Review: Planet Orange Records' fifth release is a four-tracker from the legendary minds behind Alien Recordings, aka A2 and Stopouts, who take one side each. From the opening moments, the Beyonders EP weaves a thread between the halcyon days of tech and minimal from the 90s but with forward-thinking energy. A²'s 'Glider' is a happy, piano-laced celebration to start with ,then 'Let's Get It Together' cuts loose with lithe pads and more mid-tempo drums. Stopouts steep up for the flip and soon melts the mind with some tightly woven acid and cosmic tech on 'Sin City' and 'Kartwheel' then brings a more freewheeling and loopy groove with some neon colours dripping down its face.
AfroQbano - "El Bucanero" (feat Kevin Ford - Dez Andres remix) (4:40)
Review: Chicago label Future Rootz is a collective of mix media DJs who all play and rework global roots, tropical bass, world electronic and Latin house. Who better to do that than Detroit's Dez Andres, a deep-diving DJ, house head and producer with Cuban roots. He goes first here with 'El Trombone', which has a signature low-end thump with sunny Latin vocals, joyous horns and florid melodies. He then slows things down with one of his trademark remixes of AfroQbano's 'El Bucanero', which has noodling bass and poolside charm.
Review: This release by two talented French producers delivers a refined blend of deep and soulful house music with two different versions to chose from. 'Ju' on Side-1 is a deep, groove-heavy cut, layering soulful chords with a rolling bassline and a sensual vocal touch. The jazzy inflections and swanky lounge vibe exude sophistication, making it a late-night essential. On Side-2, the Traumer's Sunset version injects more energy into the original, pushing it toward a melodic, instrumental-driven burner. It retains the deep essence but lifts it with fluid rhythms and hypnotic layers. Elegant yet club-ready, both versions show a sleek, polished minimalism rooted in groove.
Review: Detroit mainstay John Beltran is back to present Sol Set having already impressed with their Ola de Novo album. This summery and soul-drenched outing opens with the florid flutes and shimmering rhythms of 'Through Fire' before a wonderful cover of Sade's 'War of the Hearts' with Taylor Taylor on vocals brings tropical percussive delights. South African house vocalist Earl Green brings expressive soul style to the feel good 'Love Revolution' while closer 'Maragogi' taps into an authentic Brazilian sound with feather drums and subtle samba shuffle.
Steve O'Sullivan - "Fly Again" (Steve O'Sullivan Bouncing dub) (6:53)
Steve O'Sullivan - "Fly Again" (Steve O'Sullivan Tuff dub) (6:44)
Bluetrain - "Fly Again" (Bluetrain Special edition Loop) (1:17)
Bluetrain - "Fly Again" (Bluetrain Special edition dub) (7:17)
Bluetrain - "Fly Again" (Bluetrain Special edition Loop 2) (1:16)
Review: Keeping firm to the now well-trodden "Scientist meets" formula, this release through Convent once again hears Joseph Alpern aka. J Gabriel absorb the dubbing wiles of Hopeton Brown into his own minimal techno laboratory. 'Fly Again' follows up the first Scientist collab 'Too Far Gone' from 2023 with yet another red snapper, and comes backed by heated reworks from Steve O'Sullivan and Bluetrain, each of whose generosities know few bounds (they offer two and three remixes each!).
Review: Chilean-born, Bristol-based Shanti Celeste has always brought a unique colour and emotion to her often bass-heavy sounds. She's a party-starting DJ, too, but delves into whole new realms with her wonderful sophomore full-length. Romance sees her exploring themes of love and friendship through shimmering pop textures and emotionally resonant songwriting. Her vocals take centre stage for the first time and lead single 'Thinking About You' is a heartfelt tribute to a late friend with a glowing groove and airy falsetto. Crafted between Bristol and London, the album features collaborations with Batu and harpist Miriam Adefris, whose delicate touch enhances its celestial tone and following last summer's acclaimed 'Ice Cream Dream Boy,' Romance is a luminous return and smart evolution.
