Review: This newly formed and already brilliant label is back with more previously unreleased instrumentals that bring a different twist and dancefloor edge to classic sounds from the rock and indie world. First up we get a subtle edit of 'Sound and Vision' which has a nice fat and funky bassline bouncing beneath the splashy drums as nice acoustic guitar melodies ring out next to glistening retro-future pads. It's a cosmic trip that oozes soul then things slow down on the flip with 'Young Americans'. This one is a nice go-slow instrumental with funky and expressive horn work taking the lead over the fat-bottomed drums and bass.
Undercover Of The Night (Stones unreleased instrumental 45 edit) (4:52)
Miss You (Stones unreleased instrumental 45 edit) (4:49)
Review: Rolling Recordings from Antigua makes its debut here with a first release under the guise of Rock Star Heroes who offer up a couple of hard-to-find and previously unreleased funky disco influenced club bound instrumentals of out and out rock classics from one of the worlds best known stadium bands. These are perfectly designed for the club and collide rock, funk, disco and more into fresh forms. Opener 'Undercover Of The Night' popular with the likes of DJ Harvey and is a slice of raw, hard-hitting groove magic with organic percussion and live drums laden with funky guitar riffs and lively chord work that brings the whole thing to life. On the flip is an instrumental version of 'Miss You' which still has all the swagger of the iconic original with sultry harmonica luring you to the floor where the masterful drums and guitars will keep you moving.
Ride Across The River (LP3, 4 & 5: San Antonio live In 85) (9:55)
Expresso Love (7:20)
One World (5:08)
Romeo & Juliet (10:57)
Private Investigations (7:33)
Sultans Of Swing (7:42)
Why Worry (5:25)
Walk Of Life (9:27)
Two Young Lovers (6:14)
Money For Nothing (7:02)
Wild West End (9:05)
Tunnel Of Love (19:08)
Brothers In Arms (8:22)
Solid Rock (5:17)
Going Home (4:34)
Review: Either you weren't born, or Dire Straits' Brothers in Arms turning 40 this year will make you feel decidedly long in the tooth. It's an unquestionable landmark for one of the best-selling albums of all time. To mark the occasion, the London-formed band's fifth studio album is being reissued across a bunch of formats, with this five album box set including a full live set from their 1985 show in San Antonio, capturing Mark Knopfler, John Illsley, Alan Clark and Guy Fletcher in their stadium-filling prime. As for the album itself i well, the vastly emotive 'Brothers in Arms', fuzz guitar earworm 'Money for Nothing' and feelgood singalong 'Walk of Life' pretty much speak for themselves. Classic pop-rock, this is a must-have for Straits fans, and well worth a listen for anyone who happens to be uninitiated.
Review: While not one of David Bowie's best-known achievements, masterminding the world's biggest-ever 'non-TV' satellite broadcast is undoubtedly an impressive one. It took place at London's Riverside Studios in 2003, with the Thin White Duke - accompanied by his regular backing band - performing then new album Reality in its entirety, live to 86 cinemas in 26 countries. This Record Store Day release presents the concert in its entirety (the encore was not broadcast at the time), delivering a superb document of a unique event. Of course, Bowie was in fine form, with the immersive sound mix by regular collaborator Tony Visconti capturing the legendary artist at the peak of his powers.
Review: Although forming in 1987, the initial tenure of New York City hard rock heroes Tyketto was a simple case of wrong place, wrong time. 1991's debut album Don't Come Easy was a moderate success, boasting the hit single 'Forever Young' and taking them on the road with Whitesnake, but by the time they would submit their second full-length to Geffen Records, it would be outright rejected due to label's increasing interest with the grunge scene and a desire to leave "hair metal" and all of its intersecting genres in the 80s. With a myriad of lineup changes, even featuring Steve Augeri on vocals for a spell before his time in Journey, the band would eventually dissolve until 2004. One reunion tour would lead to another, and as of 2025, they're still playing shows, with the vast majority in attendance likely there to hear the barrage of bangers this overlooked AOR-meets-glam metal debut offers.
