Back catalogue: All genres

Notes: ***B-STOCK: Box opened, product in perfect working order***


ALM Eurorack cases are available in a range of sizes all including an integrated powered bus boards.

The cases all feature anodised aluminium construction, an on/off switch, rubber feet, and high quality switched powered bus boards with numerous keyed headers and ample power capacity.

These are simple and compact Eurorack cases, perfect for small, focused systems, taking along on travels, or as a tabletop addition to a larger setup.

Cases are available in 4 sizes; 3U 84HP / 6U 84HP / 3U 52HP / 6U 52HP sizes. They all offer 1 Amp on both the -12V and +12V rails per row.

Great modern cases

The ALM powered Eurorack case was originally designed for the System Coupe. Wider interest has seen it evolve into a range of different sized cases being made available by themselves.

A fixed solid bus board provides quality ample power and plentiful keyed power connectors. The shielded DC/DC power converter is low noise and includes overload and short circuit protection. Fixed, quality mounting rails are used over sometimes frustrating sliding nuts. The case has a great looking all anodised aluminium construction that is both strong and light.

The case proportions are designed to look great on a table or desk (not too deep, just enough) and also be easy to fit in a bag and transport.

Decksaver case covers are available currently for the 3U/84HP, 6U/52HP, and 6U/84HP cases.

3U / 52 HP

Provides up to 1 Amp power on each -12V & +12V rails.
Connections for up to 9 modules.
Includes 2 Amp power 'brick'

Notes: Standalone version of Enjoy's DeFeel module. Inspired by 'fill' effects found on old-school drum machines, the DeFeel is a unique approach to manipulating sequences, designed to 'degenerate the monotony' of rhythmic patterns, creating variations in real time.

Supplier's Notes:
With DeFeel Enjoy Electronics have redesigned and applied the Fill concept to make it usable in the world of modular synthesizers.

This device is designed to break the chain between the sequencer and everything that comes after it, allowing you to intervene at the right time and create unique variations.

A modular device that's not going to generate anything, but is created to degenerate the monotony.

DeFeel isn't about complex button presses or cryptic menus. Here, creativity reigns supreme. Design your rhythmic patterns with an intuitive touch. Simple lines and vectors come to life on the multitouch display, allowing you to experiment and craft unique sequences with remarkable ease.

With DeFeel, Enjoy Electronics offer musicians and performers a powerful and versatile tool to enrich their performances and compositions. With its intuitive programming, sleek design, and innovative translucent panel, DeFeel stands out as a unique device poised to revolutionize the way modular synthesizers are used and perceived.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The original SSL 2+ interface raised the bar by delivering a level of performance never seen before in its class. SSL 2+ MKII builds upon the success of its predecessor, with a series of significant enhancements and carefully curated feature additions. Designed for musicians, producers and engineers who demand the highest standards in sound quality, SSL 2+ MKII provides unmatched audio performance and a user-friendly design that caters for both those starting their creative journey and seasoned professionals.

The SSL 2+ MKII is equipped with two high-performance SSL-design microphone preamps delivering a massive 64 dB gain range, in conjunction with class-leading 116.5 dB dynamic range and -130.5 dBu EIN. The mic pre's can also operate in LINE mode for connecting synths or INSTRUMENT mode for connecting guitars/basses.

Located on the rear of the SSL 2+ MKII are four balanced outputs for connecting your studio monitors, rackmount kit, FX pedals, and more. With professional-grade outputs, the SSL 2+ MKII delivers 120 dB dynamic range, allowing you to hear every detail in your productions - from the most subtle riff to the deepest bassline. All outputs are DC-coupled, enabling you to send CV (control voltages) to synthesisers.

The SSL 2+ MKII features independent headphone outputs conveniently located on the front panel. These re-engineered outputs (featuring high-current NJM headphone amps) are capable of driving any type of headphones. Now boasting a jaw-dropping 119.5 dB dynamic range (MK I previously 111 dB), you have all the performance and clarity needed for accurate monitoring in any environment. SSL 2+ MKII allows you to create separate mixes for the artist and engineer.