Review: They don't call him the Stevie Wonder of house music for nothing: Kerri Chandler brings musicality and unbridled joy to everything he does. For this one, there is even more of a celebratory and raptors feeling than normal because of the appearance of Rev F. L. Brown. His impassioned, gravelly toned sermons are cut up and dropped into one of Kerri's timeless house beats, and the results are exceptional. HIs famous kicks punk as heavily as always, the chords are simple but effective, and the whole thing is sure to become a classic that can always be reached for to make a dance floor erupt. Take your pick of the different versions, because they all hit home.
Review: Inaugurating Crystalgrooves is Berlin fixture Cinthie: a long standing figure in the underground electronic music scene of her hometown, resident at the infamous Watergate club, plus being the founder of top labels such as Beste Modus, we_r_house and Unison Wax with Diego Krause. She gets the new project off to an explosive start with these three raw house cuts. The A side features the bouncy and uplifting classic house vibe of "Together" which has an overly familiar hook to it and sure to work on the dancefloor any time. On the flip, she gets into some funked-up and discofied loops in the vein of DJ Sneak on the track "Ada Lovelace" while the moody heads-down feel of "No Need To Worry" is a perfect backroom dub if we've ever heard one.
Hardcore Hip House (Tony Humphries mix re-edit) (7:28)
Acid Over (Mike Dunn edit) (4:43)
I Fear The Night (feat Chic - vocal mix) (6:42)
Video Crash (5:56)
Review: Pretty much does what it says on the tin, this one. Classic Tyree Cooper productions in all their glory, plus some remixes of them from fellow US greats. Cooper was, of course, an early pioneer of what was known as hip-house - a raw mix of hip-hop and house that was short-lived, probably because the man himself perfected it and few could ever do much more with the blueprint. 'Hardcore Hip House (Tony Humphries mix re-edit)' is dusty, raw, piano-laced house excellence, 'Acid Over (Mike Dunn edit)' is a more frenzied 303 workout and 'I Fear The Night (feat Chic - vocal mix)' is a jack track for dark and strobe lit floors. 'Video Crash' shuts down with a coarse and textural collision of drums, synths and crashing hits.
Review: Following a brief hiatus to recharge his batteries following the release of the genuinely fantastic Evergreen album on Freerange last year, Ben J Worral brings his Crackazat project back to Heist Recordings. With six tracks on show, there's plenty to set the senses tingling, from the jazzy, dreamy and soulful downtempo beats of impeccable opener 'I Need To Know' and the joyous, piano-sporting sunshine house excellence of 'Do You Think About Me', to the rising, subtly jazz-flecked deep house perfection of 'Freddie's Groove' (a kind of Crackazat update of Pepe Bradock's 'Deep Burnt', with added horns) and the broken jazz-house-soul of Potash Twins collaboration 'Phantom'. Jazz-funk flavoured broken beat gem 'Endless Life' and the Guru's Jazzamatazz-esque 'When We Last Met' complete a fantastic EP.
Review: Nicola Cruz lands on Cabaret with the 'Cryptic Nature' EP. Beyond consistently high-quality, compelling productions, it's usually hard to predict what the talented Ecuadorian producer will deliver i but he does his energetic Japanese label hosts proud with this stirring selection. The broken rhythms, trippy vocals and paranoid synths of the title track start things off on a strong footing, before the strobe-lit thrust of 'Elementals' powers ahead with swung snares and crisp hats. The four-to-the-floor drive continues into the wigged-out psychedelia of 'Kojix', while the jagged drums of 'Desire Scan' and the otherworldly intensity of 'Photosphere' round off a mighty fine, entirely floor-focused set.
Review: The Dutch pair once known as Detroit Swindle and now going by the Dam Swindle alias (they hail from Amsterdam) return on their own Heist label with a trio of well-designed sounds. 'That's Right' is a 'copy, dusty, disco-tinged house cut for sunny climates and feel-good parties. 'Minor Fools' then taps into a 90s New York house vibe with bouncy drums and bass. Last of all is 'Soul's Lament' with its laidback grooves and swirling soulful pads. A trio of excellent genre studies from this pair.
