when used with a bass or even blending in other distorted tones.

Boost Footswitch engages an input gain boost and volume boost which is internally adjustable. The Normal/Burn switch toggles between the classic chainsaw sound and the more open clipping option.

Classic Heavy Metal circuit with expanded controls
Increased overall output volume
Active EQ controls expansion with parametric MIDS control
Noise gate and dry level control
NORMAL and BURN modes
Footswitchable boost section
Independent distortion and level knobs
9V power supply included

Specifications

Circuit: Analogue
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 140mA
Year Released: 2023

Notes: Not a noise gate, and not a noise suppressor -- but a real hum extractor!

Every musician battles hum in their signal chain. The EHX Hum Debugger turns it into dead silence, courtesy of a little Electro-Harmonix magic.

No matter what type of pickups you use or how loud you play, the Hum Debugger will clean up your signal chain so that hum will no longer overtake your guitar signal. Simply connect the Hum Debugger to your guitar like you would any other effects pedal and you are ready to eliminate hum from your sound forever!

True bypass
Absolutely eliminates hum from any audio source
Tough and compact die-cast chassis
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
True Bypass
Audio
Mono
Power Supply
7.5VAC-400mA power adapter included
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
125mA(AC)
Year Released
2007

Notes: The same silky smooth violin-like sustain and creamy tone as the Big Muff Pi, in a compact die-cast box!

The EHX Little Big Muff Pi is identical to our Big Muff Pi but smaller. We took the classic Big Muff circuit and simply shrunk it without any change to the sweet violin-like sustaining sound. This little brother displays its heritage proudly.

Tough and compact die-cast chassis
9V battery included

SPECIFICATIONS
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
4mA
Year Released
2006

Notes: Amazing analogue delay plus chorus and vibrato!

The EHX Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.

The Memory Boy uses the Deluxe Memory Man as a base, expanding upon it with additional modulation features and an optional Expression Pedal input allowing external control over Delay Time or Modulation Rate.

The Memory Boy carries the performance heritage for warm analogue delays and modulations that made its ancestors the go to legends that remain today. With two years in design, the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.

All analogue delay with Feedback
Up to 550 ms delay time
Selectable Chorus or Vibrato modulations rates
Choose between triangle or square modulation waveforms
Expression pedal control of delay time or modulation rate (expression pedal extends the range of modulation rate)
True Bypass
Power adapter included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25 121 x 102 x 57
Current Draw: 60mA
Year Released: 2009

Notes: Vintage tremolo and panning with Wave Form and Shape control!

The EHX Stereo Pulsar Stereo Tap Tremolo generates vintage tremolo and panning that will fill any venue with rhythmic stereo energy. Its Wave Form switch allows you to change the modulation from triangle to square form. The Wave Shape control allows you to control transitions from negative to positive saw tooth or adjust pulse width. This all means you can create any type of stereo tremolo from pure vintage to ones never heard before.

Stereo outputs
Tough and compact die-cast chassis
9V battery included

Specifications

Circuit: Analogue
Bypass: Buffered Bypass
Audio: Stereo
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 17mA
Year Released: 2007

Notes: The polyphonic SUPEREGO Synth Engine reinvents sample and hold, performs fluid glissandos and creates oscillator like, synthesizer effects. It can stack sounds or create infinite sustain, it even lets you tweak attack and decay, or use its effects loop to invent novel synth patches. Indulge your guilty pleasures!

*UK 230V power adapter included*

Notes: Compact all-analog multi-effect pedal featuring the Metal Muff, Neo Clone chorus and Memory Toy delay!

The EHX Tone Tattoo is our first fully-interactive, analog multi-effects pedal. Satisfy your tone jones with a chain that features the Metal Muff Distortion, Neo Clone Chorus and Memory Toy Analog Delay.

Delivers crushing Lead & Rhythm tones. Features full tone sculpting, including two levels of scoop. New Noise Gate for minimal noise. With three critically acclaimed effects, it's like a talisman for great guitar.

All Analog multi-effect: distortion, chorus, delay
Delivers three EHX favorites in one compact pedal
Crushing lead and rhythm tone
Full tone sculpting, including two levels of scoop
New Noise Gate for minimal noise
Power adapter included

Specifications:
Circuit: Analogue
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 75mA
Year Released: 2012

Notes: Compact multi-effect pedal combining the award-winning Soul Food Overdrive and Holy Grail Max Reverb!

