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Notes: ***B-STOCK: Box opened, product in perfect working order***


Offspring from a noble house, the little synthesizer machine with the big and evil sound.

Waldorf is back in the game. With the Blofeld.

This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their pulse, Q, Q+, micro Q, microwave, microwave II/XT, or even the flagship wave.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Solid experimentalism at an excellent price, the vocoder-equipped version of Arturia's hybrid MicroFreak offers 14 digital oscillator options, analogue filters and 16 vocoder modes, plus a uniquely expressive polyphonic touch keyboard.

Supplier's Notes:
The uniquely unpredictable MicroFreak but not as you know it. 14 digital oscillator modes, velvety analog filters and heaps of modulation/randomization controls, supercharged with wild vocoding abilities.

The Vocoder engine

Arturia have created an entirely new 16-band mode to transform your voice in the Freakiest way possible. The vocoder engine features 3 waveforms - sawtooth, pulse width and noise - while the Tim-bre and Shape knobs adjust the response of the 16 frequency bands.

MicroFreak Vocoder Edition goes beyond robot vocals. 16 new presets give you instant access to android translations, crystalline harmonies and vibrant formant sequences galore. Connect an ex-ternal sound source like a drum machine or synth via the headphone socket for glitchy sound pro-cessing.

Step up to the mic

A simple, removable mic attachment that lets you sprinkle your voice into the mix. A gooseneck design means quick position adjustment, with easy connection straight into the headphone socket alongside your cans. The utility menu lets you set your preferred mic gain and noise gate settings.

A new dress code

First impressions make a difference. MicroFreak has always been out to make a statement, and the Vocoder Edition is no exception. The control panel has been given a makeover. The center strip boasts a bold new Swan graphic, while a sleek white finish makes this limited edition Freak stand out from the crowd - as if it didn't already.

The Freak within

Behind the revamped appearance and microphone attachment is the same lovable maniac that set the synth world spinning. Sparkling digital and wavetable oscillators collide with warm analog filters. A unique poly-after-touch PCB keyboard combines with a distinctly freaky arpeggiator & sequencer. Bathe your mix in sonic hysterics with the erratic mod matrix or the unique Spice & Dice randomizers.

Included Software: MIDI Control Center

Notes: ***B-STOCK: Box damaged, product in perfect working order***


8 independent 16-stage CV sequencers packed with performance features and presets makes the Voltage Block the ultimate CV tool. Create quantized or unquantized sequences for each output, record your modulation changes, tie sequences together, mute on the fly, randomize your outputs and so much more. The Voltage Block can be used stand-alone or pairs well with Varigate 4 and especially Varigate 8+ to share clocking and preset save/recall. All in 20hp.

Notes: As a LIVE musician, public presenter, or anyone else who's had to ensure their audience can hear them clearly, you've almost certainly run into the shortcomings of most portable live sound speaker systems. They're either too big and heavy to easily transport and set up, or they're small but don't offer the power, sound quality, and reliability you need for your most confident performances.

Push those concerns aside. Mackie's new FreePlay LIVE is the perfect personal PA for anyone who needs a lightweight and great-sounding solution for music performance and speech presentations with plenty of power on tap. It can run on either AC or battery power, with the built-in high-capacity rechargeable battery offering up to 15 hours of rich, powerful sound.

FreePlay LIVE is flexible, with inputs for your microphone, guitar, keyboard, or playback device. You can also stream music wirelessly from any Bluetooth enabled device. Plus, with the FreePlay Connect app, you get mobile freedom to control everything from levels to EQ for amazing sound in any situation and wirelessly link to a second FreePlay Series Bluetooth speaker for music playback.

So get ready to rock that coffeehouse. To host that open jam on the beach. To give that presentation to the sales team, or to lead that rally in the park. FreePlay LIVE gives you the freedom to be confident with your sound no matter where you go or what you do.

Notes: With Mantis, Tiptop took their years of experience with Eurorack to create a low-cost case that makes the Eurorack modular synthesizer look, work, and feel like a professional instrument. Mantis is an instrument that is at home on stage, touring, or in the center of the studio.

Mantis has two rows of 104HP for you to rack your modules. It comes fully powered and assembled, just drop in your modules and play.

Using its sophisticated leg mechanism, you can set it to three different positions: 0, 45, and 90 degrees.

Power Power and more Power! With Mantis, say bye-bye to the tedious, never-ending calculation of current consumption for the i12V power. Mantis comes with a juicy Zeus power supply that delivers plenty of power both now and for the future.

Mantis is beautiful and the color contrast between legs and body gives it its identity. Legs are offered in 4 different colors so anyone can find the right look.

Mantis comes with real Z-Rails made according to Eurorack enclosure standards. No sliding nuts or wrong spacing! It also has keyed power connectors to help protect your modules from damage from plugging the power in in reverse.

Using the optional bracket accessory Mantis can be doubled up to 416HP! Multiply your Mantis and watch your studio setup grow...

Weighing only 3kg/6.5lb, Mantis is so light, traveling has never been so relaxed.

The Dual Mantis Studio Brackets pair lets you connect two Mantis together in a robust and elegant solution. This setup is fixed and is recommend mainly for studio use. The brackets are cut precisely by laser from a sturdy metal and then coated twice for a nice smooth finish that matches the Mantis light gray color. They come with sixteen screws and special washers that help hold the screw in place during assembly and keep a tiny gap between the brackets and the Mantis. Installation is fairly simple and takes about 30 minutes to complete.

***UPDATE - MAY 2021 ***
As of May 2021, all Mantis cases shipped have a small update to the design. The connector for SyncBus is no longer included. This connector was never used as Tiptop didn't develop the cable for it, and the connector is no longer in production by the manufacturer so it was removed. The Mantis still has the same power supply and functions as before.

Notes: Introducing SUM0, a voltage-controlled oscillator with expanded harmonic possibilities, in a Eurorack format.

The 4 classic waveforms are generated by a meticulously designed oscillation engine.

You can modulate its frequency and its pulse width thanks to its integrated LFO, capable of reaching audible frequencies to achieve expressive modulations with the simple touch of a switch.

Expand the voice of your system by creating complex waveforms and high harmonic content thanks to its output mixer. This mixer also has an input to integrate an external signal to the mix output.

Of course, all its parameters (FM, PWM, SYNC, V/OCT) are at your fingertips through its patch points on the front panel.

And of course, assembled with a load of passion in Bocuma's studio-workshop in Guadalajara.

Nerdy-specs:

22HP
+12V > 12mA -12V > 12mA

Notes: The EP4000 builds on the incredible legacy of our EP2500, which is one of the best-selling power amps in the industry. Our proprietary Accelerated Transient Response (ATR) Technology gives the EP4000 the massive power reserves needed for deep and impactful bass response, which translates into a more natural sound quality that will bring your audience to its feet - and keep them there! With an amazing 4,000-Watts of output power (2 x 2,000 Watts @ 2 Ohms; 2 x 1,400 Watts @ 4 Ohms; 4,000 Watts @ 4 Ohms in Bridge mode), the EP4000 is the perfect amplifier for medium-sized club gigs, mobile PA systems, church services or public spaces.

The uber-simple front panel controls of these amps give you all of your sound's vital signs at a glance. After flipping the Main switch, the Power LED will light when the amp is ready for action. Both channels have independent gain dials as well as Clip LEDs that indicate when the signal is distorted and you need to reduce the gain. There are also Signal LEDs that light up when a signal is present at the input.

It takes huge pulses of energy (current and voltage) to propel a woofer cone fast enough to match a bass beat. That's called Transient Response and it's the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, the EP4000 reacts instantly to even the most demanding bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound.

The rear panel of every EUROPOWER EP4000 sports an array of options to help you get the most out of your amp. The built-in Clip Limiter automatically senses when the amplifier is being driven into "clipping" and momentarily reduces the input level to avoid distortion. This all happens in mere micro-seconds, making it the ideal way to ensure perfect sound all the time.

Stage vibrations, mic thumps and wind noise can cause ultra-low frequency sounds, or infrasonics - and while technically inaudible, they can be a real drain on power resources. As a solution, the EP4000 features a defeatable Low Cut Filter that eliminates frequencies below either 50 or 30 Hz (depending on your PA system's capabilities) - for better sonic performance, as well as the ultimate in loudspeaker protection. The rear panel also contains the Stereo or Bridge (mono) mode switches.

There are lots of awesome features on the outside of the EP4000, but this amplifier's beauty goes much more than just skin-deep. Inside you'll find industry-leading components, such as world-class Toshiba/Fairchild power transistors, and a custom-designed, high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers. The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps the comfortably EP4000 within its normal operating range. Finally, an impact-resistant, all-steel 2U rack-mount chassis protects your investment from the rigors of the road.

Notes: The main unit has a media player with options for playback from USB stick, SD card, Bluetooth or a slot fed disc player for CD and DVD. A pair of UHF handheld microphones are included in addition to 2 inputs for wired microphones with a built-in echo effect for vocalists and a VCV control enables mic priority over music. Operated from mains power or the internal rechargeable battery, the main unit also powers the passive satellite cabinet. Line input, output and composite video output offer easy connection to other equipment for expanded AV systems. A comprehensive multi-functional system for leisure, teaching and performances.

In the box:

- PAV8 main unit
- 8" satellite speaker
- 2 x UHF handheld microphones
- 4 x AA batteries
- IR remote control
- 1 x speaker jack cable
- Securing strap
- 15Vdc 3A power supply & IEC lead(s)

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Another cracker from Xaoc, the Timiszoara is a take on digital multi-effects with stereo in and out, an intuitive interface and CV control of effect parameters. Big power with 176 factory programs.