Your Love (feat Leroy Burgess - DJ Aly dub mix) (8:05)
Soul Minimal (Stephan Hoellermann remix) (6:23)
My House (Ron Trent & Chez Damier mix) (7:04)
Review: The Master Jams label has been active for five years now, but this is only its fourth release. And mores the pity to be honest because they always serve real deal house music direct from the source in the United States. They don't come much more revered than Chez Damier, the former Prescription man turned Balance label boss. His house sound is deep, soulful, perfect. The four cuts here show that with vocal stunner 'Your Love' melting your heart, the DJ Aly dub making things more club ready then a Stephan Hoellermann remix and Ron Trent & Chez remix closing out the flip with two lovely house jams.
Review: Marvin Dash and Lowtec combine to serve up some house grooves here that perfectly embody the Workshop sound. They are lovably loose-limbed, dusty and ramshackle, and almost feel as if they may fall apart at any given moment, but that is the joy of them. Instead, they keep you locked amongst rickety drums, frayed pads and imperfect little vocal hooks that bring the soul. 'Track 1' does that with a hazy feel, 'Track 2' is more one out with a dubby undercurrent and sustained keys and 'Track 3' brings little more prickle and drive, like a super raw Omar-S track. 'Track 4' is all about the prying, bulbous bassline that unfurls with a mind of its own beneath DIY percussive sounds.
When We Dance (Move My Feet) (DJ Spinna Galactic Soul remix) (7:13)
When We Dance (Move My Feet) (DJ Spinna Galactic Soul dub) (8:11)
When We Dance (Move My Feet) (DJ Spinna Deep mix) (7:17)
When We Dance (Move My Feet) (DJ Spinna Deep dub) (7:19)
Review: "Bloody hell" inducing house swing from DJ Spinna (Vincent Williams) and Roland Clark, two absolute historic units of house music hailing from Brooklyn and Newark respectively. Though it's a fresh collaboration, 'When We Dance (Move Your Feet)' has the airs of a classic, informed by joint decades in the game. An unusually high dose of swing parlays a profound propulsion on the matinee special 'Galactic Soul Mix' by Spinna, laden throughout by a rousing narration by Clark himself. The track's electric piano is EQed to flashing, premium glossy heaven; this is the kind of effort we look out for in our house music: no sound cliched, all sounds clinched.
Review: What would it take to universalise disco so that every brain sandwiched between two ears could hear and take to the sound like glue? Eddie C and Keita Sano continue a protracted research study in the pursuit of an answer, bringing three new dream-heaters to contrast to their original two in the series' debut, 'Disko Universal' and 'Joy Joy Joy'. Here, 'Not This Time' stands out among a trifecta of well-doused house rousers, steeped in the attenuated, bubblier deep end of a soulful disco-garage-house tradition.
Review: Something ineluctable about the year 1999 haunts music. It's as though the cusp of the millennium wrought a flurry of pre-terror romance, that last slice of postwar epochal gold reaching an ecstatic, elliptical peak before the crossing of a limp, millenarian threshold. Ernesto's second EP for French label Sour leaves us as loosened and open as any such nostalgic rendezvous could, assuming you were born before the fated date. Over brilliants like 'Morning Sweat' and 'Hardware Boogie', the producer joins the likes of Moop Jr. and Lekind in crafting timbral and sophisticated tactiles, chunked analogue basses and filter-designed keys, deepening and advancing our taste in Gay Paree sensuality.