The EHX Turnip Greens is a multi-effect pedal that combines the Soul Food Overdrive and Holy Grail Max Reverb.

The Soul Food delivers transparent sounds starting with clean boost and progressing all the way to intense overdrive. It's equally adept at adding punch to a player's tone, pushing an amp into saturation or in front of other dirt pedals driving them into new worlds of distortion.

The Holy Grail Max provides four carefully crafted reverbs: Spring, Hall, Plate and Reverse. A newly designed analog wet/dry control yields a constant volume curve as the Blend knob is turned from fully dry to fully wet, while also keeping the dry signal analog through the pedal.

A toggle effect-order switch, located in the middle of the Turnip Greens, selects whether the overdrive or reverb is first in the effects chain. Send and Return jacks let the player insert effects into the signal path between the two.

The Turnip Greens features an internal switch that lets the player select between true bypass or buffered bypass for the Soul Food section.

Soul Food goes from clean boost to classic distortion and can easily drive a guitar amp into saturation
Holy Grail Max delivers four studio quality reverbs: Spring, Hall, Plate and Reverse
An Effects Loop lets you put a single pedal or your entire pedalboard in between the Soul Food and Holy Grail Max
An Effect Order toggle switch lets you put either the Soul Food or Holy Grail Max first in the chain
Power supply included

SPECIFICATIONS
Circuit
Analog / Digital
Bypass
Selectable True Bypass
Audio
Mono
Effects Loop
Yes
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
5.75 x 4.75 x 2.5
Current Draw
125mA
Year Released
2014

Notes: Cutting Room Floor V3 Pedal

(Vintage Reel-to-Reel Tape, Echo, and Stutter)

The Cutting Room Floor has been updated and now has separate controls over the saturation of the input signal and tape delay signal. With this change, it's possible to have any amount of emulated tape saturation on the input signal and an adjustable tape delay level.

Housed in a smaller, compact footprint, the Cutting Room Floor V3 provides beautifully marred saturated tape tone and ethereal repeats. Imagine an abandoned factory with a fluttering tape machine left on infinite replay.

The Cutting Room Floor was designed to emulate the sound and functionality of vintage reel-to-reel tape overdrive and echo. This pedal reaches into the 21st century with characteristics that traverse the world of modulation and delay. Other features include a freeze button that traps a tone while still playing, and expression/CV control for time.

Designed and assembled in Seattle, Washington. Includes a limited 1-year warranty, if registered within 30 days of purchase.

- 150ma current draw

New in V3:

- Independent control of the tape saturation and tape delay levels

- High-quality knobs with textured grip

- Tape reel design lights up when the pedal is on

- Better layout of the knob placement

- Smaller 125B enclosure (4.77" x 2.6" x 1.39")

Notes: A Re-envisioning of the Filter Effect

Turning its predilection for parallel signals toward the world of filters and widening out to full stereo, Old Blood Noise Endeavors unveils its first digitally-controlled analogue pedal. Float boasts two independently controllable filters and copious capabilities for motion. Utilising the two filters in tandem can create stereo movement, linked reactive elements, and modulations that approach harmonic tremolo and phaser, as well as classic filter sounds.

Old Blood Noise were familiar with some aspects of the filter pedal. But the slow dual motions, the controls that go a little more left than you expect, the parallel undulations and surely other corners were all left unexplored.

So, turning their predilection for parallel signals toward the world of filters and widening out to full stereo, say hi to Float, the new Dual Moving Filter pedal! As OBNE's first digitally-controlled analogue pedal, Float boasts two independently controllable filters and copious capabilities for motion.
Utilising the two filters in tandem can create stereo movement, linked reactive elements and otherworldly psychedelic modulations. The two independent filters can be set to either low pass, band pass or high pass. The core of each filter is its Cutoff Frequency, which can stay still or move via either its 6 different LFO shapes or through its dynamic Envelope triggering.

The envelope sections can unleash quacky auto-wahs, shooting sonic laser beams or organically rising and falling filter landscapes - all triggered by your playing. While the LFOs lets Float become a mind-bending modulation device that can become everything from a phaser, a harmonic tremolo, a choppy or bubbly step-filter or an automated synth-like sweeper. However, skip the Modulation or envelope sections and the dual sliders come into play. This allows you to use Float as a dual-band EQ for subtle to extreme tone shaping, as a manual filter for on-the-fly futuristic filter sweeps or even for old-school wah-tones. Each filter also sports a resonance control, allowing you to unearth velvety smooth filters, vocal-like formants, screaming sonic squelches and anything in between.