Supplier's Notes:
Timiszoara is a stereo, Eurorack compatible, voltage-controlled multi-effect signal processor based on the popular Spin Semiconductor FV-1 DSP chip. It features a full stereo signal path with two adjustable audio inputs, two outputs, and a stereo voltage-controlled wet/dry mixer. In addition, there is a microSD memory card slot on the front panel that allows for loading factory and custom effects without any restrictions or copyright protection, which means you can use many effects available on the Internet and even create your own.

Effect programs are organized in banks of 8 and can be selected using a rotary encoder, as well as CV and trigger signals. Timiszoara features a crisp OLED screen that displays the program parameters and its name. It also facilitates navigating the list of banks. Up to three parameters per effect can be controlled from the front panel with illuminated slider potentiometers and dedicated CV inputs.

Xaoc Devices have prepared quite a few banks of algorithms (176 in total) that cover most effects needs: delays, reverbs, filters, modulation effects (such as choruses and flangers), pitch shifters, and, of course, shimmers (no multi-effects unit would be complete without its share of those). However, Xaoc Devices wanted to ensure that users had access to some more adventurous programs, so some special banks have been created to allow you to take a walk on the wild side.

For detailed description, please refer to the manual.

Technical details:

10hp, skiff friendly
Current draw: +120/-45 mA
Reverse power protection

Notes: The Chord Machine 2 is composed of a chord generator, an arpeggiator and a quantizer. The module creates up to five voices out of one incoming CV signal. They can be spread over a range of eight octaves. 42 preset plus 16 user chords with up to four voices are available for musical experiments. Additionally, they can be switched between first, second and third inversion. All in all, users get access to 232 chords, which are playable within 54 preset and 15 user scales. Transpositions can be done via a CV input.

The fifth voice of the Chord Machine 2 is meant for arpeggios, which can run in several directions and octave ranges. Alternatively, this channel is usable as a quantizer. Setups can be saved in extensive song lists.

Current consumption: ca. + 140mA / - 20mA
Size: Euro rack format 3U / 12HP 60,2x128,5mm

Notes: More affordable than the flagship X8 but still offering exceptional sound quality, the X6 is a handheld recorder for every purpose, with built-in mics or XLR inputs, 96-kHz/32-bit resolution and smartphone-style touchscreen control.

Supplier's Notes:
Advanced recording technology, yet simple to use!

Capturing high-resolution audio is easy with the Portacapture X6. The intuitive app-like operation on its large colour touchscreen makes it easy to record or sweeten up your audio in post-processing. Record using the two built-in microphones or plug in your own mics to its two XLR inputs. The recording quality on the Portacapture X6 will be your secret advantage. Its 96-kHz/32-bit floating-point recording technology means that you can capture audio softer or louder than ideal, assuring that you will never miss that moment.

Six different recording apps to choose from

Manual: This is the main app for multi-track recording of up to six audio sources and a stereo mix (2-mix).
Voice: This recording app is ideal for capturing interviews, dictation and meetings.
Podcast: Use this for podcast creation with up to four people.
Music: Choose this app for capturing instrumental and vocal performances.
Field: Ideal for recording nature sounds outdoors.
ASMR: The screen visual effect changes in response to the input sound.

App-like operation
Quickly access your settings and adjustments on the Portacapture X6's large (2.4-inch) colour touchscreen. With the easy-to-navigate interface and helpful tools, you are just a few taps from the perfect setting for your needs. Use the Launcher to select from podcast, music, interviews, field recording and real 6-track recording. Start fast, start right and get exactly what you need.

Audio for video production

When shooting a video, you want to be able to focus on your video production and not worry about your audio. The Portacapture X6 was built with video production in mind. The workflow, presets and user settings save you countless steps. The X6 has your back with its 96 kHz/32-bit float recording technology. Not only does this mean you will have the highest quality audio, but you will have a dynamic range that allows you to overcome those less-than-ideal realities that can often occur on a shoot.

The X6 even gives you a timecode sync option* via Bluetooth (with optional AK-BT1) allowing you to align your audio with your video, even when you have no audio on your camera. Upgrade your audio and reduce your worries with your own Portacapture X6.

Record your way

The Portacapture X6 is ready to record with a few quick taps. The internal high-quality stereo microphones can instantly be rotated from A-B to a true X-Y mic pattern to allow for dialogue or spatial music recording. Have your own mics? Use those thanks to the two included XLR inputs which can also handle line level sources.

The mic preamplifiers are Tascam HDDA (High Definition Discrete Architecture) - providing ultra-low noise and clean transparent audio based on more than 50 years of Tascam know-how.

Record six tracks (four individual track plus stereo mix) simultaneously and even use the X6 as your 6-in/2-out USB audio interface to connect to your computer.

Capture every bit

It would be great if every time you need to capture audio, everything is perfect. Not too loud, not too soft. Of course that is not the reality for most of us. Sometimes a voice or sound will be really soft and in other cases it is blasting. Even in these extremes, you are expected to capture the sound and deliver well-finished audio.

The 32-bit floating point recording technology in the Portacapture X6 gives you a much lower floor and higher ceiling for sound material. The result is that your recording can capture everything from the quietest rustle to the loudest spectacle.

Control the recorder from your phone (with optional Bluetooth adapter)

In those cases where you want to put your audio recorder in one place and operate it from another, the X6 has you covered. With the AK-BT1 Bluetooth adapter (sold separately) and the free Portacapture Control app, it's easy to remote control your X6 wirelessly from your smartphone or tablet.

Imagine the possibilities!

Ready-to-publish audio anywhere

With the Portacapture X6, your audio is ready to share. Built-in signal processing, including a compressor, limiter, high-pass filter, EQ and reverb, adds that studio polish.

Whether you need to tame the wind when recording outside or want to add the ambiance of reverb to your vocals, the X6 has you covered. From smoothing out your input to preventing extreme peaks or eliminating plosives in dialogue, you can count on the Portacapture X6.

Specifications

Recorder specifications

Recording media: microSD card (64 MB - 2 GB), microSDHC card (4-32 GB), microSDXC card (48-512 GB)
Recording/playback formats: WAV (BWF): 44.1/48/96 kHz, 16/24 bit or 32 bit float, MP3: 44.1/48kHz, 128/192/256/320 kbit/s
Input channels: 4 (maximum)
Recording tracks: 6 (4 tracks + stereo mix)

Analogue audio inputs

Mic inputs 3-4 (balanced): XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD), 6.3-mm TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND)
(phantom power over XLR only)
Input impedance: +/-2.2 kO
Maximum input level: +2 dBu
Minimum input level: -75 dBu
Line inputs 3-4: XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD), 6.3-mm TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND)
Input impedance: +/-9 kO
Maximum input level: +24 dBu
Minimum input level: -53 dBu
MIC/EXT IN (unbalanced): 3.5-mm mini jack (supports plug-in power)
Input impedance: 10 kO (plug-in power off), 1.8 kO (plug-in power on)
Maximum input level: 0 dBV
Minimum input level: -67 dBV

Analogue audio outputs

Line output (LINE OUT, unbalanced): 3.5-mm stereo mini jack
Output impedance: 200 O
Nominal output level: -14 dBV
Maximum output level: +6 dBV
Headphones output: 3.5-mm stereo mini jack
Maximum output: 45 mW + 45 mW (THD+N: =0.1%, 32 O load)
Built-in speaker: 0.4 W (mono)

Control inputs/outputs

USB port: USB Type-C connector
Format: USB 2.0 High Speed mass storage class
Bluetooth device connector: For Bluetooth adapter (AK-BT1) only

Audio performance

Equivalent input noise (EIN, mic inputs 3-4) =-125 dBu
Frequency response (inputs 3-4 to PCM data): Fs 48 kHz: 20 Hz - 20 kHz, +0/-0.3 dB (JEITA), Fs 96 kHz: 20 Hz - 40 kHz, +0/-0.7 dB (JEITA)

Dynamic range (20 kHz SPCL LPF, A-weighted, Field app)
Inputs 3-4 to PCM data: -112 dB (48/96 kHz)

S/N ratio (20 kHz SPCL LPF, A-weighted)
Inputs 3-4 : 112 dB (48/96 kHz)
MIC/EXT IN: 103 dB (48 kHz), 105 dB (96 kHz)
Total harmonic distortion ratio (THD+N, 1 kHz sine wave, -5 dBFS at input, GAIN at minimum, 20 kHz SPCL LPF)
Inputs 3-4 (LINE IN) to PCM data: 0.008 %
Inputs 3-4 (MIC IN) to PCM data: 0.006 %

Power supply and other specifications

Power supply: 4 AA batteries (alkaline, Ni-MH or lithium-ion)
USB bus power from a computer
AC adapter (TASCAM PS-P520U, sold separately)
Power consumption 7.5 W (maximum)
Display: 2.4-inch full-colour LCD touchscreen
Dimensions (W × H × D): 75 mm × 174 mm × 37 mm (excluding protrusions)
Weight: 365 g (with batteries) / 265 g (without batteries)
Operating temperature range: 0-40 -C

Notes: Top-of-the-range model in Keeley's legendary line of compressor pedals. True studio-quality compression in a convenient pedal format, suitable for guitars, synths, drums or even vocals.

Supplier's Notes:

Keeley Compressor Pro. The stomp-box sized compressor/limiter is made in Oklahoma, USA and engineered to be an indispensable tool for your musical endeavors. It is in no way limited to be used with only guitar. It has been designed to work as a studio compressor accepting any range of inputs and a frequency response and noise level matching the finest compressors made.

Compression LED Display:
Segment LED display for fast and accurate metering of compression and gain reduction. Gain Reduction Levels of -1dB to -20dB are indicated.