Reel It In (feat feat Madaline - Fingers remix) (5:53)
Between Us (feat Madaline - instrumental dub) (6:40)
Reel It In (feat Madaline - Summer Acid Burn) (5:49)
Review: 40 years have now passed since Larry Heard made his first record. Heard is, of course, without peers when it comes to deep house - he pretty much drew up the blueprint after all - though he does occasionally invite other producers to bask in his reflected glow. That's the case here, as he and Memphis-based Michael Kuntzman (an artist who has previously released music on Heard's Alleviated imprint) deliver a notable collaborative 12". Guest performer Maddaline whispers, sings and vocalises her way through the dreamy, richly electronic and sonically pristine 'Between Us', which is accompanied by a typically gorgeous 'Instrumental Dub'. There are two versions of 'Reel It In' - also featuring Maddaline - too: the deep tech-house shuffle of Heard's'Fingers Mix' and the back-to-Chicago-87 flex of Kuntzman's 'Summer Acid Burn' take.
Review: Flabaire reaffirms his status as one of France's most refined producers with this masterful deep house EP on the no-nonsense Skylax label. Known for leading D.KO Records and contributing to Skylax House Explosion, this latest suggests a new level of artistic maturity across four tracks that channels the spirit of revered house artists like Black Jazz Consortium, Mike Huckaby and Soul Capsule. From the lush opener 'Echoes' to the dreamy closer 'La Haye,' each cohesive sound blends jazzy textures and ambient depth with club-ready grooves. This is timeless, introspective house music of the sort that is always going to appeal to the heads who like their sounds intimate, pensive and slow during for those cosy back rooms.
Review: Youandewan's Small Hours label is indeed small but beautifully formed so far. This fifth transmission is another doozy that collects four different artists who all operate on the spaced out end of the electronic house and minimal spectrum. The Former Landlords kick off with breezy and balmy 90s tech house style sounds on 'Council Pop' then Session 4000 go 'Off' with plenty of sci-fi pads and clipped, kinetic drum programming as well as some playful vocal samples. Mop Py' 'Beskar' is a more psychedelic late night wonder with gurgling bass and lovely neon synth trails. Jad & The complete this essential slab of wax.
Review: Fred P's latest release 'Singular Point of Focus' EP feels like a late-night journey into the heart of the dancefloor, a space where euphoria meets introspection. From the opening track, it's clear that Fred is steering us toward something deeper than a simple collection of club-ready cuts. His use of augmented vocals adds an otherworldly quality, with tones that feel familiar but are impossible to place. The EP is a masterclass in controlled tension, with each track building in intensity without ever losing its groove. Fred's voice, subtly manipulated, dances through the layers of deep house rhythms, creating a sound that's both timeless and distinctly now. There's a sense that this is music for those who know, for selectors and dancers alike who understand the unspoken rules of the floor. The richness of the sound design - thick basslines, textured pads, and sharp percussion - draws you in, while the overall vibe remains firmly forward-thinking. This isn't just an exercise in nostalgia; Fred P has crafted a record that speaks to the future of house music while honouring its roots. Each track offers something different, from the floor-shaking opener to the more introspective closing cut, making it a perfect addition to any discerning DJ's crate.
Review: Full disclosure: we are big Fresh & Low fans. Their distinctive take on early tech house brought a sunny edge and cool West Coast breeze to hypnotic drums and this EP on Rawwax highlights that once more. It opens up with the tightly coiled funk and steamy vocal coos of 'New Life' before 'Seven Miles Up' gets a little more heady and cosmic with its swirling pads and stripped-back rhythm. 'No Going Back' then offers the most textbook Fresh & Low sound with the low-slung tech beats and warming pad smears. 'Dream' is a loose-limbed percussive number to close out a classic EP..
Review: You always knew that when Norm Talley started his Upstairs Asylum label is was going to be pure quality. The Detroit man is one of the many contemporary flag bearers for the much loved original 313 house sound and as his DJ sets attest, heinous how to pick out the best work from others on a similar tip. He does that here with a various artists four tracker that kicks off with a brace of soul fuelled and jazz laced deep house cuts from Felipe Gordon. Stefan Ringer then brings that lo-fi house goodness and exquisite synth craft with 'You Know' while Deepset's 'U Got Dat' is a late night number with a low slung sense of sleaze.