All of this is pretty familiar, but also pretty sweet. Like an amalgamation of all things filtery and good. But where things start to get really different and really fun is when you mess with the Sync and Routing of the two filters. By flicking that tiny toggle labelled Sync to On, the two filters will move like tonal twins - locked in, precise and uniform. This lets you create robotic sequencer-like textures, trippy dual modulations or ultra-long, yet perfectly timed, filter manoeuvres. You can also set it to Off and have them completely free-rolling for organically weaving textures or full-on filter cacophonies. In addition, the filters can be run in either parallel mono, series mono or stereo for all kinds of refined dual movements, cascading filter chaos or lush and dreamy stereo sweeps.

To round off this veritable filter playground, we've added an expression in port, that lets you take hands-free control over either the cut-off frequency or LFO Rate, allowing you to keep your fluttery filter modulation as expressive as the music you play.

So, that's Float... or that's the essence of Float. You'll unlock sounds from this thing that you never knew it was capable of, because it does a lot of good, weird, wild, tame, ugly and absolutely stunning stereo stuff. Float on, friends!

Notes: Designed in collaboration with Black Arts Toneworks, the Boneshaker is a dirty boost coupled with a powerful 3-band semi-parametric EQ. The Boneshaker can smack the front-end your amp into overdrive, or sculpt the tone of your fuzz to stand out in a mix. If your already dirty amp channel needs a little bit of a goose and you want full control over every frequency, the Boneshaker is just the ticket.

General Specifications
INPUT

1 x 14" instrument
OUTPUT

1 x 14" instrument
CHASSIS MATERIAL

All Metal
POWER SUPPLY

9V Alkaline Dry Battery or Optional Power Supply
Dimensions
HEIGHT

2.25" (5.71 cm)
WIDTH

2.63" (6.68 cm)
LENGTH

4.68" (11.88 cm)
WEIGHT

1.0 lbs. (0.453 kg.)

Notes: "We meat again!" Proudly presenting the DOD Meatbox (2015).

Answering the call of low frequency freaks everywhere, the DOD Meatbox (2015) is an updated take on the cult favorite Meatbox from the '90s. As a bass subharmonic synthesizer and low-end enhancer, the Meatbox can produce a range of sounds from a slight thickening to a full-on, low-end assault! Use the Meatbox on bass guitars, extended-range guitars, synths, even drum machines and push all the air out of any room. If you're looking for a new way to move your audience, look no further.

More than just a low frequency boost, the DOD Meatbox (2015) can also cut frequencies for tone sculpting as an interactive EQ and even produce distortion depending on where the output level is set.

The DOD Meatbox (2015) offers independent Octave, Output Level, Subharmonic and Low Frequency controls. True bypass allows your tone to remain pristine even when the DOD Meatbox is off. This is a big difference from the original, which would colour your bypassed tone.

The modern 9V DC power supply input makes the pedal more pedalboard friendly.

Notes: The Dreadbox PSYCLOP is the ultimate modern utility device. It's an Effects Chain Loop with Dry/Wet mix control, Signal Attenuator and Boost as well as Expression to CV (Control Voltage) converter, all in one easy to use package suitable for string instruments or synthesizers and is also Eurorack compatible.

PSYCLOP is not your average Effects Loop Mixer. Capable of managing any type of signal from instruments or effects pedals, PSYCLOP seamlessly blends them with its parallel effects loop.

Its features include Input Attenuation of up to -20 dB and an Output Gain Boost of up to +20 dB in order to match any signals. For unity gain, simply set the Input Attenuation Amount to 100% with the IN control and using the OUT knob, adjust the Output Gain Level to 0%.

To avoid phase cancellation issues between the dry and wet signal paths, the PSYCLOP also features a simple but effective Effects Loop Phase switch, which is easily accessible on the pedal's side.

Additionally, PSYCLOP is capable of converting TRS Expression signals to CV and makes them usable with most Eurorack gear, making it a perfect device for synth fans and sound design enthusiasts. The pedal's EXP knob attenuates the CV output. When nothing is connected to its CV IN jack, the CV OUT jack will output 0-5V depending on this knobs' setting and a connected EXP pedal's position.