The SSL 4000 series consoles (often referred to as '4K') are renowned for imparting a unique 'mojo' to sounds and instruments that pass through them. This mojo comes from multiple stages of harmonic distortion from compressor VCAs, VCA faders, and other crucial components such as the transistor mix amps. Using modern components, SSL has developed a circuit that distils the two essential characteristics of the 4K sound into a single design. Legacy 4K Analogue Enhancement injects a controlled amount of finely-tuned, sweet-sounding harmonic distortion and a 'forward' yet musical high-frequency EQ boost into the signal path, giving your sound the 4K mojo and presence that artists and engineers have loved for decades.

Front-access jack sockets provide convenient access to 2 instrument DI inputs and 2 independent headphone outputs. On the rear, SSL 2+ MKII provides Neutrik XLR Combo sockets for Mic/Line inputs, four balanced outputs, 5 pin DIN MIDI I/O and the USB connector.

Whether it's the professional-grade mic preamps, Neutrik XLR and jack connectors and Alps pots, or the exceptional level of performance delivered from next-gen converters - all SSL products, including SSL 2+ MKII, offer pro studio quality, from the front to the back. The MKII range of interfaces feature updated switches on the front panel with status LEDs so you know exactly how your device is configured when recording.

High-quality audio conversion is essential for artists and engineers alike and the SSL 2+ MKII is built around Next-Gen 32-bit 192 kHz Converters. The result? Clearer, more detailed recordings, preserving every nuance of your performance. Capture stunning acoustic performances, record drum machines and synths with more punch and texture. Make your live streams sound like professional broadcasts and mix quicker and easier as sounds are more defined.

Whether you are recording a podcast, live streaming via social media, or performing karaoke online with friends, SSL 2+ MKII is equipped with all the tools you need to make content with amazing sound. Class-leading mic preamps allow you to capture every nuance of your conversation or voiceover. The built-in Loopback functionality ensures your audience hears virtual guests or system audio with ease.

With dual professional-grade headphone outputs, SSL's next-gen converters and punchy mic/line inputs, you can capture sounds in all their detail and create music which stands out from the crowd. The SSL 2+ MKII interface is your production sidekick in the studio, and when combined with the SSL production Pack gives you everything you need to make professional quality music.

Notes: ***B-STOCK: Box opened, product in perfect working order***


TH-11 are closed-back, stylish headphones that deliver a sound you have to hear to believe, and at a price you can't ignore. Tascam spent over a year comparing technologies, designs and methods to provide you with an amazing product for less than a third of the usual cost.

The sensitivity and frequency response of the TH-11 lead to a clear balanced sound to fit all of your favorite tunes, regardless of genre or application. These high-powered headphones produce pristine highs, clear mid-range, and rich low end.

However, just as important as the sound of headphones is a clean modern design and comfort. Featuring plush cushioned ear cuffs and a padded headband, TH-11 can be put to work for hours of comfortable use. Both left and right ear cuffs offer full 90- rotation making TH-11 flexible to wear when listening to your favorite albums, tracking for hours or performing all night. Not to mention, you're going to look good wearing them. And the folding design allows the TH-11 to compactly fit wherever they need to go.

The TH-11 headphones can easily be a part of your everyday accessories but also fit into your recording or performing workflow. Truly listen to the details of your music and media while enjoying comfort and flexibility.

Features at a glance

Foldable design for easy compact transport
Tightly-stitched, padded headband and ear pads for stylish comfort
Closed-back dynamic design with clean sound, rich bass response and crisp highs
Snap-on 3.5-mm (1/8") to 6.3-mm (1/4") adapter
Driver diameter: 50 mm
Impedance: 32 Ohms
Sensitivity: 98 dB +/- 3dB
Frequency response: 18 Hz - 22 kHz
Max input power: 600 mW
Cable length: 3 m (when fully extended)

Review: It's hard to believe ABBA's third album is 50 years old this year and S.O.S. was one of the slef titled LP's most successful and distinctive moments. The song helped solidify the Swedish quartet's exciting blend of catchy pop and disco, as well as - absolutely true - providing the Sex Pistols with the intro for punk classic 'Pretty Vacant'. This period correct picture disc 7" celebrates one of their most iconic singles, backed with beloved album cut Man In 'The Middle' here.