Threshold LED Indicator:
Bi-Color LED to indicate when compression is initiated and released.

Exact RMS Analysis (ERA):
Senses the true RMS value of the input program material such as your guitar, bass or drum machine.

Hard/Soft Knee Compression - Hard Compression for limiting or adding sustain, soft knee or Komfort Kompression for gentle compression, keeping performances lively and natural sounding without potential phase issues in parallel, or blending style compression.
Auto Mode - Program dependent Attack and Release times. Set to Auto ON for worry-free performance and automatic Attack and Release times.
True-Bypass - No tone or signal loss when OFF

The Keeley Compressor Pro is designed to be used at home or in the studio for creating full sounding recordings of any instrument. In live situations, the Compressor Pro can be used to achieve full sounding, polished performances as well as protect amplifiers and speakers from overload. The Comp Pro is designed to work with any instrument from voice and guitar to keyboard, bass, or drums. Use it when creating a podcast or YouTube videos to maintain professional performance levels. Use it around the home to create tons of sustain while at low volumes or low gain settings!

Notes: The Arpopone from LepLoop is a little synthesizer for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: The envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: The envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: The envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Two outputs jacks are available: the mono OUT jack on the back panel and the STEREO jack on the front panel, useful for listening with headphones and for separate channel output.

Notes: Moonwalker is a versatile signal generator that performs as an envelope, lfo, and audio oscillator, with attack and decay time controls

Phase offset is continuously variable from 0 to 360° and inverts the waveform without changing it’s amplitude, and with or without changing it's polarity.

Unipolar mode preserves the output range by offsetting the starting voltage, so it always stays between 0 and +10v

Bipolar mode preserves the starting voltage by offsetting the output range, so it always starts at 0v. The output range will shift from +unipolar, through +bipolar, to -unipolar, through -bipolar back to +unipolar.

The reference waveform does not change phase, but the timing of the rate change between Attack and Decay shift with the phase offset, to ensure synchronous movement.

The phase offset output is half-normalled to the phase offset cv input and skews the waveform from triangle to saw or ramp without changing frequency (when attack = decay).

Dimensions
10 HP
39 mm deep

Current Draw
110 mA +12V
80 mA -12V
0 mA 5V

Notes: Gorgeous stereo implementation of the classic frequency shifter sound, moving from tonal harmonics to atonal disharmony effortlessly. Separate outputs for down and up shifts, plus plenty of CV control.

Supplier's Notes:
Koszalin is a full stereo frequency shifter with two inputs and four outputs. If offers simultaneous exponential and linear through-zero control of the amount of frequency shift in 3 carefully scaled ranges (up to +/- 5kHz). Frequency shifting results in linear translation of signal spectrum producing all kinds of atonal sounds. It should not be confused with frequency scaling, also known as pitch shifting. Several stereo feedback topologies are offered with additional density control besides feedback depth, which results in spectacular stereo barberpole effects.

Through-zero modulation allows for using Koszalin's input as an FM operator. Koszalin is a digital module with a DSP behind an analog interface.

Main features:

full stereo frequency shifting
3 shift ranges: +/- 50Hz / 500Hz / 5kHz
exponential and linear through-zero inputs
internal feedback under voltage control.
10HP
12V: 140mA / -12V: 30mA

Notes: Expand the lid from your case to be another powered rack. This set includes:

Rails
Handle and handle supports
Powered bus board
Case wiring
AC/DC power adapter
All hardware and thermal tape to complete the conversion

Notes: ***B-STOCK: Dent on the side, product in perfect working order***


The Shaped Dual EnvVCA is a two-channel analogue envelope generator with waveshapers and a stereo linear VCA. Unlike conventional analogue envelope modules, the waveform of each envelope can be controlled with a slider or CV without changing the envelope timing. With a wide time range from an hour to 2.5kHz, and a plethora of CV inputs and attenuverters, it can be used as an LFO, audio-rate oscillator, slew limiter, waveshaper, ASR/ADSR/complex EG, independent audio/CV VCA, envelope follower, sidechain processor, and general utility module. Each channel has dedicated linear outputs plus attenuverters and offset controls for the variable waveshape outputs, making it an ideal modulation source and stereo VCA.

100% analogue

Shaped Dual EnvVCA

20HP Eurorack format module
0.95" (24mm) maximum depth (includes power cable)
10-pin Eurorack power header

Power consumption
+12V: 255mA
-12V: 230mA

Audio/VCA
100k input impedance, 1k output impedance, DC-coupled
VCA gain range: -90dB to +2.0dB, linear response to CV from 0V to 5V
VCA unity gain: 4.4V CV
DC to 20kHz, +/-0.1dB

Envelope Times
Minimum rise or fall time: ~200us per segment (2.5kHz max frequency)
Maximum rise time: >20 minutes (typically > 40 minutes)
Maximum fall time: >12 minutes (typically > 20 minutes)

Jacks:
Env jack: Min = -10.2V, Max = +10.1V, maximum amplitude 9.3Vpp
Trigger jack: rising edge threshold = 1.25V
Follow jack: active range = 0V to +5V

EO* jacks:
EOR (channel A): <80mV low to >4.50V high gate output
EOF (channel B): <80mV low to >4.95V high gate output
Minimum stable pulse width: 1ms. Shorter than this may produce extra 50us pulses
Audio In/Out jacks: -10V to +10V maximum range without clipping

Notes: The compact new Fostex PM0.5d is a successor of the to the popular PM0.5n.

Driven by new high efficiency 35W (LF) and 23W (HF) high efficiency digital amplifier and with completely re-designed woofer and tweeter drivers, this attractive bookshelf speaker is set to be every bit as successful as its predecessor.

Notes: The RS-95N oscillator is a premium, british sounding VCO with waveshaping possiblities. It has a new front panel design with elongated holes.

It is based on the RS-90 but has more features, predominantly a very special sine wave.

The RS-95N presented here is technically identical but instead a normal frequency control it features a gorgeous, lockable potentiometer with ten turns. This allows precise fine tune control and adds the look of an EMS synthesiser to the VCO.

The module has three audio outputs: pulse, triangle and sine.

The upper shape control affects the pulse width. The lower shape control not only morphs from a falling sawtooth over triangle to a rising saw (or ramp) but simultaneously alters the sine wave and produces a kind of smoothed, softer sawtooth. Additionally the saw/sine output is a CV-INPUT for the symmetry of the sine. Very extraordinary feature that all are voltage controllable.

The oscillator sync is "soft" and not only reacts to square waves but works with all waveforms.

The frequency control has three switchable modes:

STD (standard) with a range of two octaves.
2 is two octaves lower than STD.
WIDE mode gives a range from 0.3 Hz - 17kHz and thus allows use of the RS-95 as VC-LFO with waveshaping options!
The "vary" control not only attenuates but also can amplify the pitch CV. It controls linearly from 0V over 1V/oct to 0.4 V/oct.

Notes: The SSL 2521 Segwencer™ 2.0 Euro module is an updated version of Syntehtic Sound Labs' popular 2520 with improved circuitry, simple panel graphics and only 8 HP width - and is indeed in a class of its own. The name derives from the audio term "segue" (fading from one sound to another), and the synth term "sequence" (moving from one point / sound to another), and once combined, there is a synergy that blasts these concepts into a totally new way of morphing sounds, textures and even control voltages.

Before we go any further, a bit of explanation is probably in order. If you know a bit about pipe organ history, you know that a "crescendo" pedal is not a simple volume control. Pipe organs can control volume by opening and closing louvers in front of the pipes (called "swell"), but can't really control brightness / timbre. A crescendo can add the perception of brightness and impact by adding more "ranks". This is typically done with a separate pedal that the artist moves forward to bring in brighter and louder sounds. On a pipe organ, the mechanics of this are fairly straight-forward but technically complex. As the artist goes from soft to loud with the crescendo pedal, several "switches" are sequentially engaged. Each successive switch causes a new pipe rank to sound, therefore it becomes increasingly fuller with each stage of the crescendo pedal.

So, what is the SSL Segwencer? In a typical Voltage Controlled studio environment, a control voltage is fed to the "Depth" input which (through an on-board attenuator) controls which of the four Segwencer channels is active based on the input voltage. Each channel of the Segwencer has a separate built in VCA (DC coupled!) input and output, as well as a convenient Mix output that can frequently save a mixer.

By this description, you might think that the Segwencer harshly "switches" from channel to channel - which is not in itself a bad thing. Here is where the Segwencer really shines.

The Segwencer has a "Width" panel control that literally softens the progressive transitions between the channels. So YOU have complete control over the transition of the "switch" point between the channels, and the "softness" of how that channel switches. Really cool!

Obviously, using a voltage pedal could emulate the actions of a crescendo pedal, but how about feeding the Depth input with an envelope generator? What about an LFO, or even keyboard velocity voltages. And since the VCAs are DC coupled, imagine possibilities of Segwencing control voltages, or even CVs AND audio in the same segwence? The combinations are staggering.

Imagine taking each basic waveform from a VCO into each input of the Segwencer and having the Segwencer smoothly blend the waves? Or how about a sine wave into channel "A" out to a audio mixer, an LFO into channel "B" out to the VCOs CV input, and a wavefolded sine into channel "C" out to the audio mixer? Result: Sine, to FM modulated sine, to distorted sine.

The VCA inputs are conveniently normalized, so - How about a voltage controlled quad panner with each output going to a separate speaker? Or maybe three or four VCOs in a musical chord (or discord if that floats your boat), each into a separate Segwencer input, with the Segwencer "Mix" output as audio? Result: Think about it.

You'll probably find youself using at least one Segwencer for just about every patch!