Review: Inventive acid-ambient from Guy Contact here, who returns to Butter Sessions for a round total of 10 new tracks. Following up 2019's 'Liminal Space', 'Drinking From The Mirage' hears the Perth pusher's penchant for plinky chord plucks, not to mention a subtly heavenly sound design that sounds somewhat informed by '90s trip-hop. The self-titled track, featuring fellow artist and singer Nori, is a prime example, while other tracks chart increasingly bangerized feels. 'Spirit Level' might just be our highlight; a phased-out, downtempo breakbeat bit that recalls peacefully free-running in Mirror's Edge, or cruising a future vision London in a self-driivng sustainable drop-top. Make sure to cop this one before the pain of missing out on its neural, brainwaltzing fruits fries your brain.
Review: If we had a pound for every hush-hush Sade remix or re-edit we'd heard over the years, we'd likely have enough to fund a night out - or at least a light lunch at an overpriced London restaurant. This one comes from - surprise, surprise - a mystery artist, on the freshly minted Illegal Paris rework imprint. It sees our shadowy hero give his, her or their take on 1984's 'Hang On To Your Love', re-framing the classic cut as a smooth, subtly nu-disco tinged slab of warming deep house excellence built around a rising and falling bassline, crunchy drums and tech-house tinged electronic flourishes. The superb full vocal A-side version comes accompanied by a dancefloor dub style 'instrumental'. This features occasional vocal snippets and loads more spacey synth sounds.
Review: There is no questioning Jovonn's deep house credentials. Smooth groves have long since oozed out of the American master and now comes another flow of goodness on the Next Moon label's first foray into vinyl. 'Back In The Dark' has it all - the spoken word consciousness, the glowing jazz chords and the cuddly beats. 'Moov' Sphere' gets more dark with bleeping synth sequences and what sound like wind sounds all darting about the mix and then 'Keep On Dancin'' lands nice and heavy of dusty drums with swinging hits and Roy Ayres-style melodic goodness. Last of all is the most raw and evocative of the lot with a spoken word sermon making 'Jessie's Speech' really cut through.
Review: Celebrating 25 years of two of the most influential house labels around, this joint double-pack from London's R2 and Osunlade's Yoruba Records is a heavyweight offering that bridges soulful roots and dancefloor depth. Karizma's long-awaited 'Spirit' appears in multiple formsihis original gospel-powered burner, a Josh Milan remix (as Honeycomb), and a dub version featuring Nicholas Ryan Gant, all radiating righteous, late-night warmth. The second R2 cut, 'W!thout !t' is stripped and punchy, full of Karizma's trademark percussive invention. Yoruba's side sees Osunlade light up the system with 'Electricity' and 'Sumpin' Like Dis', both steeped in rhythm and spiritual uplift. Afefe Iku's '823' dives deep into his signature twilight textures, while Karizma's Baltimore remix of Mr. Flip's 'Drippin'' closes the set on a loose and funky high. It's a snapshot of two defining voices in house musicirich in groove, spirit and intention.
Review: Hailing from Medellin, Colombia, Killabeatmaker is a Global Bass DJ / Producer, audio engineer, singer and songwriter; a multi-faceted artist you'll be hearing a lot about in the near future. Drawing his inspiration from his Afro-Colombian and Indigenous roots, Killabeatmaker efficiently mixes traditional sounds and rhythms with urban beats and raw club music. His EP "Matiela Suto" is an homage to the diversity of Colombia's people and cultures, packed with progressive house buildups, Nigerian club music influences and enchanting female voices.
Review: Known for his hypnotic dance music, Southern Italy's Lomonte delivers three tracks rich in deep disco soul and tinged with a psychedelic shimmerisounds that have already caught the attention of dancefloor icons like Ricardo Villalobos. Attitude Records is his new label and the 'Attitudes' EP, a record that sidesteps passing trends in favour of crafting music with true staying power is it's first release. Opening the Side-A, the title track 'Attitudes' highlights Lomonte's remarkable touch for layering dynamic, textured rhythms into a groove that unfolds naturally, pulling the listener deeper with every bar. Over on the Side-B, 'Can't Get Enough' and 'Summer Vibes' reflect his talent for channeling uplifting moods without ever losing the music's subtle complexity. Rather than chasing ephemeral sounds, Lomonte commits to an honest emotional resonanceihis work feels timeless, not tied to any particular moment or movement. With nearly 20 EPs already under his belt, he demonstrates here why he's become such a respected name: each track glows with warmth, soul and an understated finesse.