Review: Wild breaks from the wild west; Welsh beat sculptor Abstract Drumz gets busy on the mighty Over/Shadow. Four cuts heavy, each one designed to slap your rave silly. 'Just A Ride' opens the EP with atmospheric aplomb. Brisk pads and live jazzy breaks set the scene, hitting hard in all the right places. Elsewhere 'I Like The Rain' galvanizes AD's Celtic status with unhurried charm before 'Ethereal Remix' gets a lot more frenetic. Finally 'Culture '24' closes the EP with some of the heaviest chops of the set. Wallop!

Review: UK ensemble Abstract Orchestra is led by producer Rob Mitchell and has built its name through jazz-infused hip-hop tributes to legends like J Dilla and MADVILLAIN. Their latest cut, 'Big Bad Wolf,' features Detroit MC Guilty Simpson, whose booming baritone drives the track's cinematic narrative. Originally shelved and not put out, Mitchell revived the collaboration by rewriting the entire instrumental. The result is a two-part journey: from eerie, dreamlike strings to hard-hitting live drums, textured synths and reverb-heavy vocals. With lines like 'when a good guy becomes a villain' Simpson's in raw vengeance mode and jay lyrical grit meets with tight musicianship for modern hip-hop orchestration at its boldest.

Review: Hotly-tipped South London newcomers Ain't release a limited edition 7" featuring two singles produced by Theo Verney, who is one of Brighton's most celebrated guitar music producers, having worked on records by the likes of Traams, Blood Wizard and Lime Garden. As a group, Ain't cleverly weave shoegaze guitars with emo vocal cadences to create a sound that's likely to do just as well within the burgeoning new wave of American shoegaze scene as it is on the London indie scene, where they are currently among the most talked about new bands.

Review: Dublin's techno master steps out with a release that feels both emotionally charged and technically razor sharp for his own label Xistence. Balancing precision with heart, these tracks echo the roots of Detroit techno while reaching boldly into the future. 'The Fear Of Failing' leads with a crystalline melody that feels like it's been beamed in from another dimension. The production is slick and spacious, but there's warmth in the detail, and the main motif is hard to forget. 'Homecoming' drifts in with a deep rolling groove that's part celestial drift, part afterhours love letter. Everything about it feels smooth and elevated, like watching the sunrise from orbit. Claude Young steps in on remix duties and delivers something raw and gritty. His take on 'The Fear Of Failing' strips things down to a lean acid framework. It's a trip back to techno's skeleton while still sounding sharp in the now. 'Mirror Reaction' rounds things off with pure Detroit class. Built with intent and clarity, it's the kind of track that moves both head and body. A graceful, thoughtfully crafted EP from a producer clearly in control of his sound.

Review: Torbay's Simon Huxtable delivers another deep experience with this two-track release that shows off his mastery of atmospheric drum and bass. With a career spanning over three decades and more than 100 releases, Huxtable's touch remains as refined and emotionally resonant as ever. 'Waveform 13' opens with a classic amen break, balanced by lush, spacious pads and a liquid sensibility that merges the raw energy of jungle with the calm of ambient textures. On the flip, 'Waveform 14' is a melodic jewel. It glides through dreamy soundscapes, awash in harmonics and detail, with that signature Aural Imbalance smoothness. There's a quiet euphoria embedded in its flow, evoking a sense of peace without losing its dancefloor backbone.

Review: British electro pioneer Bass Junkie reactivates his Cybernet Systems alias with a fearsome four-track return that celebrates and retools a thirty-year legacy. Originally dropped in 1995 via Panic Trax, 'We Are Borg' gets rebuilt from the raw data of the original SP1200 session, still driven by that signature low-end pressure and now even more punishing for modern systems. 'Bass Force' ups the intensity with widescreen synths and body-slamming subs, pushing electro bass into cinematic territory. On the flip, 'Electron Spin Resonance' delivers a DMX-fuelled onslaught of chopped edits, dense percussion and martial drive, while 'Proceed' nods back to the 80s machine funk of Pretty Tony and Egyptian Loverigleaming with nostalgia but never stuck in the past. It's a fierce reminder of Bass Junkie's place in the electro continuum, bridging Florida, Detroit and the UK with hardware grit and future shock precision.

