ADDAC809 is a dynamic CV operated I/O router that allows one source (Audio or CV) to be routed through 2 different chains (of one or more modules) before being sent to an output.
Notes: ADDAC809 is a dynamic CV operated I/O router that allows one source (Audio or CV) to be routed through 2 different chains (of one or more modules) before being sent to an output.
Six routing patterns are allowed:
1. IN > OUT
2. IN > CHAIN A > OUT
3. IN > CHAIN B > OUT
4. IN > CHAIN A > CHAIN B > OUT
5. IN > CHAIN B > CHAIN A > OUT
6. IN > > OUT
A practical example is to have an audio source, a delay and a looper.
And the question: should the delay be placed before or after the looper? Sometimes you may need the delay to be before the looper as you may want to sample the audio with the delay or sample the pure audio source and apply the delay afterwards.
This small utility module solves this issue on the fly without having to repatch anything.
INPUTS & OUTPUTS
TO CHAIN B: Connect to your Chain B input
FROM CHAIN B: Connect to your Chain B output
TO CHAIN A: Connect to your Chain A input
FROM CHAIN A: Connect to your Chain A output
INPUT: Connect to your Input Source
OUTPUT: Connect to your Output Source
ROUTING PATTERNS
There are 2 ways to address the six routing patterns:
Buttons: using the frontpanel push buttons and/or dedicated trigger inputs to latch between 2 states.
BYPASS: Chooses between Pattern 1 and any other pattern
PARALLEL: Chooses between Pattern 6 and any other pattern
ORDER: Chooses the order A before B or B before A
DUAL/SINGLE: Chooses to use a Dual (A>B or B>A) or Single chain (A or B)
CV: The dedicated CV input expects a 0 to +5v input and allows to jump to the precise routing pattern using a specific voltage interval in increments of approx. 0.83V:
Pattern 1: 0v to 0.83v
Pattern 2: 0.83v to 1.66v
Pattern 3: 1.66v to 2.5v
Pattern 4: 2.5v to 3.33V
Pattern 5: 3.33v to 4.16V
Pattern 6: 4.16v to 5V
Notes: The MIXCONSOLE JACKOUT is an extension for the MIXCONSOLE with 1/4" (6.5mm) jack sockets for master left/right output and for the FX send and returns - all via mono sockets (unbalanced). This avoids the need for separate adapter cables.
The module is connected via a small internal connection cable to the right of the MIXCONSOLE or as neighbour of the MIXCONSOLE XLROUT module.
Review: Comes courtesy of producer and edit maestro Alkalino. The Germany based selector dug deep into his vaults of hard and electro to deliver some of the best sleeper and classic gems.The highlight of side one is easily Breakin' Wind, with other notable bangers such as Bang on it, Stardance and Fly with the wind. One thing about Adeen Records and the Make-Up series is they deliver every time.
A slip case to house all the editions of the VIRUS series, presented in an eco-friendly, cream shaded Muken paper.
Notes: We always expect high-grade aesthetics from Alva Noto and Ryuichi Sakamoto to match their exacting, elevated musical collaborations. The VIRUS series is their most recent run of works, encompassing five albums - Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER), but up until now the albums have existed as separate nodes of crisp electronic expression. Organised record hoarders rejoice, because now Noton are releasing a slip case to house all the editions, presented in an eco-friendly, cream shaded Muken paper. Note, there’s no music in here - it’s purely a vessel for the music contained within.
Notes: The RS-650 Echo / Reverb is a combination of the RS-310 and RS-440 which are based on the same circuit.
It offers both delay (echo) and reverb settings in one module. It is based on a bucket brigade device (BBD) with six parallel delay taps. Those six delay times have no relationship to each other and their outputs have different levels. You have to consider the reverb effect as a mixture of six different short delays what results in a dense sound. The clock frequency which scans the bucket brigade is audible and you'll have to use a low pass filter in order to eliminate or minimize it. In Reverb mode the delay time can be set between 2.5ms and 150ms and in Echo mode it spans from 75ms to 200ms.
All modules by Analogue Systems come ready to use with five years warranty mounted in the by the customer preferred rack or cabinet.
Add an extra layer of protection to your Orba with our custom Silicone Sleeve.
Notes: Add an extra layer of protection to your Orba with our custom Silicone Sleeve. This flexible sleeve allows full access to buttons and cable ports and features a removable strap long enough to attach Orba to your wrist or backpack.
Review: Space jungle master ASC returns with 'Hiding In Plain Sight', except this one is certainly not part of his usual repertoire. Rather than being drum n' bass, the producer focuses entirely on atmosphere and unusual rhythmic ambientscapes, leaning into electro when beats do pick up. Largely, though, this is a project that encourages sublime awe at the cosmos through huge synthwork, rather than drawing attention to its beats - a common trope for ASC. Favourites of ours include 'Orbiting Neptune' and 'Galaxies', both of which prove ASC has much more up his sleeve than most of his EP bits might reveal.
Review: Auto Sound City have been building a fine head of steam over the last few years. A series of quality EPs on the likes of Chicago Bee, Weapons of Desire and 3am, have all established a rugged electro and techno sound that is big on drums. This double pack is their strongest statement yet. Cuts like 'This Is Me (feat Shoko Yoshida)' pair gallivanting drums with aloof vocals and bright synth stabs. 'Complete Madness' is more stripped back but just as muscular with its icy hi hats and lashings of synth while 'Fully Clothed & Standing' explores loopy and filtered disco house.
Review: Back in 2002, the Detroit Electronic Musical Festival concluded with something rather special: a rare live performance from the Aux Men - an expanded and upgraded version of legendary Motor City electro outfit Aux88. This must-have CD presents that performance, complete with the original introduction from Eddie Fowlkes and DJ Bone, from start to finish. Full of spacey synth sounds, heavy beats, weighty bass, it's effectively a whirlwind trip through the history of both electro and Detroit's contribution to electronic music history. Thus, we get killer versions of 'Planet Rock', 'Shari-Vari', YMO's 'Computer Games', tons of Kraftwerk classics, a breathtaking interpretation of Art of Noise's 'Moments in Love' and rip-roaring takes on foundational tunes by Cybotron and Funkadelic..
Review: Reportedly inspired by its' creator's thoughts about the impact of humans on the earth (and specifically the sentient life we share the planet with), Alexander Gluck's second album as Aware is an undeniably bittersweet affair. He's already proved adept at crafting atmospheric ambient pieces underscored by exceptional sound design, and Requiem For a Dying Animal takes this up a notch - not only by wresting every last drop of emotional weight from his chords, melodies and musical motifs, but also thanks to a subtle air of neo-classical grandiosity. The four cuts on show - with the near 18-minute closing cut offering a genuinely breath-taking conclusion - combine to create one evocative, slowly-shifting piece smothered in experimental sounds and tweaked field recordings.
Day 3 In Miami (End Of An Era) (feat Ellise) (2:51)
NYE (feat Alice Chater - bonus track) (3:23)
Sip It (feat Tyga - bonus track) (3:17)
Posh Spice (bonus track) (2:34)
Review: Australian rapper Iggy Azalea's third album The End of An Era came on her own label Bad Dreams Records and took inspiration from the end of her 20s. It is a musical time capsule of that decade and features some guest spots from the likes of Bia, Sophia Scott and Ellise, while production was taken care of by frequent collaborator J. White Did It amongst others. The beats throughout are highly addictive with plenty of them ready to make you get up and dance. There are plenty of crossovers between future house and bass music making it one of her most accomplished works to date.
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