Alberto Wolf & Los Terapeutas - "Subliminalmente Panteista" (3:52)
Ricardo Bomba - "So Sentindo O Momento" (3:22)
Flaire - "Winter's Gone" (3:22)
Dean A Crawford - "Laguna" (3:14)
Raphael Holder - "That's Why I Listen To My Heart" (4:19)
Richard Bowen - "Sorcery" (3:36)
Neal Davis - "Jealous Sea" (4:07)
Havanna Club - "Laura" (3:41)
Review: In 2019, a conversation between Norman Gervais and Mario Gharios (Pocket Of Light) sparked the idea of using compilations to impress a feeling, rather than focusing on a specific decade, genre, or style. And ho, on a warm July day on the Riviera, so began a for-the-ages discussion as to how music could paint vivid pictures, from kitschy seaside resorts to tranquil sailboats in Caribbean coves. Gervais' taste guided the process; he would decalre tracks "100% Blue Wave," referring to Balearic and new wave fusions, perfect for blasting from the baleinaire. Despite personal setbacks, such as the Beirut Port Explosion and COVID, they continued the collab together with Charles Bals, and a few years later, the result is Transcoastal, a trusty, storm-weathering voyager of a comp, replete with invincible sails. These are Balearic favourites for the bluest of skies, our favourites on which have to be Richard Bowen's 'Sorcery', Neil Davis' 'Jealous Sea' and Ricardo Bomba's 'So Sentindo O Momento'. We hear a predilection for guitar, varied plucks suggesting multi-pelagic moods.
Review: Recorded at the BBC Paris cinema in Regent Street in 1970, which was the beginning of Bowie's defining decade. The performance tapes were lost by the BBC so if it wasn't for someone with the legendary foresight to make a cassette tape recording we wouldn't have this collection. Whilst Bowie is known for big, complex arrangements, the set here offers something stripped back and much more 60s sounding. You could imagine Bowie humming 'Amsterdam' around a campfire in Glastonbury, 'The Prettiest Star' shows the immense sustain of Bowie's voice and 'London By Ta-Ta' shows a more playful psychedelic side. Having taken this showcase opportunity with John Peel in his stride so well, it's his energy to play every show as if it was his last that is admirable and a key reason he managed to climb the ladder from here.
Review: Few albums define the 80s quite like this one. The band's fifth and - by far - most successful release at that point it's now celebrating its 40th anniversary with a fresh vinyl reissue, ironic considering the millions of CD players sold using it as an advert for the new format the the time. Opening with 'So Far Away', the album establishes its signature polished sound, blending Mark Knopfler's emotive guitar work with smooth, melancholic melodies. But it's 'Money for Nothing' that cemented Brothers in Arms as an 80s icon. Featuring Sting on backing vocals and driven by Knopfler's famous riff, the song skewers MTV culture while paradoxically becoming one of the decade's defining anthems. 'Walk of Life' brings a contrasting brightness, its upbeat keyboard melody making it an enduring favorite. The album also shows Knopfler's gift for storytelling, particularly on 'Your Latest Trick' and 'Why Worry', which balance pop sensibility with emotional depth. But it's the title track, 'Brothers in Arms', that delivers the most haunting momentiits atmospheric, war-torn balladry elevated by one of Knopfler's most stirring solos. The 40th-anniversary vinyl pressing gives new life to the album's lush production. One of the first fully digital recordings, Brothers in Arms benefits from the warmth and depth this analogue reissue brings, bringing out the richness of Knopfler's guitar tones and the album's expansive soundscapes. Four decades on, it remains an essential listenitimeless in both its musicianship and its message.