Specifications
Controls
- Width
- Depth CV Amount
- Peaks / Slope selection switch

Inputs
- 4 DC Coupled Linear VCAs
- Depth CV

Outputs
- 4 DC Coupled Linear VCAs
- 1 DC Coupled Mix output

Indicators
- 4 Channel Activity LEDs (Red)

Power
+15V at..ma, -15V at..ma, 16pin Eurorack header.

Size
Width - 8HP
Depth - <45mm (1.5") behind panel

Notes: The SSL 2611 V-Gates 2.0 is an updated version of Synthetic Sound Labs' popular 2610 with improved circuitry, simple panel graphics and only 8 HP width. It sports a powerful combination of features for your clocking and gating pleasure. In fact, there are well over 300 variations of gates, functions and modes. And many of these functions can be voltage controlled!

Analogue knobs on a digital gate?
Absolutely! You bet! Although knobs might seem to make more sense for analogue, with digital functions the knobs actually allow very versatile selections of what Synthetic Sound Labs call "Sub-Functions". These sub-functions allow you to adjust how the gate outputs react with the input clock, among other things.

Modes, functions and sub-functions
The 2611 has two Modes - analogue & digital - each with three Functions. Functions (and sub-functions) allow control over how the outputs respond to the input. Sub-functions in digital mode, allow the outputs to selectively follow the input pulse width and control up/down actions.

Sub-functions in analogue mode, controls the number of outputs affected by the input CV. In Analog mode, the 2611 follows an input control voltage (CV) to produce unique combinations of output gate signals. Binary, Step and Slope functions are available. A clock output is available that produces a 1 millisecond (ms) pulse for each change of output state.

In Digital mode, the outputs change in step with the input clock. Binary, Step and Random functions are available. This makes the 2610 very useful in creating rhythmic patterns, as well as random (no patterns) outputs. The outputs respond from DC to about 400 Hz.

Diffused red LEDs display the output states. The Initial and external CV input controls respond linearly. Knobs are conveniently placed to allow ample room for manual adjustment. Top quality 1/8" jacks permit smooth, effortless patching. Quality, solder masked, fiberglass-epoxy printed circuit boards with precision computer controlled part placement and meticulous hand-crafted assembly assure years of trouble-free service.

Specifications


Controls
-Initial CV (analogue) / Function Controls (digital)
-External CV Amount
-Mode Selector: Analog / Digital
-Function: Binary, Step, Slope (analogue) / Binary, Step, Random (digital)

Inputs
- Reset (digital) / CV In (analogue); 0 to +5V
- Clock In (digital); 0 to +5V

Outputs
- Clock Out (analogue); 0 to +5V
- Step (Stage) outputs - x8; 0 to +5V

Indicators
- Step (Stage) LEDs (Soft Red) - x8

Frequency Range
DC to ~400Hz - (At rates greater than about 60Hz, jitter is more apparent)

Power
+12V @ 21 ma, -12V @ 3 ma
10 pin Euro standard connector.

Size
Width - 8 HP (Euro rack)
Depth - < 33mm (1.25") behind panel Skiff ready


(Due to continual product improvements, specifications are subject to change without notice.)

Notes: Upgraded Pro version of the outstanding FX Aid multi-effects module. 200 onboard stereo effects, customisable via an online app, with added CV inputs and even more physical controls. Superb.

Supplier's Notes:
FX AID Pro:

OLED screen shows current effect's number, name and its three parameters

200 onboard effects which can be arranged in any order via the online editor https://fxaid.app/pro

Instant switching of the effects or seek then activate option

Stereo input level control

SRR input can also be routed to parameters 1-3 or effect selection

Advanced internal lfo which can be routed to the Sample Rate, parameters 1-3 or effect selection

Manual control of the Sample Rate with one click for default position

10 user storable presets with handy indicator lines for each stored parameter

Screensaver with 1, 10, 30, 60 minutes options

Easy update by playing wav file, level indicator for proper volumes matching

Notes: Hue is an audio colour processing effect, in 6HP eurorack format. Hue is comprised of a chain of 5 effects (Drive, Filter, Tape Saturation, LoFi, Compressor). Each effect imparts a particular coloration, tone, distortion, and/or texture to the source audio. With Hue, Drums bang with more intensity & melodies morph into lush LoFi tones.

Hue's goal is to simply colour your sound. The initial concept was born of a debate about the techniques and processes used to make drum machines sound big, bold, and delicious. The sounds that tug at the hearts of boombap, LoFi, and subsequently modbap, enthusiasts are those that have great texture, lush degradation, soft distortion, and big bold strokes of colour. The classic beloved drum machines were often processed with outboard gear, recorded to tape, pressed to vinyl, played in big booming systems, sampled, and resampled and on and on. Ultimately, those are the sounds that become nostalgic and reminiscent of all that we love about classic LoFi boombap production. Hue is Modbap's attempt at bringing that vibe into eurorack with a cute little 6hp package.

The effects chain audio signal path is as follows; Drive, Filter, Tape Saturation, LoFi, Compressor. The panel layout allows for the DJ style filter knob to sit in first position for ease of tweaking. Drive boosts and lightly distorts the signal, while shift+Drive adjusts the Drive tone. The Filter is a low pass filter to the left and a high pass filter to the right. Tape effect is intended to impart cassette tape saturation, while shift+Tape adjusts the intensity. LoFi adjusts bit depth, while shift+LoFi adjusts sample rate. Lastly, the one knob compressor mini pot serves as the final glue in the signal path that brings it all together.CV inputs for Drive, Filter, Tape Saturation, and LoFi opens loads of creative possibilities. Hue is a textural beast when creative modulation is thrown at it.

Hue puts the power to shape and transform your sound at your fingertips. It's great for beefing up drums and equally as magical on melodic content. Hue can be the glue that brings it all together. It also, pairs well with Trinity and Osiris. All in all, Hue exemplifies the tagline "Made for eurorack, dope enough for boombap!"

Tech Specs

Width: 6HP
Depth: 28mm
Power: 50mA +12V, 50mA -12V

Features
5 effects (Drive, Filter, Tape Saturation, LoFi, Compressor.)
4 CV inputs for modulating the effects
Mono in and mono out
6HP

Notes: Huge power in a compact package with this upgraded 10-inch design from Alto's TrueSonic 4 range. Bluetooth connectivity and DSP give added control via the Alto app.

Supplier's Notes:
2000-watt 10-inch 2-way powered loudspeaker with Bluetooth, DSP & app control

TrueSonic TS4 from Alto Professional

Louder. Clearer. Smarter.

Where TS3 exceeded expectations, TS4 redefines them completely.

Building on the legacy of the best-selling TrueSonic speakers, the TS4 Series delivers increased power, clearer sound, and advanced Bluetooth functions including streaming, speaker linking, and App control.

Compact, lightweight, and designed for reliability, the new TS4 Series makes it simple to get great live sound at every event.

True Sonic Power

Whether you need a powerful vocal PA or club-shaking bass performance for a DJ set, TS4 speakers deliver loud, clear, room-filling sound for any application. With a 10-inch woofer, and a 1.4-inch compression driver, TS410 delivers 2000W of class-leading power and clarity in equal measure.

Free Alto App for remote configuration and control

Available free for both Android and iOS, the Alto App gives hands-on remote control over Bluetooth levels, Speaker Use Modes, Custom EQ and Sub Size selection. Further, True Wireless Stereo linking can be configured remotely via the app to save time during setup.

Built-In 3-channel mixer

Every TS4 features an integrated 3-channel mixer, with two Mic/Line input channels and a dedicated Bluetooth channel. The Mic/Line channels feature XLR/TRS combo jacks and can be used with microphones, instruments, and line-level signals without the need for additional hardware or adjustment. Just plug straight into the rear panel and you're up and running.

Simple Bluetooth Streaming & Speaker Linking

The ideal high-powered streaming solution, TS4's built-in Bluetooth connectivity makes it easy to pair your laptop, phone or tablet and get the music pumping in no time at all. With the True Wireless Stereo function you can stream Bluetooth audio to two TS4 speakers in perfect stereo without the need for any cables.

DSP Modes for the best sound in every application

TS4's three preset "Speaker Use" modes let you optimize the speaker for any application, so you'll get great sound every time at the touch of a button. For even more control over your sound, you can configure a Custom EQ within the Alto App and remote adjust the settings from any listening point in the venue. You can even save your favourite Custom EQ setting direct to the TS4 for easy recall whenever you need it.


Versatile and Reliable

From the high-quality drivers to the fanless class D amplifiers, every aspect of the TS4 Series has been designed for superb reliability, whether used for mobile gigs and performances or fixed installation.

Each speaker features a lightweight, sleek, black box design that can be used as the application demands - freestanding, as a wedge monitor, pole-mounted or suspended via the integrated suspension points.

Level up your live sound. Choose Alto Professional's TS4 Series.