So all you have to do is plug in and embark on your next thrilling sound design adventure.

Notes: Verb Core Deluxe offers 8 different reverb effects in a single, straightforward stomp box format. A selection of classic and contemporary reverb types are available, with new features such as buffered tail bypass and kill dry functions. Each reverb type has adjustable Decay, Level and Tweak, which affects a different parameter depending upon the delay type selected. The dry signal follows an all-analogue signal path, keeping the signal pure and helping to avoid unwanted noise. If you need a reverb on your pedal board, this could be the answer to all your needs.

Mono or full stereo signal path
True bypass or buffered with reverb tails
8 distinct reverb types
Hold the footswitch for additional freeze function
USB-C port for firmware updates

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Decay, Level, Tweak, Reverb type
Modes: Room, Hall, Plate, Damp, Shim, Spring, Tre-verb, Mod-verb
Inputs: L+R 6.3mm mono jack
Outputs: L+R 6.3mm mono jack
Sampling format: 48kHz, 24-bit
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 104dB
Dimensions: 122 x 72 x 47mm
Weight: 270g

In the box

The box for this item contains:

Verb Core Deluxe pedal
Alkaline PP3 battery

Notes: The Golden Boy Mini - the epitome of versatile and transparent overdrive, designed in collaboration with the renowned guitarist Joey Landreth. With its exceptional harmonic detail and abundant headroom, this compact overdrive pedal takes the concept of transparent overdrive to new heights, using a simple and powerful interface.

The Golden Boy Mini is the perfect addition to any guitarist's arsenal, allowing you to shape and enhance your tone in ways you've never imagined. Its transparent nature ensures that your core tone remains intact, while adding a dynamic of warmth, richness, and depth that elevates your playing to new levels.

Its intuitive controls allow you to dial in the perfect blend of overdrive, from subtle grit to soaring, harmonically rich tones. The pedal's wide-ranging gain control ensures that it can adapt to any musical style or genre, whether you're playing delicate fingerpicked melodies or unleashing blistering solos. Pair it with Asymmetrical or Led Clipping and put the final touches with it's 3-band Baxandall-style EQ.

Beyond its exceptional sound, the Golden Boy Mini is built to withstand the rigors of the road. Its rugged construction and top-quality components ensure reliability and durability, making it a reliable companion for both studio sessions and live performances.

Whether you're a seasoned professional or an aspiring guitarist, the Golden Boy Mini will transform your tone and ignite your creativity.

Discover the Golden Boy Mini and unlock the true potential of your guitar tone. Order yours today and witness the power of transparent overdrive like never before. Elevate your sound and embark on a sonic journey with the GOLDEN BOY Mini!

Notes: For the Fundamental Series, Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three faders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in OKC, OK.

Because vast ambient sounds shouldn't just be for larger pedals with vast price points, the Fundamental Ambient brings expansive pillowy reverb to the Fundamental Series with three atmospheric modes in a compact size. The Fundamental Ambient offers a great entry point into ambient exploration with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. With Ambient's three reverb algorithms, you can experiment with deep, dark pad-like sounds to AM Radio-like lo-fi sounds with the flip of a switch.

The Fundamental Ambient provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes with plenty of decay time for pillowy soft pad-like decay.

Modes:

Deep - A dark ambient reverb with an added low octave, perfect for creating murky, cavernous sustain or adding a touch of moody atmosphere.
Lush - A breathy, expansive reverb featuring ultra-long sustain. Perfect for generating silky pads and immersive soundscapes with every note.
Haze - A textured, lo-fi reverb featuring distortion, sample rate reduction, and a resonant bandpass tone control, great for vintage or experimental tones.
Decay: Control the amount of reverb decay time. Left is the minimum and right is the maximum amount of time.
Tone: Shapes the overall tonality of the reverb. On Deep and Lush this controls the cutoff of a synth-style lowpass filter. On Haze this controls the width of a resonant bandpass filter, filtering both high and low end at the right, and allowing more high and low to pass through at the left.
Mix: Control the mix of the effect and the original clean signal. All the way to the left outputs only the fully clean signal, and all the way to the right outputs only the affected Reverb signal.
Slide Switch - The slide switch allows you to change between three distinct Reverb algorithms.