Review: Japanese DJ, producer and remixer Makoto Nakatani is the man behind the M-Scape alias, and he straddles genre borders with the four cuts he serves up for evergreen UK staple Local Talk. 'Urban Reconstruction' is propulsive deep house with Detroit-style hi-tek synth magic colouring the airwaves. 'I Do' is an ass-wiggling heater with stylised vocals and colourful melodic motifs triggered by the drums. 'Freedom' is all early Chicago jack, cowbells and sugary chord progressions, then 'Let The Drums Play' taps into sun-kissed London broken beat with cosmic melodies adding a futuristic twist. There are a lot of different moods touched up on with this EP and they are all high-class.
Review: Margaux Gazur has made her mark as a DJ with sets at places like Panorama Bar and Waking Life. Her debut album on Smallville is a deeply personal exploration of identity and sound that confirms she is just as good in the studio. The French-Vietnamese artist is now based in Berlin but draws from her time living in Vietnam and childhood recollections to craft nearly 70 minutes of immersive, organic electronica across Blurred Memories. Field recordings, traditional instruments and woozy textures blend with street rhythms from Hanoi to create rich, intimate soundscapes of the sort that are well suited to this label. Each track reveals delicate details such as mysterious voices and fragile glitches in the hypnotic grooves. Known for captivating sets at Panorama Bar, La Station, and Waking Life, Margaux offers a magical, emotionally resonant debut that invites listeners into her blurred sonic past.
Mariche & Gutt - "Phone Call" (Guile remix) (6:59)
Review: KUNST is a new series from Spanish crew Spherart Wax that looks to serve up nostalgic progressive and tech from the 90s and designed for packed dance floors. To kick things off, up step Mariche and Gutt for a mix of solo cuts and collabs. 'Autogroove' gets things underway with tight and turbo-powered tech, which ADR remixes into a deeper sound. Gutt's 'Your Mind' is taught and bouncy tech with wispy cosmic synths and then the pair come together for 'Phone Call', which is a standout cut with playful dial tones and rugged low ends all packed up in club-ready beats.
Review: On his long-awaited debut, Osaka's Takuya Matsumoto draws a clear line between the tactile futurism of 90s IDM and the emotional depth of Detroit techno, finding beauty in grit and structure in chaos. There's a cinematic quality to the sequencing, from the shimmering opener 'Drifting On The Ocean' to the gnarled syncopations of 'Dril and Acid' and the broken funk of 'Fonseca'. But what makes this record truly sing is its refusal to sit still: 'Mini' dances with jazzy irreverence, while 'Triangles' feels like a dusted-off memory from a lost Rephlex archive. Matsumoto's palette is warm, spiky, and full of movementian album built not on pastiche but on devotion to groove and experimentation in equal measure. You hear shades of Underground Resistance's urgency, Mike Paradinas' off-grid detail, and Floating Points' melodic intricacy, but none of it feels borrowed. 'Traverse' and 'Mercy on the floor' close things with a spacious melancholy that lingers beyond the final fade. This is a conversation with dance music history, spoken fluently in rhythm and mood. A richly detailed, deeply personal statement from one of Japan's most quietly consistent producers.
Review: Yes, here we go, another lovely reissue of this utter Mood II Swing classic from the 90's! Last time we saw this it was on a considerably grubbier bootleg and featuring only the two mixes of "Move Me"- which are obviously the bees-knees in house music and probably as pioneering as the Chicago generation before them (that bassline on the original mix is simply irresistible!) - while this time you also get "Call Me" and "Function", two dusty-as-hell floor swipers that'll get anybody swinging from side to side with the right mood...
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