Review: The turn of 1980 saw limited quantities of Salty Miller's lone album, a hidden gem of the beach music scene of the Carolinas, after which the properly named Beach Music Records names itself (they monopolised the scene early on). Miller's album blends soul, disco, and mid-tempo steppers, perfect accompaniments for the shag, beach music's signature dance. Though an 80s classic in its own right, Album 1 was made after Miller took extended time away from releasing: his masterwork heard a noble North Carolinian cast, including members of fellow The Embers, then join him on backing duties. Oceanic soundscapes and emotive string arrangements contrast with a local joviality; 'One More Time', 'Music Makes Me High', and 'The Fox' are standouts, though the peak sensation 'Happy Is The Word' has to be our highlight, bringing boardwalk-strutter soul and pitchy electric organs to a well chorused mix.
(I'm Always Touched By Your) Presence, Dear (2:27)
Sunday Girl (2:20)
Denis (6:04)
Fade Away & Radiate (4:57)
Fan Mail (2:44)
Picture This (2:45)
One Way Or Another (3:53)
Heart Of Glass (4:16)
Bang A Gong (5:34)
Review: One of the key spots in Boston's vibrant student scene, the Paradise Ballroom was the place to be in 1978 with the likes of The Ramones, Thin Lizzy and Blondie gracing the intimate space with their hit-laden sets. And New York City's Blondie were at the peak of their powers in 1978, touring their Plastic Letters album and pre-empting their Parallel lines album, so it was a chance for fans to hear the likes of 'Hanging On The Telephone', 'One Way or Another' and 'Heart Of Glass' before they were released. With said tracks being classics on heavy rotation to this day, there's no denying that this Blondie show goes down in Boston's music history as one of the all time great performances.
Review: "In Rainbows", Radiohead's seventh album, finally gets a physical release! It's one thing downloading this landmark album, but to actually hold this is something special. Not only do you get increased sound quality, but you also get the amazing artwork from Stanley Donwood. This album includes "Nude", a live favourite for many years that was originally written during the "OK Computer" sessions. More minimal that their "Kid A" period, "In Rainbows" does something that very few albums have done - its sound is distinct from previous Radiohead albums, but is still clearly Radiohead. Hail to the kings, they are back on top form.
Review: The first-ever vinyl reissue of a rare folk treasure from Shelagh McDonald, featuring Richard & Danny Thompson, Keith Christmas, and members of Mighty Baby & Fotheringay in the back. First released in 1971 and produced by the legendary Sandy Roberton, Stargazer has earned a devoted following for its blend of folk, psychedelia, and adventurous production, which spruce up McDonald's exquisite songwriting and puce, haunting vocals. Fans of Pentangle, Incredible String Band, and Joni Mitchell will find much to love, as will admirers of David Crosby's 'If Only I Could Remember My Name' and Gene Clark's 'No Other'. A long-overdue reissue, this one also marks the debut for Different Strokes For Different Folks, a new label dedicated to unearthing rare and cult classics, with more set for 2025.
Review: Fifty years after its original release, and over 20 since its first reissue, the quiet Beatle's landmark solo record All Things Must Pass has been punctiliously expanded once more, offering a complete sonic and archival overhaul. Spearheaded by Dhani Harrison and Grammy winner engineer Paul Hicks, the collection is a deluxe format-multiple, with one Uber Deluxe Box Set coming housed in a bespoke wooden crate and featuring 70 tracks. Alas, this CD edition is but a mere optical truncation, offering the humble and prudent listener a much sublimer curated experience: rooted in George Harrison's growing frustrations within the Beatles and a desire for artistic autonomy, 'Isn't It A Pity', 'Let It Down' and 'I'd Have You Anytime' still lie among the most enduring songs of Harrison's Tibetan Buddhist era, and with none other than compression master Phil Spector at the mix controls, you can be certain of a well-smoothened sonic experience from front to back.
Review: This special reissue of David Bowie's Young Americans album drops on the exact day of its Golden Jubilee. It was the late, great creative maverick's nine studio album and as always found him broadening his musical horizons. He embraced what he described "plastic soul" and it worked as this album gave him his first ever number one in the US with 'Fame' which was co-written with John Lennon and Carlos Alomar, who at the time played guitar with Bowie. It has been remastered for this reissue and cut at half speed so you can really luxuriate in the details.