Trails Mode - The Fundamental Ambient Reverb comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your reverb decay will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.

Notes: The Pitch Forkr+ features two independent pitch shifting engines with full control over each. Both will transpose your pitch up or down over a +/- three octave range and detune +/-99 cents. With rock solid tracking, an organic, musical tone and extensive control, it's your ultimate harmonizer.

Notes: Instantly create matching harmonies to what you play.

The EHX Intelligent Harmony Machine instantly creates matching harmonies to what you play. It's like having one - or even two - guitarists jamming with you at the same time and always in perfect sync. The Intelligent Harmony Machine opens a door to the music of great multi-lead guitar bands and multi-part harmonized solos. Plus, its ability to apply harmonies ranging from simple to sophisticated will totally transform what you play. Of course, it also boasts EHX's renowned impeccable tracking and genuine musical tone.

Select your key and the Intelligent Harmony Machines will generate single note, diatonic harmonies* with a huge range of choices that includes both two- and three-part harmonies. Here are your choices:

1: 6th Down
2: Perfect 4th Down
3: 3rd Down
4: 3rd Up
5: Perfect 4th Up
6: Perfect 5th Up
7: 6th Up
8: 7th Up
9: 3rd Up + 5th Up
10: 3rd Up + 7th Up
11: Perfect 5th Up + Octave Up

These sound so cool that EHX have included them as extra options for the multi-harmony parts (selections 9, 10 and 11) to give you even more choices:

9 optional: 4th Down + 3rd Up
10 optional: 3rd Up + 6th Up
11 optional: Octave Down + 5th Up
9 optional: 6th Down + 4th Down
10 optional: 3rd Down + 3rd Up
11 optional: Octave Down + 4th Down
The Intelligent Harmony Machine also performs perfect polyphonic pitch shifts so the pitch shifts you dial up are applied to chords as well as single notes. We've even included a Major/Minor switch so you can select whether 2nds and 3rds will be major or minor. Here are the interval selections that are available:

1: Doubler
2: Perfect 4th Down
3: 3rd Down (minor on major)
4: 3rd Up (minor or major)
5: Perfect 4th Up
6: Perfect 5th Up
7: 2nd Down (minor or major)
8: 2nd Up (minor or major)
9: Octave Down
10: Octave Up
11: Perfect 5th Up + Octave Up

The Intelligent Harmony Machine's Moment Mode lets you instantly change pitch by simply depressing the pedal's footswitch. The pitch shift is engaged as long as you hold down the F/S. There's also an option so you can apply a user-set sweep time between dry and effect. Choose instant pitch changes or control the time it takes for the Intelligent Harmony Machine to sweep up and down between the set interval and the dry signal!

EHX Founder, Mike Matthews said: "We designed the Intelligent Harmony Machine for the player who craves maximum power, but in a minimal footprint. You'll dig its sweet, musical tone and spotless tracking!"

*Diatonic harmony means notes within a specific key that relate to each other.

Compact harmony generating, pitch-shifting powerhouse
Impeccable tracking and superb musical tone
Two distinct modes: Intelligent Harmony and Polyphonic.
Intelligent Harmony Mode generates diatonic harmonies in a set key based on the single notes you play. Key Selector and #/- switches provide access to all 12 keys.
In Polyphonic Override Mode you can play single notes and chords. The IHM's 11-position Interval Selector switch lets you select the harmony.
In Momentary Mode the effect is only active when the footswitch is depressed. Choose from instant shifts or set the time it takes the signal to sweep up and down.
Mix control sets the mix between your dry and shifted signals. Dry output adds signal routing and control options and flexibility
Comes equipped with an EHX 9 Volt power supply, can also run on 9 Volt battery

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 26mA
Year Released: 2021

Notes: Famous for its noiseless clean sustain, the Philosopher's Tone has staked its claim in the crowded world of compressor pedals. In addition to Volume and Sustain controls, the Philosopher's Tone features a parallel Blend knob that allows the musician to mix their instrument's original tone with the compressed sound effect. This technique restores natural pick-attack and allows more extreme sustain settings to remain musical. The Treble control provides up to a 6db cut or boost at 2kHz for fine-tuning the frequency response of the effect. The Philosopher's Tone features true-bypass switching and internal 18V power rails for maximum clean headroom, even when used with hot pickups and line level signals.