Applications

Solo performers
Musicians and Bands
Mobile DJs
Gymnasiums, fitness centers, and dance studios
Houses of worship
Theatres
Bars, restaurants, clubs
Special events, presentations, and wedding

Specifications

Output Power: 2000W
Drivers Low-Frequency: 10.0" driver, 2.0" (50 mm) high-temperature voice coil. 1 x 650 W RMS @ 2 ?.
High Frequency: 1.0" exit ceramic driver with 1.4" (35 mm) coil. 1 x 350 W @ 4 ?.
Crossover Frequency: 2 kHz
Maximum SPL: 130 dB (peak), 127 dB (continuous) (dB-SPL @ 1 m)
Frequency Response: 57 Hz - 20 kHz (+/-3 dB)
Frequency Range: 48 Hz - 20 kHz (-10 dB)
Horn Coverage: 90- horizontal x 60- vertical (nominal)
Connectors: (2) XLR+1/4" (6.35 mm) TRS combo inputs (Balanced) (1) XLR output (Link) (1) IEC power cable input
Input Impedance Line: 10 K? balanced, 20 K? unbalanced, Mic: 1.2K
Line Gain/Volume Control Range: -? to 0 dB, +4 dBu nominal, +10 dBu for max output
Mic/Inst. Gain/Volume Control Range: -? to +50 dB
USB Charging Port: 5V 2.1A
Controls: Power switch, (2) gain control knobs (1 per input), (2) Mic/Line switches, Bluetooth volume control encoder, Pairing button, Stereo Link button, Sub Size button, Speaker Use button
Indicators: (1) Input Channel Signal/Limit/Clip LED (Green = Ch1/2 Signal) (Yellow = Ch1/2 Limiter) (Red = Ch1/2 Output Clipped), (1) Bluetooth LED (Blue), (1) Link LED (Orange), (4) DSP Presets LED (Green), (3) HPF LED (Green)
Power Connection: IEC
Voltage: 100-120V, 50/60Hz; 220-240V, 50-60Hz
Consumption: 900W
Fuse: 100-120V T10AL AC250V; 220-240V T5AL AC250V
Protection: Electronic clip, thermal, and transducer overdrive protection
Enclosure: Injected Moulded Enclosure and Perforated Metal Grill
Mounting/Installation: Standard 36 mm pole socket, flown application with integral M10 suspension points, or in a wedge monitor position
Operating Temperature: -10-C to 45-C (14-F to 113-F)
Dimensions (height x width x depth): 21.1" x 12.6" x 12.5" / 536 x 320 x 317 mm
Weight: 26.0 lbs. / 11.8 kg

Notes: Part performance mixer, part utility module, with 4 channels of VCA, summed to a stereo output, Tannhauser Gates is AFA's first stereo module.

Based loosely on the Buchla 100 series Gates, each channel boasts a discrete VCA with a rich overdrive sound, stereo panning, a tilt EQ and an easily accessible mute switch. Each channel can be used individually as a mono track or all four can be summed down to the stereo output. The four channels have an individual CV input, or they can all be controlled via the master CV input. The Tannhauser Gates also hosts the capability for a stereo send and return path, expanding your sonic arsenal to other processing modules.

Tannhauser Gates is designed with future expansion in mind. Adding up to three more Tannhauser Gates modules, it is possible to build a performance mixer system of up to 16 channels, all summed to a single output module. The back side of the module is equipped with a number of expansion headers.

Power consumption: 146mA at +12 V and 94mA at -12 V
Depth: 34mm
HP : 20

Notes: Updated to version 6, Presonus's innovative DAW just keeps getting better. New features include Smart Templates, online collaboration via Sphere Workspaces, customisable toolbars and new native plug-ins.

Supplier's Notes:
Your creative partner for end-to-end production, Studio One has everything you need to bring your inspiration to life. Studio One is the only audio production software that provides a complete integrated experience for recording, production, composing, mixing, mastering, and performing.

Studio One's pioneering drag-and-drop workflow makes it highly intuitive and fast to use. Laborious tasks like vocal comping and drum replacement are as easy as drag and drop. Smart Templates make it easy to get started with streamlined workflows and helpful guided tutorials. Use the new Customization Editor to select just the tools and functions you need for the task at hand, simplifying the user interface so you can focus and work faster than ever.

Only Studio One features harmonic editing for both audio and MIDI. Experiment with new chord progressions until your next hit song comes to life - no music theory degree required. From pop ballads to rap anthems, the Chord Track is a producer's dream come true. Quickly create beats with advanced pattern editing, flexible samplers, and live looping. Remix complete songs with the Arranger Track and Scratch Pads.

Go from the studio to the stage or stream with the Show Page. Design a complete show by creating a Setlist using songs you're already created in Studio One, incorporating a mix of live instruments, pre-recorded tracks, and virtual instruments.

Assemble your album and get mastering with Studio One Projects. Only Studio One Professional links Songs with mastering projects, so you can update mixes as needed without losing fades, automation, Clip Gain edits, or any other mastering work.

Designed with ease of use at its core, Studio One seamlessly moves with you from initial inspiration to full production, final mix to mastered album, digital release to live production... and lets you truly create without boundaries.

What's new in Version 6:

Customizable user interface. Show or hide essentially every user interface tool and function with the new Customization Editor.
Smart Templates. Smart Templates provide essential toolsets for the tasks at hand from basic recording to mixing stems, mastering an album to setting up a live show.
Global Lyrics Support. Add lyrics to your scores, songs, productions, and live performances with the all-new global Lyrics Track!
Global Video Track. The all-new global Video Track provides an intuitive video workflow thanks to the familiar drag and drop functionality that made Studio One famous.
Track Presets. Store every aspect of a given track or channel for instant recall, even for multiple selected tracks/channels.
Advanced Collaboration with PreSonus Sphere. Studio One 6 deepens the integration between your desktop application and your PreSonus Sphere Workspaces with convenient sharing options and built-in sync options right from the Studio One Browser.

Tech Specs

Computer System Requirements

Studio Oner is a 64-bit, cross-platform DAW. While we make every effort to ensure Studio One will run well on the widest variety of computers possible, please read these specifications carefully to determine compatibility with your system.

Windows

Windows 10 (64-bit only)
Intelr Core i3/AMD A10 processor or better
4 GB RAM minimum (8 GB or more recommended)

macOS

macOSr 10.14 or higher (64-bit only)
Intelr Core i3 or better
4 GB RAM minimum (8 GB or more recommended)

All Computer Systems

Internet connection (needed for installation and activation)
Monitor with 1366 x768 resolution (Retina display recommended)
Multi-touch enabled monitor with TUIO support is required for touch operation

Content Storage

40 GB free hard drive space (Studio One Professional)
20 GB free hard drive space (Studio One Artist)
2.5 GB free hard-drive space (Studio One Prime)

Notes: Finally the VSR 3.2 is here! It is the enhanced successor of the Vermona VSR-3 - Vintage Spring Reverb.

Most of the features, like the AccuBell spring tank (type 9), the TONE control as well as in and output stages are equal.

What has been improved is the way EFFECT STOP is working. Compared to its predecessor VSR 3.2 offers the possibility to determine where EFFECT STOP cuts the signal path: PRE or POST the spring tank. In the new PRE mode the input of the spring tank is cut from the signal path, so the reverb's decay isn't abruptly stopped when pressing EFFECT STOP and still can fade out.

The VSR 3.2 is suitable for all kinds of input signals like synthesizer, organs, guitars, vocals etc. It's available as of now from stock. It is already listed in our latest price list from 2015-05-01.

*UK 3-pin power adapter included.

Notes: All analogue sonic recreations of 5 legendary fuzz circuits plus a future classic combination.

For this limited run of our Constellation Fuzz we carefully hand-select NOS germanium CV7003 transistors (military spec OC44) made in the UK by Texas Instruments in 1968.

Each pedal is built by hand, one at a time in our workshop in Athens, Greece and comes in a beautiful laser-etched aluminum enclosure and natural stained wooden box.

Voicings:

FF: a tribute to the most copied fuzz circuit.
VTB: inspired by the Italian made fuzz circuit
3/2: voiced after the mythical circuit knows as mk1.5
2: the soaring gain 3-transistor fuzz circuit
RM: a treble booster as close as it gets to the real thing
RMFF: a tailor made RM into a FF

Note: Constellation CV7003 requires a centre negative power supply for proper operation ( - centre, + ring ). It is a positive ground circuit. Do not use a daisy chain power supply with negative ground effects. Please make sure to use an isolated power supply output!


Note: Constellation CV7003 requires a center negative power supply for proper operation ( - center, + ring ). It is a positive ground circuit. Do not use a daisy chain power supply with negative ground effects. Please make sure to use an isolated power supply output !

Notes: ***B-STOCK: Box opened, product in perfect working order***


Reverb. Well...kind of.

Welcome to Aurora, a spectral reverb capable of a wide palette of sounds: from lush caverns and whale songs, to alien textures you've never created before. And likely, will invoke a hunger for exploration you felt when you first touched a modular synth.

Aurora uses a phase vocoder audio engine which separates the input signal's time and pitch domains. By blurring these signals you can achieve beautiful time-stretched tails, or cybernetic metallic effects.

Since Aurora's sonic response is entirely dependent on the input signal, no two patches will sound alike, lending itself to an infinite world of surprise and discovery.

Discovery. It's why we are all here.

A portion of all Aurora proceeds will help the fight against shrinking ice caps and dwindling polar bear populations.

Tech Specs

Width: 12HP
Depth: 22mm
Power Consumption: +12V=215mA, -12V=5mA, +5V=0mA

Notes: Live performances are more than just a job, they are an experience for the performers, the audience and for the sound engineer. The EMPIRE TMX series was engineered to precise specifications to deliver the kind of performance you demand, while giving you everything you need to create an unforgettable experience. The EMPIRE TMX80DFX is part of the TMX line, which also includes the TMX200DFX, TMX160DFX and TMX120DFX.

The TMX80DFX may be small but it's loaded with just what you need including 14 x total inputs comprised of 4 x XLR jacks with phantom power, 8 x line jacks and stereo RCA. These low-noise channels are your best friend when connecting instruments, mics, or even your iPod for playing between sets. Even better, each mono and stereo channel has its own 3-shelf EQ, so you can dial in every nuance you need in seconds. in addition, there is a full 9-band stereo EQ. A/D and D/A conversion is performed with 24-bit precision. Easy-to-view knobs with incredibly smooth movement help to make mixing feel like playing a fine instrument.