Review: Way beyond its New Beat roots, Boccaccio was one of Europe's most influential clubs and known for operating at the cutting edge of house, techno, acid and beyond, and for shaping a distinct sound that defined Sundays in rural Destelbergen. Curated by Olivier Pieters and Stefaan Vandenberghe, Boccaccio Life 1987-1993, released by Belgian label Music Man Records, captures the raw energy of a scene ahead of its time. Four VA Eps from it bring the tracks to wax and this one has four seminal US artists at their most visceral and impactful.

Review: Just how solid of a balance between highs and lows can you get? Fastidious research study into EQ optimisation seems to have gone into this shunter from Bladerunner, Chimpo and Sl8r, three new-gen juggernauts of the UK drum & bass circuit. Helping Philly Blunt achieve their lit-up ends, the pair kick off the label's latest subseries with a limited transparent red 12", nodding visually to its mid-90s heyday. Bladerunner vets suspected replicants with two empathic response tests, 'Chronic' and 'Straight Up', both cut from the same tough, emphatic cloth. On the flip, Chimpo & Sl8r make their label debut, swerving between grime and jungle with a distinct Manc slant, a sound refined across releases for Metalheadz, The North Quarter and Hospital. A sharp extension of the Philly Blunt legacy, which began in 1994 with rave-wrecking cuts like Leviticus' 'Burial' and Dillinja's 'Sky'.

Review: Blaque Dynamite is the work of Mike Mitchell, a drummer from Texas who has played with neo-soul queen Erykah Badu, and jazz legends old and new in Herbie Hancock and Kamasi Washington. He also makes challenging, defiantly original house music on his own and on top of a couple of albums worth checking from the last two years, comes this EP, which arrived late last year but now debuts on wax. It has a couple of short, sketchy originals that are lo-fi, low-key hip hop vignettes, while JT Donaldson and Stefan Ringer add their own more club-ready reworks. Ben Hixon & Blaque Dynamite also hot up for a remix that is all shimmering melodies and shuffling percussive rhythms.

Review: Birmingham's Jossy Mitsu and Bluetoof join headsy forces on their new collaboration for Tempa, colliding the former artist's rinsed, globetrotting UK-troit DJ sets the world over and the latter's "drum specialisms" formerly lent to labels the likes of Shall Not Fade. Transcending the one-forties for a deeper-shades descension, 'Metamorphic' and 'Acid' establish a mood of nightclub meets human biostasis facility, as sci-fi zaps meet brooding, high-sustain bass cues. 'H20' is the sole tune to heighten the mood, its stop-start rollerblade bass and necksnap 808s proffering a jammier digestif.

Review: Break 3000 returns with his first new material in over two decades, delivering four high-torque tracks of electroclash, rave and cold wave nostalgia. Born in Germany and known for his role in Dirt Crew and the Electron Feel imprint, Break 3000 rekindles the raw DIY spirit of his early 2000s output. 'Electronique' is the centrepieceiEBM drum hits, rasping vocoder vocals and a revved-up rave bassline that harks back to his 'Fix' era. 'Continua' channels distorted filtered techno into peak-time territory, while 'Tape Recorder' leans into retro electro a la Rotterdam and Detroit, full of hissy drum machine charm and chopped vocal samples. Italian producer Marcello Giordani rounds out the EP with a slick proto-house remix of the title track, nodding to Bobby Orlando with shimmering Vermona drums and dark disco swagger. From Cologne to Parma via Berlin and Buenos Aires (the release is on Calypso's Dream), this is a cross-generational, cross-border flex that proves Break 3000 still has teeth.

Review: The first official reissue of Brooklyn People's rare 1975 soul-funk classic 'Peace and Love / Wreck' arrives courtesy of Selector Series for Record Store Day 2025. Originally released on Cheri Records half a century ago, this sought-after 7" has fetched prices of around L50 on the collector's market. It's one of those true crate-digger gems with its perfect mix of soulful, spiritual deepness and driving, dynamic drum grooves that never quit. 'Wreck' has atmospheric crowd sounds as well as jazzy keys and horns to really take things up a notch.