Review: Emotional Rescue label boss Stuart Leath is particularly excited about this release, and it's not hard to see why. While Spanish singer/songwriter Javier Bergia is not widely known in the UK, his releases - either solo, or as part of the Finas Africae and Arium Musicae groups - are held in high regard by those of a Balearic persuasion. Eclipse is something of a treat, gathering together the best of Bergia's solo work from 1985 to the present day. Featuring Bergia's spoken and sung vocals atop a mix of gentle acoustics, atmospheric strings, delay-laden percussion and subtle global rhythms, Eclipse impresses from start to finish. It should be essential listening for anyone with even the tiniest interest in Balearica.
Review: There's a question we keep asking ourselves every time we hear it. Is 'Romeo & Juliet' the most bittersweet romantic rock ballad of all time? We think it's definitely up there, retelling the tale of star crossed lovers for the 20th Century, Dire Straits' inimitable blues-hued sound provided the perfect springboard for a track that grabs you by the heartstrings and doesn't let go. Of course, there's more to Making Moves than this alone. Released in 1980, the record also comes with 'Tunnel of Love', perhaps best known as that song from the Richard Gere movie, An Officer & A Gentlemen. But it might be the hidden gems, or at least non-singles, that really make this one - 'Expresso Love' and 'Hand In Hand', for example. Remastered and sounding better than ever, we'll leave it to you to decide.
Review: Analogue Productions are the label to take on the task of producing high-end editions of Steely Dan's albums, given their obsessive approach to remastering, pressing and every single minute detail of the production process. After all, this was the band who popularised such an approach in the studio. Katy Lied was the fourth album from Walter Becker and Donald Fagen, and it's as sensational as any Dan album from the rollicking romp of 'Black Friday' to the slinky boogie of 'Daddy Don't Live In That New York City No More'. This Super Audio CD version is surely the true audiophile's choice, free of any sonic interference and with every speck of sound rendered in crystal clear quality, just how the Dan would want it.
Woke Up This Morning (My Baby She Was Gone) (4:21)
Ten Years Gone (6:40)
In My Time Of Dying (9:41)
Your Time Is Gonna Come (5:56)
Remedy (5:14)
The Lemon Song (9:02)
In The Light (9:17)
Shake Your Moneymaker (4:26)
Sloppy Drunk Blues (6:06)
Shapes Of Things (5:17)
Nobody's Fault But Mine (4:45)
Heartbreaker (5:56)
Bring It On Home (5:20)
She Talks To Angels (5:43)
Oh Well (4:06)
Band Intros (1:00)
Hey, Hey, What Can I Do (3:36)
You Shook Me (7:20)
Out On The Tiles (4:52)
Whole Lotta Love (5:44)
Custard Pie (Soundcheck) (5:14)
You Shook Me (Soundcheck) (8:09)
The Lemon Song (Soundcheck) (8:47)
Ten Years Gone (Soundcheck) (10:51)
Jam (Soundcheck) (10:39)
Review: The chemistry between Jimmy Page and The Black Crowes, caught here live in AL in 1999, produces a dynamic performance that brings fresh life to classic rock anthems. Tracks like 'Celebration Day' and 'What Is & What Should Never Be' are delivered with incredible precision, each riff from Page cutting through the mix, while the Crowes' rhythm section provides a perfect backdrop. Chris Robinson's vocals are raw and commanding, particularly on 'Heartbreaker,' where he channels the energy of the original while adding his own emotive twist. The blues covers, like 'Sloppy Drunk' and 'Mellow Down Easy,' show off the band's versatility, giving a loose, electric vibe that contrasts beautifully with the more structured Zeppelin classics. A live performance that captures both the spirit of the originals and the fire of the setting.
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