The TMX80DFX's on-board Alesis digital effects processor provides pristine 24-bit, ultra-clean digital effects you, and the audience, won't soon forget. Effects include Echo, Echo+Verb, Tremolo, Plate, Chorus, Vocal, Rotary, Small Room, Flange Verb, Large Hall. 100 Presets are included, leaving you plenty of options for coloring the mix.

The TMX80DFX comes standard with the ability to deliver ultra-clean power at 2 x 350W (4 Ohms) or 2 x 180W (8 Ohms). These aren't peak rating either, this is pure continuous power. In short, it's a workhorse. Fortunately, all that power isn't as heavy as you might expect. Weighing in at just under 11 pounds, the TMX80DFX is a clear winner in the power-to-weight class.

Whether you need just 8 channels, a full 20 or anything in-between, the Alto Professional EMPIRE TMX series has something to help you create an unforgettable experience every time.

Notes: The Pingable Envelope Generator (PEG) from 4ms is a dual envelope generator whose envelope lengths are set by incoming clocks or "pings".

The PEG has full CV control of envelope shape, skew, and ping (clock) division/multiplication, as well as a plethora of triggering and cycling options (AD, AR, quantization, cycle), and a tap tempo button for each channel.

Scaling/shifting:
- Scale knob is an attenuating inverter for main envelope output (Maximum 0V to +10V non-inverted, and Minimum -10V to 0V inverted).
- Bi-polar button centers main envelope output around 0V (-5V to +5V output)
- "+5V ENV" jack is a non-scaling output that always produces a 0V to +5V envelope, regardless of Scale and Bi-polar settings
- "OR" jack outputs an analog OR of the two scaled envelope curves. This outputs the highest value from either envelope at any given moment, taking into account the Scale and Bi-polar controls.

Gate outputs:
- End-of-Rise (EOR) gate output goes high when envelope finishes a rise portion, and goes low when envelope begins a rise portion
- End-of-Fall (EOF) gate output goes high when envelope finishes a fall portion, and goes low when envelope begins a fall portion
- Jumper for each channel changes EOR output to a Half-Rise gate output. The Half-Rise jack goes high when 50% of the time of the rise portion has elapsed, and goes low after 50% of the time of the fall portion. Using the Skew parameter, this jack provides a variable phase gate output useful for quadrature effects and clock phase shifting and trigger delay effects. Factory setting is EOR for red channel, Half-Rise for blue channel.

Triggering/cycling:
- Cycle button for each channel forces envelope to self-cycle in sync with the ping clock (LFO mode). Button lights up when in cycle mode.
- "T" jack toggles the state of both channels' Cycle button when a gate is applied
- "QNT" jack for each channel triggers an envelope to start at the next quantized beat, with respect to the divided/multiplied ping clock. Holding a gate high on this jack causes the envelope to repeat.
- "Async" jack for each channel causes an envelope to output immediately (asynchronously). Holding a gate high results in an AR envelope (rise-sustain-fall). If cycle mode is enabled, the envelope will continue to cycle at this new phase with respect to the ping clock. Phase can be reset to being in sync with the ping clock by pressing the cycle button or applying a pulse to the QNT jack.

CV input jacks:
- CV control of Ping Div/Mult, Skew, and Curve using the CV jacks. Respective knobs set the center offset for the applied CV
- CV of 0-10V will modulate the parameter's full range However, a 0-5V CV will modulate the parameter within a very useful range.

Notes: The PLUS Pedal is more than just a stomp-box - it is a vast extension of your instrument that bridges the gap between rhythm and lead parts, and lets all musicians explore completely new territories.

Besides being a powerful arrangement and compositional tool, The PLUS Pedal can also be used for creating interesting and unique sound effects that would otherwise be impossible to achieve in real-time.

Whether you are a composer, solo performer, sound designer or part of a band - the ability to instantly turn any melodic sound produced by your instrument into a layer of continuous sound will completely change the way you approach music.

Real-time audio sampling is a unique audio algorithm developed by GAMECHANGER AUDIO that lets you capture and sample tiny bits of your instrument's signal in real time and loop them into a seamless, warm and responsive sustained tone.

Unlike existing granular synthesizers and synth-pad triggers, PLUS Pedal actually runs a constant Hi-Res recording of your instrument, and once engaged, the RealTime sampling algorithm instantly creates a circular micro-loop out of the most recent audio signal produced by you.

Think of it as a smart looper that only catches the last segment of your chosen note or chord, and uses it to create a continuous sound.

The resulting layers of sustain can be practically indistinguishable from the original tone of your instrument, and you can further adjust and fine-tune the PLUS Pedal to achieve the exact type of sustain you have imagined.

Notes: What It Is

Based upon the successful Really Nice Compressor, this variation not only fits the increasingly popular API500 series rack, but delivers an improved dynamic fidelity befitting the format! This dynamic-range compressor provides positive signal control while leveraging its pedigree for simultaneously reducing collateral sonic damage. Additionally, some thoughtful features have been added that most folks won't overtly notice, but will be glad that they're there: overcurrent protection prevents a rare failure from bringing down your whole 500-series rack, an early-warning power supply detection that causes the RNC500 to enter bypass-irrespective of the front panel switch position-to avoid power-down "pops", a robust 18 guage electro-galvanized enclosure that keeps the delicate electronics safe from harm and helps protect against Electromagnetic Interference (EMI) from affecting things inside or outside of the enclosure.

How It Sounds

As with the original RNC, the RNC500 can exhibit a sonic neutrality while giving the recordist a level-of-control difficult to obtain without adding unwanted artifacts. Unlike the original RNC, however, the RNC500 possesses a sonic "beefiness"-a growl, if you will-that adds a slight, but very compliant, bottom-end to the source material. Years ago, FMR Audio designed a multi-channel RNC for London's famed Air Studios. It was with that device that an RNC with extra "heft" was first encountered. It turns out that much of this "un-RNC like" growl is a result of the higher operating I/O levels like those present on the RNC500. It seems that the harder the RNC500 is hit, the heftier the sound. The RNC500 could be broadly characterised as "clean", but with a hint of attitude...that's under your control!

How It's Done

Like all FMR Audio dynamic audio processing products, sidechain electronics have been replaced with chunks of software to accomplish both a bill-of-materials cost reduction while simultaneously improving dynamic performance accuracy and consistency. The beauty of this approach is that the main signal path (all dynamic audio processors have two paths: a sidechain/control path and the main audio path) remains firmly in the analog domain thereby avoiding latency and digital conversion artifacts that are sometimes unwanted. Coupled with a faster (40x) processor and higher-resolution (24-bit) arithmetic, sealed switches & relays, multi-layer printed circuit board (PCB) the RNC500 will deliver smooth, controllable and reliable compression for years to come.

Notes: What It Is

It's tempting, if not a little lazy, to view these new 500-series offerings as mere repackages of the tried-and-true products like the RNLA. There is really nothing mere about them. It's not that there aren't obvious connections...the RNLA500's lineage is definitely visible and audible: red knobs-albeit slightly more refined-provide a visual clue as to its origins while it's thick & gooey sound tell you the RNLA's algorithm is still beating in its silicon heart! Okay, it's still an RNLA that you can use to add some compression-induced character (and control) to your vocal/bass/drum/mix/guitar/piano/orchestral/banjo tracks. It's also comfortably responsive to its controls, just like the 1/3 rack version. So what about this isn't merely a repackaging?

First, there's the 500-series thing: small, rugged and convenient analogue audio processing modules that fit into just about any recording situation-from pro studios to bedroom venues. Having what you need, when and where you need it is, as "they" say, half the battle. The 500-series format is, well, everywhere. Secondly, although convenience and size are important (this is audio after all), if it doesn't deliver the sonic results, what's the point? Even dyed-in-the-wool RNLA users notice that there's something more here: thick & gooey, meet creamy & smooth! From fully, electronically balanced I/O to higher-resolution arithmetic, the net result is a professional audio compressor that's both responsive, small, rugged and has tone for days! RNLA progeny? Yes. But not merely...

How It Sounds

Okay, thick, gooey, creamy & smooth. Got it. For most of us, this means that it sounds good, but what does that mean? The RNLA500 is, admittedly, much "gentler" and not as apt to grab'n'run with the signal as other, more "modern-sounding" compressors. Like an old-timey photocell, the RNLA500 is a little resistant to responding right away, but requires the signal to be there for a while to get the photocell to act. That slight hesitancy to respond is one of the key performance parameters that causes opto (and opto-like) compressors to be so coveted. Although the RNLA500 is a VCA-based compressor, the algorithm controls it in a manner that puts the essence of opto-compressors in a more modern and controllable compressor.

How It's Done

Like all FMR Audio dynamic audio processing products, the sidechain electronics replaced with chunks of software to accomplish both a bill-of-materials cost reduction while simultaneously improving dynamic performance accuracy and consistency. The beauty of this approach is that the main signal path (all dynamic audio processors have two paths: a sidechain/control path and the main audio path) remains firmly in the analogue domain thereby avoiding latency and digital conversion artifacts that are sometimes unwanted. Coupled with a faster (40x) processor and higher-resolution VCA control, sealed switches & relays, multi-layer printed circuit board (PCB) the RNLA500 will deliver smooth and controllable compression for years to come.

Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.

Notes: Erica Synths Bassline is fully analogue synth voice module for ultimate basslines and leads.

It features AS3340 VCO with three waveforms, a filter inspired by Erica Synths Acidbox and unique features - transistor based suboscillator and two BBD lines that emulate VCO detune creating a sound of massive polysynth from one oscillator.