Knob-by-knob

Volume: Sets the overall output volume.
Sustain: Sets the amount of sustain.
Treble: Boosts or cuts treble at 2kHz.
Blend: Mixes your compressed effect with your clean signal.

Rare design

Generations of guitar players have sought noiseless clean sustain from a compressor, and this was the guiding goal of the research and design behind Philosopher's Tone, yielding a compressor with an internal 18 volts of headroom and naturally musical tone control.

Modern-day alchemy
Practitioners of the mystical and ancient art of alchemy long sought an element called the Philosopher's Stone. They believed, if found, it could turn lead into gold and bestow immortality upon the person who wielded it. Turns out it was waiting in the depths of space all along.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 150ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs

Notes: Gatekeeper is a lightning fast, studio-quality noise gate that locks out unwanted noise from any rig. Featuring Threshold and Release knobs, Gatekeeper provides 100% attenuation with unprecedented response time and utilizes ultra high-speed J-FET circuitry to completely eliminate hum, hiss, buzz and any other intrusive non-musical sounds from your signal path. Its wide range Threshold control combines with exceptional headroom to deliver smooth transient response previously available only in rackmount, studio-oriented noise gate processors. The addition of the Release knob allows the user to control how long it takes gate to slam closed.

Knob-by-knob

Threshold: Sets the dynamic at which the noise gate activates.
Release: Sets the release time of the noise gate.

Designed for all rigs

Mercilessly cutting out any and all sounds you don't want to hear at the very instant you stop playing, the Gatekeeper was designed with even the most high-gain rigs in mind. Crank the volume without fear of the annoying 60-cycle hum or white noise.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 10M
Output impedance: 150ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs

Notes: Octava is an all-analog octave fuzz / frequency doubler featuring an on-board low pass Filter control that allows you to achieve singing octave up tones anywhere on the neck, without adjusting your guitar's tone control. A front-end Drive and gushing Fuzz circuit add signal power and easily convert Octava to shoegazey fuzz pedal capable of producing devastating, full-wave rectified distortion. Use the Blend knob to mix the octave up effect on top of your dialed-in drive.

Knob-by-knob

Volume: Sets the overall output volume.
Blend: Mixes in the octave-up effect.
Filter: A low-pass filter tone knob. Sets the cutoff frequency of the low pass filter on the input of the Octave circuit.
Drive: Mixes in warm front-end overdrive by increasing the gain of the J-FET preamp stage.
Fuzz: Activates the fuzz circuit.

All analogue, still versatile

Built with the theory of "do one thing and do it well" paired with the flexibility of more diverse effects units, the Octava transitions seamlessly between a singing octave-up to an overflowing fuzz, and every blended tone between.

The Octavia ribbons

Parallel ribbons made up of complex patternwork wave ever-so-slightly in the blackness of space. It is from this mysterious place Octava was harvested. Pretty much sounded like a badass octave fuzz.

Specifications

Electronics

Voltage: 9-18VDC
Current draw: 100mA
Input impedance: 2.2M
Output impedance: 150 ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs

Notes: Moon Pool is an analog phase shifter and tremolo with independent speed controls featuring the ability to change the rate of one or both of the effects in either direction, corresponding to how hard you play. The 4-stage, VCA-based phaser and variable bias tremolo found in the Moon Pool can each be run as standalone effects or they can be combined in series for a mesmerizing mashup of modulators. A global Depth knob determines overall wetness, while a Sensitivity knob allows you to dial in the responsiveness of these changes to accommodate different playing styles and colors. Runs on standard 9VDC.

Knob-by-knob

Phase Speed: Sets the rate of modulation for the phaser.
Trem Speed: Sets the rate of modulation for the tremolo.
Depth: Sets the intensity of both the phaser and tremolo.
Sens.: Determines how much signal is required to change the speed of both phaser and trem when dynamics processing is turned on.

Trem / Phase (Three-Way Toggle): Up = trem engaged, Center = both engaged, Down = phaser engaged

Phaser Dyn. (Three-Way Toggle): Up = phaser speed increases in response to playing dynamic, Middle = no change, Down = decreases

Trem Dyn. (Three-Way Toggle): Up = trem speed increases in response to playing dynamic, Middle = no change, Down = decreases

Dynamically-responsive, wide-range dual LFOs

Moon Pool features a pair of LFOs that can be independently modulated by the amplitude of your playing. Engaging the dynamics switches enables these LFOs to travel well beyond normal limits, creating wild FM tones at maximum speed and gradually evolving textures when slowed way down. Equal parts out-of-this-world and inherently musical.