Review: British producer BufoBufo makes profound electro tunes that are as much defined by their storytelling synths and their fresh rhythms. He draws on acid, breakbeat and classic house on this new EP, which though cosmic and journeying also retains a real human soul. 'Celandine' glistens with rueful pads and taught basslines that rise and fall next to lush synth outbreaks. 'Bittern' is more dark and prickly with a menacing undercurrent and 'Quantum Tunnel' shuts down with a slower, more reflective sound, beautiful arps and languid drums. Our favourite is the open though, 'Petroglyph', with its nimble basslines and widescreen psychedelic synth explosions.

Review: Adeen Records is back with its The Bird series and this time Cad73 is the one at the buttons. First up he flips the age old classic 'Love and Happiness' into a smooth and seductive sound with lush chords and warming melodies. Flip it over and you will find a rework of 'How Can I Forget You' which becomes a Northern Soul great with big hooks and driving rhythms that will get big reactions in the club. Two different but equally effective and cultured cuts.

Review: Blending vapourwave haze with Balearic ease, while dipping into Italo house and post-disco playfulness, the debut Bar Part Time EP delivers four tracks that feel nostalgic but entirely fresh. 'Bath Bomb' with its cheesy synths and 80s flair are softened by lush pads and a groovy, laid-back rhythm. It's a hip, shimmering introduction that balances irony with sincerity. 'Morning Dew' is more club-friendly, mixing jackin' house energy with ambient textures to create a track that's as dreamy and driving. On Side-B, 'Blurry Moon' adds urban flavor and depth, led by a bouncy bassline and island percussion. Its gorgeous keys and loose funk make it a highlight. 'Wine 69' ends things with a tropical mood. African island-inspired rhythms, chant-like vocals and a shuffling groove lend it a transportive quality. Together, these tracks form a cohesive and adventurous debut.

Review: In a future where memory can be imprinted onto energy to control behaviour, a resistance discovers Vibracid, a technique that erases manipulated memories, restoring self-determination. That is the conceptual backstory to this new EP from CALAGAD 13, an enigmatic producer who has been making music for more than 20 years. Here, he blends hard techno and electro into fiery dance floor explosions like 'Triumphator' with its unrelenting drum breaks and machine-gun style synths. The EC13 X-Ta-6 mix bumps even harder, then 'Alto Voltaje' brings distorted texture and low-end darkness. Elsewhere, 'Colosal' is a fast-paced electro workout and 'Aire Fresco' (Vbrcd remix) brings bright flashes of visceral acid.

Review: Germany's Caldera makes his debut on Space Lab and it's an exploration into a mythical realm where deep, organic textures intertwine with intricate rhythms. The EP also continues the label's commitment to psychedelic sounds and seamlessly blends fluid percussion with atmospheric sound design and hypnotic grooves that prove Caldera has a knack for supple deep techno and bass-driven electronics. Rich in detail and thrilling in execution, these are four cuts packed with evocative mental imagery and the sort of refined rhythms that get headier crowds going wild.

Review: The Bird series is back once again with a fourth offering and it is label founder Jason Wilkins who takes care of this one under his Camille moniker. It kicks off with a flip of 'Hogin' Machine' that has raw and dusty drums and funky basslines that keep on coming and keep you locked. things slow down n the B-Side with 'Safari in D'. This one becomes a more mellow and laidback sound that offer a different take on an original by L'Eclair. The bass is warm and melodic, the drums loveably lazy and the keys jazzy and pensive. Super stuff for lo-fi lovers.

Review: This rare gem from Bunny Lee's famously accomplished catalogue gets a welcome reissue and pairs a hard-to-find 1973 Cornell Campbell B-side, 'Heading For A Mountain', which was originally released on Duke UK, with a cosmic dub scorcher. The Cornell vocal is a soulful yet obscure cut that floats over a rootsy rhythm with a gloppy and wonderful bassline. On the flip, The Aggrovators 'Joe Frazer' is named in honour of the late great heavyweight legend of the 1970s. It's a great example of early synth experimentation in reggae with some filtered and shape-shifting leads reaching for the stars as the earth rhythms keep things rooted. A crucial slice of vintage roots and dub, full of mystery, groove and invention.