Accent provides more expression to the bassline, by adding volume and opening the VCF slightly.

Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter

Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter

Notes: The MATHS music synthesizer module is an analogue computer designed for musical purposes. Amongst other things, it will allow you to:

Features

Generate a variety of linear, logarithmic, or exponential triggered or continuous functions

Integrate an incoming signal

With no signal applied, generate a variety of linear, logarithmic, or exponential functions

Add, subtract and OR up to 4 signals

Generate analogue signals from digital information (Gate / Clock)

Generate digital information (Gate / Clock) from analogue signals

Delay digital (Gate / Clock) information

If the above list reads like science rather than music, here is the translation:

Voltage Controlled Envelope or LFO as slow as 25 minutes and as fast as 1khz

Apply Lag, Slew or Portamento to control voltages

Change the depth of modulation and modulate backwards!

Combine up to 4 control signals to create more complex modulations

Musical Events such as Ramping up or Down in Tempo, on command

Initiating Musical events upon sensing motion in the system

Musical note division and / or Flam

Perfect for modulating the DPO and just about anything else

Page for Classic version of MATHS

Specifications

Width: 20hp
Max Depth
(incl. power cable): 32mm
Power:
60mA@ +12V
50mA @ -12V

Notes: Black version of AJH's random voltage generator, based on the ultra-rare 1970s EMS RVG. Complex, triggerable modulation source with multiple outputs and full CV control.

Supplier's Notes:
The Random Voltage Event Generator (RVG) is a faithful replica of the vintage EMS Random Voltage Generator. It produces random voltages which vary smoothly or in a step-wise manner. Random timing pulses are also available. The rate of change of all outputs is voltage controllable over a wide range.

Just like the original RVG it uses four unijunction transistors - three of them are configured as ramp and hold generators and the fourth is an LFO. It produces two separate random voltages but also the clock time between pulses can be randomised.

The module offers some extra features: it is possible to add a bias voltage to either of the random voltage outputs, and also add slew to Voltage 1. There is a CV control of the LFO frequency and clock speed as well as CV control of the Time variance.

The internal LFO can be tapped thanks to dedicated outputs for both sawtooth and triangle waveforms, and the waveform shape follows the time variance. The internal clock can be started using an external gate or with the help of the manual trigger button that works when the clock is stopped.

The TR-IN input allows an external clock to be used instead of the internal LFO. There is also a gate output, the gate length changes in proportion with the time variance, and the duty cycle of the gate can be varied from 1% to 99%.

*limited edition!

Module Width: 14hp

Module Depth: 26mm (Including power lead)

Current Usage: 95mA Positive, 70mA Negative

Notes: The Badwater is a bass tone magnification device sonically highlighting what makes bass so crucial to music. The all-in-one bass pre-amp and DI features optical compression, overdrive, and a four-band EQ section. Enhance your bass rig's capabilities and dial in everything from warm cleans, gritty chords, punchy drive, or bright and crisp slap sounds.

Sustain

The Badwaterfeatures an internal optical compressor. It's first in the signal path and is always on, though its strength is adjustable. Use the Sustain knob to add compression for long sustained notes and chords while smoothing out your transients. At a minimum, you will have a minimal effect, but as you increase the knob, you will hear more extended notes and squashed transients.

Drive Control

Give your sound some teeth by adding a subtle breakup or a tastefully driven distortion. Use the Voice toggle to select one of three options for how much low and high-frequency content is allowed into the drive section, then use the Blend knob to blend between your fully clean and fully distorted signal. Blend your clean and driven signal to taste for increased note clarity as the clean and dirty channels run parallel. The drive control also features a separate Level knob to boost or cut the drive signal.

Shaping and EQ

Cover just about any musical genre needs with the extensive EQ options from the Badwater. Dial in your base tone with boost/cut low, mid, and high frequencies, then zero in on your perfect tone by sweeping between 500 Hz to 2.4k Hz with the Low Mid Frequency knob (LMF) or 3.5k Hz to 7.5k Hz on the High Mid Frequency knobs (HMF).

XLR Out

Badwater features both 1/4 inch and XLR out options, so you're always ready with a usable bass rig. Use the XLR to connect directly to the front-of-house or use the 1/4 inch out to run to and amp. Both outputs can be run simultaneously for direct and live amp stagemonitoring. The Badwater Does not accept power from phantom power. Phantom power will be blocked out and not damage the Badwater, but it is best to avoid turning on phantom power when the unit is connected.

Specs

The Badwater comes coated in a matte black enclosure with dark green and light blue ink with art inspired by the Badwater Basin in Death Valley National Park. Illustrated by Josh Yosurack
The die-cast enclosure's exact size is 3.62"x 4.79" x 2.25" including knobs.
Power requirements are 9VDC, center negative (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended.
Power supply not included.

Packaging dimensions: 14.6 x 10.7 x 6.4 cm
Weight: 0.46 kg

Notes: The Joue Play combines an expressive multi-instrument, an intuitive application and interactive content to practice. It's also a MIDI controller compatible with all MIDI music softwares (DAWs).

Experiment Music Creation Freely

Get started now with Joue Play, an all-in-one system combining:
An expressive, compact & durable multi-instrument
A dedicated, ultra intuitive application
A library of built-in video tutorials

Open New Musical Worlds in a Snap

Switch pads on the fly to instantly transform your Joue Play into a guitar, piano, drums or keyboard and explore their assigned sound banks.

Transform the Sound

Play and experiment with a multitude of effects by varying the pressure of your fingers to adjust their intensity.

Creative effects

The effect zones on each of the Play Pads allow you to modify the sound to add the little touch that will make the difference in your creation. Add distortion, reverb and more.

Expressive effects

Joue Play's unique technology offers a sensational expressiveness. Express yourself in the moment with natural gestures and enjoy all the spontaneity and expressiveness of acoustic instruments.

Don't Program, Just Play!
Enter a creative mode with no barriers thanks to a turnkey app. No need to spend hours on overly complex music software, enjoy the simplified version of essential music creation tools in the Joue Play App.

Available for macOS, Windows and iPadOS.

Looper: Choose the number of bars and easily record your musical loops.
Mixer: Adjust the volume of your song or of individual tracks.
Visual feedback: View the notes that are played in real time.
Tuning: Change the tune of your instruments and choose your scale.
Metronome: Choose the BPM of your track and activate the metronome to play along.
Live quantize: Always play in rhythm by setting your notes on the tempo.
MIDI & audio export: Export your song as MIDI clips and audio STEMS.
Section edit: Cut your track into parts, duplicate and move them.
Free tempo: Your first loop sets the tempo of your track.

Audio is Coming in the Joue Play App
Discover soon 2 brand new features to add audio tracks to your creations.
Leave your email so you don't miss the release.

Build up your Skills

Practice by learning the basics or by replaying a selection of famous songs step by step through a series of video tutorials, also available as projects in the Joue Play App.

Practice tutorials

Get familiar with the fundamental principles of musical practice.

How to play covers

Turn the songs you love into the ones you'll love to replay.

Get Inspired by Artists' Sound Worlds

Available as direct download in the Joue Play App, Artist Packs invite you to explore the musical worlds of renowned artists with 8 new Signature instruments to add to your library to enrich your creations.

Explore Other Forms of Creation

Use the Joue Play with its dedicated app or compose with hundreds of sound banks via Garageband, learn to play in a fun and playful way with Melodics or remix the creations of millions of users from BandLabsocial platform.

Go Further with Pro Option

Your Joue Play evolves with you and leads you through your transition to professional music production softwares to let your creativity express itself fully.

An Eco-Designed Instrument

So that digital music can rhyme with sustainability, the Joue Play was designed to last, just as acoustic instruments. Production is carried out with suppliers at 80% located in France, using sustainable materials.

With You Everywhere You Go

Connect your Joue Play to the app and create anywhere, when inspiration comes! Compact and lightweight, it slips easily into a backpack and follows you on the go so you don't let any musical idea slip away.

In the box

Play Board (wood, metal, pressure sensitive captor)
Play Pads: Piano, Guitar, Drums, Xylophone (silicone, RFID chip)
USB-C to USB cable- C + adapters (Apple Lightning & USB-A)
Storage case
Free Joue Play app available on macOS, Windows and iPadOS
Free video tutorials

Compatibility

The Joue Play application is available on macOS, Windows and iPadOS.
The Joue Play is a MIDI controller that can be used with all MIDI-compatible applications and music softwares.

Notes: The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company's 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.

A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.

Features
2 configurable auxiliary buses
XLR-type and 14" metal jack connector sockets
RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs
2-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs and mix output
Ten-segment LED output metering
Intuitive and comprehensive solo system
Headphone output
Easily rack mountable
The Soundcraft EPM will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.

Notes: The new MULTI-FORMAT CASE PLAYER/MIXER (V10/A9) SET is specifically designed for transporting two CDJ/Multimedia Players and a 6 or 4-channel club mixer, such as the Pioneer DJM-V10, DJM-A9, or Ecler Warm 4. The case is universally compatible with all current models from Pioneer DJ, Denon, Allen & Heath, Ecler, Rane and Reloop, and can be adjusted to different device sizes using the included foam strips. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road.