Get lost in the slosh

Sometimes, you gotta kick off your moon boots, slip into a moon pool, pour yourself a moon juice, and get lost in the slosh.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 2.2M
Output impedance: 150ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs

Notes: Constellator is an all-analog delay pedal capable of producing up to 600ms of lush echo with adjustable modulation and a comprehensive sound palette. From percussive slapback and doubler sounds to chorused-out, long delays with endless repeats, the Constellator's MN3005 bucket brigade chips provide superior overall headroom and tape-like saturation when pushed to the limit. The Feel toggle switch adjusts several parameters simultaneously for an additional coloring of LFO modulation. With the Feedback control maxed out, the Constellator is capable of self-oscillation which can be pitched up or down by turning the Time knob. Runs on standard 9VDC.

Knob-by-knob

Time: Sets your delay time. Clockwise for slower, counter-clockwise for faster.
Mix: Controls your dry/wet balance.
Mod: Controls the modulation depth. Adds color and warp.
Repeats: Sets the amount of feedback in the delay line.
Feel: Selects between two distinct modulation types. When the switch is pushed in, a chorus effect is selected. When the switch is not pushed in, a vibrato effect is selected.

King of bucket brigades

The pair of analog delay chips used in the Constellator are new production replicas of the mighty Panasonic MN3005 Bucket Brigade Devices (BBD) found in some of the most iconic vintage delay pedals of all time. With 4096 individual "buckets" and +15V power rails, the MN3005 provides the longest possible delay time and most available headroom in an analog delay. Luscious.

Make your ow myth

Develop shimmering delay lines with crystalline overtones and watch them scatter across the canvas in your mind. Constellate your own myth into being.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 10M
Output impedance: 150ohms

Body

Length: 1.5"
1.5
Width: 3.75"
Height: 1.75"
Weight: 0.5lbs

Notes: The Bitmap is a bitcrusher with fractional bit reduction and sample rate modulation. The Bitmap 2 adds waveshaping, wavefolding, and a window comparator for extreme digital distortion. A drive control handles everything from single coil guitars to synthesizers, with +8 dBu maximum signal level and enough gain to sound like an overdriven mixer channel. Modulation and envelope control create dynamic, responsive distortion and digital artifacts.

The Bitmap 2 is tuned to provide maximum sustain without sputtering on staccato notes. Less extreme settings add layers of nonlinearities that interact in subtle ways, giving you the warmth and grit of 8- and 12-bit samplers. Sample rate reduction turns your guitar into 8-bit video game sounds or twists scales into inharmonic melodies. Sample rate modulation adds subtle motion or morphs your guitar into entirely new textures.

The Bitmap works with guitar, bass, synthesizers, drum machines, and other instruments or line level sources.

Size:3.05" x 4.75" x 2.5"
Input impedance:1 MO
Output impedance:< 1 kO
Bypass: analog buffered
Power: 9 VDC, center negative
Current: 250 mA

Notes: Second-gen Immerse offers true studio-quality stereo reverb in a compact pedal format. Eight high-quality algorithms with simple, user-friendly controls and top quality sound. Lush.

Supplier's Notes:
The Immerse Mk II raises the bar with eight rich stereo reverbs in one easy to use pedal. No user manual required. Experience studio-quality tone that can be used with instruments of all stripes.

Five controls:

Effect Select
Mix, from 100% dry to 100% wet
Reverb Depth
Tone / Echo Time / Hold Time (depending on effect)
Pre-Delay / Modulation / Blend (depending on effect)

Specifications:

Electrical

Input level: instrument / consumer line level
Input impedance: > 1 MO
Gain: unity
Frequency response: 20 Hz - 20 kHz
Total harmonic distortion: < 0.005%
Signal-to-noise ratio: > 107 dBA

Power

Input: 9-12 V DC, 80 mA
Connector: center-negative, 5.5 mm OD x 2.1 mm ID

Physical
Dimensions: 2.9" x 4.6" x 2.0" / 73 mm x 117 mm x 51 mm
Weight: 8.84 oz / 251 g