Review: Now six EPs deep into his catalogue, this artist continues to refine a signature Balearic sound that evokes sun-drenched beaches and late summer evenings. The standout track here is 'Le Reve', a lush and hypnotic piece that channels the spirit of Cafe del Mar's golden era. It opens with warm pads and a dreamy melodic flow that gently washes over the listener. The highlight, though, is the vocal performance from Liza Carrey. Her voice is breathy, sultry and haunting, weaving through the track with a gentle intensity that perfectly complements the mood. For the remix, Swiss producer Lexx steps in and subtly transforms the original into something even more relaxed. A laid-back Latin rhythm with soft percussive flourishes and beachside warmth, turning the track into a slow-burning coastal cruiser. It is a perfect blend of downtempo charm and balearic soul, maintaining the emotional tone of the original while adding a fresh rhythmic touch. A serene and seductive journey.

Review: A powerful roots anthem from the unmistakable voice of Daweh Congo here. 'Prophecy Reveal' is an invitation to get lost in his haunting tone and spiritual intensity, both of which were hallmarks of his role in the roots revival movement. Originally released in 2000, the 25-year-old classic blends conscious lyrics with a weighty digital rhythm to create a hypnotic, militant vibe. Daweh's mystical delivery brings urgency and depth to the message, while the B-side dives into rich 90s electronic dub territory by layering effects and echo for a deep sound rooted in spiritual and musical resistance.

Review:  Loveland, Ohio's Colemine label offer a 7" indie exclusive on this furtive freshener from house engineer and regularly featured artist Leroi Conroy, returning after his last 45 in 2017 with a sharp double-sider flaunting his rhythmatic flair and deeper verbal intuitions. 'No Return' outlays crisp boom-bap drums wrapped in fluttering flute lines from Michael Sarason (of Say She She) and shimmering harp hallelujahs, courtesy of Cincinnati handywoman Rachel Miller. There's a distinct nod to Dorothy Ashby's work here, but reimagined for a 2025 palette; the flip leads the way to the 'Path Of Man', stripping the bark back to murkier moods, pulling from the darker corners of Conroy's upcoming full-length. He's come a long way since vacationing from the cutting lathe, representing himself in a new soulful and cinematic light, one which is yet raw and unpolished where it counts.

Review: Ukraine's Yan Cook has been at the forefront of techno in Ukraine for some time. He works in the dubbier end of the spectrum and brings more great weight to this one on his label, Cooked. 'Equinox' is an early evening mood builder that twists and turns through smeared synths and grainy lo-fi grooves. 'Syzygy' is more loopy and hard-hitting with mind-melting percussion over the cavernous low end. 'Monsoon' is as urgent as a call to action from a battalion leader on the front line and 'Headspin' is just that - a more frenzied and wonky cerebral workout for the dizzy 5 am sessions.

Review: Like his Windy City compatriots Mark Grusane and Rahan, Cratebug specialises in high-grade, razor-and-tape style re-edits subtly re-framed for 21st century dancefloors. The Chicagoan has released many fine collections of reworks over the last decade and this two-tracker is another high-grade treat. Up first is 'Fiyah', a heavyweight tease-and-release loop jam built around low-slung disco grooves, layered vocal samples and subtle effects trickery. While he appears not to have add any beats, its' Soundstream-esque construction makes it perfectly suited to house dancefloors. Over on the flip, he gives his take on one of the most beloved disco classics of all time: Diana Ross's incredible 'Love Hangover'. He extends the upbeat sections, paying more attention to hear vocalisations, the infectious instrumentation and killer groove.

Review: Belfast-born producer Cromby lands on Life and Death with a slick three-tracker that balances punchy house pressure with wide-eyed euphoria. The lead cut, 'I'm Coming Back', is a collaborative jam with vocalist NiKi K, all soaring pads and ecstatic vocal phrasing-pure serotonin with a subtle edge. Known Artist then flips it into a tense, club-focused version, peeling back the gloss in favour of moody propulsion and tight, broken drums. On the B-side, 'One More Time' hits with a grinning sense of peak-time mischief, full of springy basslines and bright melodic licks. It's a confident and cleanly produced record that toes the line between emotional release and practical dancefloor function-perfect for high-pressure sets and outdoor moments alike.