Fits

Pioneer DJM-V10
Pioneer DJM-A9
Pioneer DJM-900 NXS2
Pioneer DJM-900 NXS / SRT
Pioneer DJM-800 / 700 / 600
Pioneer CDJ-3000
Pioneer CDJ-2000 NXS2
Pioneer CDJ-2000 NXS
Pioneer CDJ-900 / 850 / 800
Pioneer XDJ-1000
Allen & Heath PX5
Allen & Heath DB4
Allen & Heath DB2
Allen & Heath Xone 92 / 62 / 43C
Denon LC 6000 Prime
Denon SC-6000 / SC-6000M
Denon SC-5000 / SC-5000M
Denon X1850 / X1800
Denon X1600
Denon SC3900
Denon SC2900
Reloop RMX-90 DVS
Reloop RMX-80 Digital
Ecler Warm 4
Ecler NUO4
Rane MP2015
Rane Sixty-Eight / Sixty-Four

Specs

Outer measures: 125,4 x 59 x 25 cm
Inner measures: 33,1 x 42,5 x 8,4 cm / (CDJ compartment) 43,7 x 45,4 x 8,4 cm (Mixer compartment)
Weight: 21,5 kg

Notes: Pro-Ject's first ever fully automatic turntable makes it easier than ever to enjoy hi-fi sound. Auto start and stop mean you just need to press play and the stylus is applied to the vinyl for you.

Supplier's Notes:
The Beginning Of A New Pro-Ject Story

The A1 introduces the completely new Automat Line. Pro-Ject have always had one purpose since establishment in 1991: bring HiFi Stereo music enjoyment to as many people as possible. The Pro-Ject product catalogue has been expanded with a fully automatic entry-level turntable and create new opportunities for future vinyl beginners and enthusiasts. The A1 is handmade in Germany by a traditional manufacture with a wealth of experience in making automatic turntables. Even the individual components are 98% made and produced in Germany. Paired with Pro-Ject technology and ideas, new standards in automatic turntable design. The new A1 is your best companion to comfortably enjoy your favourite vinyls.

The A1 has a fully automatic start/stop with the automatics being completely disengaged and decoupled during the entire runtime of the record. The fully mechanical automatics are engaged when you press start and the tonearm is automatically moved to the lead in groove of the record. Once playing, the automatics are completely taken out of the equation and do not affect the playback quality.

ULM Aluminium Tonearm
The A1 features an 8.3" ultra-light-mass aluminium tonearm. Together with the Ortofon OM10, which fits this design principle perfectly, we get extraordinary fast response and detail in terms of transients and microdynamics. Tracking force and anti-skating are factory pre-adjusted which make the A1 plug & play ready within a few seconds. This makes it perfect for vinyl beginners and experienced listeners alike as the sound quality is carried by all the audiophile features the A1 has on offer.

Audiophile Features
Ortofon OM10
Detailed Response & Microdynamics
A little-known fact is that the OM series of cartridges have their developmental roots and legacy in ultra-light-mass tonearm designs. Pre-fitted and adjusted in the Pro-Ject factory, it is the perfect partner for your A1.

New Headshell
Carbon fibre reinforced
The headshell is made of carbon fibre reinforced polymer which is super stable and rigid, while keeping the weight super low. The composite material results in excellent internal damping of resonances.

Wood Chassis
Heavy and avoids hollow spaces
The chassis avoids hollow spaces wherever possible, with just enough space to precision fit all the inner workings of the A1. As a result, the chassis' heavy mass reduces unwanted resonances to a minimum.

Damped Platter
Precision balanced aluminium
The damping ring on the inside adds weight and reduces resonances. In the last step the platter is turned and precision balanced to receive its fine edges and lowest wow and flutter deviations.

Connect it E
Semi-balanced RCA cable
To guarantee a perfect connection to your amp, this turntable uses a high-quality phono RCA cable. The Connect it E is a semi-balanced, low-capacitance cable, with superior shielding.

Phono Preamp
Built-in switchable preamp
If you don't have a phono preamplifier in your current HiFi setup you will benefit of the A1s built-in one. If you want to use another phono preamp, you can easily switch it off.

33/45 RPM
Ready for singles & LPs
No need to change the belt position. Easily change speed with the push of only a single button & listen to your favourite LPs as well as singles.

Automat Line
Handmade in Germany
The A1 is fully handmade in Germany and looks back on decades of experience. Paired with Pro-Ject technology, it sets new standards in automatic turntable design.

Technical Specifications

Speed: 33, 45 (electronic speed change)
Drive principle: belt drive, fully automatic
Platter: damped aluminium platter
Wow & flutter: 33: +/-0,27%; 45: +/-0,25%
Speed drift 33: +/-0,75%; 45: +/-0,65%
Signal to noise: 65dB
Tonearm: ultra-light-mass 8,3" aluminium tonearm
Effective arm length: 211mm
Overhang: 19,5mm
Included accessories: 15V DC / 0,8A power supply, dust cover, 7'' single adapter, feltmat, phono cable
Power consumption: 1,5W
Dimensions: 430 x 130 x 365 mm (WxHxD)
Weight:: 5,6 kg net

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Bags of character courtesy of 'tone wizard' Andy Timmons (Danger Danger). Dual delay lines work in tandem, creating stereo effects from vintage tape delay to infinite hold.

Supplier's Notes:
Andy Timmons' mysterious sounding "Halo" effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself. Andy spent decades combining and crafting the sounds you can now get from the HALO. Notes from the HALO dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects like modulation, saturation and compression. The results are stunning!

The pedal comes loaded with his signature delay tone and you can program your own sounds and save them as presets. Easily bounce between Side A and B on the fly, essentially giving you two delay pedals in one. In addition to Andy's signature "Halo" sound, there are numerous other rhythmic delays including: quarter note, dotted 8th, stereo rack mount analogue delay, and a vintage multi-head tape echo. Stunning stereo and pristine sound quality are further enhanced with controls for saturation, tone, and shelving filters that give you the ultimate delay pedal.

Think of HALO as two delay pedals that work in tandem, letting you switch between your main delay (side A) and an alternative (side B). With up to 1500 ms of available delay, set sides A and B for different delay times, then simply foot switch between the two. Keeley's Smart Stomp System allows you to press and hold either stomp switch to engage tap tempo mode. Press and hold the alternate stomp switch for infinite repeat/hold.

Each Preset bank gives you 2 delays settings for a total of 8 user-storable effects. Use the Rhythm control to select between different echoes like HALO, Analog, Tape, Quarter and Dotted Eighth. HALO's Saturate control adds tape compression texture to your tone. The Tone and High Pass Filter controls your overall delay shape and mix. The Rhythm Mode selector delivers 5 delay types, including Andy's unique "Halo" sound. Set the Time and Feedback controls low, and you can open up a world of ambient chorus and flanger effects.

Run the HALO in stereo for incredible true-stereo imaging or save your favourite combination of settings as a preset and the HALO becomes an incredibly compact multi-effect workstation!

Notes: The revolutionary XR16 is a powerhouse 16 input portable/rack-mountable mixer for iPad and Android tablets, and is ideally suited for both live and studio applications, thanks to its 8 award-winning MIDAS-designed mic preamps, convenient integrated Wifi module for wireless control, plus USB connectivity for file storage, system updates and uncompressed stereo recordings via the USB Stereo Recorder.

Also included are rack ears and protective bumpers for added flexibility in your studio and stage applications. Priced and sold individuall

Notes: Analogue HiFi Turntable for Audio Purists

The TURN 2 HiFi turntable is for vinyl purists wanting to immerse themselves in the world of analogue listening pleasure. Vinyl enthusiasts can start using the turntable straight away thanks to the pre-installed, elliptical cartridge from Ortofon.

Smooth belt drive & low-noise DC motor

The precise belt drive on the TURN 2 ensures a consistent platter speed with minimal wow and flutter. The built-in, low-vibration DC motor is extremely quiet meaning the TURN 2 can be ideally set up in listening environments or living rooms. The integrated motor control can be conveniently switched between 33 1/3 and 45 RPM using the speed selector switch, which is located underneath the chassis in keeping with the player's minimal styling.

Static balanced, straight tone arm with optimal tracking performance

The TURN 2 is fitted with a static balanced, straight tone arm, with an angled headshell and Ortofon cartridge that sits perfectly in the groove of the record. The manual tone arm lift allows the needle to be precisely lowered onto the record. The anti-skating mechanism ensures the best possible tracking performance.

Flexible Headshell Connection

The headshell connection makes TURN 3 a really flexible performer. The GM/SME locking mechanism allows for easy switching between pick-up cartridges mounted on different headshells.

Classy, matt slimline housing with high-quality terminal

Alongside the connection for the external DC power supply, the rear of the TURN 2 features two gold-plated, corrosion-resistant RCA connections and a separate earth connection to prevent the possibility of ground loops. All cable connections are removable, allowing for easy replacement or later upgrade. The heavy MDF plinth has an extremely slimline design and is available in a matt black, red or white finish. A high-inertia die cast aluminium platter with chrome edging harmoniously rounds off the elegant design of the TURN 2.

Technical Data

Turntable Section:
Type: Belt-Driven Analogue Turntable System
Drive: Belt drive
Motor: DC Motor
Turntable Speeds: 2 speeds (33 1/3, 45)
Wow and flutter: 0.2% WRMS
S/N Ratio: >65 dB (a-weight)
Record weight: recommended 500g

Turntable Platter:
Material: aluminium die-cast
Diameter: 300 mm
Weight: 550 g

Tonearm Section:
Type: Static Balanced Straight Tonearm
Effective Length: 224 mm
Overhang: 19 mm
Tracking Error Angle: 25-
Tracking Force: 1.5 g
Applicable Cartridge Weight: 4~6 g (incl. headshell 14~16 g)
Anti-Skating Range: 0 - 3 g

Terminals:
1x PHONO Out (gold-plated), 1x GND Earth Terminal

General:
Power supply: DC 12 V, 500 mA
Power Consumption: 6 W
Dimensions: 420 (W) x 340 (D) x 121 (H) mm (incl. Dust cover)
Weight: Approx. 4.6 kg