Review: Danubian Dub hails from Vienna and step up to their own self-titled label with a deep, steppers-style cut that delivers conscious energy and militant grooves on one impactful 7". 'Move Dem' is driven by a thunderous bassline and echo-laden snares and has a nice ass-wobbling weight to it as it rolls up and down while I Nando's commanding voice delivers his own message. Though rooted in classic dub traditions, it has a fresh edge and sleek production aesthetic that very much places it nicely the here and now. The Smalltowndubz brings some more winky dubstep style bass weight to the flipside and both versions are sound system-ready anthems built for serious rotation.

Review: Since launching three years ago, Luv Shack Records' 'Disco Biscuits' series has become a reliable and popular source of quality club cuts that frequently blur the boundaries between house and nu-disco. The series sixth missive (and first outing of 2025) begins with 'Padja Banana', an acid-fired, delay-laden psychedelic nu-disco chugger laden with attractive synth sounds and 16-bit electronics. Label newcomer Ubre Blanca steps up next with 'Renzo', an authentic tribute to mid 1980s Italo-disco, before Austrian producer Gregory joins forces with Alexander Wirth on the synth-laden deep house hustle of 'Peaks'. To round off another inspired EP, Kelton Prima opts for a warmer and more sample-rich take on the same hybrid nu-disco/deep house sound ('Strawberry Cream').

Review: It's been a while since we heard from Seven Davis Jr, and we guess this new album is why. The US house maverick brought all new edge and vocal style to his beats when he first broke through, and following "an unexpectedly bad year" after his last album Stranger Than Fiction, he channels more darkness and aggression into this record. It's still built on house rhythms but they're raw, slamming and make no concessions, his vocals often sounding almost paranoid as they lurk in the shadows between the dusty kicks and distorted, grimy basslines. A marvellous return.

Review: DCTL is a collaborative project between Masafumi Onishi (known as Telly) and DJ Duct, two influential figures in Japan's underground scene. Onishi is also the founder of Troop Music Works and has been instrumental in shaping the electronic landscape in Kobe. DJ Duct, much loved for his innovative turntablism, brings a unique blend of hip-hop and electronic influences to the duo. Together, they produce raw, analogue-driven tracks characterised by gritty drum machine sequences, soulful samples, and a DIY ethos that resonates with fans of Detroit-style beatdown house and downtempo music, as evidenced here on five fresh and funky cuts stacked with loose rhythms, smart samples and melodic hooks.

Review: Dead Or Alive's famously infectious 1985 single 'Lover Come Back To Me' is still a dancefloor favourite, especially at fun all-family gatherings. 40 years on from its first release, it gets a dazzling revival with this limited edition picture disc, which drops as part of the anniversary celebrations for their Youthquake album. A high-energy follow-up to their breakout hit 'You Spin Me Round,' the track stormed the UK Singles Chart, peaking at #11 and spending six weeks in the Top 40. Globally, it lit up clubs and charts alike, landing Top 30 placements in nine countries and breaking the U.S. Billboard Hot Dance Club Play Top 20. Packed with glam, drama and synth-pop flair, it's a classic worth spinning again.

Review: Forget the World is a psychedelic instrumental trio led by bassist-composer Marc Decho, who is based in Toronto, Canada, and known for his work with Afro-Cuban jazz pianist Miguel de Armas. Decho brings a fresh, genre-blending sound to the scene and this group blends a real gamut of vibes - 70s soul-jazz, alternative hip-hop, cinematic textures, dreamy LA pop, UK Bruk, Afro-Brazilian rhythms, classical and experimental electronica. Joined by James Hill on Fender Rhodes and synths and Marito Marques on drums, percussion and electric kalimba, their music is immersive and imaginative. It's mixed and mastered by Grammy-winner Helik Hadar and offers a great escape into a new world of awareness.

Review: Decoder brings his deliciously dark take on drum & bass to this new one from Over/Shadow. It drills deep into the heart of a smoky, strobe-lit dance floor while also offering plenty of mental soundscapes to explore with your eyes closed. 'DT103' has crisp breaks and warped bass under shards of broken, glassy melody and 'DD1' then floats on a more skeletal rhythm with grazing background pads and apocalyptic bass. The Technical Itch remix brings even more in-your-face textured percussion and 'MB29' shuts down with a cosmic exploration and skittish drum patterns.